I hope that I am doing well somewhere in Namibia. If all goes well and I stay out of trouble, I will be back in the office late on the afternoon of Friday, April 29.
Don’t Look Now!
Todayโs blog post marks 161 days in a row with a new educational blog post… As always-โand folks have been doing a really great job recentlyโ-please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
Namibia Gear Bag with some fast wide angle lenses for stars…
I am taking the Canon EF 70-200mm f/2.8L IS II USM lens even though there is a lot of overlap with the 100-400 II. Why? Two reasons: we will be doing some nighttime photography at the Etosha waterholes; the f/2.8 speed of this fast lens will help even when using flash as many of the animals are large. I will appreciate the extra 30mm of reach at the short end and the extra two stops of speed (both as compared to the 100-400 II) for the pre-dawn dead tree photography at Sossusvlei.
I am leaving the all-purpose B-roll lens, the Canon EF 24-105mm f/4L, on the shelf in the garage. This will leave me with a focal length hole between 30 and 70mm that I will just have to live with.
I am taking the Canon EF 14mm f/2.8L II USM lens and the Tamron SP 15-30mm f/2.8 Di VC USD lens (for Canon EF) for nighttime scenic and star photography. Here is a great nighttime tip from Darrell Gulin: best for fixed point start photography is 15 seconds at f/2.8 at ISO 3200. He states that the standard advice of 30 seconds at f/2.8 at ISO 1600 will render some movement in the stars at all but the very widest focal lengths.
I am taking one of my favorite Palouse lenses, the Canon EF 11-24mm f/4L USM lens specifically to do some desert Urbex photography on a pre-trip. As and f/4 lens, this one is less than ideal for star photography.
Camera Bodies
I am taking my two mega-high megapixel Canon EOS 5DS R DSLR bodies and will be using them often with all of the lenses above including on the 600 II either alone or with either TC. If I have a few extra pounds in my checked bag, I might throw in my remaining 1D X as a back-up even though doing so would require the extra battery charger. I do not feel completely comfortable making a big trip with just two bodies. What happens if one fails or gets smashed on Day 1? Note: my 1D X is in my checked bag with the charger. Good luck on that.
Teleconverters
As usual, I am making this trip with the usual complement of TCs: three Canon 1.4X III TCs and two 2X III TCs. With my style of bird photography–tight, clean, and graphic–I cannot afford to be without both TCs in the event of an accident or malfunction–or loss. ๐ Most common in the malfunction category would be that the locking pin sticks; when that happens, there is a risk of having your camera body hit the ground.
Think Tank Rolling Bags
I will be using the larger of my two Think Tank rolling bags, the Airport Securityโข V 2.0 Rolling Camera Bag. Everything above fit easily into my Airport Securityโข V 2.0 Rolling Camera Bag on Saturday afternoon. It tipped the scales at 44 1/4 pounds for this trip; the legal limit for US flights is 40 pounds. Nearly all countries in the world give you slack as far as the 40 pounds goes on the way back to the US. As far as the extra 4 1/2 pounds, I have only been hassled for weight once in more than three decades of flying around the world. I hope that I do not give myself a kine-ahora.
Please click on my Think Tank affiliate link here or on the Think Tank logo-link in the right column of each blog post page to earn a free gift when you purchase any Think Tank product.
Think Tank Urban Disguise Laptop Shoulder Bag
Both Denise Ippolito and I use and love this amazing bag as it has tons of room and enables us to take tons of extra stuff. If you are forced to gate check your roller you can get more than a few items in this bag, especially if you are not a diabetic.
Please click on my Think Tank affiliate link here or on the Think Tank logo-link in the right column of each blog post page to earn a free gift when you purchase any Think Tank product.
Delkin Flash Cards
As always, I will have a 64gb Delkin e-Film Pro Flash Card in each camera body so that I never have to change cards in the field thus reducing the risk of losing a card…. Please note the new lower prices here. I do have a few extra 32 and 64gb cards in a Delkin CF Memory Card Tote, mostly to protect against operator error.
Vested Interest Xtrahand Vest
I will be getting on the plane wearing my custom-designed Vested Interest Xtrahand Magnum vest that John Storrie knows as the BIRDS AS ART Big Lens Vest. It is based on their Magnum vest and then customized to best fit my needs. In addition to carrying a ton of stuff comfortably in the field, it gives you a measure of protection should your roll aboard be gate-checked on puddle jumper or other flights. We are expecting carry-on problems on our flight from Johannesburg to Upington…
If you do a search for “vest’ or “vested interest” on the blog it will take you to many mentions in both the blog and the Bulletins with lots of additional information. See especially here and here.
Click here to learn more about Xtrahand Vests. You can always call John at 940 484 2222 to discuss customizing your vest. If you think that you might order, be sure to have a tape measure in hand. Please let him know that we sent you.
Additional Stuff & Accessories
I am taking two Canon 600EX-RT Speedlites as flash will be an integral part of our nighttime and waterhole photography.
I will of course have my Induro GIT 304L tripod and the Induro BHM1 ballhead in my checked bags. I need a ballhead for the short lens/wide angle zoom night scenics and star work so that I can mount the camera body on the ballhead via a Wimberley P-5 camera body plate. Right now there is an instant $50 rebate on the tripods and crazy low prices on the two lightweight, efficient ballheads. Click here to order.
I am taking an empty BLUBB along as I have found it useful in a variety of safari vans. I will also have the Skimmer II along for the night star and scenic photography and for off-camera mounting of the flash for the night waterhole sessions. An Enlight Photo Frio Universal Locking Cold Shoe V2 will be used to mount the flash.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I began working on this possibly very short blog post in the air on my flight from Orlando’s MCO to JFK. If all goes well we (Denise Ippolito and I) will land at Upington, South Africa at about 12:30pm on Wednesday local time, which is 6:30am in NY and Florida. Then we have about a six hour van ride. It should all work out to a 26 hour + travel day ๐ As mentioned previously, we are doing a short pre-trip to photograph at a desert urbex location. We may get to do some birds as well.
I may or may not have sporadic internet coverage at various points during the trip. Do know that Jim Litzenberg will be in the office weekdays, Monday through midday on Fridays, and that older daughter Jennifer Morris will usually be there during banker’s hours. Both can help you with everything BAA-related included BAA Online Store and ordering matters (especially Jim) and IPT registrations and info.
Till whenever–later and love and great picture-making, artie
This Just In
Arrival Update
A mere 36 hours after leaving the Orlando Courtyard Marriott at 3:15am on Monday, We arrived at the hotel in Luderwitz, Namibia. The worst of is was the final leg, and 8-hour van ride. The great news it that my surgery-related discomfort is down about 75% ๐ We will have decent internet for the next two days so as of now, the streak is intact. Who knows?
Very Important Personal Note
When I am away on long trips, blog readership numbers plummet. By the time I board my flight to Johannesburg, I will have prepared a brand new educational blog post for every other day till I get back. I may even get to keep the streak going for longer than anticipated. I may recycle some older blog posts, ones with super-important lessons. I ask, therefore, that you visit every day as you usually would. Though I might not be there online to comment on your comments or answer your questions, I will be here in spirit. And as always when I get back, I will make my way through all the relevant comments and questions and respond as I always do.
I ask in return that you guys keep up the great work of using the BAA B&H affiliate links. March was a record month for me and your efforts to thank me for the work that I put into the blog are greatly appreciated. And they sure keep me motivated.
birds as art: The Avian Photography of Arthur Morris/The Top 100
The companion e-book to the solo exhibit at TheNat, San Diego, California
birds as art: The Avian Photography of Arthur Morris/The Top 100
My latest e-book, created on a wing and a prayer in less than two weeks–see Harebrained Scheme here–includes the 67 spectacular images that will hang in the Ordover Gallery at the San Diego Natural History Museum in a career-retrospective solo exhibition. In addition, there are an additional 33 images in the spectacular e-book that barely missed making the show.
This exhibition companion e-book makes it possible for everyone to “visit” TheNAT gallery and, in addition, to enjoy seeing my top one hundred bird photographs under one roof. Each image includes a title, the species name, the location, relevant EXIF data, and an anecdotal caption.
birds as art: The Avian Photography of Arthur Morris/The Top 100: $23 for the professionally produced CD (includes shipping to US addresses only)
Please click here to purchase the physical CD. As above, your purchase price includes shipping to all US addresses. If you would like your CD signed on the inside cover with a black Sharpie, you will need to place your order by phone and request a signed copy: 863-692-0906. For our Canadian friends we are offering the CD for $28 with shipping to Canada via phone orders only: 863-692-0906.
Those who purchase the CD are advised to copy the file to their computers and then archive the CD.
The new e-book via is also available via convenient download for $20 by clicking here.
birds as art: The Avian Photography of Arthur Morris/The Top 100: $20 via convenient download.
Overseas folks, and anyone else as well, can purchase the e-book via convenient download for $20 by clicking here.
Notate Bene
Please share this e-book only with your spouse or significant other. If a friend asks you to share a copy with them, please direct them either to this blog post or to the appropriate link in the BAA Online Store as above. All of the images and text are protected by international copyright law and may not be copied or printed without written permission from the photographer/author. Many thanks for honoring these requests.
You will–of course–need Adobe Acrobat Reader to view the PDF.
Sample page from birds as art: The Avian Photography of Arthur Morris/The Top 100.
Adobe Acrobat Reader Tip
To maximize your viewing pleasure, click Command + L on a Mac, or Control + L on a PC to view the e-book full screen. And then press Esc to exit full screen.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charged a minimum of 20%. Plus assorted fees! Yikes. They went out of business. And e-Bay fees are now up to 13%. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. Over the past year, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm f/4L IS, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily.
Nikon MF 500mm f/4P Manual Focus Lens
David Snyder is offering his Nikon MF 500mm f/4P lens in good condition for only $1199. The sale includes a camo LensCoat, a Wimberley lens plate, the Nikon A2 drop-in filter (39mm), the soft carrying case, and insured ground shipping to US addresses only. This lens was purchased about 15 years ago from Frans Lanting and used frequently since then. It is manual focus lens but has an internal chip that communicates f/stop and shutter speed with all modern Nikon bodies. The lens is very sharp and provides a way for users on a budget to get into long lens photography. It was recently serviced by Nikon. Your item will not ship until your check clears unless other arrangements are made.
Please contact David via e-mail or by phone: 561 746 2876 (Eastern time).
Canon EOS 5D Mark III
Sandra Calderbank is offering a used Canon EOS 5D Mark III DSLR camera body in mint condition for $1599. The sale includes a RRS L plate, front cap, the camera strap, all the CDs and cords, the original box with everything that was in it, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.
Please contact Sandra via e-mail by phone at 1-828-412-1047 (Eastern time/evenings best)
I have used the 5D III for birds on occasion with excellent results, even with the 2X III TC and the 600 II. It has long been my go-to dSLR for flowers, landscapes, and Urbex photography. In my experience, the quality of the image files is second only to those from the 5DS R. artie
The Streak
Todayโs blog post marks 158 days in a row with a new educational blog post. As I will be making the trip to Namibia on April 11, this streak will likely come to an end soon. As always-โand folks have been doing a really great job recentlyโ-please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
The Professional Photographers’ Guide to Post-Processing by Arash Hazaghi with Arthur Morris
If you are ever at all concerned with noise in your optimized images this new e-guide will astound you.
The Professional Photographers’ Guide to Post-Processing: $48.
Your e-book (11mb) will be delivered either by e-mail or by Hightail (for download).
Arash’s Take on the guide…
In recent years, advances in CMOS image sensor technology have enabled DSLR cameras to capture detailed, high-quality images at very high ISO settings; this has taken low-light and action photography to a whole new level. To make the most out of your cameraโs high ISO performance, proper post-processing, including advanced noise reduction and efficient sharpening, is essential. The first step in effective post-processing is executing an optimal RAW conversion that produces a TIFF file that is clean, free of artifacts, and detailed, without too much sharpening or strong noise reduction. For Canon users, we recommend converting your RAW images in Canon Digital Photo Professional 4 (DPP 4). We cover exactly how to do that in the DPP 4 RAW Conversion Guide. This new supplemental guide deals with the post-RAW conversion processing of your TIFF files for final presentation.
In order to use this guide, you need Adobe Photoshop (CS4 or later) as well as the Neat Image noise reduction plugin for Photoshop. This plugin can be downloaded here. We recommend the pro version. You will need an up-to-date PC or Mac computer to process your files. A modern quad-core processor (Intel i7 or Xeon) with at least 16GB of RAM and a fast SSD drive for running Photoshop is recommended. It is best to do your image processing on a high quality IPS LCD panel capable of displaying Adobe RGB color gamut. We recommend calibrating your screen using a hardware color calibration solution such as Spyder or Xrite. The consumer LCD screens used in many laptops and low-end desktops suffer from poor contrast ratios and a limited color gamut. Images processed on inferior screens may appear noisy, too dark, too bright, or unsharp. And they will often show a color cast when viewed on a high quality monitor that has been properly calibrated.
Artie’s Take on the guide…
This guide is for serious photographers who wish to maximize the quality of their optimized, noise reduced files and who want to learn to sharpen their images after they are sized for a final usage. The emphasis is on sharpening for electronic presentation. The guide includes the brilliant techniques that Arash developed for applying just the right amount of NR to the subject (while retaining all the fine detail) and then applying a lot more NR to the background where it is almost always needed. His efforts were refined by Arthur Morris to ensure that the guide is clear, concise, easy-to-read, and easy to-easy-to-follow; artieโs great strength is his how-to writing. He has used Arashโs brilliant NR and sharpening techniques on his 15 inch Macbook Pro with Retina Display with great success.
The entire guide is based on the remarkable Pro Version of NeatImage. Only the Pro Version supports 16-bit files. This Photoshop Plug-in requires a separate $79.95 purchase. Why NeatImage when there are so many other Noise Reduction programs available?
When someone asked about Topaz Denoise on the blog I got in touch with Arash. here was his response:
I asked Arash about Topaz Denoise. Here is his response:
It cannot calibrate the noise levels. I tried it. It was garbage.
Best
Arash Hazeghi Ph.D.
To which I added:
In the guide, we teach folks to calibrate noise levels for an image or series of images. As an option, also covered in the guide, we teach you to create a Noise Profile for each ISO with a given camera by photographing a NeatImage calibration target.
Arash continued the next day; this published here for the first time:
Here is a more elaborate answer. A preset is a โone size fit allโ solution; it is not the same as a calibration. If you look carefully through your images you will find that the ISO value used and the amount of visible noise in the image arenโt always correlated. An image at ISO 400 can look noisier than an image taken at ISO 3200. Many factors other than the ISO determine the amount of visible noise in an image. Two images taken at the same ISO may require significantly different amounts of NR. Furthermore, different areas of the same image often require different amounts of noise reduction.
The presets are made by looking at the noise characteristics of a flat neutral or 18% grey target with no detail. They donโt include shadows, highlights, grain size, or the possibility of the effects of post-capture exposure boosts. (In other words, images made at a given ISO that are lightened during or after conversion will always exhibit more noise than properly exposed images.) The presets are often made using in-camera JPEGs that have been already noise-reduced, sharpened, and compressed thus smearing (destroying) the fine feather detail. Sometimes they are made from ACR RAW conversions that are vastly inferior as compared to properly executed DPP 4 RAW conversions.
A calibrated noise profile is created for each image in its present form independent of the ISO value, the exposure levels, or the RAW convertor. It makes no assumptions. NeatImage NR calibrations can be compared to purchasing a hand-crafted, custom-tailored suit versus buying a suit off the rack at WalMart. In engineering terms, NeatImage calculates the noise spectrum for each image and then with proper adjustment attenuates only the frequencies that donโt overlap with the detail. Other NR tools like Topaz, Nik etc. apply constant attenuation regardless of what the spectrum looks like. Try the guide and see for yourself.
You can learn more about NeatImage or purchase a copy here. NeatImage does offer a demo version.
Sunday night. All packed and in the limo on the way to the airport hotel. Y’all have fun. I should be online sporadically. The new guide will be announced on Tuesday.
The Streak
Todayโs blog post marks 157 days in a row with a new educational blog post. As I will be making the trip to Namibia on April 11, this streak will likely come to an end soon. As always-โand folks have been doing a really great job recentlyโ-please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
I selected the AF point that was four up from the center AF point and used AI Servo Expand/Rear Focus AF as framed. Should have been five up… AF was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial.
Pacific race of Brown Pelican with strange sub-adult plumage
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One Strange Bird!
I have never seen a pelican with plumage quite like this. In life, the bird was very dark brown, even close to black in spots. I made this image on the day that I created the featured image in the blog post here. Though that photo was one of the very first images that I made on what turned out to be 3 1/2+ week trip, it was my favorite San Diego photo by far. This bird is neat because of its strange plumage. The brown and black plumage does not usually go with the red bill pouch. I am sure that it is a sub-adult bird that is simply outside the lines of what is typically normal.
Before and After Neat Image Animated GIF
I let this animated GIF run for 3 seconds rather than the usual 2 so look carefully at the before and after images to see the gentle but effective NeatImage NR on the subject. You can see the grain disappear from the eye and from the feathers while retaining the detail as the GIF switches from Before to After. I used Arash’s 1D X ISO 1600 noise reduction settings during the RAW conversion in DPP 4. If you look hard at the Before version you will note that the ISO 1600 noise is pretty well controlled, but that what little noise is present is eliminated without destroying the fine detail. See more below.
This is a NeatImage screen capture
A NeatImage Screen Capture
5DS R ISO 1600 Neat Image Noise Reduction on the Subject
The area inside the blue box has been noise reduced. The area outside the box has not been noise reduced. After beginning with Arash’s recommended settings for each slider we teach you to visually inspect the image as you tweak the sliders. The NR here is applied only to the subject which is masked above the background layer. Next, we teach you to apply stronger NR only to the BKGR. The technique and the results are magical. During the process of making the guide more readable and understandable I taught the techniques to Patrick Sparkman. There is no better way to cement and reinforce new knowledge than by teaching it to a friend. His reaction: NeatImage and Arash’s techniques are amazing!
The New Guide and NeatImage
The work on on Arash’s new Post Processing Guide is finished and we will be announcing its publication here very soon. The guide will sell for $48. As above, the guide will teach you–as you can see in today’s featured image, to apply a small but effective amount of NR to the bird (while maintaining fine feather detail) and to apply greater amounts of NR to noisy backgrounds to smooth them out. The key to the success of these methods is a combination of Arash’s cleverly developed and innovative techniques and the great NeatImage plug-in. Arash recommends and uses only the NeatImage plug-in for advanced noise reduction. Both artie and Arash recommend only the Proversion as the Homeversion does not work on 16-bit images. Folks who are good with Layer Masking may wish to get a copy of NeatImage and get a head start on using this great program. If not, the new guide will make it simple for you. Learn more on the effectiveness of NeatImage in the blog post here.
From upper left clockwise to center: Black Skimmer head portrait, American Oystercatcher dining on surf clam flesh, Common Tern at sunset, Common Tern adult swallowing flatfish, Black Skimmer in flight, newborn Common Tern chick, American Oystercatcher with chick, fresh juvenile Common Tern (with fill flash), and Common Terns copulating.
Meet and greet at 3pm on the afternoon of Monday, July 18. Limit 10.
The primary subject species of this IPT will be the nesting Common Terns. The trip is timed so that we will get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish. Creating great images of the chicks being fed is a huge challenge. In addition to the terns we will get to photograph lots of Black Skimmers courting, setting up their nesting territories, and in flight (both singles and large pre-dawn flocks blasting off). Midair battles are guaranteed on sunny afternoons. And with luck, we might even see a few tiny chicks toward the end of the trip. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and tiny chicks, young being fed, and possibly a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
From upper left clockwise to center: Black Skimmers with tiny chick, Common Tern landing with baitfish for young, fledged Common Tern chick in dunes, American Oystercatchers/display flight, adult Common Tern with pipefish for chick, Common Tern fledgling in soft light, American Oystercatcher on nest with eggs, American Oystercatcher 3-egg clutch, battling Black Skimmers.
The IPT Logistics
The tour will begin with a meet and greet on the afternoon of Monday, July 18, 2016. That will be followed by our first shooting session at the beach. From Tuesday through and including all of Friday we will have two photography sessions daily. Our morning sessions will start very early so that we are on the beach well before sunrise. We usually photograph for about four hours. Then we will enjoy a group brunch. We will always have a midday break that will include a nap for me. That followed by our daily afternoon classroom sessions that will include image review, workflow and Photoshop, and a review/critique of five of your trip images. Folks are always invited to bring their laptops to brunch for image sharing. I always have mine with me but heck, I am a big show-off. Afternoon in-the-field sessions generally run from 5pm through sunset.
Breakfasts are grab what you can. Four brunches are included. Dinners (if at all) will be on your own as we will often get back to the hotel at about 9pm. There is a fridge in every room and a supermarket within walking distance of the hotel so nobody should starve. You will learn a ton during the nine shooting sessions, the four in-classroom sessions, and even at lunch. Early morning and late afternoon parking is free. If we want to head back to the beach early we will need to arrange tight carpools and share the $30/vehicle parking fee. Non-photographer spouses, friends, or companions are welcome for $100/day, $450 for the whole IPT.
Save a space by calling Jim or Jen at the office at 863-692-0906 and arranging to leave your deposit of $599–credit cards are accepted for deposits only. Your balance will be due on April 18, 2016. I hope that you can join me for what will be an exciting and educational IPT.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Most of Saturday was spent dealing with post-surgery discomfort ๐ and watching the Masters Golf Tournament. I am rooting for Jordan Spieth who will begin the last round with a tenuous lead. Sunday afternoon will be nail-biting time for sure.
I am thinking that I had better get packing tomorrow morning as only my Think Tank Rolling Bag is packed so far. I leave for the airport hotel at 7:30pm tomorrow night for my 6:00am flight to JFK on Monday. ๐
The Streak
Todayโs blog post marks 156 days in a row with a new educational blog post. As I will be making the trip to Namibia on April 11, this streak will likely come to an end soon. As always-โand folks have been doing a really great job recentlyโ-please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
BIRDS AS ART Help Needed
We are proud to announce that the new BIRDS AS ART Online Store will go live on May 1, 2016. The old store, rife with problems, has long been due a peaceful death. We do need a few test shoppers. If you would like to help us out, please shoot Jim an e-mail with the words Test Shopper in the Subject line. You will not get to keep the stuff that you order but you will have our thanks.
Great Used Gear News and Lessons
A very good friend who is a multiple IPT veteran recently sold his old 400 DO and a 1D Mark IV to Adorama for $2,000. I had had four old 400 DO lenses listed for many months. I had his lens sold for $2450 the other day but when I e-mailed him he told me that he had sold it and the 1D IV (both in excellent condition) for the criminally low price of $2000. For both I asked. “Yes.” As I could have easily gotten at least $1200 for the camera and had $2450 for the lens lens, my friend, who shall remain un-named, lost at least $1650.
Here are the lessons:
1-Patience is a virtue.
2-If you sell your used gear to a camera store (and that includes my dear friends at B&H Photo Video), you are gonna get ripped off. Doing so is better than taking your gear out to the curb and leaving it with the trash, but not by much.
The prices of the used, original (aka “the old”) 400 DO lenses present an interesting case study. We sold one for $4199 back in May 2014 and another for $3,000 in August 2015. Very recently we sold one for $2400 and two for $2299. At one point we had four listed. Most folks were patient and eventually got a halfway decent price. My good friend got robbed. The major camera stores pay pennies on the dollar so that they can make a tiny profit when the now over-priced items can sell to the occasional ignorant buyer.
What’s Up with Used Gear Sales?
I have been somewhat remiss for the past month or so, mostly due to the San Diego surgery trip, at tending to the Used Gear Page and especially at getting new stuff listed. I am rectifying that here today.
Selling Your Used Photo Gear Through BIRDS AS ART
Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charged a minimum of 20%. Plus assorted fees! Yikes. They went out of business. And e-Bay fees are now up to 13%. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. Over the past year, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm f/4L IS, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily.
Important Used Gear Stuff that has never appeared on the blog before
When folks receive the Items for Sale Info e-mail, they are asked to read it carefully and to let me know if they accept the terms, especially #s 4 & 5. Once they agree to the terms we work on a price that will get the lens sold while making both the buyer and the seller happy. Most agree to the terms. Here is #4:
#4-If the seller decides not to sell the item after I have done the price research but before it is listed they agree to pay a commission equal to 2 1/2% of the current B&H (low-ball) offer. If the item is listed and the seller accepts a price lower than the asking price, the commission shall be based on the original asking price. If the seller decides not to sell the item, or sells it to a buyer found independently, the seller agrees to pay a commission equal to 2 1/2% of the original asking price.
And here is #5: If you make contact with a buyer and sell them additional items you promise to pay 5% on all sales, even those that were never listed on the Used Gear Page.
Item #4 above is in place as a good deal of work is required to come up with a price that is both fair to the seller and is attractive to potential buyers. I am not a free pricing service ๐ And item #5 is only fair.
Used Gear Cautions
Though I am not in a position to post images of gear for sale here or elsewhere, prospective buyers are encouraged to request photos of the gear that they are interested in purchasing via e-mail. Doing so will help to avoid any misunderstandings as to the condition of the gear. Sellers are advised to photograph their used gear with care against clean backgrounds so that the stuff is represented accurately and in the best light; please pardon the pun :).
Nikon AF-S NIKKOR 600mm f/4G ED VR Lens
IPT veteran and good friend Mark Hardymon is offering a used Nikon AF-S NIKKOR 600mm f/4G ED VR lens in excellent condition for the by far BAA record low price of $5999. The sale includes the original trunk (CT-607), a Wimberley low profile tripod foot, the original Nikon tripod foot, a LensCoat soft front lens cover, the original Nikon front lens cover, a black LensCoat, all other original accessories, and insured ground shipping via UPS. Your item will not ship until your check clears unless other arrangements are made.
Please contact Mark by e-mail or by phone at 614-296-2277 (Eastern time).
The 600 f/4 lenses are ideal for those who do birds and wildlife. This older version of the Nikon 600 weighs 11.16 lbs. This model is still in production and sells new at B&H for $9,394.00. The newer lighter version, the Nikon AF-S NIKKOR 600mm f/4E FL ED VR lens (designated by “E” rather than “G” after the f/4) weighs 8.4 pounds but costs $12,296.95. Thus, Mark’s lens is a great buy for someone young and relatively strong who would like to save $3395. artie
Nikon 500mm f/4G ED VR lens
Long-time-ago IPT veteran Myer Bornstein is offering a Nikon 500mm f/4G ED VR lens in excellent condition for the record-low BAA price of $4,999. It just had a complete Nikon check-up. The sale includes a soft cap, a LensCoat TravelCoat, a RRS low mount, the lens trunk, the original leather front lens cover, and insured ground shipping to US addresses only. Your item will not ship until your check clears unless other arrangements are made.
Please contact Myer via e-mail or by phone at 1-508 944 7401 (Eastern time).
Canon EF 600mm f/4L IS II Lens
Paul Roscoe is offering a Canon EF 600mm f/4L IS II lens in mint condition and for the record-low BAA price of $9450. The lens includes a LensCoat that has been on the lens since the original purchase and a Wimberley Arca-Swiss compatible replacement lens foot. The sale also includes the lens trunk, the original front lens cover, the lens strap, the original shipping box, and insured ground shipping via Fedex. Your item will not ship until your check or bank wire clears unless other arrangements are made.
Please contact Paul via e-mail or on his cell phone at 1-508-932-5038 (Eastern time).
The 600 II is the worldโs premier super-telephoto lens. It is super-sharp and features Canonโs amazing four-stop Image Stabilization system. This, the current version, weighs more than 3 pounds less than the previous model. When I am not weight-restricted, the 600 II is my first choice in super-telephoto lenses. I use it at Bosque, at Nickerson Beach, and from my car on a BLUBB when working down by the lake near my house. Heck, I am renting one in Namibia. When you need maximum reach, the 600 II is the only way to go. As the lens currently sells new at B&H for $11,499, you can save $2,000 by grabbing Paul’s lens right now. artie
Canon EOS 5D Mark III
A New Record-Low BAA Price
IPT veteran Bill Wingfield is offering a used Canon EOS 5D Mark III DSLR camera body in excellent condition for the record low BAA price of $1498. The sale includes the front cap, the camera strap, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.
Please contact Bill via e-mail or by phone at 1-843-729-6670 (Eastern time).
I have used the 5D III for birds on occasion with excellent results, even with the 2X III TC and the 600 II. It has long been my go-to dSLR for flowers, landscapes, and Urbex photography. In my experience, the quality of the image files is second only to those from the 5DS R. artie
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Did lots of work on Friday on blog posts to be published while I am in Namibia. Lots more to do. The Post-processing Guide is finished. It will be announced in the Sunday blog post.
I was glad to learn that the first two folks signed up for the Nickerson Beach IPT. See below for details. If you would like to save a few bucks on lodging for this IPT I have a male looking for a male roommate. Please get in touch via e-mail. There is only a single opening on the Fort DeSoto IPT. Click here for all IPT info.
The Streak
Todayโs blog post marks 155 days in a row with a new educational blog post. As I will be making the trip to Namibia on April 11, this streak will likely come to an end soon. As always-โand folks have been doing a really great job recentlyโ-please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
Center AF point (by necessity)/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.
Common Tern fledgling in fresh juvenal plumage
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Simplicity, a Single Blade of Beach Grass, and Lots of Room in the Frame
When many beginning photographers get their first long lens, they often wind up stuffing the bird in the frame, barely giving it any room to see or to be. And nowhere to go should the need arise. It is much better to stay back a bit or to resist the urge to do a bill to tail tip “man-crop.” I love the large amount of negative space in today’s featured image. And simple as it is, the single blade of beach grass adds a touch of elegance and helps to establish the setting. My new technique of watching the RGB histogram shift as I adjust the Color Temperature slider during the RAW conversion in DPP 4, worked like a charm. Beach clean-up was minimal. But for that, some added brightness (again during the RAW conversion in DPP 4), and a reduced opacity layer of my NIK Color Efex Pro 25-25 recipe, this un-cropped image looks pretty much as it did when it came out of the camera.
If you want to improve as a nature photographer, learn to keep things simple.
Sun Angle Question
Which shoulder was the sun coming over?
The BIRDS AS ART Style
I am proud to say that this image epitomizes the BIRDS AS ART style, a style that I popularized with the publication of the original The Art of Bird Photography, a style that has been successfully emulated by many of the world’s top bird photographers. Please do not forget, however, that I was inspired early on by John Shaw’s wildflower images and the bird photographs of both Rod Planck and Tim Fitzharris. Best of all, it is wonderful to know that I now count all three of those nature photography legends as friends.
From upper left clockwise to center: Black Skimmer head portrait, American Oystercatcher dining on surf clam flesh, Common Tern at sunset, Common Tern adult swallowing flatfish, Black Skimmer in flight, newborn Common Tern chick, American Oystercatcher with chick, fresh juvenile Common Tern (with fill flash), and Common Terns copulating.
Meet and greet at 3pm on the afternoon of Monday, July 18. Limit 10.
The primary subject species of this IPT will be the nesting Common Terns. The trip is timed so that we will get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish. Creating great images of the chicks being fed is a huge challenge. In addition to the terns we will get to photograph lots of Black Skimmers courting, setting up their nesting territories, and in flight (both singles and large pre-dawn flocks blasting off). Midair battles are guaranteed on sunny afternoons. And with luck, we might even see a few tiny chicks toward the end of the trip. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and tiny chicks, young being fed, and possibly a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
From upper left clockwise to center: Black Skimmers with tiny chick, Common Tern landing with baitfish for young, fledged Common Tern chick in dunes, American Oystercatchers/display flight, adult Common Tern with pipefish for chick, Common Tern fledgling in soft light, American Oystercatcher on nest with eggs, American Oystercatcher 3-egg clutch, battling Black Skimmers.
The IPT Logistics
The tour will begin with a meet and greet on the afternoon of Monday, July 18, 2016. That will be followed by our first shooting session at the beach. From Tuesday through and including all of Friday we will have two photography sessions daily. Our morning sessions will start very early so that we are on the beach well before sunrise. We usually photograph for about four hours. Then we will enjoy a group brunch. We will always have a midday break that will include a nap for me. That followed by our daily afternoon classroom sessions that will include image review, workflow and Photoshop, and a review/critique of five of your trip images. Folks are always invited to bring their laptops to brunch for image sharing. I always have mine with me but heck, I am a big show-off. Afternoon in-the-field sessions generally run from 5pm through sunset.
Breakfasts are grab what you can. Four brunches are included. Dinners (if at all) will be on your own as we will often get back to the hotel at about 9pm. There is a fridge in every room and a supermarket within walking distance of the hotel so nobody should starve. You will learn a ton during the nine shooting sessions, the four in-classroom sessions, and even at lunch. Early morning and late afternoon parking is free. If we want to head back to the beach early we will need to arrange tight carpools and share the $30/vehicle parking fee. Non-photographer spouses, friends, or companions are welcome for $100/day, $450 for the whole IPT.
Save a space by calling Jim or Jen at the office at 863-692-0906 and arranging to leave your deposit of $599–credit cards are accepted for deposits only. Your balance will be due on April 18, 2016. I hope that you can join me for what will be an exciting and educational IPT.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Great news: I got word from Dr. Parsons the I have his blessings to go on the Namibia trip. I worked all day getting some necessary 2015 tax work done, and getting a few post-surgery meds along with insulin needles and diabetic blood sugar test strips. I got a ton done but still have lots more work to do before I head to the airport hotel on Sunday evening.
The Streak
Todayโs blog post marks 154 days in a row with a new educational blog post. As I will be making the trip to Namibia on April 11, this streak will likely come to an end soon. As always-โand folks have been doing a really great job recentlyโ-please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
This image was created from a sunroom on the ninth floor of La Jolla’s tallest building with the Induro GIT 304L/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 158mm) and the mega mega-pixel Canon EOS 5DS R. ISO 200: 5 seconds at f/9 in bright sun at 10:30am! With the Singh-Ray 77mm Warming Circular Polarizer set to dark and the Singh-Ray 5-stop Neutral Density filter.
Center AF point/AI Servo Expand/Rear Focus AF on the right side of the rock in the center and re-compose slightly downward. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see the spectacular larger version.
Wave-washed rock
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The Stationary Helicopter Photo Session: High Rise Magic
The moment that I saw the view of the ocean and the rocks below from Leon Shapiro’s 9th floor La Jolla apartment, I knew that there were some great images to be made. Thanks to Leon’s kindness–Patrick Sparkman, new blog regular Kerry Morris, and I–enjoyed a 3-hour photo session on the late morning of Saturday April 2, 2016. Patrick’s wife Robin joined us to enjoy the view and check out the birds.
I used two lenses, the 100-400 II and the all purpose 24-105 when I wanted to go wider. I made some sharp images and lots of slow shutter speed images using both the Singh-Ray 5-stop and 10-stop Neutral Density filters. But it was the Singh-Ray 77mm Warming Circular Polarizer set to dark that really added drama to the images by rendering the water a dramatic dark green. For all of the blurs with that were made with the warming circular polarizer and one of the dark ND filters, the 77mm was mounted on the front of the lens with the Xume (magnetic mounting) system and the ND filter was held in place after rear focus was set. The exposure were determined by trial and error. Note that when I went slow with the 24-105, I switched out the Mongoose for my Induro ballhead and used the Wimberley P-5 camera body plate on the bottom of the camera.
To learn the basics of working with the 5-stop and 10-stop NDs, you are referred to the “Singh-Ray 10-Stop ND Tutorial: making 30 second exposures in bright sun” in the blog post here. You can of course substitute the 5-stop ND for the 10-stop.
Most looking at today’s image would think, “Yeah, just get the filters in place, push the button, and hope for the best,” but as always, it pays to keep your thinking cap on. With today’s featured image I love the main subject, the rock in the middle and I love the dark rocks at the bottom of the photo that server to frame it. When I first began working this scene–in “A Guide to Pleasing Blurs (see below) we recommend creating many images once you are onto something. The big realization here for me was that I was pressing the shutter much too soon, when a breaking wave approached the rock. That resulted in a large surreal cloud of water above the rock. All of those images looked unbalanced, i.e., top heavy. So I began waiting to push the shutter button until the wave was right on top of the rock. This resulted in the perfectly position swirl of water that you see in front of the rock. In addition, this timing made it appear that the water was actually flowing down the rock in the photograph.
Technique Question Answered
In the original blog post, I asked why it was not necessary to use Live View, Mirror Lock-up, or the 2-second timer when doing 15- or 30-second exposures?
As stated eventually in the comments section of the original blog post, the vibrations caused by mirror slap and gear shake last only fractions of a single second so the movements have no effects at all on a really long exposure image. It is recommended that you use either Live View or Mirror lock-up combined with the 2-second timer (or a cable release) when working at shutter speeds between 1/30 sec. and 1 second.
Singh-Ray 77mm Filters
I regularly travel with my Singh-Ray 77mm Warming Circular Polarizer and both the Singh-Ray 5-stop and 10-stop Mor-Slo glass Neutral Density filters. I can use each of them on the 16-35mm f/4L IS, the 24-105mm f/4L IS, the 70-200mm f/2.8L IS II, and the 100-400mmL IS II. With the intermediate telephotos I always use the Xume magnetized mounting system; this system makes it easy to mount the filters in just a second rather than having to struggle to get them properly threaded. (See more on the Xume system below). Do not use the Xume system with your wide angle lenses as it will cause serious vignetting at the wider settings.
Click on the logo link above to purchase and use the code artie10 at checkout to receive a healthy 10$ discount.
Singh-Ray Filters
Singh-Ray filters have been used by the world’s top photographers for many decades. Singh-Ray is and has been the name in quality filters. I own several of the 77mm filters so that I can attain slow shutter speeds in bright conditions. No other filter manufacturer comes close to matching the quality of Singh-Ray’s optical glass that is comparable to that used by NASA. And they continue to pioneer the most innovative products on the market like their ColorCombo polarizer, Vari-ND variable and Mor-Slo 15-stop neutral density filters. When you use their filters, youโll create better, more dramatic images and, unlike other filters, with absolutely no sacrifice in image quality. All Singh-Ray filters are handcrafted in the USA.
Best News: 10% Discount/Code at checkout: artie10
To shop for Singh-Ray’s most popular solid ND filter, the 10-Stop Mor-Slo Glass Filter liter (for example), click on the logo link above, click on “Neutral and color Solid Neutral Density Filters (glass), then click on “Mor-Sloโข 5, 10, 15 and 20-Stop Solid Neutral Density Filters (glass),” choose the size and model, add to cart, and then checkout. At checkout, type artie10 into the “Have a coupon? Click here to enter your code” box and a healthy 10% discount will be applied to your total. In addition to enjoying the world’s best filter at 10% off you will be supporting my efforts here on the blog.
The 10- and 15-stop Mor Slo filters are great for landscapes with water and moving clouds. With the 10-stop, 1/125th becomes 8 seconds and with the 15-stop, 4 minutes. Next, I need to get my hands on a 15-stop Mor-Slo ND…
Xume Stuff!
Here is how I use the magnetized Xume system with my intermediate telephoto lenses:
First I screw one XUME 77mm Lens Adapter onto the front of my 100-400 II and another onto the front of the 70-200 f/2.8 L IS II.
Next I screw my Singh-Ray 77mm 3-Stop Resin Mor-Slo Neutral Density Filter, my Singh-Ray 77mm 5-Stop Glass Mor-Slo Neutral Density Filter, and my Singh-Ray 77mm LB Warming Circular Polarizer into their own individual XUME 77mm Filter Holders. Be sure not to screw the filters on too tightly to the Filter Holders. If you do, it can be a real challenge to remove the filter when you need it for a wide angle lens. Light pressure is fine.
The lens adapters stay on the lenses. The ND filters and the polarizer stay screwed into their own filter holders as noted above. The filter/filter holder combos are stored in the lovely labeled leather pouches that come with each Singh-Ray filter purchase. The three of them fit perfectly into the small upper left zippered pocket of my Xtrahand vest. When I wish to mount a filter onto the front of one of my intermediate telephoto lenses I simply remove the lens hood, grab the filter that I need, and pop it securely into place in less than an instant. Ah, it’s the magnetic thing!
Be sure to replace the lens hood so that you do not accidentally dislodge the filter by whacking it against some shrubbery when you are walking about. To remove the filter simply remove the lens hood, pop the filter off instantly, place it back in its leather case, and stow it. With the Xume system there are no more tears. You do not have to screw and unscrew the filters onto the front of the lens. There are no more jammed threads. The Xume lens adapters and the filter holders are precision-machined to guarantee fast and secure filter attachment every time.
Note that with today’s image I used the Xume system to mount the warming circular polarizer on the lens so that I could turn it to dark and set the focus. Then I held the ND filter in place in front of the lens being sure not to shake the lens while doing so. If I had reversed the order it would have been impossible to set the polarizer to dark while looking through the lens.
It is an elegant system but I can recommend it only for intermediate telephoto lenses: when used with short lenses and short zoom lenses some serious vignetting will occur at the wider focal lengths. As noted above, you must use the Xume system when working with the 10-stop ND so that you can snap the filter in place after setting the focus without messing up either the framing or focus as you might if you needed to screw the filter on.
If you need Xume stuff for front element sizes other than 77mm please use this link; you will find two pages of good stuff!
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I worked all day getting ready for the Namibia trip. With four folks signed up for Japan 2017, there are only five slots left so the trip is a definite go. Scroll down for details.
The Streak
Todayโs blog post marks 153 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As alwaysโand folks have been doing a really great job recentlyโplease remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
Price Reduced $2500
Japan In Winter IPT. February 9-24, 2017: $11,499 (was $13,999)/double occupancy.
Price Reduced $2,500 on 3-8-16!
Please e-mail for couple and IPT repeat customer discount information.
As I really, really want to make it back to Japan in winter one more time, I decided to lower the price of the world’s best Japan in Winter trip by $2,500. Yes my trip has three great leaders including the best bird photography instructor on the planet. That’s the guy who knows where to be when and why. And yes, it is now a bit more expensive than most. And yes, we stay at a fine hotel in Tokyo. And yes, we stay in a marvelous traditional hotel for our three nights at the Snow Monkey Park. And yes, we are perfectly located on Hokkaido, minutes from the premier Red-crowned Crane sanctuary and an easy drive to most of the other wondrous avian attractions. And yes, we enjoy home cooked breakfasts and dinners prepared by Shinobu, the wife of our local Japanese guide. She is an incredible chef. After three visits her meals are now traditional Japanese fine-tuned for the American palate. And yes, my tour is longer than the others, giving us many days with the cranes. I saw one trip with only two days of crane photography; what a bummer. End each day with a traditional onsen (hot springs mineral bath) to complete your immersion in Japanese culture.
Life is short. I hope that you can join me. Scroll down for details.
This image was created on the 2015 Japan in Winter IPT with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 117mm) and the mega mega-pixel Canon EOS 5DS R. ISO 800. Evaluative metering +2 2/3 stops off the snow: 1/250 sec. at f/7.1. AWB.
Two AF points up and one row to the left of the center AF Point/AI Servo Surround/Shutter Button AF as originally framed was active at the moment of exposure (as is always best when hand holding). This was a small crop from above, left, and below. The selected AF point was on the side of the upper breast of the male. Click on the image to see a larger version.
Snow Monkeys copulating
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AF Point Question
Why would it have been better in this case to have selected the AF point that was four AF points up and two rows to the left of the center AF Point?
Up the Hill at the Snow Monkey Park
The walk up the hill to the Snow Monkey Park takes about 30 minutes uphill for fast walkers. I take 40 minutes. The good news is that all you need lens wise is an 80- or 100-400 f/5.6 lens or a 70- or 80-200f/2.8 lens. And there is a heated shelter for those who wish to warm up. But it is rarely really cold at this location. The photography is about as easy at it gets as long as you do not monkey around…
Animated GIF Screw-Up
Please note that I reversed the Original and Optimized text layers in the animated GIF above. It is too much work to re-do it so you will need to adjust your thinking ๐ Thanks to Ryan Sanderson for catching that one. ๐
The Difficult Pipe Removal
Check out the elimination of the white plastic pipe in the lower right. I used the Clone Stamp Tool, the Patch Tool, the Spot Healing Brush, and even the Blur Tool. In addition fairly large, warped quick mask of the water on the right was used to create the water needed to cover the bottom of the pipe. Keys to the relative success of the repairs were to work very large and to eliminate repetitive patterns as soon as they were spotted. I use the Patch Tool and the Spot Healing Brush to do that.
Noise reduction via Arash’s Neat Image techniques was very successful. The new guide is finally done. It will be for sale here soon for $48. A huge amount of work went into its creation.
Consider joining me in Japan in February, 2017, for the world’s best Japan in Winter workshop. Click on the card to enjoy the spectacular larger version.
Japan In Winter IPT. February 9-24, 2017: $11,499 (was $13,999)/double occupancy.
Price Reduced $2,500 on 3-8-16!
All lodging including the Tokyo hotel on 9 FEB, all breakfasts & dinners, ground transport and transfers including bus to the monkey park hotel, and all entrance fees and in-country flights are included. Not included: international flights, all lunches–most are on the run, and alcoholic beverages.
Please e-mail for couple and IPT repeat customer discount information.
This trip is one day longer than the great 2014 trip to allow for more flexibility, more time with the cranes, and most importantly, more time for landscape photography. Hokkaido is gorgeous. You will enjoy tons of pre-trip planning and gear advice, in-the-field instruction and guidance, at-the-lodge Photoshop and image review sessions in addition to short introductory slide programs for each of the amazing locations. Skilled photographer Paul McKenzie handles the logistics and we enjoy the services of Japan’s best wildlife photography guide whom I affectionately call “Hokkaido Bear.” His network of local contacts and his knowledge of the weather, the area, and the birds is unparalleled and enables him to have us in the best location every day.
Arrive Tokyo: 9 FEB 2017 the latest. 8 FEB is safer and gives you a day to get acclimated to the time change. Your hotel room for the night of the 9th is covered.
Bus Travel to Monkey Park Hotel: 10 FEB: A 1/2 DAY of monkey photography is likely depending on our travel time… This traditional hotel is first class all the way. Our stay includes three ten course Japanese dinners; these sumptuous meals will astound you and delight your taste buds. There are many traditional hot springs mineral baths (onsens) on site in this 150 year old hotel.
Full Day snow monkeys: FEB 11.
Full Day snow monkeys: FEB 12.
13 FEB: Full travel day to Hokkaido/arrive at our lodge in the late afternoon. The lodge is wonderful. All the rooms at the lodge have beds. Bring your warm pajamas. A local onsen (hot springs bath and tubs) is available for $5 each day before dinner–when you are cold, it is the best thing since sliced bread. The home-cooked Japanese styles meals at the lodge are to die for. What’s the best news? Only a small stand of woods separates us from the very best crane sanctuary. During one big snowstorm we were the only photo group to be able to get to Tsurui Ito; we had the whole place to ourselves in perfect conditions for crane photography!
FEB 14-23: Red-crowned Crane, raptors in flight, Whooper Swans, and scenic photography. Ural Owl possible. An overnight trip to Rausu for Steller’s Sea Eagle and White-tailed Eagle photography on the tourists boats is 100% dependent on the weather, road, and sea ice conditions. Only our trip offers complete flexibility in this area. It has saved us on more than once occasion. The cost of 2 eagle-boat trips is included. If the group would like to do more than two boat trips and we all agree, there will be an additional charge for the extra trip or trips. No matter the sea ice conditions, we will do two eagle boat trips (as long as we can make the drive to Rausu; it snows a lot up there). We have never been shut out.In 2016 there was no sea ice but our guide arranged for two amazingly productive boat trips.
Lodging notes: bring your long johns for sleeping in the lodge. At the Snow Monkey Park, and in Rausu, the hotel the rooms are Japanese-style. You sleep on comfortable mats on the floor. Wi-fi is available every day of the trip.
FEB 24. Fly back to Tokyo for transfer to your airport if you are flying home that night, or, to your hotel if you are overnighting. If you need to overnight, the cost of that room is on you.
Life is short. Hop on the merry-go-round.
To Sign Up
To save your spot, please send your $5,000 non-refundable deposit check made out to “Birds as Art” to Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL 33855. I do hope that you can join me for this trip of a lifetime. Do e-mail with any questions or give me a buzz at 863-692-0906.
Purchasing travel insurance within 2 weeks of our cashing your deposit check is strongly recommended. On two fairly recent Galapagos cruises a total of 5 folks were forced to cancel less than one week prior to the trip. My family and I use Travel Insurance Services and strongly recommend that you do the same.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Image courtesy of and copyright 2016: Bryan Holliday
Happy Bird-day Patrick!
Happy birthday Patrick Sparkman. Pat celebrates the big five-oh today. Above you see him doing what he does best, hand holding the 600 II with the 5DS R and a 2X III TC in place. On this day, it was I who took the pansy-ass route by not venturing out onto the wave-tossed rocks at La Jolla Shores Beach. I hope that you have a great day bro! Are you getting some ice cream to celebrate?
I had my best night’s sleep since the surgery with 1 1/2 to 2 hours between pit stops; with the laser surgery it takes from 2 weeks to 2 months to see real improvement. I did lots to get ready for the Namibia trip including ordering some needed diabetic supplies and getting the right electrical outlet adapter (Type M) thanks to good friend Bill Lloyd who will be on the trip.
The Streak
The Streak
Todayโs blog post marks 152 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As alwaysโand folks have been doing a really great job recentlyโplease remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
This image was created at La Jolla, CA on the afternoon of Saturday, April with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 312mm) and the mega mega-pixel Canon EOS 5DS R. ISO 400. sunny ISO 400 bright white exposure of 1/2500 sec. at f/7.1 (the equivalent of 1/2000 sec. at f/8.) Daylight WB.
I selected one AF point that was two up from the center AF point/AI Servo Expand/Rear Focus AF on the gull’s neck was active at the moment of exposure as is always best when hand holding. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see the spectacular larger version.
adult Western Gull calling
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Serendipitously On Sun Angle
Patrick Sparkman and I had made our way down to the low cliffs on a clear afternoon. We were working mostly on Brant’s Cormorants when I noticed this gull land behind us on a pretty nice rock. (Yes, good photographers have eyes in the back of their heads…) To get into position, I moved slowly to avoid pissing off a female Sea Lion. I worked my way to sun angle, selected the AF point that would work for the image design that I wanted, and did an exposure check. Then I got a bit lower by bending and squatting a bit to move the already distant background even farther effectively from the bird.
Just as I got into the perfect position the gull called. I made two images and backed away thinking “It’s just not gonna get any better than that.” In a Birder’s World article entitled “Go For the Gulls” I wrote, “When you point your lens at a gull they will usually do something pretty neat.” This gull made my life too easy!
NeatImage background NR screen capture
NeatImage Background NR Screen Capture
The NeatImage background Noise Reduction screen capture above gives you a sneak preview of our great new post-processing guide. Written by Arash Hazeghi and edited for readability and clarity by yours truly, this e-book will teach you to apply professional noise reduction and sharpening to your images. First, a mild NR is done on the bird, and then a stronger round or two of NR is applied to the background. Arash’s ingenious technique allows you to do this quickly and easily in most cases. You will learn to make an accurate selection of the subject to put this all in motion. Notice the smooth as a baby’s tush background in the screen capture of today’s featured image above.
The area in the blue square has been filtered by NeatImage Noise Reduction. The area outside of the blue box is unfiltered, exactly as it appears on the converted TIFF. While I will assume that everyone will be impressed by the virtually complete absence of noise in the original file, I need to point out that the mid- to dark-toned water is actually one stop to 1 1/3 stops under-exposed. Why? WHITES need one stop less light to be properly exposed than mid-tones in a given lighting condition; thus the mid-to dark middle toned water is one to 1 1/3 stops under it should be, and therefore, more noisy. I am rather amazed that all of the internet experts including some very good photographers and good friends are all proclaiming that high ISO noise with the 5DS R is a problem. But heck, that’s why they are internet experts: they rarely if ever use the gear that they complain about.
The New Guide and NeatImage
The work on on Arash’s new Post Processing Guide is finished and we will be announcing its publication here very soon. The guide will sell for $48. As above, the guide will teach you–as you can see in today’s featured image, to apply a small but effective amount of NR to the bird (while maintaining fine feather detail) and to apply greater amounts of NR to noisy backgrounds to smooth them out. The key to the success of these methods is a combination of Arash’s cleverly developed and innovative techniques and the great NeatImage plug-in. Arash recommends and uses only the NeatImage plug-in for advanced noise reduction. Both artie and Arash recommend only the Proversion as the Homeversion does not work on 16-bit images. Folks who are good with Layer Masking may wish to get a copy of NeatImage and get a head start on using this great program. If not, the new guide will make it simple for you. Learn more on the effectiveness of NeatImage in the blog post here.
From upper left clockwise to center: Black Skimmer head portrait, American Oystercatcher dining on surf clam flesh, Common Tern at sunset, Common Tern adult swallowing flatfish, Black Skimmer in flight, newborn Common Tern chick, American Oystercatcher with chick, fresh juvenile Common Tern (with fill flash), and Common Terns copulating.
Meet and greet at 3pm on the afternoon of Monday, July 18. Limit 10.
The primary subject species of this IPT will be the nesting Common Terns. The trip is timed so that we will get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish. Creating great images of the chicks being fed is a huge challenge. In addition to the terns we will get to photograph lots of Black Skimmers courting, setting up their nesting territories, and in flight (both singles and large pre-dawn flocks blasting off). Midair battles are guaranteed on sunny afternoons. And with luck, we might even see a few tiny chicks toward the end of the trip. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and tiny chicks, young being fed, and possibly a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
From upper left clockwise to center: Black Skimmers with tiny chick, Common Tern landing with baitfish for young, fledged Common Tern chick in dunes, American Oystercatchers/display flight, adult Common Tern with pipefish for chick, Common Tern fledgling in soft light, American Oystercatcher on nest with eggs, American Oystercatcher 3-egg clutch, battling Black Skimmers.
The IPT Logistics
The tour will begin with a meet and greet on the afternoon of Monday, July 18, 2016. That will be followed by our first shooting session at the beach. From Tuesday through and including all of Friday we will have two photography sessions daily. Our morning sessions will start very early so that we are on the beach well before sunrise. We usually photograph for about four hours. Then we will enjoy a group brunch. We will always have a midday break that will include a nap for me. That followed by our daily afternoon classroom sessions that will include image review, workflow and Photoshop, and a review/critique of five of your trip images. Folks are always invited to bring their laptops to brunch for image sharing. I always have mine with me but heck, I am a big show-off. Afternoon in-the-field sessions generally run from 5pm through sunset.
Breakfasts are grab what you can. Four brunches are included. Dinners (if at all) will be on your own as we will often get back to the hotel at about 9pm. There is a fridge in every room and a supermarket within walking distance of the hotel so nobody should starve. You will learn a ton during the nine shooting sessions, the four in-classroom sessions, and even at lunch. Early morning and late afternoon parking is free. If we want to head back to the beach early we will need to arrange tight carpools and share the $30/vehicle parking fee. Non-photographer spouses, friends, or companions are welcome for $100/day, $450 for the whole IPT.
Save a space by calling Jim or Jen at the office at 863-692-0906 and arranging to leave your deposit of $599–credit cards are accepted for deposits only. Your balance will be due on April 18, 2016. I hope that you can join me for what will be an exciting and educational IPT.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I began work on this blog post at the San Diego Airport before my flight to Orlando. And continued during the flight after a good take-off nap. The flight is a wi-fi flight but I am having trouble getting online right now. Whomever received the graft money for the creation of the new Rental Car Center at SAN should be jailed. The old system worked great. The new system is horrific. Too many screw-ups in the system this morning to even think about listing them.
Got into Orlando a bit early and waited on the hot runway for 30 minutes for a gate. Jim picked me up right on time, my luggage came out quickly, and we should be home by 7pm or so. Enjoy today’s post.
The Streak
Todayโs blog post marks 151 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
This image was created by Leon Shapiro at La Jolla,CA with the hand held Canon EF 70-200mm f/2.8L IS II USM lens (at 200mm) and the EOS 5D Mark II (now replaced by the Canon EOS 5D Mark III.) ISO 200. Spot metering (!) at zero in Av mode” 1/2000 sec at f/2.8.
Brown Pelican head throw. Image courtesy of and copyright 2016: Leon Shapiro.
By his own admission, Leon knows that this one was a stroke of luck. I quickly had him getting close to the birds, using Evaluative metering, working in Manual mode, creating perfect exposures ever time, and making sharp images with the 2X III TC. Photoshop tweaks by yours truly.
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The Backstory
I mentioned in a recent blog post that I ran into a really nice guy, Leon Shapiro, on the cliffs on Thursday and took him out for a morning of instruction on Friday. Below, in Leon’s words, is how it all unfolded. Though his image above is a healthy crop, the pose and the pelican are spectacular.
A Chance Meeting Proves Invaluable
Last week I wandered down onto to the cliffs just north of La Jolla Cove with my big lens, the 70-200mm f/2.8 and the old EOS 5D Mark II. At 7:00am in the morning there was only one other photographer standing–actually sitting, on the cliffs. I made my way down slowly trying not to frighten off any of the birds. It was clear that this person knew what he was doing. I was a little intimidated but struck up a polite conversation. Within five minutes Artie was giving me a few tips and talking about how much he loved making images at La Jolla. I asked if he gave private lessons and he said “Absolutely, what are you doing tomorrow morning?”
I met Artie at the same spot the following morning at 6:30am. He was there waiting for me and had already scouted out the action and knew exactly what shots he wanted me to get. I had already shared with Artie that I did not really have a good understanding of some of the basics and was hoping to learn a few fundamentals during the morning. I wasn’t prepared for the deluge of knowledge, experience and information that was about to come flooding my way.
We had a terrific morning together. I learned more in those five hours than in the previous five years I had been photographing. I left our lesson with an incredible number of tips and pointers that Artie shared with me. As I reflect back on that morning three specific things stood out for me:
1: Technical capability: Artie was able to quickly figure out what I knew and did know about my equipment. I’m sure he could have spent days educating me on all the working in Manual mode and had me making perfectly exposed and sharp photographs inside an hour. Sure I had read about some of these things but having someone at your side showing you what you did and did not do after each image is invaluable. Just understanding how to read and interpret a histogram correctly was worth its weight in gold. It took Artie a minute to figure out that I had actually disabled “blinkies” due to frustration (although he got a good laugh out of it).
2: Light: This is where Artie’s passion for what he does comes shining through. Knowing that you want the sun behind you and your shadow pointing directly at the bird makes sense. Spending a few hours with Artie watching the planning and effort he puts into maneuvering himself into the right position to take a photo way amazingly instructive. And best of all, I was right beside him the whole time. Crawling over the rocks to get exactly into position while Artie was anticipating exactly what the bird was going to do and then having Artie show you the subtle but powerful differences between the various shots was invaluable. I learned how you can take great shots in the shade, how important it was to understand how the light effects the entire photograph, and how to position yourself so you make the best possible use of the available light.
3:Learning style: It did not surprise me when I learned that Artie was a teacher in the NYC public school system. He was very quick to zone in on my learning style and adapt his teaching style accordingly. You can have the most experienced and accomplished photographer in the world teaching you but if they don’t understand and recognize how you learn, they will not be very effective. Artie took the time to understand what I wanted to learn and then figured out the best way to communicate and teach that to me.
Thanks Artie for re-igniting the passion I have for photography and giving me the tools to embrace that passion.
Leon
My Comments
Thanks a stack Leon for sending me the wonderful e-mail above. I must add that you were a bright, interested, and eager-to-learn student and that it was a pleasure working with you. At times, some folks on my Instructional Photo-tours profess that they already know everything. I loved your clean slate style of learning. I must make one correction: it was only minutes before I had you making sharp, properly exposed images. And that was on the first morning that we met!
I would also like to add two items to Leon’s list:
#4: Leon learned that in some situations if you get low and move slowly it is possible to get very close to more than a few free and wild birds. Prior to our getting together Leon was content to sit way back, create small in the frame images, and crop the heck out of them.
#5: On a related note, Leon had told me the first morning that we met that he did not bring his 1.4X teleconverter on his photo walks because he could not make any sharp images with it. So I set him up with a Series III 2X the next morning, showed him how to hold the lens steady using his own personal knee-pod, and had him make sharp head-portraits of the cormorants that we had gotten close to. When it came to learning both the sharpness techniques and the stalking techniques, Leon was a quick study.
I have preached here before and often that it is always a good plan to be open to serendipitous encounters. Leon needed no prompting on that matter.
Best of all, Leon turned out to be a super-nice guy. Heck, that was obvious from the moment that we met. He wound up inviting me (along with some friends!) up to his mega-luxurious apartment high above La Jolla on the weekend while he was attending a fundraiser on the east coast. That after he gotten to know me for a grand total of five hours… We created some amazing sea- and rock-scapes from the open windows of his spectacular 9th floor place using the Singh-Ray 77mm warming circular polarizer (set to dark) and either the 5- or 10-stop Singh-Ray Mor-Slo Neutral Density filter. New blog regular Kerry Morris, who joined us for a morning of photography, saved the day by sharing her Sing-Ray 77mm warming circular polarizer with both Patrick and me. And she in turn borrowed one of my two ND filters. Patrick’s wife Robin relaxed, enjoyed the luxury, and spotted birds on the rocks for us. We all had some great fun, thanks to Leon.
From upper left clockwise to center: Black Skimmer head portrait, American Oystercatcher dining on surf clam flesh, Common Tern at sunset, Common Tern adult swallowing flatfish, Black Skimmer in flight, newborn Common Tern chick, American Oystercatcher with chick, fresh juvenile Common Tern (with fill flash), and Common Terns copulating.
Meet and greet at 3pm on the afternoon of Monday, July 18. Limit 10.
The primary subject species of this IPT will be the nesting Common Terns. The trip is timed so that we will get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish. Creating great images of the chicks being fed is a huge challenge. In addition to the terns we will get to photograph lots of Black Skimmers courting, setting up their nesting territories, and in flight (both singles and large pre-dawn flocks blasting off). Midair battles are guaranteed on sunny afternoons. And with luck, we might even see a few tiny chicks toward the end of the trip. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and tiny chicks, young being fed, and possibly a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
From upper left clockwise to center: Black Skimmers with tiny chick, Common Tern landing with baitfish for young, fledged Common Tern chick in dunes, American Oystercatchers/display flight, adult Common Tern with pipefish for chick, Common Tern fledgling in soft light, American Oystercatcher on nest with eggs, American Oystercatcher 3-egg clutch, battling Black Skimmers.
The IPT Logistics
The tour will begin with a meet and greet on the afternoon of Monday, July 18, 2016. That will be followed by our first shooting session at the beach. From Tuesday through and including all of Friday we will have two photography sessions daily. Our morning sessions will start very early so that we are on the beach well before sunrise. We usually photograph for about four hours. Then we will enjoy a group brunch. We will always have a midday break that will include a nap for me. That followed by our daily afternoon classroom sessions that will include image review, workflow and Photoshop, and a review/critique of five of your trip images. Folks are always invited to bring their laptops to brunch for image sharing. I always have mine with me but heck, I am a big show-off. Afternoon in-the-field sessions generally run from 5pm through sunset.
Breakfasts are grab what you can. Four brunches are included. Dinners (if at all) will be on your own as we will often get back to the hotel at about 9pm. There is a fridge in every room and a supermarket within walking distance of the hotel so nobody should starve. You will learn a ton during the nine shooting sessions, the four in-classroom sessions, and even at lunch. Early morning and late afternoon parking is free. If we want to head back to the beach early we will need to arrange tight carpools and share the $30/vehicle parking fee. Non-photographer spouses, friends, or companions are welcome for $100/day, $450 for the whole IPT.
Save a space by calling Jim or Jen at the office at 863-692-0906 and arranging to leave your deposit of $599–credit cards are accepted for deposits only. Your balance will be due on April 18, 2016. I hope that you can join me for what will be an exciting and educational IPT.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I spent my last photo morning in San Diego where I spent most of my mornings, on the cliffs at La Jolla. The quality of the photographic opportunities on this trip has been amazingly good and my hard work has paid off handsomely. With thick fog I spent most of my time photographing Brandt’s Cormorant nesting behaviors. I ran down four 5DS R batteries. Patrick concentrated on flight photography, another area in which he is extremely skilled.
I kiss Robin and Patrick Sparkman goodbye tonight as I fly to Orlando on the Southwest 8AM nonstop to Orlando. They are hosting a Good-bye Artie Party” tonight. ๐ It is hard to express how wonderfully they have treated and put up with me for so long. I arrived in San Diego on March 11. Patrick calls my visit, “March Madness/artie Style!”
The Streak
Todayโs blog post marks 150 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
Center AF point (by necessity)/AI Servo Expand/Rear Button AF as originally framed was active at the moment of exposure. The center AF point was just on the front of the bird’s chest right at the waterline. This was a decent crop from the front and below. Check out the tight crop below to see the incredible fine feather 5DS R detail.
Drake Surf Scoter swimming. Image courtesy of and copyright 2016 Patrick Sparkman.
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The Proof is in the Pudding…
Below is a recent e-mail conversation that I had with Al Ahner. The office relayed his original e-mail to me. It began, “Hi Arnie.”
AM: Hi Abe, This is artie. ๐
AA: I had dropped a comment about hand-holding this camera body. Your images are indeed sharp but I had heard from a friend that he had dismal results with his.
AM: Dismal photographers get dismal results.
AA: We had an event here in St. Louis called “Shutterfest”. Two full days of vendors, classes, workshops, etc. The Canon team was here and to a person they said: “This is a tripod only camera body.โ
AM: You should have sent them to my blog ๐
AA: Not your word against theirs, but just FYI.
AM: I understand. The proof as they say, is in the pudding. See Patrick’s pudding above and below. Some Canon employees routinely give wrong or misleading answers to simple questions both in person and on the help lines…
Yes Patrick is amazingly skilled. And yes, you need to hold this lens still. And yes, you need to focus each image accurately. And yes, having it properly Lens Aligned can be a great help. I will do a blog post soon based on this e-mail using one of Patrick Sparkmanโs 600II/2XIII/5DSR hand held images of a relatively distant sea duck. You can show it to all the naysayers and to the folks at Canon the next time that you cross paths.
LMK if I may use your name in the blog post. No sweat either way.
AA: Hope all is well and you continue to recover from your surgery.
AM: I am, thanks, and thanks for your good wishes.
later and love, artie
The Follow-up
Al was a good sport; he wrote back saying that it would be OK to use his name. Thank you kind sir.
This is a 100% crop of today’s featured image.
100% Crop
This 100% crop of today’s featured image is a testament both to Patrick’s photographic skills and the amazing resolution of the 5DS R. I am hoping that this post will quiet the experts, internet and otherwise, who proclaim out of ignorance that you must use a tripod with a 5DS R… I realize, however, that that is not likely.
From upper left clockwise to center: Black Skimmer head portrait, American Oystercatcher dining on surf clam flesh, Common Tern at sunset, Common Tern adult swallowing flatfish, Black Skimmer in flight, newborn Common Tern chick, American Oystercatcher with chick, fresh juvenile Common Tern (with fill flash), and Common Terns copulating.
Meet and greet at 3pm on the afternoon of Monday, July 18. Limit 10.
The primary subject species of this IPT will be the nesting Common Terns. The trip is timed so that we will get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish. Creating great images of the chicks being fed is a huge challenge. In addition to the terns we will get to photograph lots of Black Skimmers courting, setting up their nesting territories, and in flight (both singles and large pre-dawn flocks blasting off). Midair battles are guaranteed on sunny afternoons. And with luck, we might even see a few tiny chicks toward the end of the trip. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and tiny chicks, young being fed, and possibly a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
From upper left clockwise to center: Black Skimmers with tiny chick, Common Tern landing with baitfish for young, fledged Common Tern chick in dunes, American Oystercatchers/display flight, adult Common Tern with pipefish for chick, Common Tern fledgling in soft light, American Oystercatcher on nest with eggs, American Oystercatcher 3-egg clutch, battling Black Skimmers.
The IPT Logistics
The tour will begin with a meet and greet on the afternoon of Monday, July 18, 2016. That will be followed by our first shooting session at the beach. From Tuesday through and including all of Friday we will have two photography sessions daily. Our morning sessions will start very early so that we are on the beach well before sunrise. We usually photograph for about four hours. Then we will enjoy a group brunch. We will always have a midday break that will include a nap for me. That followed by our daily afternoon classroom sessions that will include image review, workflow and Photoshop, and a review/critique of five of your trip images. Folks are always invited to bring their laptops to brunch for image sharing. I always have mine with me but heck, I am a big show-off. Afternoon in-the-field sessions generally run from 5pm through sunset.
Breakfasts are grab what you can. Four brunches are included. Dinners (if at all) will be on your own as we will often get back to the hotel at about 9pm. There is a fridge in every room and a supermarket within walking distance of the hotel so nobody should starve. You will learn a ton during the nine shooting sessions, the four in-classroom sessions, and even at lunch. Early morning and late afternoon parking is free. If we want to head back to the beach early we will need to arrange tight carpools and share the $30/vehicle parking fee. Non-photographer spouses, friends, or companions are welcome for $100/day, $450 for the whole IPT.
Save a space by calling Jim or Jen at the office at 863-692-0906 and arranging to leave your deposit of $599–credit cards are accepted for deposits only. Your balance will be due on April 18, 2016. I hope that you can join me for what will be an exciting and educational IPT.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
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Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Thanks to the kindness of Leon Shapiro, Patrick & Robin Sparkman, new blog regular Kerry Morris (a girl Kerry btw) and I spent several mid-morning hours creating spectacular sea- and wave-scapes from the sunroom of his 9th floor apartment right on the La Jolla coast, just north of Children’s Cove. Techniques and images coming soon. In the meantime thanks a huge stack to Leon who met me on Wednesday, hired me for a private morning on Thursday, and soon thereafter gave me the keys to his mega-luxurious dwelling.
The Streak
Todayโs blog post marks 149 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
To view the video full screen click on the expanding arrows symbol between the HD and the vimeo on the Play bar.
Thanks Patrick!
Huge thanks also to Patrick Sparkman for the great editing job in Final Cut Pro X. Once again Patrick amazed me with his technical knowledge and expertise. Thanks bro’.
Join Me on the AUG 2017 Galapagos Photo-Cruise
Guaranteed Waved Albatross!
Do consider joining me for this once in a lifetime trip to the Galapagos archipelago. There simply is no finer Galapagos photography trip. Learn why above.
An Amazing Value…
Do know that there are one week Galapagos trips for $8500! Thus, my trip represents a tremendous value; why go all that way and miss half of the great photographic locations?
The Logistics
August 6, 2017: We arrive in Guayaquil, Ecuador a day early to ensure that we do not miss the boat in case of a travel delay.
August 7, 2017: There will be an introductory Galapagos Photography session and a hands on exposure session at our hotel.
August 8, 2017: We fly to the archipelago and board the Samba. Heck, on the 2015 trip some people made great images at the dock in Baltra while our luggage was being loaded!
August 22, 2017: We disembark late morning and fly back to Guayaquil midday; most will overnight there (included).
Most will fly home on the early morning of August 23 unless they are staying on or going elsewhere (or catching a red-eye flight on the evening of the 22nd).
$12,499 includes just about everything: all transfers, guide and park fees, all food on the boat, transfers and ground transportation, your flights to the archipelago, and three nights (double occupancy) in a top notch hotel in Guayaquil. If you are good to go, a non-refundable deposit of $5,000 per person is due immediately. The second payment of $4,000 is not due until 11/1/16. The final payment of $3449 per person will be due on 2/1/17. A $200 discount will be applied to each of the balances for couples or friends who register at the same time.
Purchasing travel insurance within 2 weeks of our cashing your deposit check is strongly recommended. On two fairly recent cruises a total of 5 folks were forced to cancel less than one week prior to the trip. My family and I use Travel Insurance Services and strongly recommend that you do the same.
Not included: your round trip airfare from your home to and from Guayaquil, beverages on the boat, phone calls, your meals in Guayaquil, personal items, and a $600/person cash tip for the crew and the guideโthis works out to roughly $40/day to be shared by the 7 folks who will be waiting on us hand and foot every day for two weeks. The service is so wonderful that many folks choose to tip extra.
Please e-mail for the tentative itinerary or with questions. Please cut and paste “Galapagos 2017 Tentative Itinerary Please” into the Subject line.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
On my post-op visit I was told, “You are well ahead of the curve.” I am feeling good and having fun and enjoyed a short session at La Jolla with Patrick Sparkman. At 8:30 he headed for work and I headed for the UCSD Medical Center for my appointment.
I snagged more than a few folks and all but one unhappy camper took the April Fool’s blog post as a good joke. I did answer every response personally. Till next year ๐
The Streak
Todayโs blog post marks 148 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
This image was created at Hokkaido, Japan on the last Japan in Winter IPT with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 142mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 400. Evaluative metering +1 stop: 1/200 sec. at f/16 in late afternoon light.
Center AF point/AI Servo Expand/Rear Focus AF on the center of the closest footprint and re-compose. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.
Red-crowned Crane footprints in snow
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Triangular Simplicity…
Please feel free to share your thoughts on today’s featured image. Does it bring anything to mind? How does it make you feel?
A DPP 4 Screen Capture of today’s featured image
Amazing Revelation Made Out of Ignorance?
There are lots of ways to get away from too BLUE snow. Play with the color temperature slider during the RAW conversion. With the 5DS R in DPP 4 there is a great Auto: White Priority WB setting that works well in certain situations. The same can be said about Click White Balance. I was not happy with either of those last two with today’s image so I opened the Color Temperature slider. As I moved the color temperature slider I noticed that the peaks for each color on the RGB histogram shifted and that when the snow looked totally neutral, I was amazed to see that the centers of the peaks for all three colors were perfectly aligned.
At this point I realize that some folks might be thinking, big deal, I’ve known that for years. For me it was a revelation. Perhaps I have just been plain ignorant for the past 14 years of doing digital. Does anyone use this in their workflow when attempting to balance the color?
On second thought: I am not sure that it is even possible to line up the centers of the peaks for each color with all images. And I am not sure that the results would be 100% desirable. But I do know that it worked for this image. Future experimentation and study to follow. Please feel free to share your experiences here.
Note: if an image is too BLUE after the RAW conversion you can always go to Hue Saturation, select the BLUE channel, and decrease the Saturation to taste.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I had a wonderful Thursday morning with a private client from CT, Leon Shapiro. He was a quick study. When we met he said, “I cannot make any sharp images once I add the 1.4X TC to the 70-200 f/2.8L IS II.” I chose not to believe him. Right off the bat, he began making sharp images with the 70-200 f/2.8L IS II lens, my 2X III TC, and his 5D Mark II. Within the hour he was making great images using rear focus (which he thinks he might have heard of before…) And oh, did I mention that when we chatted on the cliffs on Wednesday morning he had been so frustrated by digital exposure that he had disabled blinkies. I had him set up in Manual mode and within minutes he began making perfect exposures without a problem. And that was before he hired me ๐
The Streak
Todayโs blog post marks 147 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
Switching to Sony
After much thought, I have decided to switch to the amazing Sony System; here is my new gear bag. All will arrive in time for my Namibia trip.
If you would like additional info as to why I am switching, please shoot me an please shoot me an email and I will gladly get back to you.
Selling All My Canon Gear/Priced to sell immediately or sooner
Canon 600mm f/4L IS II lens in like new condition: $7999.00
Canon 500mm f/4L IS lens in like new condition: $6,999.00
Canon 400mm f/4 L IS II lens in like new condition: $5,999.00
Canon 300mm f/2.8L IS II lens in like new condition: $5,999.00
Canon 100-400mm L IS II lens in just good condition–I have used this one to death: $999.00
Canon 70-200mm f/2.8 L IS II lens in good condition–that means badly beaten up: $999.00
Canon 24-105mm L IS lens in very good condition: $1,299.
Canon 16-35mm f/4L IS lens in excellent condition: $899.00.
Canon 100mm f/2.8L IS lens in excellent condition: $799.
Canon 15 mm fish eye in terrible condition: $199.00
Two @ Canon EOS-5DS R in like new condition: $2499.00
Canon EOS 1D X in very good condition: $1999.00
Three @ Canon 1.4X III TCs in excellent condition: $329.00 each.
Two @ Canon 2X III TCs in excellent condition: $329.00 each.
All sales include insured ground shipping via UPS Ground. Your item will not ship until your check clears. No Phone calls please; to purchase, please shoot me an email to arrange payment and shipping.
Have a great day.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
Still feeling good. Got out on Wednesday morning for a few hours. Met a nice guy from CT; we are hooked up for a morning of private instruction and image review tomorrow. Friday am I have my post-op visit at 9am. On the plane home on Monday. But not for long. I leave for Namibia five days after I get home :).
The Streak
Todayโs blog post marks 145 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
On my second visit to Gatorland on March 10, just before I headed for San Diego, things were quite slow with mixed clouds and sun. There were no gorgeous Great Egrets in good positions or settings. Then I came across the bird featured in today’s blog post. It screamed out to me, “Photograph me. I am sublimely beautiful. So I did. I shot verticals and horizontals, all at 1200mm. I even created a few with mixed light on the subject violating one of my never press the shutter button edicts. I did not hate even those.
The Funniest Thing…
The funniest thing is that I pointed the bird out to several other photographers as being particularly beautiful. None bit. I suggested to one guy with a 7D II and a 100-400II that by adding his 1.4X TC that he could make some really nice images. “I don’t use any teleconverters. They ruin the image quality.” Good to know…
Your Call?
Do you share my enthusiasm for this image or do you think that it’s pretty boring because of the soft light and the sparsity of detail? Do you love it or hate it? Either way, be sure to let us know why?
AF Question
If you want the eye sharp, what is the best way to focus this image? One-shot AF? AI Servo AF? Rear focus? Shutter button? A combination of the preceding? Or something else?
Honest, I’ve Never Done This Before…
Working enlarged to about 250% with a tiny, hard (opacity 85%) brush, I sculpted the edges of several sections of the pupil for two reasons: to eliminate chromatic aberration along with edges of the filamentous feathers, and to increase the overall sharpness of the pupil.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I headed out to La Jolla again on Tuesday morning. Conditions were not great with wind against sun. I thought that I might be headed home quite early but I wound up staying till 9:30 and made a few good images. After working for a while I enjoyed a great nap. Patrick and Robin and I are headed to the cliffs this afternoon for a rare late in the day session at La Jolla. And then dinner somewhere.
The Streak
Todayโs blog post marks 144 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
This image is another that was created at La Jolla, CA on my first day back in action with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 312mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 500. Evaluative metering probably about -1/3 stop: 1/500 sec. at f/5.6. Daylight WB. On camera high speed synch fill flash at -2 stops with the Canon Speedlite 600EX-RT.
Two rows down and one AF point to the right of the center AF point/AI Servo/Surround/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.
Image #1: Western Gull in early morning light
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Sweet Light
When the sun first comes over the distant hill on a clear morning at La Jolla the light is oh so sweet as you can see in each of today’s featured images that were taken only moments apart.
The 100-400 II
Patrick Sparkman and I have used our 1-4 IIs so much since I have gotten here that we have begun calling it “The La Jolla Lens. From birds in flight to tight portraits from sea-scapes to flowers, the lens is simply amazing. And sharp. And the 4-stop IS is insane. If what you are reading here now inspires you to purchase one please do so by clicking on this link: Canon EF 100-400mm f/4.5-5.6L IS II USM lens.
This image too was created at La Jolla, CA on my first day back in action with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 330mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 500. Evaluative metering probably about -1/3 stop: 1/500 sec. at f/5.6. Daylight WB. On camera high speed synch fill flash at -2 stops with the Canon Speedlite 600EX-RT.
Two rows down and one AF point to the right of the center AF point/AI Servo/Surround/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.
Image #2: Western Gull in early morning light squabbling with unseen neighbor below
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Comparative Critique
Everyone is invited to do a comparative critique of today’s two images. What are the strengths of each image? What are the weaknesses of each image? Which do you think is the strongest image? Why?
The San Diego Site Guide
I have been pretty much stunned by the quality of the bird photography in San Diego on my March visit. If you own this Site Guide and would like a short primer on the dancing grebes location and the Brandt’s Cormorant colony, please shoot me an e-mail. For most stuff, the Site Guide directions intended for DEC through FEB are still plenty valid.
Whether you are visiting San Diego for photography for the first time or live in the area and have done the pelicans many dozens of times, you will learn a ton by studying the San Diego Site Guide. Why spend days stumbling around when you can know exactly where and when to be depending on the wind direction and sky conditions? In addition to the pelican primer, there is great info on the best beaches for the gorgeous gulls, Marbled Godwit, Lesser Scaup, and Wood and Ring-necked Ducks as well. Along with the down and dirty on the the lower cliffs.
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I have neglected to mention that both of my knees are doing great and that the scratch on my nose has healed up perfectly. I headed out early to La Jolla on Monday morning in heavy overcast with an occasional light drizzle. I concentrated mostly on some nice Double-crested Cormorants. The absence of light was a big challenge.
On Monday afternoon I began work on my 2015 income taxes.
Yikes, I almost forgot: I am feeling a bit stronger each day after the surgery and seeing several signs of improvement. Time will tell.
The Streak
Todayโs blog post marks 143 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
This image was created at La Jolla, CA with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 164mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 1250. Evaluative metering probably about zero: 1/320 sec. at f/8. Daylight WB.
Two AF points to the left and two rows above the center AF point/AI Servo/Surround/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.
Western Gulls/pre-copulatory stand in early morning light
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Back in Action…
Do appreciate the double entendre… This was one of the very first images that I made after getting back in action on Sunday morning past after a 3-day vacation from bird photography.
The Look of Love
Once I saw these two Western Gulls involved with each other I moved as quickly as possible to get into position. I created only two frames before he stepped off of her. I was thrilled to see that one of the images caught her looking up lovingly at her guy. For gulls and terns the pre-copulatory stand is actually a bit of balance practice for the male; it often does not wind up with a copulation.
Whitewash
Do you hate the image because of all the whitewash? Would you have removed some or most or all of it? Why do you think that I left all the whitewash as is?
Interactivity on the Blog
Before you click out without leaving a comment please consider that the more folks who participate, the greater the learning experience for all, including me.
NeatImage Noise Reduction
5DS R ISO 1250 and NeatImage Noise Reduction
The area in the blue square has been filtered by NeatImage Noise Reduction. The area outside of the blue box is unfiltered, exactly as it appears on the converted TIFF. While I will assume that everyone will be impressed by the virtually complete elimination of background noise by NeatImage, I need to point out the fine high ISO 5DS R control of the background noise at ISO 1250. Especially since the mid-toned sandstone is actually one stop under-exposed. Why one stop under-exposed? WHITES need one stop less light to be properly exposed than mid-tones in a given lighting condition; thus the mid-tones are one stop under what they should be, and therefore, more noisy. I am rather amazed that all of the internet experts including some very good photographers and good friends are all proclaiming that high ISO noise with the 5DS R is a problem. But heck, that’s why they are internet experts: they rarely if ever use the gear that they complain about.
The New Guide and NeatImage
The work on on Arash’s new Post Processing Guide continues to progress slowly as we attempt to iron out the kinks via e-mail and phone. The guide will teach you–as you can see in today’s featured image, to apply a small but effective amount of NR to the bird (while maintaining fine feather detail) and to apply greater amounts of NR to noisy backgrounds to smooth them out. The key to the success of these methods is a combination of Arash’s cleverly developed and innovative techniques and the great NeatImage plug-in. Arash recommends and uses only the NeatImage plug-in for advanced noise reduction. Both artie and Arash recommend only the Proversion as the Homeversion does not work on 16-bit images. Folks who are good with Layer Masking may wish to get a copy of NeatImage and get a head start on using this great program. If not, the new guide will make it simple for you. Learn more on the effectiveness of NeatImage in the blog post here.
DPP 4 Screen Capture >
DPP 4 Screen Capture Lessons
Most importantly, note the RGB values with the (unseen in this screen capture) cursor on the brightest WHITEs on the male’s head: R=242, G=236, B=229. These values indicate a definite RED cast. I chose, however, not to color correct either by using Click WB or by adjusting the Color temperature. Why? I like the rich early morning light. In my opinion, it is not always the right move to color balance every image by coming up wWHITEs like this: R=235, G=235, B=235. Had I done so with this image it would have lost a lot of its glamor for me.
The illuminated in red AF point indicates that that point was both the selected AF point and that it was active at the moment of exposure. The more you practice moving the AF points and the closer you get the selected AF point to the bird’s eye, face, bill, or neck, the more accurately focused your images will be.
Note also that as I preach here on an almost daily basis that the there is data well into the fifth, rightmost, highlight box of the histogram. The red channel extending past the other two also indicates the RED cast.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
At dinner on Saturday evening with Dr. Cliff Oliver and his Annie and Patrick and Robin, Cliff explained that general anesthesia is about the most stressful thing that our body will ever experience; that our body shuts down because it thinks that we are dying; that the effects of being under last for months. When asked, he stated that I should continue to rest and not go to La Jolla on Sunday morning. So I brought only the 100-400 II, the flash, and the 1.4X III teleconverter. I did not climb over any fences nor did I climb down any cliffs. And I stayed only two hours.
Though I had a great time I did notice that simply keeping the lens steady while making a series of images seemed to require more effort than usual. Patrick and I enjoyed some great light and with love in the air, had a ton of fun photographing the Western Gulls. Images to follow. When we got back to Patrick’s place, I took a wonderful 1 1/2 hour nap. And then got lots of work done.
The Streak
Todayโs blog post marks 143 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end soon. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) we would appreciate your business.
Missed Question
In the 30-second exposure blog post here, not a single person took a stab at the question below. As it is an important lesson, I am repeating it here. Remember that the more interactive the blog is, the more everyone learns.
Technique Question
Why is it unnecessary to use Live View, Mirror Lock-up, or the 2-second timer when doing 15- or 30-second exposures?
This image was created at La Jolla, CA with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 158mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 1600. Evaluative metering probably about -2/3 stop: 1/1250 sec. at f/5.6. AWB.
Center AF point (Manual selection)/AI Servo Shutter button AF as originally framed was active at the moment of exposure (as is always best when hand holding). The selected AF point was on the bird’s breast just to our left of the bottom of the red on the bill pouch. Click on the image to see a larger version.
Backlit Brown Pelican with one clipped primary tip
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So Whaddya Do With This Image? Cry?
Gorgeous backlight coming through the perfectly positioned wings. Sharp. A gorgeous bird. The perfect head turn. But I mis-framed the image and clipped a single primary. If I had simply been able to keep the sensor on the bird’s face I would’a been famous. What to do? Add canvas and the missing wingtip. Learn how I did it below.
100-400 II Versatility
Though I did not zoom out quite quickly enough when creating today’s image, I would have been dead in the water with a fixed focal length intermediate telephoto lens like the 300 II or the 400 DO II. Zooming out to 158mm gave me a chance. If only I hadn’t been so greedy ๐
Just So You Know
This is still another image that was created on the “lousy” morning of March 22. You will get to see a few more good ones from that morning as the “What do you do when nothingโs happening? Get into the creative zone!” series continues.
Added canvas and wingtip repair
Added Canvas and Wingtip Repair
The wingtip repair here was the easy part. I added canvas here by grabbing one of the love handles on the Crop Tool and pulling it out. Filling in the canvas was the trick part. As none of the regular APTATS II techniques would have worked because of the unevenness of the background, I used the Rectangular Marquee Tool to grab a portion of the right side of the frame from top to bottom, placed that on its own layer, and flopped it. Then I cleaned up the primary feathers that I did not need with all of my favorite friends: the Clone Stamp Tool, the Patch Tool, and the Spot Healing Brush. Then I repaired the missing wing tip using techniques from APTATS I and II and used the same batch of tools to clean up most of the whitewash on the wall of the cliff.
Resources
My complete digital workflow along with dozens of great Photoshop tips can be found in our Digital Basics File. Advanced Quick Masking is covered in APTATS I, and Advanced Layer Masking in APTATS II. You can save some money by purchasing both together by clicking here.
The New Guide and NeatImage
The going has been slow while working on Arash’s new Post Processing Guide but we are ironing out all the kinks via e-mail and phone and making good progress. The guide will teach you–as you can see in the Animated GIF above, to apply a small amount of NR to the bird (to maintain fine feather detail)and apply greater amounts of NR to noisy backgrounds to smooth them out. The key to the success of these methods is NeatImage. As above, the main thrust of the book deals with Arash’s high level noise reduction techniques using NeatImage. Arash recommends and uses only the NeatImage plug-in for advanced noise reduction. Both artie and Arash recommend only the Proversion as the Homeversion does not work on 16-bit images. Folks who are good with Layer Masking may wish to get a copy of NeatImage and get a head start on using this great program. If not, the new guide will make it simple for you.
With this image the strong NR on the BKGR helped to clean up the artifacting mess in the area to our right of the bird’s left wing where the repairs were done. Learn more on the effectiveness of NeatImage in the blog post here.
Please also that the 5DS R BKGR noise at ISO 1600 (while properly underexposing for the bird’s white head) is not bad at all. More on that in tomorrow’s blog post.
IPT Updates
Learn to improve your bird and nature photography with the best instructor on the planet; join a BIRDS AS ART Instructional Photo-Tour. Learn more and see the schedule here.
immediately below) has lots of room.
From upper left clockwise to center: Black Skimmer head portrait, American Oystercatcher dining on surf clam flesh, Common Tern at sunset, Common Tern adult swallowing flatfish, Black Skimmer in flight, newborn Common Tern chick, American Oystercatcher with chick, fresh juvenile Common Tern (with fill flash), and Common Terns copulating.
Meet and greet at 3pm on the afternoon of Monday, July 18. Limit 10/Openings: 8.
The primary subject species of this IPT will be the nesting Common Terns. The trip is timed so that we will get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish. Creating great images of the chicks being fed is a huge challenge. In addition to the terns we will get to photograph lots of Black Skimmers courting, setting up their nesting territories, and in flight (both singles and large pre-dawn flocks blasting off). Midair battles are guaranteed on sunny afternoons. And with luck, we might even see a few tiny chicks toward the end of the trip. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and tiny chicks, young being fed, and possibly a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
From upper left clockwise to center: Black Skimmers with tiny chick, Common Tern landing with baitfish for young, fledged Common Tern chick in dunes, American Oystercatchers/display flight, adult Common Tern with pipefish for chick, Common Tern fledgling in soft light, American Oystercatcher on nest with eggs, American Oystercatcher 3-egg clutch, battling Black Skimmers.
The IPT Logistics
The tour will begin with a meet and greet on the afternoon of Monday, July 18, 2016. That will be followed by our first shooting session at the beach. From Tuesday through and including all of Friday we will have two photography sessions daily. Our morning sessions will start very early so that we are on the beach well before sunrise. We usually photograph for about four hours. Then we will enjoy a group brunch. We will always have a midday break that will include a nap for me. That followed by our daily afternoon classroom sessions that will include image review, workflow and Photoshop, and a review/critique of five of your trip images. Folks are always invited to bring their laptops to brunch for image sharing. I always have mine with me but heck, I am a big show-off. Afternoon in-the-field sessions generally run from 5pm through sunset.
Breakfasts are grab what you can. Four brunches are included. Dinners (if at all) will be on your own as we will often get back to the hotel at about 9pm. There is a fridge in every room and a supermarket within walking distance of the hotel so nobody should starve. You will learn a ton during the nine shooting sessions, the four in-classroom sessions, and even at lunch. Early morning and late afternoon parking is free. If we want to head back to the beach early we will need to arrange tight carpools and share the $30/vehicle parking fee. Non-photographer spouses, friends, or companions are welcome for $100/day, $450 for the whole IPT.
Save a space by calling Jim or Jen at the office at 863-692-0906 and arranging to leave your deposit of $599–credit cards are accepted for deposits only. Your balance will be due on April 18, 2016. I hope that you can join me for what will be an exciting and educational IPT.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐
I felt great and strong all day Saturday. My discomfort level is down 80% from Friday. Folks should know that with green light laser prostate surgery that the success of the surgery is generally not known until from 2 weeks to 2 months after the procedure. That said, there are lots of positive signs already. And I am thrilled that I am doing so well. Again, huge thanks to the many who sent prayers and good wishes.
The Streak
Todayโs blog post marks 142 days in a row with a new educational blog post. Assuming that I will be making the trip to Namibia on April 11, this streak will come to an end fairly soon. As always–and folks have been doing an incredibly great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) that we would appreciate your business
One AF point up from the center AF point/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.
Image #1: trunk of birch tree in snow
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The Backstory
On our trips to Lake Kussharo to photograph the Whooper Swans I noticed many lovely birch trees in the snow. But we were always in hurry to get to the lake or to get to the ramen noodle shop or to get back to our lodge. But a few seeds were planted as I loved the look of the patterns on the white bark of the birches set off by a fresh snowfall.
On the morning of February 21 we headed out early for a landscape photography session and then headed back to the lodge for breakfast. I did find some birches but they were lacking character… As I had already eaten (as part of my diabetes regimen) I grabbed my 1-4II and took a walk in the woods surrounding the lodge. Bingo! Fifteen minutes after finding this lovely birch tree we were all photographing Red-crowned Cranes at the sanctuary that is just down the hill from our Hokkaido country home.
Image Thoughts
I like the tilt of the trunk; introducing diagonal lines whenever possible adds interest to your compositions. And I like the little snow pile to our right of the trunk. And I love the patterns on the bark. My first thought was to do all verticals but this, the lone horizontal design, was my favorite by far.
This version was created from the original that opened this blog post.
Image #2: trunk of birch tree in snow/BuzSim III version
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Topaz Simplify
I brought the image into Topaz Simplify and experimented with several of the BuzSim options. I liked BuzSim III the best.
Topaz Simplify
If you missed my first effort with Simplify, you can see it here. I was thrilled with what Topaz Simplify did with my pelican image so I decided to see how it might work with this birch tree image. You can help support my efforts here on the BAA Blog by clicking on the logo link above if you would like to join in the fun. After you click, be sure to watch the great instructional video.
Topaz Simplify:Turn your photos into works of art. Create paintings, sketches, watercolors, cartoons, and more. Make your art uniquely personal instead of using cookie-cutter filters. Get better results faster with specialized digital art technology
To use Topaz Simplify open your image in Photoshop, hit Filter > Topaz Labs > Topaz Simplify 4. Under COLLECTIONS, click on BuzSim and then click though the various presets. Here I chose the seventh preset, BuzSim III. And then hit OK.
This version was also created from the original that opened this blog post.
Image #3: trunk of birch tree in snow/NIK Silver Efex Pro Wet Rocks preset
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NIK Silver Efex Pro 2
I use NIK Silver Efex Pro 2 (now free to all/click here) for all of my B&W conversions. Here I went with one of my favorite presets: Wet Rocks. The others that I am partial to are High Structure (usually smooth) and Full Dynamic (again, usually smooth).
Your Fave?
All are invited to leave a comment and let everyone know which is their favorite of the three images, and why. I have a clear favorite.
Consider joining me in Japan in February, 2017, for the world’s best Japan in Winter workshop. Click on the card to enjoy the spectacular larger version.
Japan In Winter IPT. February 9-24, 2017: $11,499 (was $13,999)/double occupancy-limited single supplements available. Limit: 9.Openings: 3
Price Reduced $2,500 on 3-8-16!
All lodging including the Tokyo hotel on 9 FEB, all breakfasts & dinners, ground transport and transfers including bus to the monkey park hotel, and all entrance fees and in-country flights are included. Not included: international flights, all lunches–most are on the run, and alcoholic beverages.
Please e-mail for couple and IPT repeat customer discount information.
This trip is one day longer than the great 2014 trip to allow for more flexibility, more time with the cranes, and most importantly, more time for landscape photography. Hokkaido is gorgeous. You will enjoy tons of pre-trip planning and gear advice, in-the-field instruction and guidance, at-the-lodge Photoshop and image review sessions in addition to short introductory slide programs for each of the amazing locations. Skilled photographer Paul McKenzie handles the logistics and supplies large does of inspiration. In addition, we enjoy the services of Japan’s best wildlife photography guide whom I affectionately call “Hokkaido Bear.” His network of local contacts and his knowledge of the weather, the area, and the birds is unparalleled and enables him to have us in the best location every day.
Arrive Tokyo: 9 FEB 2017 the latest. 8 FEB is safer and gives you a day to get acclimated to the time change. Your hotel room for the night of the 9th is covered.
Bus Travel to Monkey Park Hotel: 10 FEB: A 1/2 DAY of monkey photography is likely depending on our travel time… This traditional hotel is first class all the way. Our stay includes three ten course Japanese dinners; these sumptuous meals will astound you and delight your taste buds. There are many traditional hot springs mineral baths (onsens) on site in this 150 year old hotel.
Full Day snow monkeys: FEB 11.
Full Day snow monkeys: FEB 12.
13 FEB: Full travel day to Hokkaido/arrive at our lodge in the late afternoon. The lodge is wonderful. All the rooms at the lodge have beds. Bring your warm pajamas. A local onsen (hot springs bath and tubs) is available for $5 each day before dinner–when you are cold, it is the best thing since sliced bread. The home-cooked Japanese styles meals at the lodge are to die for. What’s the best news? Only a small stand of woods separates us from the very best crane sanctuary. During one big snowstorm we were the only photo group to be able to get to Tsurui Ito; we had the whole place to ourselves in perfect conditions for crane photography!
FEB 14-23: Red-crowned Crane, raptors in flight, Whooper Swans, and scenic photography. Ural Owl possible. An overnight trip to Rausu for Steller’s Sea Eagle and White-tailed Eagle photography on the tourists boats is 100% dependent on the weather, road, and sea ice conditions. Only our trip offers complete flexibility in this area. It has saved us on more than once occasion. The cost of 2 eagle-boat trips is included. If the group would like to do more than two boat trips and we all agree, there will be an additional charge for the extra trip or trips. No matter the sea ice conditions, we will do two eagle boat trips (as long as we can make the drive to Rausu; it snows a lot up there). We have never been shut out.In 2016 there was no sea ice but our guide arranged for two amazingly productive boat trips.
Lodging notes: bring your long johns for sleeping in the lodge. At the Snow Monkey Park, and in Rausu, the hotel the rooms are Japanese-style. You sleep on comfortable mats on the floor. Wi-fi is available every day of the trip.
FEB 24. Fly back to Tokyo for transfer to your airport if you are flying home that night, or, to your hotel if you are overnighting. If you need to overnight, the cost of that room is on you.
Life is short. Hop on the merry-go-round.
To Sign Up
To save your spot, please send your $5,000 non-refundable deposit check made out to “Birds as Art” to Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL 33855. I do hope that you can join me for this trip of a lifetime. Do e-mail with any questions or give me a buzz at 863-692-0906.
Purchasing travel insurance within 2 weeks of our cashing your deposit check is strongly recommended. On two fairly recent Galapagos cruises a total of 5 folks were forced to cancel less than one week prior to the trip. My family and I use Travel Insurance Services and strongly recommend that you do the same.
Please Remember to use our Affiliate Links ๐
To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.
I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.
Facebook
Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!
Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right ๐