What to Do With an Empty Plowed Field of Grey Dirt?

The Streak Continues: 224

It is just after 6:00am in Amherst, MA as I publish this blog post. I am still working on putting the finishing touches on “What Makes a Great Natural History Image.” (SAT and SUN 10:30 till noon.) After a rough start with Photoshop entering the Twilight Zone of its own free will and volition my Photoshop Workshop really got rolling; everyone learned a ton and went home with a copy of Digital Basics. My programs are being generously sponsored by the Canon USA Explorers of Light group. Please stop by and say “Hi.” This post, which took me about 90 minutes to prepare, marks 224 consecutive days with a new educational blog post. With so many folks getting in the habit of using our B&H links and our Amazon logo-links why quit now? April, May, June, and July have been fantastic as lots of folks are getting the message; using my affiliate links does not cost you a penny and helps support my efforts here. To show your appreciation, I do ask that you use our B&H and Amazon affiliate links on the right side of the blog for all of your purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially Gitzo tripods, Wimberley tripod heads, and the like. We sell only what I have used and tested, and know that you can depend on. We will not sell you junk. We know the tools that you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail.

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What to Do With an Empty Plowed Field of Grey Dirt?

I created this image almost as an afterthought as we headed back to our vehicles after our morning photography session. The field of grey dirt did not get anyone excited and I am not even sure what caught my eye. But when I saw the image on my laptop the contrast of the colorless almost featureless grey foreground furrows with the brilliant patches of tulips in the upper part of the frame really worked for me. Denise and I did a new version of our joint program, “Creating Pleasing Blurs” for a big crowd at the NECCC conference tonight and I must say modestly that we really knocked it out of the park. Today’s image was the last one that I put in the program and it was quite well received.

A Guide to Pleasing Blurs

Pleasing Blurs are not accidents. Learn pretty much everything that there is about creating them in our A Guide to Pleasing Blurs by Denise Ippolito and yours truly.

Does This Image Work for You?

Does this image do anything for you? Take a minute to leave a comment and let us know what you liked or what you do not like about it. And do let us know why.

Join Denise Ippolito, the author of “Bloomin’ Ideas,” and Arthur Morris, Canon Explorer of Light Emeritus, for a great trip to Holland in mid-April 2015. Day 1 of the IPT will be April 9, 2015. We will have a short afternoon get-together and then our first photographic session at the justly-famed Keukenhof. Our last day, Day 8, April 16 will be a full day of photography.

The primary subjects will be tulips and orchids at Keukenhof and the spectacularly amazing tulip, hyacinth, and daffodil bulb fields around Lisse and points north. We will spend one full day in Amsterdam. There will be optional visits to the Van Gogh Museum, the Anne Frank House and/or the Rijk’s Museum. Street photography and sightseeing will be other options. We will spend a half day at Kinderdijk where we will be photographing the windmills and doing some creative photography. We will spend an afternoon in the lovely Dutch town of Delft where we will do some street photography and shopping. There is an optional church tower tour/climb. We will also enjoy a superb fine dining experience in a traditional restaurant.

Other than the arrival date: April 9, Day 1, and the date of our last day of photography on April 16, Day 8, there is no set itinerary. We will check the weather and play everything by ear to maximize the photographic opportunities. We will try to do Amsterdam, Delft, and especially Kinderdijik, on cloudy days.

There are several huge pluses to this trip. First off, denise is an amazingly skilled and caring instructor. Both her creativity and her willingness to share and to help beginning and intermediate photographers are unmatched. And though artie has learned a ton about flower photography from denise, their styles and techniques do vary considerably. You will have a chance to be counseled by and to learn from both of them. While denise will hunt you down to help you, artie’s teaching style is more “the closer you stay to me, the more you will learn.” Both leaders consistently inspire the participants. And each other. The sky, of course, is the limit.

You will learn to create tight abstracts, how best to use depth-of-field (or the lack thereof) to improve your flower photography, how to get the right exposure and make sharp images every time, how to see the best shot, and how to choose the best perspective for a given situation. And you will of course learn to create a variety of pleasingly blurred flower images. If you bring a long lens, you will learn to use it effectively for flower photography. Denise’s two favorite flower lenses are the Canon EF 100mm f/2.8L Macro IS USM lens and the Canon EF 24-105mm f/4L IS USM lens. Mine are the Canon 100mm f/2.8L IS macro , the Canon EF 180mm f/3.5L Macro USM lens ,and the Canon EF 300mm f/2.8L IS II USM lens, all almost always on a tripod. Often with extension tubes and/or either the 1.4X or the 2X (with the 300 II) teleconverters. Denise hand holds a great deal of the time. For flower field blurs denise uses the same lenses mentioned above along with her new 70-200mm f/2.8L IS III lens. Artie’s favorite is that same 70-200 often with a 1.4X TC but he uses both the new Canon EF 24-70mm f/2.8L II USM lens and the 300 II as well. Both of us use and love the Canon EOS 5D Mark IIIfor all of our flower photography. The in-camera HDR and Multiple Exposure features are a blast.

One of the great advantages of our trip is that we will be staying in a single, strategically located hotel that is quite excellent. Do note that all ground transfers to and from Schipol Airport will be via the free hotel shuttle bus.

What’s included: Eight hotel nights. All ground transportation except for airport transfers as noted above. In-the-field instruction and small group image review and Photoshop sessions. All meals from dinner on Day 1 through dinner on Day 8. There is good food at the hotel and we will be dining there on occasion; whenever you order off the menu be it at the hotel or at another restaurant only the cost of your main course is included. On these occasions the cost of soups, appetizers, salads, sodas and other beverages, alcoholic drinks and wine, bottled water, and desserts are not included. Snacks, personal items, phone calls, etc. are also not included. The cost of bus or train transportation to and from Amsterdam (about $20 US), museum entry, and tower and church entry fees (optional) are likewise not included.

Beware of seemingly longer, slightly less expensive tours that include travel days and days sitting in the hotel doing nothing as part of the tour. In addition, other similar trips have you changing hotels often and needlessly. One final note on other similar trips: the instructors on this trip actually instruct. On other similar trips the instructors, though usually imminently qualified, serve for the most part as van drivers and van door openers.

A non-refundable deposit of $1,000 per person is required to hold your spot. The second payment of $2,000 due by October 30, 2014. The balance is due on January 15, 2015. Payments in full are of course welcome at any time. All payments including the deposit must be by check made out to “Arthur Morris.” As life has a way of throwing an occasional curve ball our way, you are urged to purchase travel insurance within 15 days of our cashing your check. Artie uses and recommends Travel Insurance Services. All payments are non-refundable unless the trip fills to capacity. In that case, all payments but your deposit will be refunded. If the trip does not run every penny will of course be refunded. Again, please do not purchase your air tickets until you hear from us that the trip is a go. We are very confident that it will.

All checks should be made out to “Arthur Morris” and sent to: Arthur Morris, PO Box 7245, Indian Lake Estates, FL 33855. Call Jim or Jen in the BAA office with any additional registration questions: 863-692-0906.

For couples or friends signing up at the same time for the tulip trip, a $200/duo discount will be applied to the final payment.

When you send your deposit check, please print, sign, and include the paperwork here.

If you have any questions on the trip please contact artie by e-mail or denise by e-mail.

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