Thank You Nice Lady
On Saturday, I was photographing pelicans from the sidewalk and getting some really nice stuff on a lousy weather/great photography day in San Diego. A lady walked by and said, “There’s a male Allen’s Hummingbird up on the Coast Walk Trail.” “Thanks,” I said, “I have been photographing birds for 38 years and have never had any kind of chance on that species.” Thank you lady indeed.
What’s Up?
It was a drizzly morning in San Diego. There was little light at first. There were lots of pelicans and lots of tourists walking around on the cliffs scaring off first some and then all of the pelicans. I photographed hand held for two hours with the amazing Sony FE 70-200mm f/2.8 GM OSS II lens. You can learn more about why this lens is so much better than the original version and why it makes the Sony FE 100-400 GM lens obsolete in the blog post here. When the pelicans relocated, I did the same. Then I saw a nice pelican image in my mind and went back to the car to grab the 600 f/4 and the tripod. I was thrilled that the bird had not moved an inch when I got back to the spot.
Today is Sunday 16 January 2022. The forecast for this morning is for partly to mostly cloudy with a northeast breeze. Excellent. I am meeting long-ago shipmate Carolyn Johnson and her daughter Marni Nagy for a pre-IPT free morning. Carolyn is new to the Sony A1 and Marni is with my old friend, the Nikon D850. We are looking forward to a grand time. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took more than two hours to prepare and makes 67 consecutive days with a new one.
Please remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
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Sony Alpha 1 Bodies in Stock at Bedfords/free card offer!
Steve Elkins of Bedfords let me know recently that he had several Sony a1 bodies in stock. If one of them has your name on it, please click here and be sure to enter the BIRDSASART coupon code check the box for free shipping to enjoy free Second Day Air Fed-Ex. Right now, in lieu of the 3% credit refunded to the card you used for your purchase, you will receive a Sony 160GB CFexpress Type A TOUGH Memory Card, a $399.99 value!
Brand New and As-Good-As-Ever Bedfords BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Important Note
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Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
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This image was created on 15 January 2022 at La Jolla, CA. Standing at full height, I used the no-longer-available Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1000. The exposure was determined by Zebras with ISO on the rear wheel: 1/200 sec. at f/5.6 (wide open) in Manual mode. AWB at 9:35:18pm on a cloudy morning. Tracking: Spot S AF-C with Bird-Eye/Face Detection performed very well in a difficult situation. Click on the image to enjoy the high-res version. Image #1: Allen’ Hummingbird male calling
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Not a Pelican in San Diego!
How’s this? A Brown Pelican weighs between eight and ten pounds. It takes nine Allen’s Hummingbirds to weigh one ounce. Yet I love to photograph both of them.
Having never photographed Allen’s, I was thrilled to find the bird so quickly. After more than an hour, I had created 1008 images of the single bird. I kept 101 after the first edit. Four of my favorites are below.
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This image was created on 15 January 2022 at La Jolla, CA. Standing at full height, I used the no-longer-available Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1000. The exposure was determined by Zebras with ISO on the rear wheel: 1/200 sec. at f/5.6 (wide open) in Manual mode. AWB at 9:43:20pm on a cloudy morning. Tracking: Zone AF-C with Bird-Eye/Face Detection performed very well in a difficult situation. Click on the image to enjoy the high-res version. Image #2: Allen’ Hummingbird
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Photographing Tiny Birds in Low Light
When the Allen’s perched, it was pretty much oblivious to humans. There were lots of folks walking within ten feet of the bird and the little hummer never moved. My 600 lens only focuses down to 14 feet. I knew that I needed a TC to get additional pixels on the bird. The choice of the 1.4X over the 2X was an easy one because of the low light levels. I did not want to be using the higher ISOs. And it is easier to make sharp images at 840mm than at 1200mm. That said in the low light I was working with dry low shutter speeds and did lose lots of images to subject movement. But I did get a few very sharp and very good ones. Each of today’s images was cropped to about 50% of the original frame.
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This image was created on 15 January 2022 at La Jolla, CA. Standing at full height, I used the no-longer-available Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 800. The exposure was determined by Zebras with ISO on the rear wheel: 1/200 sec. at f/5.6 (wide open) in Manual mode. AWB at 9:50:51pm on a cloudy morning. Tracking: Zone AF-C with Bird-Eye/Face Detection performed very well in a difficult situation. Click on the image to enjoy the high-res version. Image #3: Allen’ Hummingbird side view
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The Side View
With the breeze from the east, most of the images were of the bird facing me. That was nice because the gorget was lit up nicely more than half the time. I had one chance at a side view and was lucky that just before the bird flew to a new perch, it gave me a very nice head angle for about three seconds. How handsome!
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This image was created on 15 January 2022 at La Jolla, CA. Standing at full height, I used the no-longer-available Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1250. The exposure was determined by Zebras with ISO on the rear wheel: 1/200 sec. at f/5.6 (wide open) in Manual mode. AWB at 9::58:27 pm on a cloudy morning. Tracking: Spot S AF-C with Bird-Eye/Face Detection performed very well in a difficult situation. Click on the image to enjoy the high-res version. Image #4: Allen’ Hummingbird scratching
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The Best Image?
Which of the four Allen’s Hummingbird images do you think is the best? Please leave a comment and let us know why you made your choice.
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San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version. |
The 2022 San Diego Brown Pelicans (and more!) Mini IPT. Monday 24 January thru the morning session on Wednesday 26 January 2022. Three mornings and two afternoons: $1649.00. Deposit: $499.00. Limit: 6 photographers
Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting with eggs and possibly chicks) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Duck; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals (depending on the current regulations) and California Sea Lions. And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.
Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.
Learning Exposure, Whether You Like It Or Not
Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on the exposure situation along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode and to get the right exposure every time as long as a bird gives you ten seconds with the light constant. (Or two seconds with SONY zebras…) And you will learn what to do when the light is changing constantly. What you learn about exposure is one of the great takeaways on every IPT.
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Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version. |
It Ain’t Just Pelicans
With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of all of those opportunities. And depending on the weather and local conditions and tides, there are a variety of other fabulous photo chances available in and around San Diego.
Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version. |
The San Diego Details
This IPT will include five three hour morning photo sessions, four one and one-half afternoon photo sessions, four working brunches that will include image review and Photoshop sessions. On rare cloudy day occasions, we may — at my discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.
A $499 deposit is required to hold your slot for this IPT. Best would be to call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due immediately.
Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version. |
Getting Up Early and Staying Out Late
On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
Great shots, Artie. #3 for me because it showcases the full range of colors on the bird. I also like the longer twig that he’s perched upon which adds a little more interest.
I’m a little late to the show here, but #3 caught my eye.
In my circles, we call this photo a “candy-ass” shot. Bird on a stick. No behavior/action to speak of. But a very pleasing portrait. (BTW, I take lots of “candy-ass” shots!)
What do I like? In addition to the nice color rendition of the greens on the back and the orange throat in the same shot that others mentioned, and the nice sharp image, the perch is a subtle and nice element. The gentle curve of the perch is reflected in the gentle curves of the bird’s profile, especially the top of the head. It makes for a unique composition.
I’m not accustomed to hummingbirds staying put for very long in my encounters (ruby-throateds).
Enjoyed.
Bruce
#3 takes the cake. Beauties one and all. Glad you had a great day.
Nice to run into you today at the Cove Artie! Glad you found the Allen’s. I’m torn between the 1st & 2nd shot. Wishing you better weather for your IPT this week!
Ditto, Sandy. Better weather? I pray for clouds in San Diego. In addition, the worst weather often leads to the best photography conditions.
with love, artie
Artie
Beautiful pictures i love them all but would go with #1 and #2 if i had to choose just 1. oops that’s 2
Artie i love my new 70-200 II it is crazy light and fast holy smokes it is fast and when i put on the 1:4 tele it still holds up to how quick and i am blown away how light and versatile to be able to hold it forever. Even with the 2X it is amazing Sony hit a home run with this one! Huge tanks to Bedford’s for getting me the new lens
Always with love b
Nice Very nice, I like
All beautiful but would pick #1. Perch and bird diagonal, open bill.
What a little stunner! I love all the images but, if I must, I’ll go with #3 as it best showcases all of the bird’s amazing colors.
Hi Artie,
Please let us know why the 70-200 so much better than the original version and why does it make the Sony FE 100-400 GM lens obsolete?
Yes, I am very curious as well – how a 70-200 can replace a 100-400, even if a 2.8.
Does the 70-200 accept teleconverters?
Mike and Jim,
I sort of shot myself in the foot by failing to finish a sentence and include the link. This is now correct:
You can learn more about why this lens is so much better than the original version and why it makes the Sony FE 100-400 GM lens obsolete in the blog post here.
I will summarize here: The new 70-200 f/2.8 II is amazingly small and light, focuses much more quickly and accurately than either the old version of the 70-200 or the 100-400, the zoom mechanism is infinitely better than the zoom mechanism of the 100-400. I would often joke that you need an oil filter wrench to zoom in and out with the FE 100-400 GM. You can zoom through the entire focal length range with less than a quarter turn of the zoom ring. In addition, the 70-200 II performs perfectly with either the 1.4X TC or the 2X TC. At 400mm with the 2X, it focus down to 33 inches. And of course at f/2.8 it is a very fast lens when used on its own.
I will be doing a follow-up blog post on the new lens very soon and will expound on my comments above. If this was a fight — the 70-200 II with TCs versus the 100-400, it would be stopped at the weigh-in!
Just my thoughts.
with love, artie
Great images all, Artie, but #3 is my favorite because it shows the green back as well as the orange throat. What was the actual background? Sky?
Thanks, David. The first two had the white sky background, the last two the gray Pacific Ocean background.
with love, a
ALL THREE ARE GREAT SHOTS BUT FIRST SHOT IS MY PICK.
I agree with #3 Great colors and really see the color patterns of the bird.
I like #3 the best because of the color on the side of the bird. But, #1, with the parted bill, is really good too. Great pictures in a tough situation. Such a beautiful little bird!
I prefer #3 as the full color is wonderful.
Hi Artie,
Welcome back to California! Glad you finally got to photograph “my” hummingbird. It is the most beautiful and charming of the North American species, but might be biased. BTW, we have 7 species of hummingbirds in southern California, some migrants, some residents.
It’s a very active species. When there is a good food source nearby, it doesn’t perch for long (or at all).
My favorite is #3, with #1 a close second, though I did go back and forth on those. It’s unusual to see them with their bill open, which is why I like #1. But #3 is more the typical pose with an eye on you.
Cheers,
-BugBob
Thanks Bug Bob. I am very glad that I found your personal hummingbird 🙂 Tanks for sending him to the cliffs!
with love, artie
Number one is my favorite. Wonderful image! IMO It has the best head position and the slightly parted bill adds interest.