What’s Up?
I spent most of the day working on the 2015 Bosque Current Conditions Update. That included working on more than a few new images to illustrate key points in the text.
The Week’s Sign That The Apocalypse is Upon Us
For the first time in my life, I forked over $60 to Pay per View, for the right to watch UFC 194: Weidman versus Rockhold and Aldo versus McGregor. I taped it and will be watching the bouts on Sunday morning….
BAA Bulletin 478
BAA Bulletin 478 is online and can be accessed here.
- Lessons on Photographing Piles of Penguins…
- The 2016 OCT/NOV Cheesemans’ South Georgia/Falklands Expedition: Their and my last one!
- Jim Neiger Flight School Photography: Osprey Heaven Workshops
- Your Help Needed and Appreciated/Affiliate Stuff
This image was created at Bosque on the next-to-last morning of the second IPT with the Induro tripod/Mongoose M3.6-mounted One row down and four AF points to the left of the center AF point (Manual selection)/AI Servo Expand/Rear Focus AF as originally framed was active at the moment of exposure. The chosen AF point fell on the back of the crane leaning forward with one leg raised, center left. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Sandhill Cranes and Ross’s Geese in the predawn lightYour browser does not support iFrame. |
Lesson on Photographing Piles of Cranes and Geese…
This feature lesson was adapted from “Lessons on Photographing Piles of Penguins…” in BAA Bulletin 278 (as above).
Photographing large groups of cranes and geese at Bosque and other locations is not as easy an endeavor as it might seem. There are so many birds that you need to pay attention to lots of small but important details. Keep reading to learn a ton.
- In general, try to get as high a vantage point as possible. At Bosque, most of the photography is done from the tour loop roads or dikes that are somewhat elevated. Raise your tripod to full height to maximize the height advantage; every bit of elevation helps. A higher perspective gives depth to the flocks.
- Unless you are doing a frame filling pure pattern shot, strive for a clean lower edge as above.
- Zoom lenses are really helpful when it comes to framing. Take extreme care when it comes to checking the left and right frame-edges… Small crops and a bit of Photoshop edge cleanup can work wonders as they did with the image above.
- Working on a tripod can really help with careful framing.
- Try to find a close bird that is distinctive either by position or pose so that it can serve as a compositional anchor: in today’s featured image I chose to focus on the crane with its leg raised, lower left to set off the rest of the birds in the image.
- Consider the options and choose your perspective carefully.
- As far as the upper frame edge, at times it is possible to have a clean upper edge as here. At times, the birds at the top will simply disappear out of the frame especially if you are working at a wide aperture.
- Speaking of f/stops, your best option when hand holding is to work wide open or close to it to ensure a fast shutter speed. If you are on a tripod and the birds are resting or sleeping, you have the option of going to a tiny aperture and trying to get lots of depth of field with the range of sharpness extending either well back in the frame or actually covering all of the birds; this is in part a function of your focal length and how far away from the birds you are. For today’s image I chose a wide aperture as that best fits my style. Just the one row of cranes and some of the Ross’s Geese in the front are in relatively sharp focus.
- As far as the overall image design is concerned, in situations like this it is often best to compose through the viewfinder as I did with this image. Focus on a possible subject/anchor and then slowly move the lens from side to side and/or a bit higher or lower. Note the clean look to the left and right frame edges that I came up here using that technique.
Which Bird Bugs Me?
One crane bugs me in today’s featured image. If you think that you know which one it is, please leave a comment.
Selling Your Used Gear Through BIRDS AS ART
Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.
Donna Bourdon used her old 400 DO exclusively as her long lens on the first-ever BIRDS AS ART UK Puffin and Gannets IPT in 2014. Her Atlantic Puffin with snack image won first place in the Photographic Society of Chattanooga 2014 Annual Photo Contest. |
Canon 400mm f/4 IS DO Lens
A New Record-Low BAA Price
Good friend and multiple IPT veteran Donna Bourdon is offering a well-used copy of the Canon 400mm f/4 IS DO lens (the old 400 DO) in very good plus condition for a new record-low BAA price, an insanely low of $2599.00. The paint on the lens show signs of wear, but nothing major. The glass is pristine. The included LensCoat is well-worn but functional. The sale includes the lens trunk, the front and rear lens caps, the leather front lens cover, the aforementioned LensCoat, and insured ground shipping via UPS ground. Your item will not ship until your check clears unless other arrangements are made.
Please contact Donna by e-mail or by phone at 1-423 280-6019 (Eastern time).
I used this lens for several years with great success, especially for birds in flight and while working from various type of water craft. In addition, it would make a great prime super-telephoto lens for folks with a 7D II. Gannets in Love was created with the 400 DO. You can see that one and 13 other killer images that I made with my old 400 DO here. The title of that blog post is “The Canon 400mm f/4 IS DO Lens: Fourteen Images that Prove that the Internet Experts are Idiots.” Donna’s lens is priced to sell. artie
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Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂
Artie,
Great image, love the combination of the cranes and geese, classic Bosque. Crazy guess on the crane, one leg on the second crane from the left is not symmetrical with the others in the image and it is the only crane that appears to be moving.
Hey Monte, I actually love that one. It was the bird that I focused on. Answer in the morning. a
Well Artie, your featured crane with the leg raised is very nice.
It does have however a snow goose slightly obscuring its outline. Could this be the one thing that slightly bugs you?
No sir :). a
In the back on the right, birds head is cut off and out of frame.
Not that one. Not for me 🙂 a
ps: funds transferred to the Namibia trip.
Hi Art
Greetings
The image looks great but because you asked I feel the 4th from the right may be a bit distracting. I think so, because he is looking back and there is a small black void near the head
Hi Artie.
It surely must be the third crane in from the right. It does not seem to have a leg to stand on.
It’s kinda floating in space.
Otherwise totally love the whole image.
DP
I love that one, sleeping peacefully 🙂 a
The fourth bird from the right in the front that is looking down and away.
4th crane from the right because the head can’t be seen.
I see its head, just not its face 🙂 a
4th bird from the right.
The left-most Crane in the fist row bugs me and perhaps also bugs you.
Not, but thanks for trying 🙂 a
The crane way in the back on the left that is darker than everyone else. My eye is immediately drawn to it.
Hey Bry, Left or right??? Either way, I never noticed that one. a
Left side. It looks like the third bird from the left edge of the photo whose head intersects the dark green strip of the background.
That one does not bother me at all 🙂 a
Would guess the shy crane 4th from left. Have also never gotten a good picture of that particular crane…
Why? a
Its head is turned away from you….
The 4th one from the right would bother me a bit but that’s about it.
Why? a
The crane facing away. 4th from the right.
Thanks. You just might be right 🙂 a
ps: or not….
I give up. They all look good to me!
🙂 and thanks. a
Is it the bird just right of middle (tail is in the middle of photo)because none of the face is showing?
Thanks. You just might be right 🙂 a
ps: or not….
The center right bird where all you can see is the back of his head. If he/she had just turned a little bit….
Fabulous image!
Thanks. You just might be right 🙂 a
ps: or not….
Until you said it, I couldn’t figure out why I didn’t like the front row, far left bird looking straight at us. But it’s the second row, far left bird that bugs you, because it merges with the front bird.
Mike
Not at all. That bird is far enough out of focus so as not to be a problem at all for me. a
Third in from the left, halfway up, bird looking left while the rest look right?
Nope 🙂 a
Artie I’m going to say the crane in the lower right corner looking out of the frame.
I do like the front edge a lot. Looking over my own pics from the first IPT getting a pleasing front edge that worked was not as easy at those pools as it would appear. Thanks again.
Hey Joe, Good to see you hear. I am fine with that bird 🙂 a
The bird looking away bugs me, probably you also.
Which one? a