What’s Up?
Early on Tuesday morning I spotted the young eagle in a pine near the nest tree. Then it disappeared for the rest of the morning. The crane on eggs is still on eggs. And the 2-colt crane family remained in the marsh while I was at the south end of the South Peninsula. I made a few images of an atypical group of seven cranes standing in the North Field doing nothing. Last and best was a session with a tame Eastern Meadowlark photographed from my SUV while working off the BLUBB at 1200mm.
I headed down at sunset and things were looking good for a while with a nice east wind and a hazy sun. I fanned on a fly-by American Bittern that flew from north to south while I was looking to the south. I had a few grackles and blackbirds on The Perch, but the party was ended by a single dark cloud about 10 minutes above the horizon. I packed up and drove off only to look back and see that a huge sun ball had broken through below the afore-mentioned cloud … And so it goes.
Today is Wednesday 22 March. The forecast for this morning is for mostly to partly cloudy with a freshening southeast breeze. I am not sure what I will be doing early. I have gotten lots of work done on my first GNPA keynote program, A Bird Photographer’s Story, and have assembled nearly 400 images that will be re-crafted to for the second keynote, Lessons from the Field. To learn more about the GNPA Expo early this April click here.
Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn …
Fan Mail
The Handoff. Gatorland Update. Sony 200-600 Versatility blog post here, generated zero comments. I was gratified, however, to receive some fan mail regarding that post. Here is my e-mail conversation with Robert C. Parsons:
AM: Dear Robert,
re:
RCP: Interesting comments about your day at Gatorland this past Saturday. I was one of the “dozen or so” photographers you noticed with decent gear …
am: Perhaps you were …
RCP: … who you observed “probably didn’t get a decent shot”. As a retired professional commercial photographer, I was wondering how you could ascertain the quality of my images by simply “observing” as you stated.
AM: After 38+ years of photographing birds, I generally have a very good idea of what the photos made by someone I observe in the field will look like, good or bad. I can often tell simply by the way they handle their gear. And I can certainly hazard a very good guess after I see what they are pointing their lens at. It is frustrating to watch folks shoot well off sun angle with their lenses pointed at cluttered nests completely blocked by sticks and vegetation with zero chance of success.
RCP: Your work is truly stunning …
AM: Thank you.
RCP: … but your apparent attitude …
AM: Your “apparent” is my “probably” (above).
RCP: … about less accomplished or experienced photographers who don’t avail themselves of your workshops or training media is in …
AM: I do take issue with your statement above. There are lots of folks who have never purchased a book or a PDF from BIRDS AS ART and have never attended a BAA Instructional Photo-Tour who consistently make great images. I have respect for the images, not for how the person got there. That said, many of today’s finest bird and nature photographers have learned from me and/or been inspired by me in one way or another …
RCP: … my opinion,
AM: You are of course entitled to your opinion.
RCP: … arrogant and condescending to others who are simply discovering the joys of photography as I did over 50 years ago.
AM: Perhaps you are right. I can see how you reached that conclusion without knowing me. I do, however, always love seeing folks excited about bird photography. I often ask beginners if they would like a tip. It was so crowded at Gatorland on Saturday past that I refrained from doing that.
I invite you to send me one good image from your Saturday session. It was a very challenging day. If you do, I would be glad to apologize profusely and personally to you on the blog. Either way, I will run our e-mail conversation in the blog on Wednesday. If you send me one great image, I will run it in the blog, admit that I was 100% wrong, and apologize as above.
With love, artie
Important Note
As of the time of publication, Mr. Parsons had not responded to numerous e-mail requests to see his best image from last Saturday, nor did he acknowledge receipt of any of my e-mails as requested.
And Please Remember
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Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy
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Please Remember Also
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Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
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This image was created on 19 March 2022 at Gatorland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 456mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 500: 1/1000 second at f/6.3 (wide open). AWB at 8:20:22Am on a mostly sunny morning. Tracking: Zone with Bird/Face-Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version. Image #1: Great Egret — Male passing twig to femaleYour browser does not support iFrame.
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No Comments At All
In The Handoff. Gatorland Update. Sony 200-600 Versatility blog post here, I wrote:
If you see any evidence of significant Photoshop clean-up work, please leave a comment and state your case clearly. All are invited to share their thoughts on today’s featured image, good or bad.
That post generated zero comments.
The Image Clean-up
The Animated GIF above shows Image #1 right after the raw conversion (the BEFORE) and Image #1 after the image optimization in Photoshop (the AFTER). The work took about 30 minutes. After I started on the lower right corner, I could not stop. I used my usual cadre of clean-up tools and techniques. Those included the Patch Tool, the Clone Stamp, the Spot Healing Brush, Divide and Conquer, and Content-Aware Fill.
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The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II. |
The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)
The techniques mentioned above and tons more great Photoshop tips and techniques — along with all my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my MacBook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.
Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: all the videos are now priced at an amazingly low $5.00 each.
You can learn how and why I converted all my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here.
You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
I see no evidence of photoshop clean-up work. With that said, great clean-up work!
Artie, I can’t wait to see RCP’s image! This will make an interesting post. I have known you since 2006 and at least 99% of the time, you are right! Thank You for all that you do! Layton