Your Call?

Which of today’s two featured images do you like best? Why?

What’s Up?

The second morning of the first DeSoto Spring IPT was fair at best, but Bob Handin keeps raving about how much he is learning, how great Sony is, how great Zebras are, and how good his images are. In the afternoon, we drove up to the North Tampa rookery. As is usually the case, photography at rookeries was challenging. We did manage some decent flight shots when the clouds covered the sun, and we shared the 600 on the tripod with the 2X for a bit.

Today is Thursday 30 March 2023. This blog post about 90 minutes to prepare including the time spent on the two optimizations and makes three hundred sixty-four days in a row with a new educational post written just for you. Wherever you are and whatever you are doing, I hope that you too have a great day. My plan is to continue to post every day until the streak reaches one year and one day and then begin posting every other day. It won’t be long now.

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This image was created on 29 March 2023 on the second morning of the first DeSoto IPT. I used the handheld Sony FE 400mm f/2.8 GM OSS lens the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 640. 1/2000 sec. at f/6.3 (stopped down 1 1/3-stops) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 8:43:01am on a sunny morning. Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Great Egret adult getting colored up for breeding plumage –

Direct Frontal Lighting

When the sun is shining, I strive to work right on sun angle with the light coming right over the top of my head. The main reason that I prefer direct frontal lighting, of course, is to reduce or eliminate shadow. Friend Anita North brought up an interesting point recently. She said, “Because bird’s feathers act like a prism, the angle of light striking the bird changes what we see. Photographing on sun angle results in the most light diffraction and the most vibrant color.

Image Questions

1- Would you have executed a 3X2 crop to eliminate the bit of the egret’s back in the lower left corner?

2- Would you have eliminated the small blemish just above and forward of the bird’s eye? Note: it is not dirt; some sparse feathers are revealing a small patch of bare, green skin.

This image was also created on 29 March 2023 on the second morning of the first DeSoto IPT. Again, I used the handheld Sony FE 400mm f/2.8 GM OSS lens the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1250. 1/2500 sec. at f/6.6 (stopped down 1-stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 8:53:39am on a sunny morning. Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Snow Egret adult getting colored up for breeding plumage –

Backlight

Because of my love of working right on sun angle, many folks assume that I do not like back-lighting. As Image #2 shows, that is not true.

Here are three tips for creating dramatic backlit images:

1- Place the subject on a line between you and the sun.

2- Dark backgrounds will generally work far, far better than light backgrounds.

3- Be sure to over-expose the rim-light a bit to render the shadowed side of the bird as bright as possible.

My New Favorite DeSoto Walk-around Lens

The 600 has not made it to the beach once. I’ve been handholding the 400mm /2.8 with and without the 1.4X TC. On Wednesday morning I used it effectively at 560mm on a Panning Ground Pod.

Unsolicited via e-mail from Pete Myers

I just spent 4 days in the field in a graduate course in bird photography taught by Artie Morris at Fort DeSoto. After almost 50 years of experience pointing cameras at birds from the Arctic to Tierra del Fuego, New Zealand and beyond, I thought I was good enough. But what I learned from Artie in just four days has taken me to a whole new level. As he aptly puts it, “birds as art,” not simply bird photography. One of those 4 days was the most satisfying I’d ever experienced, anywhere. The IPT left me euphoric about what I’d learned, and frighteningly committed to recreating my portfolio with the techniques and insights he taught me.

Unsolicited via e-mail from IPT veteran Eugen Dolan

Arthur, Thank you very much for your overwhelming infectious enthusiasm that helped get me up on some mornings. Also, your ability to express yourself- and explain in great detail why you like or may not like an image – was very helpful in allowing me to better analyze my images. Eugen

Via e-mail from Jim Miller

I can’t stop thinking about how much fun the DeSoto IPT was, and how much I learned. There were so many things that suddenly made perfect sense after I had been confused for so long. Thank you very much for the wonderful trip, and for being a great teacher. As I worked through the raw files last week, I realized what a fantastic lens the 600 IS is. Thanks for the rental! Maybe someday I will be able to afford one. Some images for critique are attached. Thank you again, Artie. It was really wonderful to be with you and learn from you.

Via e-mail from Lee Sommie

I want to thank you for making the Fort DeSoto IPT; it was a fun and educational experience for me. I truly did not want the adventure to end. I now look through the viewfinder with an artist’s mindset. And the real bonus was making new friends with fellow students. Thank you for sharing your knowledge and enthusiasm for wildlife photography. I had a great time with you and look forward to more adventures on future IPTs.

Via e-mail from Muhammad Arif

I had a great time at Fort De Soto. Thank you for all the instruction, for your help and pointers; my photography has already improved tremendously, and I’ve never made such good bird photos before. I wish I could’ve joined you on Monday and Tuesday morning as well, but work got in the way. It was also nice meeting the folks on the IPT. Thanks again for everything and I hope to join you at a future IPT sometime again.

Fort DeSoto in spring is rife with tame birds, many in full breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: Laughing Gull landing on head of Brown Pelican, Laughing Gull in flight, Reddish Egret sunrise silhouette, Great Blue Heron with needlefish, Yellow-crowned Night Heron with ghost crab, Roseate Spoonbill, Sanderling in breeding plumage, and white morph Reddish Egret in glorious breeding plumage.

The 2023 Spring Fort DeSoto Instructional Photo Tours (IPTs)

Spring Fort DeSoto IPT #2: Tuesday 11 April through the morning session on 14 April 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers/Openings: 4.

Spring Fort DeSoto IPT #3: Tuesday 9 May through the morning session on 12 May 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers/Openings: 5.

Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for terns and gulls, wading birds, and shorebirds in spring. Many of the birds will be in full breeding plumage. Simply put, DeSoto is the new Ding Darling. Migrant shorebirds are in abundance, and many are exceedingly tame. We should have great chances on Royal and Sandwich Terns and both white- and dark-morph Reddish Egrets. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two along with some American Oystercatchers. We will enjoy lots of great flight photography, especially with the Brown Pelicans.

Again, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: Laughing Gull in flight, Yellow-crowned Night-Heron, Sandwich Terns copulating, Roseate Spoonbill, Great Egret with reflection, breeding plumage Short-billed Dowitcher, American Oystercatcher, Royal Tern, white morph Reddish Egret, and Snowy Egret in marsh.

In Addition!

We should also get to photograph a variety of other shorebirds including Black-bellied, Semipalmated, Wilson’s, Snowy, and Piping Plovers, Willet, Dunlin, Short-billed Dowitcher, Marbled Godwit, and most especially, Red Knot, with many individuals in their handsome breeding plumages. In spring the T-shaped peninsula and the newly formed sandbar, Outback Key, are literally packed with avian treasures.

With just a bit of luck, we may get to photograph one of Florida’s most desirable species: Roseate Spoonbill. And we will surely get to do some Brown Pelican flight photography. With luck, they will have Laughing Gulls landing on their heads. And though not guaranteed, Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.

Yes, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: breeding plumage Dunlin, dark morph Reddish Egret displaying, Laughing Gull vertical front-end portrait, Laughing Gull with prey item, landing on head of Brown Pelican, breeding plumage Royal Tern displaying, Royal Terns — pre-copulatory stance, Laughing Gulls copulating, Laughing Gull head portrait, breeding plumage Sandwich Tern with fish, and a rare treat, a breeding plumage White-rumped Sandpiper.

What You Will Learn on a DeSoto IPT

• 1- The basics and fine points of digital exposure; how to get the right exposure every time after making a single test exposure (or before if you are using SONY gear).
• 2- How and why to work in Manual mode (even if you’re scared of it).
• 3- How to approach free and wild birds without disturbing them.
• 4- Lots about bird behavior and how to use that knowledge to help you create better images.
• 5- To age and identify many species of shorebirds including various sandpipers, plovers, dowitchers, and possibly yellowlegs.
• 6- To spot good situations and to choose the best perspective.
• 7- To see, evaluate, and understand the light.
• 8- To design pleasing images by mastering your camera’s AF system.
• 9- And perhaps most importantly, to evaluate wind and sky conditions and understand how they affect bird photography.
• 10- More than you could ever imagine.

You got it by now! Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: Roseate Spoonbill, immature Brown Pelican in flight, the heron/egret hybrid, American Oystercatcher feeding, immature Royal Tern on railing, Great Egret morning silhouette, Black Skimmer in surf, and underside head portrait of Great Blue Heron.

The Details

Morning sessions will run two and one-half to three hours; afternoon sessions about two. There is never a set schedule on an IPT — we adapt to the conditions. On cloudy mornings with the right wind, we may opt to photograph till noon and skip the afternoon session. That especially when the afternoon weather is looking iffy. We may opt to visit a great North Tampa rookery if conditions warrant that.

There will be a Photoshop/Image Review session before and after brunch (included) each of the three full days. That will be followed by Instructor Nap Time. Each of these IPTs will run with only a single registrant as I do not like disappointing anyone. The best airport is Tampa (TPA). Once you register, you will receive an e-mail with lodging information. Do know that it is always best if IPT folks stay in the same general area (rather than at home or at a friend’s place a good distance away).

Folks attending this IPT will be out in the field as early as possible and stay out late to take advantage of sunrise and sunset colors; this is pretty much a staple on almost all BIRDS AS ART Instructional Photo-Tours. Doing so will often present unique photographic opportunities, opportunities that will be missed by those who need their beauty rest and those who need to get home for a proper dinner. I really love it when I am leaving the beach at 9:30am on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving … We will be getting wet.

Your $599 deposit is due now. Credit cards are OK for that. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand. Once you leave a deposit, you will receive an e-mail with your balance statement and instructions for sending your balance check three months before the trip begins. If you wish to pay in full right off the bat, you can make your check out to BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, and clothing and gear advice two months before the trip. Please shoot me an e-mail if you plan to register or if you have any questions.

IPT veterans and couples or friends signing up together may e-mail for discount information.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.