NYC Formula For Success

This 3-frame, in-camera Art Vivid HDR image was created on Lexintgon Avenue, NY, NY on New York City–On Location with Denise Ippolito & Arthur Morris 2-day Workshop with the tripod-mounted Canon EF 70-200mm f/2.8L IS II USM zoom lens (at 110mm), the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS-5D Mark III. ISO 400. Evaluative metering +1 stop yielded a base exposure of 1/30 sec. at f/22 in Av mode (+/- 2 stops). 2-second timer. Central sensor AI Servo/Rear Focus on the far end of the lowest building on the right, about 1/3 of the way into the frame. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version. Buildings Image #1

NYC Formula For Success

Take one cloudy, drizzly day. Add the tripod mounted 70-200 II with the 1.4XIII TC. Throw in the 5D Mark III’s in-camera Art Vivid HDR and a nice eye for composition and you have a recipe for some very pleasing and successful architectural images. And don’t forget to add lots of light for the dreary day.

This 3-frame, in-camera Art Vivid HDR image was created on Lexintgon Avenue, NY, NY on New York City–On Location with Denise Ippolito & Arthur Morris 2-day Workshop with the tripod-mounted Canon EF 70-200mm f/2.8L IS II USM zoom lens (at 110mm), the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS-5D Mark III. ISO 400. Evaluative metering +1 2/3 stops yielded a base exposure of 1/30 sec. at f/22 in Av mode (+/- 2 stops). 2-second timer. Lower right sensor AI Servo/Rear Focus about 1/3 of the way into the frame. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version. Buildings Image #2

In-Camera Art Vivid HDR

The 5D III’s in-camera Art Vivid HDR style really brings out the building’s greens, blues, and cyans. I absolutely love the In-Camera HDR feature and as regular readers know the Art Vivid style is my favorite for a variety of subjects. It yields a highly saturated 61mb JPEG file. I bring the images into Photoshop, clean the dust spots, and (sometimes) reduce the Saturation about 10 points> I did not need to reduce the saturation for these building images. In fact, but for tiny crops of two of the three images they are pretty much right out of camera. Clean and fast and easy, just as I like things.

Learn everything that I know about the EOS-5D Mark III including how I set up my camera for in-camera HDRs in the 5D Mark III User’s Guide. This guide also includes info on the following: 5D III exposure fine points, handling the WHITEs, the top LCD and all camera control buttons, all 5D Mark III drive modes, how to manually select an AF sensor, choosing an AF Area Selection Mode/how and why (includes extensive detail), and Menu Item Access. Coverage of almost all Menu Items and Custom Functions including the following: Image Quality, Auto Lighting Optimizer, Highlight Tone Priority, AF Configuration Tool (includes details on the custom setting that I use), Acceleration/deceleration tracking, Tracking sensitivity, Lens drive when AF impossible, Orientation linked AF point (I love this feature on the 5D III!), Highlight alert, Histogram display, Auto rotate, Custom Shooting Mode set-up, Safety shift, using the Q button, and setting up rear focus. The guide is–of course–written in my informal, easy-to-follow style.

This 3-frame, in-camera Art Vivid HDR image was created on Lexintgon Avenue, NY, NY on New York City–On Location with Denise Ippolito & Arthur Morris 2-day Workshop with the tripod-mounted Canon EF 70-200mm f/2.8L IS II USM zoom lens (at 110mm), the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS-5D Mark III. ISO 400. Evaluative metering +2 2/3 stops yielded a base exposure of 1/40 sec. at f/22 in Av mode (+/- 2 stops). 2-second timer. Lower right sensor AI Servo/Rear Focus about 1/3 of the way into the frame. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version. Buildings Image #3

You Guessed It

Take a moment to leave a comment and let us know which of the three images above is your favorite. And why. Be sure to click on each image to see the larger version.

More Short Notice, Dirt Cheap, Small Group, In-the-Field Nickerson Beach Photographic Instruction with Arthur Morris. May 27 (pm only), May 28 (am & pm) and May 29 (am only).

All 2013 of course. Right now only two folks are signed up for a total of four sessions so the instruction will be practically private. Morning sessions: 5am sharp-9:30 am. Afternoon sessions: 4pm til whenever. These are priced so low that you need to e-mail for the rates. Limit 5/session.

If you e-mail, please include all phone numbers. Payment in full due immediately via credit card after calling the office on a weekday: 863-221-2372. If you would like to join me, please get in touch via e-mail. Breeding American Oystercatcher (chicks likely) and Piping Plover (chicks possible). Common Tern and Black Skimmer/courtship behaviors. Herring and Great Black-backed Gulls. Breeding plumage Sanderling and other shorebird species. Lots of flight photography when the wind is right. Learn digital exposure and creative image design. Learn to create pleasing blurs at 5am.

IPT Info

For complete IPT info including schedule, cancellation policies, and the registration and release forms, click here.

Next Year In Holland

Despite a 100-year record cold spring with very few tulip fields in bloom this trip has been a spectacular success. The colors and variety of tulips at Keukenhof simply stun the mind and the senses. Denise and I are planning our Holland trip for next year: the Keukenhof Creative Tulip Photography IPT with a Touch of Holland. If you are a Happy Camper who is interested in joining Denise and me next spring, please shoot me an e-mail. Details will be announced soon.

We are currently fleshing out the details. The dates will be about the same, in mid April. In addition to the Keukenhof and the flower fields we will do an afternoon of windmills at Kinderdijk, a day in Amsterdam including a morning at the Rijks Museum and an afternoon visit to the Ann Frank House plus some street photography. We will do some street photography and fine dining in the little town of Edam. There will be about 7-9 days of photography in all. Those will include an afternoon option for a day or two of Purple Herons for those with long lenses.

Note: not surprisingly, early interest has been huge with several folks who want to sign up right now. The formal announcement of the dates and price is imminent.

Typos

On all blog posts, feel free to e-mail or leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

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And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gitzo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.