Arthur Morris/BIRDS AS ART
February 20th, 2023

Why Pano Crops? Why Manual Focus? Why Under-exposed?

Be Honest!

Which of today’s three featured pano-crops is the worst of the lot? Why don’t you like it?

What’s Up?

The three amigos met for breakfast in the Lakefront Hotel at 6:30am. We met in the lobby at 8:00am, packed the car, and then headed south and east on the Seward Highway and then south and west on the Sterling Highway. Road conditions were great all the way through, and the scenery was spectacular. We stopped to shoot a variety of scenics along the way. Ninety minutes north of Homer, we stopped to photograph a lovely lady moose. (Bob Eastman thought that it was likely a male).

I loved and am very proud of the Heermann’s Gull/Brown Pelican juxtaposition image in yesterday’s blog post. No complaints from me.

Today is Monday 20 February 2023, Day One of the first Homer Bald Eagle IPT. Weather permitting, we will be heading across Kachemak Bay this morning for some unforgettable eagle photography. The great news is that there is a ton of snow on the ground.

If you have some cold weather gear and are free from about 23 or 24 February through March 3 or 4 and would like to join the second Homer IPT, please get in touch via e-mail ASAP as I am practically giving away the second IPT for free.

This blog post took about 90 minutes to prepare and makes three hundred twenty-seven days in a row with a new educational post written just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please, please, pretty please remember to use m B&H or Bedford’s affiliate programs for all your new gear purchases. If you use B&H, please be sure to click on any B&H link in the blog to start your search. Or simply start with this link. There is always the option of e-mailing me for gear advice and for the correct links.

The plan is to continue to post every day until the streak reaches one year and one day and then begin posting every other day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

This image was created on 6 February 2023 down by the lake near my home at ILE. Seat I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800. 1/800 sec. at f/8 (stopped down 3-stops) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect (ho hum). AWB at 7:46:05am on a somewhat hazy, sunny morning.

Manual focus with focus peeking. Be sure to click on the image to enjoy a high-res version.

Image #1: Sandhill Crane in tickseed blossoms

Why Manual Focus?

The crane was foraging amongst the tickseed blossoms, occasionally leaning down to grab a mole cricket or a juicy tuber.
The question of the day is, Why did I go to manual focus?

To help you get to the right answer, in part, ask yourself, What is the total depth of field when using a full frame camera on a 400mm lens at f/2.8 with the subject 45.36 meters away?

Why Pano-Crops?

Pano-crops are often used to eliminate an expanse of boring background such as the white sky in the first image, or the featureless orange sky in the third image. In image #2, a vertical pano crop helped to eliminate some of the clutter in the background.

This image was also created on 6 February 2023 down by the lake near my home at ILE. Seated in the front seat of may SUV, I used BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 800. 1/800 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be one full stop under. AWB at 7:46:05am on a mostly sunny morning.

Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #2: Great Blue Heron in marsh

BLUBB Reminder

If you are in the front seat of your vehicle, working with a long lens off the BLUBB-, and your telephoto lens has a Direct Manual (DMF) switch, be sure to set that switch to OFF so that the BLUBB does not screw up accurate focus.

This image was also created on 6 February 2023 down by the lake near my home at ILE I used the no-longer available Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 6400. 1/1000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be 1 2/3 stops too dark. AWB at 6:10:02pm just after sunset.

Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version. Be sure to click on the image to enjoy a high-res version.

Image #3: Boat-tailed Grackle in marsh at sunset

The 2022-2023 ILE Wading Bird Roost. Not!

For the past few years, more than 100 Cattle Egrets, dozens of Snowy and Great Egrets, Little Blue and Tricolored Herons, and Glossy Ibises roosted in the cattails along the edge of the lake at Indian Lake Estates. There have been far fewer birds in the past three months than in previous years. And those that have returned are roosting in the center of the marsh rather than along the edge. As a result, sunset silhouette photography has been spotty at best. I’ve only been down a few times since December, with only a single Glossy Ibis flight silhouette to show for my efforts. I have had some decent chances with Boat-tailed Grackles.

Why So Under-exposed?

As I write here often, “Everybody underexposes colorful sky silhouettes, even me.” Most of the time, I simply do not add enough light. But in this situation — already at ISO 6400 with a somewhat compromised shutter speed (for flight and action) of 1/1000 sec., I chose to seriously underexpose rather than go to a higher ISO. With Topaz DeNoise AI, the final product looks fine to me.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

February 19th, 2023

Think Fast and Act Faster When Creating Juxtapositions

Be Honest!

Like it or hate it, share your thoughts on today’s featured image.

What’s Up?

After getting to bed very early on Friday evening, I was up at 3:00am in plenty of time to catch the 4:30 am shuttle. My six-hour five minute flight to Seattle was blessedly uneventful. After my five-hour layover, I flew to Anchorage. With the really long travel day, and having been up since 11:00am Anchorage time, I slept for 3 solid hours on the final three-hour 48-minute leg. IPT veteran Carolyn Johnson and I arrived on time in Anchorage at 6:45pm and soon met up with blog regular Bob Eastman. We grabbed our SUV and headed to the Lakefront Hotel where we had a nice dinner. We celebrated Carolyn’s 79th birthday a day early with a shared Crème Brûlée.

In yesterday’s blog post, I liked all four images a lot, but the first image, the mega-breeding plumage white morph Reddish Egret was my pick of the litter.

Today is Sunday 19 February 2023. Carolyn, Bob Eastman, and I will be driving down Highway 1 from Anchorage to Homer in a big SUV. Wish us luck, (i.e., no blizzard).

If you have some cold weather gear and are free from about 23 or 24 February through March 3 or 4 and would like to join the second Homer IPT, please get in touch via e-mail ASAP as I am practically giving away the second IPT for free.

This blog post took about 90 minutes to prepare and makes three hundred twenty-seven days in a row with a new educational post written just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please, please, pretty please remember to use m B&H or Bedford’s affiliate programs for all your new gear purchases. If you use B&H, please be sure to click on any B&H link in the blog to start your search. Or simply start with this link. There is always the option of e-mailing me for gear advice and for the correct links.

The plan is to continue to post every day until the streak reaches one year and one day and then posting every other day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

This image was created on 23 December 2022 on the first San Diego IPT. Seated on the upper cliff, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 518mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1000. 1/2000 second at f/6.3 (wide-open) in Manual Mode. AWB at 7:43:34am on a sunny morning. As blow, RawDigger showed the raw file brightness to be perfect.

Tracking: Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Heermann’s Gull/Brown Pelican juxtaposition

Think Fast and Act Faster When Creating Juxtapositions

I envisioned seeing the pelican in the perfect spot in the background, but only if I leaned well to my right over the edge of the cliff. So, I saw the shot, zoomed out, leaned to my right (without putting myself in any danger), acquired focus on the gull’s eye, and created seven images as the gull turned its head away. I was happy to have two virtually identical frames with a good head angle.

Many times in nature photography, a second, out of focus subject in the background can wreck an image. But, if it is offset perfectly from the subject and is nicely out of focus, it can add rather than detract. I love looking for and creating them, but good ones are few and far between.

The Image Clean-up

Though the image clean-up looks relatively insignificant, I put in a solid 30 minutes of work on this image while working on the plane on my flight to Seattle. I use the Patch Tool, the Spot Healing Brush, the Clone Stamp Tool (!), and Content Aware-Fill for the clean-up work. Most but not all of that was done on the rock the gull is standing on. I did some work on the specular highlights on the bill and in addition, did just a bit of Eye Doctor Work. Last was a Gaussian Blur on the background, refined with an Inverse (Black, or Hide-All) Mask.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).

You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

The techniques mentioned above and tons more great Photoshop tips and techniques — along with my complete digital workflow, Digital Eye Doctor techniques, and all my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

Folks who learn well by following along rather than by reading can check out the collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: most of the videos are now priced at an amazingly low $5.00 each.

You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here. Today, I convert my Sony raw files in Photoshop with Adobe Camera Raw.

You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.

Image #1A: The RawDigger screen capture for the Heermann’s Gull/Brown Pelican juxtaposition image

Ho Hum, Another Perfect Exposure

What can I say? The combination of Zebras live in the viewfinder (with your camera set up properly) and post-capture study of the raw files in RawDigger makes it pretty much child’s play to come up with perfect exposure after perfect exposure. It would be impossible to overstate how much I have learned by studying RawDigger and how much better my exposures have become since I started with the program almost two years ago. The raw file brightness for today’s featured image is perfect with the G channel just past the 8000 & 2/3rds line. Most of the 103 OvExp pixels are in the specular highlights on the bill. The rest are in the specular highlights in the eye’s catchlight.

RawDigger — not for the faint of heart …

Nothing has ever helped me learn to create perfect exposures to the degree that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.

The RawDigger Adapted (pink) Histogram

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me as I have struggled with R5 exposures and learned my new camera body, the Sony Alpha a1.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first, we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to evaluate your exposures and the raw file brightness quickly and easily the Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

February 18th, 2023

DeSoto in Spring --Lots to Photograph! And Air Travel Tips

Unsolicited via e-mail from Pete Myers

I just spent 4 days in the field in a graduate course in bird photography taught by Artie Morris at Fort DeSoto. After almost 50 years of experience pointing cameras at birds from the Arctic to Tierra del Fuego, New Zealand and beyond, I thought I was good enough. But what I learned from Artie in just four days has taken me to a whole new level. As he aptly puts it, “birds as art,” not simply bird photography. One of those 4 days was the most satisfying I’d ever experienced, anywhere. The IPT left me euphoric about what I’d learned, and frighteningly committed to recreating my portfolio with the techniques and insights he taught me.

Unsolicited via e-mail from IPT veteran Eugen Dolan

Arthur, Thank you very much for your overwhelming infectious enthusiasm that helped get me up on some mornings. Also, your ability to express yourself- and explain in great detail why you like or may not like an image – was very helpful in allowing me to better analyze my images. Eugen

Via e-mail from Jim Miller

I can’t stop thinking about how much fun the DeSoto IPT was, and how much I learned. There were so many things that suddenly made perfect sense after I had been confused for so long. Thank you very much for the wonderful trip, and for being a great teacher. As I worked through the raw files last week, I realized what a fantastic lens the 600 IS is. Thanks for the rental! Maybe someday I will be able to afford one. Some images for critique are attached. Thank you again, Artie. It was really wonderful to be with you and learn from you.

Via e-mail from Lee Sommie

I want to thank you for making the Fort DeSoto IPT; it was a fun and educational experience for me. I truly did not want the adventure to end. I now look through the viewfinder with an artist’s mindset. And the real bonus was making new friends with fellow students. Thank you for sharing your knowledge and enthusiasm for wildlife photography. I had a great time with you and look forward to more adventures on future IPTs.

Via e-mail from Muhammad Arif

I had a great time at Fort De Soto. Thank you for all the instruction, for your help and pointers; my photography has already improved tremendously, and I’ve never made such good bird photos before. I wish I could’ve joined you on Monday and Tuesday morning as well, but work got in the way. It was also nice meeting the folks on the IPT. Thanks again for everything and I hope to join you at a future IPT sometime again.

Fort DeSoto in spring is rife with tame birds, many in full breeding plumage. Click on the composite to enjoy a larger version.

Clockwise from upper left around to center: Laughing Gull landing on head of Brown Pelican, Laughing Gull in flight, Reddish Egret sunrise silhouette, Great Blue Heron with needlefish, Yellow-crowned Night Heron with ghost crab, Roseate Spoonbill, Sanderling in breeding plumage, and white morph Reddish Egret in glorious breeding plumage.

The 2023 Spring Fort DeSoto Instructional Photo Tours (IPTs)

Spring Fort DeSoto IPT #1: Tuesday 28 March through the morning session on 31 March 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers.

Spring Fort DeSoto IPT #2: Tuesday 11 April through the morning session on 14 April 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers/Openings: 5.

Spring Fort DeSoto IPT #3: Tuesday 9 May through the morning session on 12 May 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers/Openings: 4.

Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for terns and gulls, wading birds, and shorebirds in spring. Many of the birds will be in full breeding plumage. Simply put, DeSoto is the new Ding Darling. Migrant shorebirds are in abundance, and many are exceedingly tame. We should have great chances on Royal and Sandwich Terns and both white- and dark-morph Reddish Egrets. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two along with some American Oystercatchers. We will enjoy lots of great flight photography, especially with the Brown Pelicans.

Again, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version.

Clockwise from upper left around to center: Laughing Gull in flight, Yellow-crowned Night-Heron, Sandwich Terns copulating, Roseate Spoonbill, Great Egret with reflection, breeding plumage Short-billed Dowitcher, American Oystercatcher, Royal Tern, white morph Reddish Egret, and Snowy Egret in marsh.

In Addition!

We should also get to photograph a variety of other shorebirds including Black-bellied, Semipalmated, Wilson’s, Snowy, and Piping Plovers, Willet, Dunlin, Short-billed Dowitcher, Marbled Godwit, and most especially, Red Knot, with many individuals in their handsome breeding plumages. In spring the T-shaped peninsula and the newly formed sandbar, Outback Key, are literally packed with avian treasures.

With just a bit of luck, we may get to photograph one of Florida’s most desirable species: Roseate Spoonbill. And we will surely get to do some Brown Pelican flight photography. With luck, they will have Laughing Gulls landing on their heads. And though not guaranteed, Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.

Yes, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version.

Clockwise from upper left around to center: breeding plumage Dunlin, dark morph Reddish Egret displaying, Laughing Gull vertical front-end portrait, Laughing Gull with prey item, landing on head of Brown Pelican, breeding plumage Royal Tern displaying, Royal Terns — pre-copulatory stance, Laughing Gulls copulating, Laughing Gull head portrait, breeding plumage Sandwich Tern with fish, and a rare treat, a breeding plumage White-rumped Sandpiper.

What You Will Learn on a DeSoto IPT

  • 1- The basics and fine points of digital exposure; how to get the right exposure every time after making a single test exposure (or before if you are using SONY gear).
  • 2- How and why to work in Manual mode (even if you’re scared of it).
  • 3- How to approach free and wild birds without disturbing them.
  • 4- Lots about bird behavior and how to use that knowledge to help you create better images.
  • 5- To age and identify many species of shorebirds including various sandpipers, plovers, dowitchers, and possibly yellowlegs.
  • 6- To spot good situations and to choose the best perspective.
  • 7- To see, evaluate, and understand the light.
  • 8- To design pleasing images by mastering your camera’s AF system.
  • 9- And perhaps most importantly, to evaluate wind and sky conditions and understand how they affect bird photography.
  • 10- More than you could ever imagine.

You got it by now! Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version.

Clockwise from upper left around to center: Roseate Spoonbill, immature Brown Pelican in flight, the heron/egret hybrid, American Oystercatcher feeding, immature Royal Tern on railing, Great Egret morning silhouette, Black Skimmer in surf, and underside head portrait of Great Blue Heron.

The Details

Morning sessions will run two and one-half to three hours; afternoon sessions about two. There is never a set schedule on an IPT — we adapt to the conditions. On cloudy mornings with the right wind, we may opt to photograph till noon and skip the afternoon session. That especially when the afternoon weather is looking iffy. We may opt to visit a great North Tampa rookery if conditions warrant that.

There will be a Photoshop/Image Review session before and after brunch (included) each of the three full days. That will be followed by Instructor Nap Time. Each of these IPTs will run with only a single registrant as I do not like disappointing anyone. The best airport is Tampa (TPA). Once you register, you will receive an e-mail with lodging information. Do know that it is always best if IPT folks stay in the same general area (rather than at home or at a friend’s place a good distance away).

Folks attending this IPT will be out in the field as early as possible and stay out late to take advantage of sunrise and sunset colors; this is pretty much a staple on almost all BIRDS AS ART Instructional Photo-Tours. Doing so will often present unique photographic opportunities, opportunities that will be missed by those who need their beauty rest and those who need to get home for a proper dinner. I really love it when I am leaving the beach at 9:30am on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving … We will be getting wet.

Your $599 deposit is due now. Credit cards are OK for that. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand. Once you leave a deposit, you will receive an e-mail with your balance statement and instructions for sending your balance check three months before the trip begins. If you wish to pay in full right off the bat, you can make your check out to BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, and clothing and gear advice two months before the trip. Please shoot me an e-mail if you plan to register or if you have any questions.

IPT veterans and couples or friends signing up together may e-mail for discount information.

What’s Up?

I was up early and packing like a fiend on Friday. I had thought about heading down to the lake to check on the eaglets, but it was blessedly foggy. I did have time for a swim on what seemed like a summer afternoon. Jim dropped me off at the Courtyard Marriot Airport on his way home. With the rush-hour traffic, the “1 1/2-hour” trip took 2 1/2-hours. I had a nice dinner at Longhorn Grill. After getting to bed early, I woke at 3am, an hour before the alarm went off and caught the 4:30am shuttle.

Half the folks like Image #2 in yesterday’s post while the other hall liked #3. I’ll break the tie by stating that the third image, the orchestra conductor pose, was my favorite by a small margin over #2. Thanks to all who commented.

Today is Saturday 18 February 2023. I am on the way to the 2023 Homer IPTs. I have an early flight to Seattle and then continue on to Anchorage. I will pick up a big SUV at the airport and then overnight there with participants and friends Bob Eastman and Carolyn Johnson. We are planning on having dinner at the amazing So Thai and then driving down to Homer leaving early the next morning. Wish us luck (i.e., no blizzard).

If you have some cold weather gear and are free from about 23 or 24 February through March 3 or 4 and would like to join the second Homer IPT, please get in touch via e-mail ASAP as I am practically giving away the second IPT for free.

This blog post took about 90 minutes to prepare and makes three hundred twenty-six days in a row with a new educational post written just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please, please, pretty please remember to use m B&H or Bedford’s affiliate programs for all your new gear purchases. If you use B&H, please be sure to click on any B&H link in the blog to start your search. Or simply start with this link. There is always the option of e-mailing me for gear advice and for the correct links.

The plan is to continue to post every day until the streak reaches one year and one day and then posting every other day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so, works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Air Travel Tips for Photographers

Be sure to weigh your checked bags before you leave home. I have been busted for being as little as 1/2-pound overweight. I checked in today with two Samsonite Spinners, one 49 1/2 pounds, the other 49 pounds. Th weight limit for some of the budget airlines like frontier are only 40 pounds/checked bag. It never hurts to check beforehand.

Remember that all Lithium batteries must go in your carry-ons. This include camera batteries and the batteries for most heated gloves, including and most especially the Motion Heat gloves that I recommend. If you pack your lithium batteries in your checked bag, you may wind up at your destination without them. But you will find a nice note in your luggage from the TSA.

In addition, small tool kits need to be in your checked bags, or you are at risk of having it confiscated by TSA.

This image was created on 25 March 2013 at Fort DeSoto Park with the tripod/Mongoose Action Head-mounted Canon EF 500mm f/4L IS II lens, the 1.4X EF tele-extender III, , and the EOS-1D X. ISO 4000: 1/2000 sec. at f/6.3 in Manual mode.

Image #1: Mega-breeding plumage white morph Reddish Egret

Breeding Plumage

The vast majority of folks photographing at Fort DeSoto go bonkers over the tame Reddish Egrets at Fort DeSoto year round. But, once you have seen them in mega-breeding plumage, you might — like me, not get quite as excited. They always dance like drunken sailors while plucking baitfish from the Gulf waters, but in spring, and both the dark and white morph birds get spectacular ultramarine-blue lores and bright pink and black bills. The killer gorgeous birds like the one above are usually found in March.

This image was created on 26 April 2022 on a Fort DeSoto IPT. While seated on wet sand behind my lowered, no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1000. The exposure was determined by Zebras with ISO on the rear wheel: 1/320 second at f/5.6 (wide open) in Manual mode. RawDigger showed that the raw file brightness was dead-solid perfect. AWB at 7:45:45am on sunny morning.

Tracking: Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #2: Roseate Spoonbill in Hidden Lagoon in early morning light

Hidden Lagoon

It is almost always worth checking out Hidden Lagoon. There are often spoonbills there in spring along with several other species including Little Blue Heron, Great and Snowy Egrets, White Ibis, Black Skimmers, and a variety of shorebirds including Willet, Red Knot, both yellowlegs, Least Sandpipers, and more. The spoonbills there can be ridiculously tame.

I created this image on 27 April on a Fort DeSoto IPT. Crouched down, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 529mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 800. 1/4000 second at f/6.3 (wide-open) in Manual Mode. AWB at 6:44:24pm on a sunny afternoon.

Tracking: Zone with Bird Face/Eye Detection AF/C performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #3: Laughing Gull flapping after bath

Laughing Gulls in Breeding Plumage

With their jet-black heads, bright wine-read bills, and white eye crescents, breeding plumage Laughing Gulls in spring are both drop-dead gorgeous and ignored by most bird photographers. As always, gulls make great practice subjects. You can master exposure, practice your compositional skills while getting to photograph lot of flight, action, and behavior. As I have been saying for decades, point your lens at a gull and you usually will not have to wait very long until it does something really nest.

DeSoto is my favorite place on the planet to photograph bathing gulls, terns, and shorebirds. On a DeSoto IPT, you will learn everything that there is to know about photographing bathing birds including the tell-tale signs that a bath is coming, how close to get, image design principles, the best AF methods to use with each system, choosing the best perspective, how to predict and photograph the after bath flaps, the repetitive nature of bathing locations, and more.

This image was created on 27 April 2022 on a Fort DeSoto IPT. While seated on damp sand behind my lowered, no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 500. The exposure was determined by Zebras with ISO on the rear wheel: 1/1000 second at f/6.3 (stopped down 1/3-stop) in Manual mode. RawDigger showed that the raw file brightness was dead-solid perfect. AWB at 7:17:56 pm on sunny afternoon.

Tracking: Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #4: Ruddy Turnstone in breeding plumage

Breeding Plumage Shorebirds

On all three DeSoto Spring IPTs, we have excellent chances of photographing a variety of migrant shorebirds either in or molting into their bright, colorful breeding plumages. Ruddy Turnstones are very much on the drab side in basic plumage. In spring, the males — like the bird in the photo above — are more brightly colored than their mates and feature bright red-orange and black harlequin patterned upper parts and orange legs. This bird was photographed at my favorite afternoon spot.

Your Call?

Which of today’s four featured images is the strongest? All are invited to leave a comment and let us know why they made their choice. Though I love all four, I do have a clear favorite and will share that here with you tomorrow.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.