Arthur Morris/BIRDS AS ART
December 9th, 2022

What a Way to Wake Up & Learn Something New

What a Way to Wake Up & Learn Something New

I woke early and took my blood sugar: 111. I wandered into the kitchen and saw a grey lump on the floor. I turned on the lights and saw what I believe to be a Green Treefrog, native to Florida. From being in the kitchen all night, it was evenly light grey in color. Rather than have it die under the stove and stink up the joint, I opted to catch it and put it outside as I’ve done many times before. I almost caught him several times, but it was quite quick and slippery and very jumpy if you get my drift. So, I chased it around the kitchen for two minutes until I was finally successful. After opening the front door, I stuck it to the decorative section of stone wall where we have seen them before.

Out of curiosity, I took my blood sugar. In ten minutes, it had risen fourteen points to 125. As we all do when we wake up early, I wiped the sleep out of my eyes; suddenly, they began burning, seriously burning. I rinsed them with warm water and the irritation got worse. I tried eye drops but still they burned. I realized that there had to have been something on the frog’s skin that caused the irritation. I went back to the sink and rinsed both eyes with handfuls of warm water. Once I was able to see a bit, I got to my laptop and did a search for eye irritation after touching a tree frog and learned several things:

1- When you hold a tree frog it becomes afraid and urinates on you.

2- As you might have guessed by now, tree frog pee or the secretions from their skin can be irritating to our eyes making it become difficult to see temporarily.

3- If you are lucky enough to touch a tree frog and then rub your eyes, doing so poses no long-term harm to humans. Good to know. An hour later, my eyes were still burning, but at least I could see.

The Lesson

If you handle a tree frog, be sure to wash your hands afterwards 🙂

What’s Up?

All are invited to leave a comment letting us know which of today’s two featured images they like best, and why they made their choice.

Today is Friday 9 December 2022. This blog post took about an hour to prepare and makes two hundred fifty-seven days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

This image was also created on 3 December 2022 down by the lake near my home at ILE. Standing at the base of the small hill adjacent to the parking circle at the base of the pier. I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 400. 1/2000 sec. at f/3.2 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect. AWB at 8:52:15am on a mostly sunny morning.

Tracking: Spot (S) AF-C with Bird Face/Eye detection enabled performed well by grabbing the bird’s upper neck. Be sure to click on the image to enjoy a high-res version.

Image #2: Sandhill Crane dancing into north wind

High Level Question

In the Save Yourself From Too Many Images: Stringent Editing here, I posted this:

Why did I find it necessary to use Tim Grey Dodge and Burn to lighten the bird’s face and eye?

The question was so difficult that nobody played. Perfect head angles have everything to do with how the light strikes the bird’s face. With the dancing crane’s head angled perhaps one degree (or a bit less) away from us, the face was left somewhat in the dark. Many may think this picky, but the face was simply too dark as it was not illuminated as well as the rest of the bird.

When I use Tim Grey Dodge and Burn, I work with varying reduced opacities, usually 10 or 20%. This technique is detailed in Digital Basics II.

Another (Related) High Level Question

How can we know that the wind was coming from slightly over my left shoulder?

This image was created on the foggy morning of 5 December along the slope of the canal the abuts the South Peninsula down by the lake near my home at ILE. I used the no longer available Induro GIT 204 tripod/Levered-clamp FlexShooter Mini-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and The One, the Sony a1 Mirrorless Camera body. ISO 1600: 1/1000 second at f/8 (stopped down 2 1/3 stops) in Manual Mode. The exposure was determined using Zebra technology with ISO on the thumb dial. The raw file brightness as determined by RawDigger was shown to be 1/3 stop too dark. Keep reading to learn why. AWB at 8::19:52am on a densely foggy morning.

Manual focus with (red) focus peaking. Click on the image to enjoy a larger version.

Image #1: Dew-covered spider web on breezy morning

My Favorite Spider Web Image

In The Whole New World of Digital: Dew-Draped Spider Webs here, my preference (by a small margin) was for the vertical image because the o-o-f droplets in the lower left corner helped move the viewer’s eye around the frame. Three folks agreed:

J Edwin Krug/December 7, 2022, at 10:28am

My preference is image #1; it draws my eye to the center of the web and the soft focus at the bottom left actually enhances the illusion of depth.

Ted

Anthony Ardito/December 7, 2022, at 1:53pm

I like image #1. The OOF lower left doesn’t bother me at all, and in fact provides some depth to the image.

Neil Hickman/December 7, 2022, at 7:24pm

Wonderful image. I prefer the extra depth in #1.

Bob Eastman, the recent league-leading commentor, liked the square version and asked several interesting questions as well.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

December 8th, 2022

One Reason I 'm Always in a Hurry

What’s Up?

On Wednesday morning, photography was again on the slow side. I’ve been working on wide, backlit silhouetted images of the vulture trees created from across the canal. The 400 f/2.8 is a perfect focal length for the shot. So far, I have some good but not great stuff.

Today is Thursday 8 December 2022. I will be spending my morning at Lake Wales Hospital having an endoscopy done. This blog post took about 90 minutes to prepare and makes two hundred fifty-six days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Why I ‘m Always in a Hurry

Folks often ask me why I am in such a hurry. In part, I do not quite understand why. Perhaps part of the answer is that I do not want to miss anything.

On the evening that today’s featured image was created, I could not find the two flash cards that I had used that morning. The search took me more than five minutes. I finally found them on the dining room table, the first spot I had looked. Anyhoo, the sun was close to setting. I got into my SUV and drove quickly down to the lake to check out a new spot, a spot where a few wading birds had been roosting right before sunset. The Anhinga was there in a decent spot. I hurried to get my rig on the tripod and put the bird right in front of the sun. Hurrying, I set the ISO, the shutter speed, and the aperture so that there were considerable Zebras on the lower half of the sun, just what I wanted. As I framed the image, the bird began leaning forward so I fired and kept the shutter button pressed as it took off to the north/northwest. I wound up with five frames of the bird perched in the bush, and five of it taking flight. Only one, today’s featured image, was decent. You will see it below.

Had I been delayed just five more seconds, I would have missed the whole thing and gone home empty-handed.

The Adobe Camera Raw default settings screen capture for the Anhinga taking flight at sunset

On Exposure With the Sun in the Frame

Getting the right exposure for images like the one above is challenging. If you expose for the partially muted sun, the entire image will be black or many, many stops too dark. If you expose properly for the sky, the sun will be many, many stops over-exposed and pretty much impossible to work. With this image, RawDigger showed a significant 9444,000 Ov-Exp pixels, all on the sun, of course. None-the-less, for me, this was an excellent exposure, perhaps a perfect exposure.

The trick is to split the difference: by under-exposing the sky without making it too, too dark, you reduce the brightness of a partially muted sun.

The Adobe Camera Raw adjusted slider setting screen capture for the Anhinga taking flight at sunset

Saving the Over-exposed Sun

Check out the significant slider settings that created a fairly successful image:

Exposure: -0.05
Highlights: -83
Shadows: +17
Whites: -74
Blacks: -19

In addition, I did some Color Mixer work on the Reds, Oranges, and Yellows.

This image was created on 5 December 2022 down by the lake near my home. Standing at full height I used the I used the no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 500. The exposure was determined by Zebras with ISO on the rear wheel: 1/1600 second at f/5.6 (wide open) in Manual mode. AWB at 5:25:04pm with some broken clouds on the horizon just a minute or two before sunset.

Tracking: Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #1: Anhinga taking flight at sunset

The Optimized Image

If you are looking for any image clean-up here, you will be disappointed. There isn’t any. I did consider getting rid of the red specks of light coming through the bird’s far wing and eliminating the branch that stuck into that same wing, but I figured what the heck.

Would you have made those two changes? Why or why not?

All images on this card were created by Arthur Morris on the Hooptie Deux at Alafia Banks

2023 Spoonbill Boat 1-1/2 DAY MINI-IPT: $1199.00.00. Limit: 5 photographers.

A full day on WED 15 FEB and the morning of Thursday 16 FEB 2023: 1 1/2 days.

Two morning and one afternoon photo session (weather permitting) via customized pontoon boat.

For early-arriving folks, artie is throwing in a free afternoon In-the-Field session at a little-known but very active rookery in North Tampa on Tuesday 14 February.

We will be leaving the dock in Gibsonton, FL very early for the morning sessions in hopes of photographing a pre-dawn White Ibis blast-off and creating some dramatic silhouettes or pleasing blurs. The morning sessions are planned for the Alafia Banks Roseate Spoonbill Rookery. We have several options for the afternoons including returning to Alafia. We may spend one afternoon on foot at the North Tampa rookery mentioned above. There will be lots of opportunities for flight photography of several species including and especially Roseate Spoonbill. Also likely for flight photography are nesting Brown Pelican, Great Blue Heron, and Double Crested Cormorant, many carrying nesting material. This IPT includes all boat and guide fees, in-the-field instruction from two great leaders, chest waders (feel free to bring your own of course to assure a perfect fit), and three working lunches (Monday thru Wednesday). For the most part we will be standing in mid-calf to knee-deep water behind our tripods. We help you get in and out of the boat safely with your gear. This is likely not the best trip for folks with mobility or balance problems. Note however that some folks opt to stay on the boat to photograph. They usually have lots of chances for flight photography of spoonbills and other species but are almost always pretty far away from the spoonbills that land.

Mid-February is prime time for photographing spoonbills at the absolute peak of breeding plumage. For unknown reasons, the spoonbills at Alafia are much more colorful than the birds that breed at Stick Marsh later in the season. The Hooptie IPT represents an incredible opportunity and I do hope that you can join us. All of the images on the cards were made on the Hooptie Duex during the last two weeks of February, prime time for the spoonies in mega-breeding plumage.

You may hold your spot with an e-mail request. Then, you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $599 deposit on credit card or sending your check for payment in full to us as follows with the check made out to:

BIRDS AS ART

Please send it via US mail here:

BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855

If you call to leave your deposit, you will be asked to mail your check for the balance ASAP. Be sure to give us your e-mail address.


hooptie-card-shadle-aa

Images courtesy of our guide; copyright 2017 Captain James Shadle (aka Froggie). All of the images here were created at Alafia Banks. Card creation and design by Arthur Morris/BIRDS AS ART.

Everybody Wants Spoonbills!

Roseate Spoonbill is one of if not the most sought after avian photographic subjects in Florida. They are generally hard to find and somewhat difficult to approach. They are relatively easy to find at Alafia Banks—heck, you can’t miss seeing them, but even there they can on some days be somewhat difficult to approach. On some days we may be able to get ridiculously close to them. The huge incentive to get out to Alafia Banks in mid-February is the chance to photograph this species at the height of its spectacular breeding plumage…. with long telephoto lenses. A 500 or 600 with a 1.4X TC is perfect for flight.

As above, there will — weather permitting — three boat trips — 2 mornings and 1 afternoon — on this MINI IPT. All to Alafia Banks for spoonbills and Brown Pelicans (with lots of flight photography often with the birds likely carrying nesting material), Double-crested Cormorants, ibises (both Glossy and White) in breeding plumage. Many of the White Ibises will be sporting their spectacular, distended, red, naked (un-feathered) throat pouches—typically larger in the females. In addition, we may get to photograph egrets including Great and Reddish, both in full breeding plumage, shorebirds, and more. There will be lots of flight photography opportunities. Afternoon trips either to Alafia Banks for spoonbills and more or to a more sheltered inland rookery location for a variety of nesting birds. In the event of horrific weather artie will either take the group to Fort DeSoto or will conduct an image review/Photoshop session. This IPT includes lunches on the full day with small group image sharing and review and some over-the-shoulder Photoshop instruction.

The 2023 Expanded Winter/Spoonbill Boat/DeSoto 4-DAY IPT: $2199.00.00. Limit: 5 photographers.

The 2023 Expanded Winter/Spoonbill Boat/DeSoto 4-DAY IPT

Bird photographers, especially those wishing to escape the snow, ice, and freezing winter temperatures to the north of sunny Florida, can add two mornings at Fort DeSoto an afternoon at the little-known but fabulous rookery north of Tampa, a second (free) afternoon at that same rookery, to the 1 1/2 days on the Spoonbill Boat. Shared lodging is a possibility that includes watching the Super Bowl at my home on Sunday 12 February and driving over early to DeSoto. DeSoto is one of the very few bird photography hotspots that has the possibility of being great on any day of the year. It is generally superb in winter with lots of wading birds, terns, both species of pelicans, many species of shorebirds including Marbled Godwit, and lots of flight photography.

You can hold your spot with an e-mail request. Then, you may either secure your spot by calling Jim or Jennifer at the office at 863-692-0906 and leaving the $599 deposit on your credit card or sending your check for payment in full to us as follows with the check made out to:

BIRDS AS ART

Please send it via US mail here:

BIRDS AS ART
PO BOX 7245
Indian Lake Estates, FL 33855

If you call to leave your deposit, you will be asked to mail your check for the balance ASAP. Be sure to give us your e-mail address.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

December 7th, 2022

The Whole New World of Digital: Dew-Draped Spider Webs

Very Dewy Lessons

On a densely-foggy Monday morning past, the vegetation along the canal between the South Field and the South Peninsula was draped with many hundreds (no exaggeration) of dew covered spider webs. Tuesday morning dawned slightly foggy. I headed to the same spot expecting to see many hundreds of spider webs laced with droplets of dew. Not only was there no dew, but close examination revealed very few spider webs.

1- I learned that a little bit of fog just won’t dew it 🙂 I would assume that in addition to heavy fog at dawn, a specific combination of the overnight temperatures, the humidity, and the wind speed (not too high), are needed to create the magical conditions that I enjoyed on Monday morning. Can you say dew point?

2- I have no idea as to why there seemed to be fewer spider webs by a factor of one hundred on the morning without the dew. Do you?

What’s Up?

On Tuesday morning, photography was on the slow side. I created 281 images and kept only five, and one of those was for educational purposes only. Again, I spent many hours on the NANPA/ASMP issue and will be doing the same every day in the near future.

Today is Wednesday 7 December 2022. I will be heading down to the lake again this morning. This blog post took about 90 minutes to prepare and makes two hundred fifty-five days in a row with a new, educational post just for you. Wherever you are and whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Today’s NANPA Tidbit

Via e-mail From Ron Levy

Beth Huning, Susan Day, et. al.,

Arthur’s last email makes a lot of sense, and I would like to see the “merger’ up for a vote. Only a small handful of questions were addressed on the video meeting last week, and it did seem like more of a marketing pep talk than a deep dive into the questions that were raised.

As a long-standing ASMP member (30+ years) and relatively recent NANPA member, I see the perceived benefits for both, independently and together. But it seems that this matter is far too massive a decision to make without member votes. Regardless of having a board that decides smaller, day-to-day or week-to-week issues as expediently as possible, this is a major change with far-reaching potential issues and consequences, deserving of a more comprehensive member input.

There is no reason to waste time and money on formal legal defenses for either side if a more open set of meetings can avoid costs and unify NANPA again.

Best,

Ron

This image was created on the foggy morning of 5 December along the slope of the canal the abuts the South Peninsula down by the lake near my home at ILE. I used the no longer available Induro GIT 204 tripod/Levered-clamp FlexShooter Mini-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and The One, the Sony a1 Mirrorless Camera body. ISO 1600: 1/1000 second at f/8 (stopped down 2 1/3 stops) in Manual Mode. The exposure was determined using Zebra technology with ISO on the thumb dial. The raw file brightness as determined by RawDigger was shown to be 1/3 stop too dark. Keep reading to learn why. AWB at 8::19:52am on a densely foggy morning.

Manual focus with (red) focus peaking. Click on the image to enjoy a larger version.

Image #1: Dew-covered spider web on breezy morning

The Times They Have Changed

Many decades ago, a dew-covered spider web image created by John Shaw graced the cover of Natural History Magazine. The dew drops sparkled like diamonds and were set against a smooth, matte grey background. By e-mail, John remembered that the image was made with his Nikkor 200mm micro lens and Kodachrome 25 (Kodachrome 64 was his “high speed film”). He had no idea on the shutter speed and the aperture, but since he was working with ISO 25 film, it is easy to figure out several things:

1- He had stopped down at least a bit.

2- He had used a very slow shutter speed (most likely with a shutter release cable).

3- In addition to the foggy conditions that caused the dew, there had been zero wind that morning.

As I marveled at the hundreds of dew-covered webs on Monday morning, John’s classic image came to mind. My first thought was “It’s too breezy to make a good image.” But then I realized that I was using digital, and that digital offered almost unlimited ISO settings that would allow me to freeze the movement of the web and stop down a bit as well. So, I set up my macro rig and went to work. I wound up at ISO 1600: 1/1000 second at f/8. Thanks to the many miracles of digital photography (including Topaz DeNoise) I had 5 1/3 stops more ISO to work with.

I found a fairly flat dew-covered web with a fairly dark background. As the biggest challenge was getting the sensor square to the web, the tripod was moved many times. With focus peaking, the red in-focus overlay was shifting constantly as the web moved in the wind. I would shoot short bursts when the overlay covered the center of the web. Because the web was not perfectly flat, all of the images had one corner of the web that was beyond the range of the depth of field. With Image #1, the lower left corner fit that category. I am not sure if I like it as the viewer’s eye is moved around the frame by the shifting sharpness, or if I hate it because all of the dew drops are not sharp.

What do you think?

This is a square crop of the image above.

Image #2: Dew-covered spider web on breezy morning — cropped to a square

The Square Crop Solution

To eliminate the out of focus dew drops in the lower left corner, I executed a square crop that moved the center of the web from the upper left to the lower left. There are still a few soft dew drops in the lower left corner but they are far less extensive than in image #1. One thing is for sure, on the next foggy morning I will not delay getting down to the lake!

Please leave a comment and let us know which of the two versions you like best and why you made your choice.

The Homer IPTs

If you are considering attending one of the great trips below, please contact me via e-mail and I will do my very best to make it happen.

All images from Homer or Kachemak Bay, AK

2023 Homer/Kachemak Bay Bald Eagle IPTs

IPT #1: MON 20 FEB 2023 through the full day on FRI 24 FEB 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings: 2.

IPT #2: SAT 25 FEB 2023 through the full day on THURS 2 MAR 2023. Six full days/24 hours on the boat: $6600.00. Limit 5 photographers/Openings: 3.

IPT #3: FRI 3 MAR 2023 through the full day on TUES 7 MAR 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers. Openings: 2.

Save $1,500.00 by doing back-to-back trips. Save $2500 by doing all three trips.

These trips feature non-stop flight photography as well as many opportunities to create both environmental and point-blank portraits of one of North America’s most sought-after avian subjects: Bald Eagle (Haliaeetus leucocephalus). Other reliable subjects will include Sea Otter, Glaucous-winged and Short-billed (formerly Mew) Gulls.

In addition, we should see Common Murre, Black Guillemot, Pelagic Cormorant, two or three species of loons, and a smattering of ducks including two species of merganser, all three scoters, Common and Barrow’s Goldeneyes, Bufflehead, Harlequin, and Long-tailed Ducks. Close-range photographic chances for these species will require a ton of good luck. Some of these species, especially when in flocks, can, however, often be used effectively when creating bird-scapes.

If we need to be out early, we will be the first boat out. If conditions are great, we will stay out. And when there is a chance for sunset silhouettes, we will stay out and be in the right spot.

We will be traveling through gorgeous wilderness country; landscape and scenic opportunities abound.

Also featured is a professional leader, often referred to as the world’s most knowledgeable bird photography trip leader, who is conversant in Canon, Nikon, and Sony.

All images from Kachemak Bay in 2022!

What You Will Learn

You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer. But only if that is what you want.

You will learn to get the right exposure when it is sunny, when it cloudy-bright, when it is cloudy, when it is cloudy-dark, or when it is foggy. Not to mention getting the right exposure when creating silhouettes.

You will learn to make pleasing blurs working in manual mode and to create silhouettes working in Shutter Priority mode.

Most importantly you will learn to pick your best flight images from tens of thousands of images.

You will enjoy working with the two best and most creative boat captains on their sturdy, photography-spacious, seaworthy, open-deck crafts.

The second and third IPTs are the only Bald Eagle workshops that feature an incredibly helpful first mate.

Only five photographers (not the usual six), plus the leader.

Small group Photoshop, Image Review, and Image Critiquing sessions.

All images from Homer or Kachemak Bay, AK

What’s Included

One four-hour or two two-hour(+/-) boat trips every day (weather permitting), all boat fees and boat-related expenses (excluding tips), ground transportation to and from the dock and back to the hotel each day, in-the-field instruction and guidance, pre-trip gear advice, small group post-processing and image review sessions, and a thank you dinner for all well-behaved participants. Airport pickup if possible)

What’s Not Included

Your airfare to and from Homer, AK (via Anchorage), the cost of your room at Land’s End Resort, all personal items, all meals and beverages, and tips for the boat captain and/or the first mate.

Please Note

On great days, the group may wish to photograph for more than four hours. If the total time on the boat exceeds 20 hours for the five-day trips, or 24 hours for the second trip, the group will share the additional expense at a rate of $225/hour.

Some folks may wish to rent their own vehicle to take advantage of local photographic opportunities around Homer.

Deposit Information

A $3000 non-refundable deposit/trip is required. You may pay your deposit with credit card or by personal check (made out to BIRDS AS ART) and sent via US mail only to Arthur Morris. PO Box 7245. Indian Lake Estates, FL 33855. Your balance, due 90 days before the date of departure, is payable only by check as above.

In Closing

I have been going to Homer off and on for close to two decades. Every trip has been nothing short of fantastic. Many folks go in mid-March. The earlier you go, the better the chances for snow. The only way to assure that you are on the best of the three trips is to sign up for all three. Can you keep up with me? If you have any questions, or are good to go for one, two, or all three trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.