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This Silvery Grebe image was created at Torres del Paine National Park with the Gitzo 3532 LS carbon fiber tripod, the Mongoose M3.6 head, the Canon EF 600mm f/4L IS II USM lens, the Canon 2x EF Extender III (Teleconverter), and the Canon EOS-1D X. ISO 800. Evaluative metering +1 2/3 stops: 1/400 sec. at f/13 in Manual mode. Central sensor (by necessity) Expand/AI Servo Rear Focus AF on the center of the bird’s breast (as framed) active at the moment of exposure. Click on the image to see a larger version. Your browser does not support iFrame. |
A New Technique
While I have long used the 2X teleconverters with my f/4L IS super-telephoto lenses with great success I usually worked at f/8 or f/9. Recently I have begun working more at f/11 and f/13 (even at the expense of raising the ISO a bit; the resulting images have been insanely sharp. When I viewed this image in BreezeBrowser it looked as if the feathers had been sculpted with an exacto knife.
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This White-tufted Grebe image was also created at Torres del Paine National Park with the Gitzo 3532 LS carbon fiber tripod, the Mongoose M3.6 head, the Canon EF 600mm f/4L IS II USM lens, the Canon 2x EF Extender III (Teleconverter), and the Canon EOS-1D X. ISO 800. Evaluative metering +2 stops: 1/320 sec. at f/10 in Manual mode. Central sensor (by necessity) Expand/AI Servo Rear Focus AF on the base of the back of the bird’s neck active at the moment of exposure. Click on the image to see a larger version. Your browser does not support iFrame.
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Grebe-e-licous
It is always fun to photograph a new species. Getting to photograph two handsome new grebes on the same day was a special treat.
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The Original Capture
Immediately above is the extracted JPEG that accurately represents the tremendous blue color cast. The color cast was removed with a simple Average Blur Color Balance adjustment as described in Digital Basics File. Digital Basics is an instructional PDF that is sent via e-mail. It includes my complete digital workflow, dozens of great Photoshop tips including Digital Eye Doctor techniques, several different ways of expanding canvas, all of my time-saving Keyboard Shortcuts, and Layer Masking and NIK Color Efex Pro basics.
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High Key
Above is the BreezeBrowser Main View screen capture for this image. The black is the highlight alert. In real time, it flashes black and white just as it does on the back of your camera. The illuminated red square shows the active sensor. In Breezebrowser you need to make sure to check Show Focus Points under View to activate this feature. To see the focus points in DPP check AF Point under View or hit Alt L.
The main point here is that in order to reveal maximum detail on the bird that I needed to overexpose the background; doing this reduces noise and yields an excellent exposure on the bird. The trick is that you wanted to avoid having any blinkies at all on the subject.
Regular readers know that I use and depend on BreezeBrowser every day of the year. It allows me to sort my keepers and deletes the rejects faster than any other browsing program. We use it on the main computer in the home office to catalog our images file-drawer style. And the companion program, Downloader Pro allows me to download my images quickly and conveniently. It automatically adds my IPTC data and the shooting location. I have it set up to create a folder named by the Month/date/year. The Breezebrowser/Downloader Pro combo saves me many hours each week. To learn earn more or to purchase this great PC only program, click here.
Image Questions
Which of the two is your favorite? Please let us know why. In the opening image, would you have eliminated all of the reeds in the background? Why or why not?
EOS-1D X Autofocus Guide
Until I get around to doing a complete user’s guide for the 1D X my 1D X Autofocus Guide will help you to master and get the most out of my all time favorite professional digital camera body. It includes my customized Case setting for photographing birds in flight and in action.
5D Mark III User’s Guide
EOS-5D Mark III User’s can learn to set up and use their cameras exactly as I do. Includes detailed advice on all menu and custom function items, AF suggestions, and all you need to know about creating great in-camera HDRs and Multiple Exposures.
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Bosque Sandhill Crane Composite; click on the image to enjoy a larger version. |
Bosque del Apache 2013 IPT: βThe Complete Bosque Experience.β NOV 26-DEC 2, 2013. 7-FULL DAYS: $3399. Co-leader: Denise Ippolito. Introductory Slide program: 6:30 pm on 11/25. Limit: 12/Openings 8.
Please see the info on the short version of this IPT below if you will be spending Thanksgiving with your family.
Tens of thousand of Snow Geese, 10,000 Sandhill Cranes, ducks including point-blank American Wigeon and Wood Duck, amazing sunrises, sunsets, and blast-offs. Live, eat, and breathe photography with one of (if not the) world’s premier photographic educators at one of his very favorite locations on the planet. Top-notch Photoshop instruction. This will make 19 consecutive Novembers at Bosque for me. Nobody knows the place better than I do. Join us to learn to think like a pro, to recognize situations and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time we make a move we will let you know why. When you head home applying what you learned will prove to be invaluable. Includes all lunches and the Thanksgiving Buffet at the Crowne Plaza in Albuquerque. I hope that you can join me for what will be an unparalleled learning experience.
There is never a strict itinerary on a Bosque IPT as each day is tailored to the local conditions at the time and the weather. We are totally flexible in order to maximize both the photographic and learning opportunities. There is an introductory slide program on the night before the tour begins. We are up early each day leaving the hotel by 5:30 am to be in position for sunrise. After 18 years we pretty much know where to be when in what sky conditions and what winds. We usually photograph until about 10:30am. Then it is back to Socorro for lunch and then a classroom session with the group most days. We head back to the refuge at about 3:30pm each day and photograph until sunset. Then dinner with the group most nights. We always spend at least one afternoon at the ponds at the Albuquerque Zoo doing Wood Ducks and usually two mornings at New Mexico Tech doing American Wigeons. The rest is Snow Geese and Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity.
A $500 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, is due now. You will receive an e-mail notifying you of that after you place your deposit. If the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.
Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.
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Bosque Snow Goose Composite; click on the image to enjoy a larger version. |
Bosque del Apache 2013 IPT: βThe Short Version.β NOV 30-DEC 2, 2013. 3-FULL DAYS: $1199. Co-leader: Denise Ippolito. Introductory Slide program: 7:30 pm on 11/29. Limit: 12/Openings 4.
Tens of thousand of Snow Geese, 10,000 Sandhill Cranes, amazing sunrises, sunsets, and blast-offs. Top-notch Photoshop instruction. This will make 19 consecutive Novembers at Bosque for artie. Nobody knows the place better than he does. Join us to learn to think like a pro, to recognize situations and to anticipate them based on the weather, especially the sky conditions, the light, and the wind direction. Every time we make a move we will let you know why. When you head home applying what you learned will prove to be invaluable. Includes all lunches. I hope that you can join us for these three great days; they will offer a great learning experience.
There is never a strict itinerary on a Bosque IPT as each day is tailored to the local conditions at the time and the weather. We are totally flexible in order to maximize both the photographic and learning opportunities. There is an introductory slide program on the night before the tour begins. We are up early each day leaving the hotel by 5:30 am to be in position for sunrise. After 18 years we pretty much know where to be when in what sky conditions and what winds. We usually photograph until about 10:30am. Then it is back to Socorro for lunch and then an informal Photoshop/image review session with the group most days. We head back to the refuge at about 3:30pm each day and photograph until sunset. We may spend an afternoon at the ponds at the Albuquerque Zoo doing Wood Ducks and we may spend a late morning at New Mexico Tech doing American Wigeons. The rest is Snow Geese and Sandhill Cranes with the emphasis on expanding both your technical skills and your creativity.
A $500 non-refundable deposit is required to hold your slot for this IPT. Your balance, payable only by check, is due now. You will receive an e-mail notifying you of that after you place your deposit. If the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.
Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.
BIRDS AS ART 2nd International Bird Photography Competition
Learn more and enter the BIRDS AS ART 2nd International Bird Photography Competition here. Twenty-five great prizes including the $1000 Grand Prize and intense competition. Bring your best.
2014 Tanzania Summer Safari
If you are interested in joining us in Tanzania next summer please shoot me an e-mail and I will be glad to forward you the PDF with dates, itinerary, and price.
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Typos
In all Bulletins, feel free to e-mail or leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. π
IPT Info
Many of our great trips are filling up. Two great leaders ensure that you will not learn more anywhere about how to make great images. Click here for the schedule and additional info.
I like both of the shots but having to choose one, I’d have to go with the first image. When I first saw the photo, the eye jumped out at me. I don’t think I’d remove the reeds, I think they help break up the background a bit but if you posted a version with them removed for comparison, I’d be interested to see it π
Stay tuned….
Artie, the grebes were awesome- I need to post mine soon!
Thanks Neesie :).
Arthur, Beautiful birds, good exposures, detail and framing. Backgrounds too stark. Birds seem to be “on top” of bright glare. Jim Amato
I agree. More on these coming soon. artie
Fantastic photos , I hope you are enjoying my nice country π , see you .
See you soon Osvaldo π
We are loving it. On Sunday we had the most amazing afternoon with the Silvery Grebes: I kept 288 images on my first edit….
A brilliant red eye can always stop you in your tracks. I have seen a few wildlife photographers that prefer to shoot in the f-stop “mid range” routinely with exceptional results. Still favoring wide open here except under rare circumstances. While your Silvery Grebe appears perfectly exposed, the White-necked Grebe appears overexposed by less than a stop (perhaps add a little black). In the past you’ve noted a few blinkies are OK, but you now prefer none? I’m not sure if your reference to them is within the Breezebrowser editing process. I’ve been pushing the ISO higher on each occasion to do so with no disappointment thus far (1DM4).
Thanks Bob. When you write, ” the White-necked Grebe appears overexposed by less than a stop (perhaps add a little black). In the past youβve noted a few blinkies are OK, but you now prefer none?” you totally confuse me.
#1: the White-necked Grebe is not at all over-exposed.
#3: in nearly all front lit situations I strive for and advise folks to avoid blinkies on the subject. On rare occasion, a very few blinkies on the subject can be best…. I never taught folks to always go for a few blinkies on the subject….