Arthur Morris/BIRDS AS ART
September 2nd, 2022

Flapping-after-Bath Capture and Cropping Strategies

If You Enjoy the Blog …

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times β€” I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes and folks who appreciate how much they have learned here are invited to help out by clicking here to leave a blog thank you gift if they see fit.

What’s Up?

The southbound Auto Train trip was blessedly uneventful. After stopping at Publix and Junior’s Fish Store in Lake Wales for groceries and fresh tuna, I arrived at home at 12:45pm.

Today is Friday 2 September 2022. I’ll be abstaining from photography for at least a while to tackle my 2021 tax returns and catch up on e-mails. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about an hour to prepare and makes one hundred sixty-one days in a row with a new one.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

Instagram

Follow me on Instagram here. I am trying to feature both new and old images, especially images that have not appeared recently on the blog. Or search for birds_as_art.

BIRDS AS ART Image Optimization Service (BAA IOS)

Send a PayPal for $62.00 to birdsasart@verizon.net or call Jim at 863-692-0906 and put $62.00 on your credit card. Pick one of your best images and upload the raw file using a large file sending service like Hightail or DropBox and then send me the link via e-mail. I will download and save your raw file, evaluate the exposure and sharpness, and optimize the image as if it were my own after converting the raw file in Adobe Camera Raw. Best of all, I will make a screen recording of the entire process and send you a link to the video to download, save and study.

Induro GIT 304L Price Drop

Amazingly, we have two, brand-new-in-the-box Induro GIT 304L tripods in stock. They are $699.00 each (were $799.00) and the price now includes the insured ground shipping to the lower 48 states. Weekday phone orders only: 863-692-0906. Order yours here while they last.

Please Remember

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item β€” a Delkin flash card, or a tripod head β€” for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW πŸ™‚



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 22 October 2021 at Fort DeSoto Park, Tierra Verde, FL. I used the no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 640. The exposure was determined by Zebras with ISO on the rear wheel: 1/3200 second at f/5.6 (wide open) in Manual mode. RawDigger showed that the exposure was about 1/6th stop under. AWB at 8:53:11am on partly sunny morning.

Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #1: Semipalmated Plover worn juvenile flapping after bath image

Flapping-after-Bath Framing Options

1- The number one mistake when photographing birds flapping after a bath is to get greedy and frame too tightly. When you do you will be clipping wings on the front flaps and clipping wings on the back flaps. Averaging about 7 inches in length, Semipalmated Plover is a relatively small shorebird, but their wingspan ranges from a bit more than 17 inches to a bit less than 21 inches. You gotta give them room. If you are using a fixed focal length lens, you may need to move back (or avoid getting too close in the first place). With a zoom lens, you need to zoom out before the bird flaps. As noted here previously many times, by studying bathing birds, you will come to learn just about exactly when they will rise up and flap.

2- After being sure to frame widely, it is always best to center the subject. That will give you room for the back flaps (as in Image #1), and the front flaps (as in Images #2 and #3).

Consider joining me on a DeSoto IPT this fall to learn the fine points of photographing birds flapping after their baths.

This image was created on 22 October 2021 at Fort DeSoto Park, Tierra Verde, FL. I used the no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 640. The exposure was determined by Zebras with ISO on the rear wheel: 1/3200 second at f/5.6 (wide open) in Manual mode. RawDigger showed that the exposure was about 1/6th stop under. AWB at 8:53:11am on partly sunny morning.

Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #2: Semipalmated Plover worn juvenile flapping after bath image

Flapping-after-Bath Cropping Options

With the back flaps, as in Image #1, horizontal crops will almost always be best provided that you have centered the subject and not framed too tightly. Small crops may be needed to ensure compositional balance. With the front flaps, as in Image #2 above, you will almost always have more room behind the bird than in front of the bird. Thus, square crops are often best as you do not want a lot of empty space behind the bird. With flat flaps, as in Image #3 below, centering the subject in a horizontal frame will often be the ticket to success.

If there is not much texture in the water, you can often help yourself compositionally by adding canvas on two sides. And the same may be true if you must first level the image. All three of today’s featured images needed about 2.5 degrees of counter-clockwise rotation. And all had slivers of canvas added on two sides.

Consider joining me on a DeSoto IPT this fall to learn a ton about cropping, designing pleasing images, making artistic crops, and to vastly improve your post-processing skills.

This image was created on 22 October 2021 at Fort DeSoto Park, Tierra Verde, FL. I used the no-longer available (except from BAA) Induro GIT 304L tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 640. The exposure was determined by Zebras with ISO on the rear wheel: 1/3200 second at f/5.6 (wide open) in Manual mode. RawDigger showed that the exposure was about 1/6th stop under. AWB at 8:53:11am on partly sunny morning.

Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #3: Semipalmated Plover worn juvenile flapping after bath image

Your Favorite?

Which of today’s three featured images is the strongest? Please leave a comment and let is know why you made your choice.

Flapping-after-Bath In-the-Field Quiz

How do you know in which direction the bird will be facing when it flaps?


desoto-fall-card-b

Fort DeSoto in fall is rife with tame birds. All the images on this card were created at Fort DeSoto in either late September or very early October. I hope that you can join me there this fall. Click on the composite to enjoy a larger version.

Clockwise from upper left to center: Long-billed Curlew, Marbled Godwit, Caspian Tern, Great Egret, Sandwich Tern with fish, Willet, Black-bellied Plover threat display, Snowy Egret, 2-year old Yellow-Crowned Night-Heron, juvenile Yellow-Crowned Night-Heron.

The Fall 2022 Fort DeSoto Instructional Photo-Tours

Fall 2022 Fort DeSoto Instructional Photo-Tour #1

3 1/2 Days: Tuesday 27 September through the morning session on Friday 30 September 2022. $1899.00 includes three working lunches. Limit six photographers/Openings five.

Fall 2022 Fort DeSoto Instructional Photo-Tour #2

3 1/2 Days: 7 October through the morning session on Monday 10 October 2022. $1899.00 includes three working lunches. Limit six photographers.

Fall 2022 Fort DeSoto Instructional Photo-Tour #3

3 1/2 Days: Monday 31 October through the morning session on Thursday 3 November 2022. $1899.00 includes three working lunches. Limit six photographers.

Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for migrant shorebirds and terns in fall. There they join hundreds of egrets, herons, night-herons, and gulls that winter on the T-shaped peninsula. With any luck at all, we should get to photograph one of Florida’s most desirable shorebird species: Marbled Godwit. Black-bellied Plover and Willet are easy, American Oystercatcher is pretty much guaranteed. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two. And we will get to do some Brown Pelican flight photography. In addition, Royal, Sandwich, Forster’s, and Caspian Terns will likely provide us with some good flight opportunities as well. Though not guaranteed, Roseate Spoonbill and Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.

On this IPT, all will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button. Everyone will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, and to design pleasing images by mastering your camera’s AF system. Most importantly, you will surely learn to evaluate wind and sky conditions and understand how they affect bird photography. And you will learn how and why to work in Manual mode (even if you’re scared of it). The best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever and whenever you photograph.

There will be a Photoshop/image review session during or after lunch (included) each full day. That will be followed by Instructor Nap Time.

These IPTs will run with only a single registrant (though that is not unlikely to happen). The best airport is Tampa (TPA). Once you register, you will receive an e-mail with Gulfport AirBnB information. If you register soon and would like to share an AirBnB with me, shoot me an e-mail. Other possibilities including taking a cab to and from the airport to our AirBnB and riding with me. This saves you both gas and the cost of a rental car.

A $600 deposit is due when you sign up and is payable by credit card. Balances must be paid by check two months before the trip. Your deposit is non-refundable unless the IPT sells out with six folks, so please check your plans carefully before committing. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand, or by sending a check as follows: make the check out to: BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, clothing, and gear advice. Please shoot me an e-mail if you plan to register or if you have any questions.


desoto-fall-card-a-layers

Clockwise from upper left to center: Long-billed Curlew, juvenile Tricolored Heron, Marbled Godwits, Great Blue Heron, juvenile Pectoral Sandpiper, Wood Stork, smiling Sea Scallop, Ruddy Turnstone scavenging needlefish, Great Blue Heron sunset silhouette at my secret spot, and southbound migrant tern flock blur.

Up Early, Stay Out Late!

Obviously, folks attending an IPT will be out in the field early and stay late to take advantage of the sweetest light and sunrise and sunset colors (when possible). The good news is that the days are relatively short in early fall. I really love it when I am leaving the beach on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving. The length of cloudy morning sessions will often be extended. Click on the composite to enjoy a larger version.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

September 1st, 2022

The Handheld Sony 200-600 Does Ruffling Sanderling

What’s Up?

I was in the car headed south at 4:15am on Wednesday morning. I made lots of pit stops along the way to rest and to get some work done. It’s amazing that you can set up an office in most McDonald’s for the price of a small cup of coffee. I finally made it to the Lorton, VA Amtrak Auto Train station at 2:00pm and boarded at 3:30. We departed on time.

I was thrilled to learn on Wednesday that a1 Group member Barbara White is signing up for the second San Diego IPT. With the 2023 voyage sold out, I am looking seriously at another Galapagos Photo-Cruise of a Lifetime, July 30 to August 13, 2024 (on the boat). If you are seriously interested, please let me know via e-mail. I will need ten deposits by the end of this year so please do not tarry if you would like to go.

Today is Thursday 1 September 2022. We should be arriving at the Sanford FL station at about 9:00am. I should be back home around lunchtime today. All in all, it was a great trip. I will begin working on my 2021 tax return on Friday πŸ™‚ Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about an hour to prepare and makes one hundred sixty days in a row with a new one.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

I created this image on 29 October 2021 at Sebastian Inlet, FL. I used the handheld/knee-podded Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 640. Exposure determined via Zebras with ISO on the rear dial: 1/2500 sec. at f/7.1 (stopped down 1/3 stop) in Manual mode. RawDigger showed that this image exposure was 1/3-stop from being perfect; the 22 Ov-Exp pixels were in the specular highlight in the bird’s eye. AWB at : 5:06:20 pm on dead-clear afternoon.

Tracking: Zone/AF-C Bird/Eye Detection AF was active at the moment exposure and performed perfectly. Click on the image to view a hi-res version.

Image #1: Sanderling — adult molting to basic (winter) plumage

Birds on Berms

I am always on the lookout for birds perched on the edge of a berm or any type of ridge. Why? Getting low in these situations will yield spectacular backgrounds, in this case, the Atlantic Ocean. Would this image have been better or worse if I got even? Why or why not?

The subject in today’s featured images was ruffling its feathers at the moment of exposure. The relatively fast shutter speed of 1/2500 second was more than enough to freeze the action. With the sun coming over my left shoulder, the 4-degree head turn toward us was perfect.

Image #1A: An unsharpened 100% crop of the Sanderling — adult molting to basic (winter) plumage image

Actually Funny

I chuckle when folks ask me how much sharper the Sony 600mm f/4 GM (Grand Master) lens is than the 200-600 G lens (at 1/6 the cost). As far as I can determine by evaluating the images on my M1 MacBook Pro, the honest answer is, “It ain’t.” Enlarge the screen capture and check out the sharpness of the eye skin and the tiny feathers encircling it, the one’s that give the appearance of eyelashes. When those eyelashes appear laser sharp, you have created a very sharp image. And the image quality ain’t bad either.

Is the SONY 1/200-600 G Lens/SONY Alpha 1 Combo Right for You?

If you are interested in a relatively lightweight, hand hold-able for most, super-sharp, astoundingly versatile rig that is the world’s best hand holdable rig for photographing birds in flight and in action, I would have to answer yes. Use my B&H links above or go with Bedfords to save 3% and enjoy free second day air shipping and you earn a free pass into my Sony Alpha 1 Info and Updates e-mail group. Both items were hard to get for a long time, but the pipeline has opened. Yikes, I forgot to mention 30 fps and the superb performance with the 1.4X teleconverter.

Image #1B: The RawDigger screen capture for the Sanderling — adult molting to basic (winter) plumage image

The RawDigger Adapted (pink) Histogram

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me as I have struggled with Canon R5 exposures and learned my new camera body, the Sony Alpha a1.

The adapted histogram for today’s featured images shows that a bit less than another 1/3-stop of light would have yielded a perfect exposure. The 22 OvExp pixels (out of 51 million) are all in the specular highlight in the eye, the much beloved catchlight. As the spectral highlights are reflections of the sun, you always want them to show as over-exposed. If not, your image will be many stops too dark.

Ho Hum, Another (Almost) Perfect Exposure

What can I say? The combination of Zebras live in the viewfinder (with your camera set up properly) and post-capture study of the raw files in RawDigger makes it pretty much child’s play to come up with perfect exposure after perfect exposure. It would be impossible to overstate how much I have learned by studying RawDigger and how much better my exposures have become since I started with the program almost two years ago. The raw file brightness for today’s featured image is perfect with the G channel almost making the 16000 line. In other words, the raw file brightness is perfect.

RawDigger β€” not for the faint of heart …

Nothing has ever helped me learn to create perfect exposures to the degree that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first, we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman β€” we teach you a simple way to evaluate your exposures and the raw file brightness quickly and easily the Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.


desoto-fall-card-b

Fort DeSoto in fall is rife with tame birds. All the images on this card were created at Fort DeSoto in either late September or very early October. I hope that you can join me there this fall. Click on the composite to enjoy a larger version.

Clockwise from upper left to center: Long-billed Curlew, Marbled Godwit, Caspian Tern, Great Egret, Sandwich Tern with fish, Willet, Black-bellied Plover threat display, Snowy Egret, 2-year old Yellow-Crowned Night-Heron, juvenile Yellow-Crowned Night-Heron.

The Fall 2022 Fort DeSoto Instructional Photo-Tours

Fall 2022 Fort DeSoto Instructional Photo-Tour #1

3 1/2 Days: Tuesday 27 September through the morning session on Friday 30 September 2022. $1899.00 includes three working lunches. Limit six photographers/Openings five.

Fall 2022 Fort DeSoto Instructional Photo-Tour #2

3 1/2 Days: 7 October through the morning session on Monday 10 October 2022. $1899.00 includes three working lunches. Limit six photographers.

Fall 2022 Fort DeSoto Instructional Photo-Tour #3

3 1/2 Days: Monday 31 October through the morning session on Thursday 3 November 2022. $1899.00 includes three working lunches. Limit six photographers.

Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for migrant shorebirds and terns in fall. There they join hundreds of egrets, herons, night-herons, and gulls that winter on the T-shaped peninsula. With any luck at all, we should get to photograph one of Florida’s most desirable shorebird species: Marbled Godwit. Black-bellied Plover and Willet are easy, American Oystercatcher is pretty much guaranteed. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two. And we will get to do some Brown Pelican flight photography. In addition, Royal, Sandwich, Forster’s, and Caspian Terns will likely provide us with some good flight opportunities as well. Though not guaranteed, Roseate Spoonbill and Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.

On this IPT, all will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button. Everyone will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, and to design pleasing images by mastering your camera’s AF system. Most importantly, you will surely learn to evaluate wind and sky conditions and understand how they affect bird photography. And you will learn how and why to work in Manual mode (even if you’re scared of it). The best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever and whenever you photograph.

There will be a Photoshop/image review session during or after lunch (included) each full day. That will be followed by Instructor Nap Time.

These IPTs will run with only a single registrant (though that is not unlikely to happen). The best airport is Tampa (TPA). Once you register, you will receive an e-mail with Gulfport AirBnB information. If you register soon and would like to share an AirBnB with me, shoot me an e-mail. Other possibilities including taking a cab to and from the airport to our AirBnB and riding with me. This saves you both gas and the cost of a rental car.

A $600 deposit is due when you sign up and is payable by credit card. Balances must be paid by check two months before the trip. Your deposit is non-refundable unless the IPT sells out with six folks, so please check your plans carefully before committing. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand, or by sending a check as follows: make the check out to: BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, clothing, and gear advice. Please shoot me an e-mail if you plan to register or if you have any questions.


desoto-fall-card-a-layers

Clockwise from upper left to center: Long-billed Curlew, juvenile Tricolored Heron, Marbled Godwits, Great Blue Heron, juvenile Pectoral Sandpiper, Wood Stork, smiling Sea Scallop, Ruddy Turnstone scavenging needlefish, Great Blue Heron sunset silhouette at my secret spot, and southbound migrant tern flock blur.

Up Early, Stay Out Late!

Obviously, folks attending an IPT will be out in the field early and stay late to take advantage of the sweetest light and sunrise and sunset colors (when possible). The good news is that the days are relatively short in early fall. I really love it when I am leaving the beach on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving. The length of cloudy morning sessions will often be extended. Click on the composite to enjoy a larger version.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

August 31st, 2022

The Next-to-Last Skimmer Blastoff Blurs

What’s Up?

After our late, great — thanks-again-to-B&H, ate-too-much dinner at Prime Bistro in Lawrence, Long Island, I was barely able to drag myself out of bed and to the beach early on a cloudy Tuesday morning for what turned out to be another pleasingly successful blur session. See the three images from above.

I was glad to learn that Galapagos IPT veteran (along with wife Sandy) Don Selesky sold his Canon EF 800mm f/5.6L IS USM lens in like-new condition for the BAA record-low price of $5597.00 (was $6,797.00).

Today is 31 August 2022. Again, it is supposed to rain. I have my doubts. Anyhoo, the weather does not matter as I will be on the road no later than 4:15am, headed for the Amtrak Auto Train station in Lorton, Virginia. The train is scheduled to arrive in Sanford, FL by 10:00am on 1 September. I should be back in my office around lunchtime on Thursday. All in all, it was a great trip. I will begin working on my 2021 tax return on Friday πŸ™‚ Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about 90 minutes to prepare and makes one hundred fifty-nine days in a row with a new one.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

Canon 100-400mm EF f/4.5-5.6L IS II Zoom Lens

Price reduced $100.00 on 31 August 2022

Multiple IPT veteran Geri Georg is offering a Canon 100-400mm EF f/4.5-5.6L IS II zoom lens in excellent-plus to near-mint condition for a very low $1299.00 (was $1399.00). The sale includes the original box, the front and rear lens caps, the carrying case with strap, and insured ground shipping via major courier to lower-40 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Geri via e-mail or by phone at 1-970-219-4493 (Mountain time zone).

This incredibly versatile zoom lens β€” with its amazing .98 meter close focus β€” was my favorite Canon telephoto zoom lens ever. By far. It is easy to hand hold, great for tight portraits, for birds in flight, for quasi-macro stuff, and lots more. For flight, it is fabulous with an EOS R, R5, R6, or R7! This lens sells new for $2399.00 so you can save a handsome $1100.00 by grabbing Geri’s lens right now. artie

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BIRDS AS ART Image Optimization Service (BAA IOS)

Send a PayPal for $62.00 to birdsasart@verizon.net or call Jim at 863-692-0906 and put $62.00 on your credit card. Pick one of your best images and upload the raw file using a large file sending service like Hightail or DropBox and then send me the link via e-mail. I will download and save your raw file, evaluate the exposure and sharpness, and optimize the image as if it were my own after converting the raw file in Adobe Camera Raw. Best of all, I will make a screen recording of the entire process and send you a link to the video to download, save and study.

Induro GIT 304L Price Drop

Amazingly, we have two, brand-new-in-the-box Induro GIT 304L tripods in stock. They are $699.00 each (were $799.00) and the price now includes the insured ground shipping to the lower 48 states. Weekday phone orders only: 863-692-0906. Order yours here while they last.

Please Remember

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item β€” a Delkin flash card, or a tripod head β€” for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW πŸ™‚

If You Enjoy the Blog …

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times β€” I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was also created on 30 August 2022 at Nickerson Beach. Standing on the beach, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. The exposure was determined using Zebra technology with Exposure Compensation on the Thumb Dial. Shutter Priority +2.0 stops. AUTO ISO set ISO 250. 1/15 second at f/6.3 (wide-open). AWB at 6:36:56am on a very cloudy morning. RawDigger showed the exposure to be within 1/3-stop of perfect.

Tracking: Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Juvenile Black Skimmer skimming

Baby Skimmer Skimming

With the very cloudy skies and a strong breeze from the SW, I had many chances on young skimmers skimming right at me. When I saw one coming, I’d switch from Tracking: Spot to Tracking: Zone with a single push of the Set button (as detailed in the a1 Group guide). As is often the case when you are trying to create a pleasing blur, one image — Image #1 above, stood out as clearly best. Though a sharp eye is a plus for single bird flight image blurs, that is not a requirement for me. Especially when working at 1/15 second.

Click on the image to better see the green eye-AF boxes in action.

Sony Alpha 1 Flight Photography AF Points!

The SONY Alpha a1 Set-up Guide and Info Group: $150.00 (or Free)

The SONY Alpha a1 Set-up Guide and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. By June 1, 2022, the group was up to an astounding 124 lucky and blessed folks. (More than a few folks own two or more a1 bodies! Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. The best news is that everyone in the group receives an e-mail that includes a .DAT file with my a1 settings on it, and explicit directions on how to load my settings onto your a1; talk about convenience! I am now offering a .DAT file compatible with firmware update 1.20. Your entry into the group includes a consolidated Sony a1 CAMSETA2 INFO & GUIDE. New a1 folks will now receive six e-mails instead of the previous 28! You will receive new e-mails as they are published. Simply put, this e-mail guide is an incredible resource for anyone with an a1.

All who purchased their Alpha 1 bodies via a BAA affiliate link — B&H or Bedfords — will receive a free Sony Alpha a1 Set-Up Guide and free entry into the Info Updates group after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.). Others can purchase their guide here in the BAA Online Store.

This image was created on 30 August 2022 at Nickerson Beach. Standing on the beach, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. The exposure was determined using Zebra technology with Exposure Compensation on the Thumb Dial. Shutter Priority +2.3 stops. AUTO ISO set ISO 125. 1/13 second at f/6.3 (wide-open). AWB at 6:50:35am on a very cloudy morning. RawDigger showed the exposure to be perfect.

Tracking: Spot S/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #2: Black Skimmer blastoff

What’s Good About This Image?

Zoom lenses are great for doing blurs. When you need to, you can zoom out to ensure a clean upper edge and a clean lower edge, as seen in Image #1, above. Other plusses include an almost surreal degree of blurring on the birds taking off, the inclusion of some skimmers that are still on the ground, and a perfectly level (and somewhat interesting horizon). Note that by standing I was able to include a large expanse of light blue water in the background — Jones Inlet. Had I been sitting that would have been greatly reduced.

This image was also created on 30 August 2022 at Nickerson Beach. Standing on the beach, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 452mm) and The One, the Sony Alpha 1 Mirrorless digital camera. The exposure was determined using Zebra technology with Exposure Compensation on the Thumb Dial. Shutter Priority +2.0 stops. AUTO ISO set ISO 100. 1/13 second at f/6.3 (wide-open). AWB at 6:57:24am on a very cloudy morning. RawDigger showed the exposure to be perfect.

Tracking: Spot S/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #3: Black Skimmer/Sanderling/tern blastoff with pink hotel background

Avoid the Hotel?

Many photographers strive to avoid having the pink hotel in Long Beach in their backgrounds. Not me. Here, the hotel provides a lovely backdrop of pastel colors to complement the birds. As the south end of the hotel was cut off in the original frame, I did have to cut off that end and craft a “new” one in Photoshop. That was done with loving care.

Choosing the best Pleasing Blurs

It is no exaggeration to say that I created many thousands of intentionally blurred images on my August 2022 Long Island visit. While picking my keepers in Photo Mechanic at warp speed, the best ones will jump off the screen at you and scream, “Pick me!). Today’s three featured images did just that. Learn more in a Guide to Pleasing Blurs (as below).

Which one, if any, is your favorite? Please leave a comment and let us know why.

A Guide to Pleasing Blurs

Learn everything there is to know about creating pleasingly blurred images in A Guide to Pleasing Blurs by Denise Ippolito and yours truly. This 20,585 word, 271 page PDF is illustrated with 144 different, exciting, and artistic images. The guide covers the basics of creating pleasingly blurred images, the factors that influence the degree of blurring, the use of filters in creating pleasing blurs, and a great variety of both in-the-field and Photoshop techniques that can be used to create pleasingly blurred images.

Artie and Denise teach you many different ways to move your lens during the exposure to create a variety of pleasingly blurred images of flowers and trees and water and landscapes. They will teach you to recognize situations where subject movement can be used to your advantage to create pan blurs, wind blurs, and moving water blurs. They will teach you to create zoom-blurs both in the field and during post-processing. Artie shares the techniques that he has used and developed for making blurred images of flocks of geese in flight at his (formerly) beloved Bosque del Apache and Denise shares her flower blur magic as well as a variety of creative Photoshop techniques that she has developed.

With the advent of digital capture creating blurred images has become a great and inexpensive way to go out with your camera and have fun, especially when there is not much light. And while many folks think that making successful blurred images is the result of being a sloppy photographer, nothing could be further from the truth. In “A Guide to Pleasing Blurs” Artie and Denise will help you to unleash your creative self.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.