Arthur Morris/BIRDS AS ART
December 23rd, 2012

Barnegat Miracle...

Barnegat Miracle…

Despite high winds on Friday and Saturday, gusts of more than 50mph, water washing over the jetty, and waves of 40 feet in the inlet, a great time was had by all on the Barnegat Jetty IPT. All four of us: Denise and I and Bill Wingfield from South Carolina and David Policansky from the Washington, D.C. area. As David had left after lunch the leaders had the participant out-numbered two to one that afternoon. We said goodbye to Bill at about 4:30pm on Saturday.

As is my custom I removed my Delkin 700X 64gb PRO CF card from my 1D X and placed it in my left hand front pocket with the key card to the motel room. When Denise and I got back to the hotel in Weehawkin I stuck my hand into the same left hand front pocket and came up empty. I searched the room. I went down to the car and searched around and behind it. It was cold and still very windy. I searched in the parking lot and the motel lobby. And in the hallway leading to the room. All without success. As we had had a rather productive afternoon despite the fierce winds I was having some problem loving what is. But then I realized that there are a lot worse things that could happen than losing a compact flash card.

I decided to head back to the state park and look for the card on the ground. Denise volunteered to make the ride with me. Twenty-five minutes later I made a u-turn at the end of the road buoyed by the fact that two street lights illuminated the parking area outside the gates. (Note: never park in the lot in the afternoon as they lock folks in promptly at 4pm.)

I swung the Sequoia around and pointed my headlights in the vicinity of what I thought was my parking spot. As I stopped the car I spotted something on the ground. “That could be it.” I exited quickly, bent down, picked up my precious flash card, held it over my head and let out a whoop of joy as I leaped about as high into the air as I have in recent decades. It was then that I realized that the card had been soaked in salt spray by the vicious west wind.

But back in the room the card downloaded perfectly. Sometimes you just gotta love being lucky.

ps: I did the exact same thing at Bosque last year. With help from Jim Heupel I found the then missing card in the pitch dark at 5:15am in the parking lot at Harry’s Crane Pool.

Moral: it is a lot harder to lose a card that has been safely placed in a Delkin CF Memory Card Tote. Only $9.99 here.

Four Reasons to be Happy

This first-winter Purple Sandpiper was photographed on the just-concluded Barnegat Jetty IPT with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 stop: 1/400 sec. at f/5.6 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

For unknown reasons, the young bird above perched atop the rock and posed for more than two minutes despite the high wind. When the sun came out I went to a darker exposure but failed to check the histogram. The result? About 20 toasted frames of this lovely shorebird.

This first winter Sanderling image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1 stop: 1/250 sec. at f/10 in Manual mode.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Those of you who are mystified by the term “first winter plumage” should get themselves a copy of my “Shorebirds: Beautiful Beachcombers.” You will learn that ageing shorebirds is often easier than identifying them as to species.

This Black-bellied Plover–I think that it is a first-winter but I am not 100% sure, was photographed with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1/3 stop: 1/640 sec. at f/10 in Manual mode.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF on the bird’s eye and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

How’s that for sweet light and a killer background. Lesson for beginners: the farther the background from the subject the softer it will appear. Here the inlet lit be gorgeous late afternoon light was at least 100 yards past the shorebird.

This yawning first-winter Herring Gull image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1/3 stop: 1/250 sec. at f/9 in Manual mode.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF on the bird’s eye and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Image optimization tip: with the light so warm I went to Hue/Saturation and decreased the saturation of the REDs and the YELLOWs about 20 points.

Easy Quiz Question

Why were all the birds facing to the left?

Which is Your Favorite, and Why?

Take a moment to let us know which of the above images is your favorite. And be sure to let us know why.

Shop Amazon

Consider doing all of your Amazon.com shopping using the search link below. You’ll be getting the same low prices and great service that you are accustomed to and at the same time, supporting my efforts in the Bulletins and on the Blog to bring you great images, timely product news and info, and tons of free educational articles on an almost daily (and sometimes almost back-breaking) basis 🙂 Just type your search in the little white box and hit Go.

Weekend Creative Nature Photography Seminar, Tampa, FL: February 23 & 24, 2013: $149 Limit: 50/Openings: 45

Join Denise Ippolito and me on the weekend of February 23-24 on the outskirts of Tampa, FL for a great weekend of fun and learning. Learn to improve your photography skills, your skill at designing images in the field, your creative vision, and your image optimization skills. Sunday critiquing session. Click here for additional details and the complete schedule.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 22nd, 2012

Two Drake Harlequin Duck Images; So Many Lessons

This image was created on the Barnegat Jetty IPT (things are going great) with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1/3 stop: 1/320 sec. at f/10 in Manual mode. Central sensor/AI Servo Rear Focus AF on the bird’s eye and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Two Drake Harlequin Duck Images; So Many Lessons

This (and a young male harlequin) were the first birds that we encountered on our first afternoon at jetty. A really nice guy named Jim (from 2 hours away in NJ, with Canon gear) was already on the birds so we were very careful as we joined him. He was quite gracious filling us on the on the latest Barnegat info. I spoke very softly. The handsome bird slept peacefully for about five minutes until a second adult male swan up to the rock vocalizing and woke the gorgeous adult above up. It posed for a minute or so and then the original two hopped off the rock into the inlet. Party over.

Note the effective use of rear focus in the image above. I focused on the eye and recomposed placing the bird will on the right side of the image while making sure to get the complete yellow chunk of rock in the frame on the lower left.

This image was also created on the Barnegat Jetty IPT (things are going great) with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +2/3 stop: 1/2o0 sec. at f/8 in Manual mode. Central sensor/AI Servo Rear Focus AF on the bird’s eye and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

A cloud covered the already somewhat muted sun so I opened up from f/10 to f/8 and dropped the shutter speed from 1/320 to 1/200 sec. and checked the histogram; it was perfect with just a few blinkies on the bright white markings. By living with a few easily recovered highlights I ensured lots of detail in the darker feather tracts. Next I focused on the eye and recomposed, this time with the bird on the left side of the frame giving it room to look and see into its world. Note that with the sleeping bird I placed the subject on the right side of the frame again with lots of room to look and see into its world.

Note the pretty much perfect head angle with the drake’s head turned about 4 degrees towards us.

Image Clean-Up & NIK

Image clean-up as usual with the Spot Healing Brush, the Patch Tool, and a small Quick Mask or too, all as described in detail in Digital Basics, the best $20 you’ll ever spend on photography. Digital Basics is a PDF that is sent via e-mail. It contains my complete digital workflow, dozens of great Photoshop tips, all of my customized Keyboard Shortcuts, and free updates.

Tonal Contrast and Detail Extractor on separate layers and then painted in on the bird and the rocks as desired using a Hide-All mask. See “Layer Masking for Dummies” in Digital Basics.

Viveza

When I compared the two images of the same duck, I noticed that the background of the sleeping duck was much darker than the background of the duck after it woke up. I was puzzled as to how to lighten the background only without doing lots of masking. I asked Denise Ippolito who answered immediately, “Viveza.” Brilliant. Denise has an incredible mind for solving image optimization problems.

I brought the image into Viveza, opened a control point in the upper left part of the image, sized it, and slid the Brightness slider to the right and the Structure slider to the left. Then I duplicated the control point (Control D), re-sized it after moving it to the right, and repeated that process until the entire background was covered nicely. Voila! You can note the lighter softer final version in the animated GIF above.

NIK 15% Discount

As regular readers here know, NIK Color Efex Pro has drastically changed my digital workflow and little by little I have begun using Viveza to solve sticky image optimization problems. You can save 15% on all NIK products (including Color Efex Pro and Viveza) by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.

Suggested Holiday Shopping

Shop Amazon

Consider doing all of your Amazon.com shopping using the search link below. You’ll be getting the same low prices and great service that you are accustomed to and at the same time, supporting my efforts in the Bulletins and on the Blog to bring you great images, timely product news and info, and tons of free educational articles on an almost daily (and sometimes almost back-breaking) basis 🙂 Just type your search in the little white box and hit Go.

Tim Laman’s Amazing Birds of Paradise book

Lens Clens

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Great for your all your gear cleaning needs from the front elements of your lenses, filters, the outer surfaces of your lenses and camera bodies, and even your laptop and computers screens.

“The Photographer’s Guide to Attracting Birds”

Alan Murphy taught the world to create killer images at backyard set-ups in his 106 page eBook, “Guide to Songbird Set-Up Photography.” In his latest effort, “The Photographer’s Guide to Attracting Birds,” he has out-done himself. As I proofread this new e-Book for readability, I was amazed not only by the images, but by Alan’s innovative and creative techniques. Heck, in many cases, I was stunned by his cleverness. Click on the logo-link below to get your copy. (PayPal payments accepted.)

Buy Now

Weekend Creative Nature Photography Seminar, Tampa, FL: February 23 & 24, 2013: $149 Limit: 50/Openings: 45

Join Denise Ippolito and me on the weekend of February 23-24 on the outskirts of Tampa, FL for a great weekend of fun and learning. Learn to improve your photography skills, your skill at designing images in the field, your creative vision, and your image optimization skills. Sunday critiquing session. Click here for additional details and the complete schedule.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 18th, 2012

Catching Up & Holiday Shopping Suggestions

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 stop off the low sky: 1/1250 sec. at f/7.1 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

The image created at 3:51pm was my very favorite.

Catching Up/Working in reverse order

Is the Lethal Canon EOS-1D X Unfair to Flying Cranes?

With regards to “Is the Lethal Canon EOS-1D X Unfair to Flying Cranes?”: My favorites Sandhill Crane flight images, with my top pick first, were the dramatic 3:51, the small against the mountains 7:40, the landing pano-crop 4:01, and the moody 7:34am. Thanks to all who commented. As of 7:20pm eastern time on Tuesday I have responded to all of the comments.

This image was also created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 800: 1/2000 sec. at f/8 in Manual mode.

4:12pm.

Image copyright 2012 and courtesy of Gaurav Mittal.

Thanks Gaurav for sharing the very fine image above with us. I like it as much as any of mine. Gaurav is a serious student who travels regularly from India to join IPTs and study with me. He was quite skilled when he showed up for the Morro Bay IPT but he has worked hard, is very determined, and keeps on getting better and better. All that after a big name pro saw one of his images and told him to give up bird photograph! He took that and used it as motivation.

Image Transformation Questions

With regards to “Image Transformation Questions:”

1- I liked the sliver of tree that I left on left frame edge; I felt that it balanced the dark area of bushes on the right nicely.
2- In my humble opinion, the large dark area of mud on the lower right was ugly. That is why I eliminated it. Several folks referred to it as “dreck.” I agree.
From the Free Dictionary: dreck: Slang chiefly US for rubbish, trash. [From the Yiddish: drek = filth, dregs]
3-As far as the chevron pattern in the right corner, I am not sure if anyone would have commented had they not seen the original. Note, however, that there are some similar patterns on the right side of the image in the original….
4-A far as the “over-punched colors” I gotta say that in both the original and the optimized version that the colors look pretty accurate to me. It was a spectacular sunrise.
5-Yes to leveling the image and cleaning up birds that intersected with the frame edge.
6-Yes to a small crop and to a small increase in contrast (via NIK Tonal Contrast at about 33%).
7-As for the two birds top center that I removed, for me, they wrecked the compositional balance by being in the middle.
8: Good on Julian for realizing that I blackened the blacks–with a simple Levels adjustment.
9-You are all welcome and yes, good on me for getting you all to think.

Dressed to Kill

In “Dressed to Kill,” thanks to Doug Schurman for suggesting with regards to the who has more hair question that “Rick has more coverage but Artie has more volume.” I am of course bald up front like my late Dad was but there is a lot of hair in that big pony tail. I was 66 last June.

Same old same old; the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 245mm), and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $145.83 Value! [expires soon]! ISO 50. Evaluative metering -2/3 stops as framed: 1/13 sec. at f/22 in Manual mode. Central sensor Surround/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

I achieved the slow shutter speed by having the Hoya 77mm Warming Circular Polarizer Glass Filter set to dark and screwed onto the front of my 70-200 II. See the original post for details on “set to dark.”

With correct exposure for the WHITEs set manually I did not need to worry about changing the compensation when the birds flew in front of the dark distant mountain.

Lucky Thirteen: Finally Blasting at 1/13 Sec.

In the “Lucky Thirteen: Finally Blasting at 1/13 Sec.” post, my favorite image was #4, above because of the swirling look of the flock.

Holiday Shopping Suggestions & Options

With many of the B&H items below the prices are so low that they cannot be advertised; you need to add the item to your shopping cart in order to see the super-low holiday sale price.

Canon 70-200mm f/2.8L IS lens


My favorite intermediate telephoto lens: fast and versatile. I use it often with either the 1.4X III and the 2X III tele-converter. Right now for the first time ever less than $2,000 in your B&H shopping cart. You will only see the super-low price when you add the item to your cart.

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Canon Powershot S-100 Point and Shoot


An amazingly low price on this popular point and shoot camera: $249 in your cart!

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Canon EF 16-35mm f/2.8L II USM Autofocus lens


The premier wide-angle zoom lens for landscape and wildlife: an amazingly low $1399 in your cart!

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Sigma 50-500mm f/4.5-6.3 DG OS HSM APO Autofocus lenses

Killer deals on both Sigma 50-500s. Save a ton: in the cart for only $1299. This is an amazing value for one of the most versatile lenses on the planet.

As regular readers know the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO Autofocus lenses for both Canon and Nikon mounts offer amazing focal length coverage and are razor sharp when used at f/8. Clemens van der Werf used the Canon mount model with fabulous results on the Cheesemans’ Ecology Safaris Southern Ocean expedition this past October and Robert O’Toole and Robert Amoruso have has been using the Nikon and Canon mount models (repectively) with great great success for years. Be sure to pick the proper mount lens for your system.

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Suggested Stocking Stuffers

Shop Amazon

Consider doing all of your Amazon.com shopping using the search link below. You’ll be getting the same low prices and great service that you are accustomed to and at the same time, supporting my efforts in the Bulletins and on the Blog to bring you great images, timely product news and info, and tons of free educational articles on an almost daily (and sometimes almost back-breaking) basis 🙂 Just type your search in the little white box and hit Go.

Tim Laman’s Amazing Birds of Paradise book

Lens Clens

[Not a valid template]

Great for your all your gear cleaning needs from the front elements of your lenses, filter, the surfaces of your lenses and camera body, and even your laptop and computers screens

“The Photographer’s Guide to Attracting Birds”

Alan Murphy taught the world to create killer images at backyard set-ups in his 106 page eBook, “Guide to Songbird Set-Up Photography.” In his latest effort, “The Photographer’s Guide to Attracting Birds,” he has out-done himself. As I proofread this new e-Book for readability, I was amazed not only by the images, but by Alan’s innovative and creative techniques. Heck, in many cases, I was stunned by his cleverness. Click on the logo-link below to get your copy. (PayPal payments accepted.)

Buy Now

December 16th, 2012

Is the Lethal Canon EOS-1D X Unfair to Flying Cranes?

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1 stop off the low sky: 1/3200 sec. at f/6.3 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a spectacular larger version.

The wing position in this image, with the bird’s wings fully up, is ideal. Note that I was working 99.99% right down sun angle. The tiny shadow of the bend of the near wing on the dorsal surface of the far wing indicates that I was off by .01%. 🙂

7:18am.

We Go With One/Barnegat Jetty IPT Late Registration Discount Offered

BIRDS AS ART/A Creative Adventure Barnegat Jetty IPT, Barnegat Light, NJ: 2 1/2 DAYS. Thursday DEC 20 (1:30pm) through Saturday, DEC 22, 2012: $999. Limit 6/Openings: 5. Includes 5 photo-sessions, both lunches, introductory slide program (DEC 20), Photoshop session (DEC 21), and image sharing at lunch DEC 22.

Many folks who run photographic tours take deposits only to cancel the event at the last minute by sending an e-mail to this effect: We are sorry. We are forced to cancel this workshop as we only signed up five participants and we will not make enough money if we run the trip. My policy for the past two decades has been to run BIRDS AS ART Instructional Photo-Tours with as few as one participant. Why? If someone arranges to get time off from work, to purchase plane tickets, and to book a hotel room and rent a car, it seems downright unconscionable and disrespectful to cancel.

Right now the Barnegat Jetty IPT that I am co-leading with Denise Ippolito has a single registrant. We are looking forward to working with Bill Wingfield who is flying from Charleston, South Carolina and meeting us in Manahawkin, NJ this coming Thursday for lunch and our first afternoon photo session. Bill seems like the happiest of campers. Click here and scroll down for additional info and images. And feel free to call me on my cell at 863-221-2372 from 9am to 9pm for late registration discount information. Please leave a message with a callback number if I do not pick up. As my late Dad used to say, “I don’t here such good anymore.”

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 stop off the low sky: 1/1250 sec. at f/7.1 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

4:01pm.

Is the Lethal Canon EOS-1D X Unfair to Flying Cranes?

The short answer is “Yes.” Be sure to click on each image to see the spectacular larger and sharper version. I just noticed that the color on some of the enlarged images is more pleasant than on the smaller images that appear in the blog itself. I am not sure if it is a color space issue or a Word Press issue. IAC, the images in the blog are more red and the larger images are more pleasingly and properly yellow. Today is the first time I have noticed that.

On the recently concluded Bosque del Apache IPT I used the Canon 800mm f/5.6L IS lens with the amazing EOS-1D X professional digital camera body for all of my photography of Sandhill Cranes in flight during both our morning and afternoon sessions. The results blew me away. I wound up deleting 100s of perfectly sharp flight images with good wing positions. Why? So that “I’d have room on my hard drives for the really spectacular images like those above and below.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +2/3 stop off the sky just above the mountains: 1/1650 sec. at f/7.1 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

7:34am.

When I am teaching at Bosque, I am constantly reminding folks that the most dramatic images are made when the birds are just below r just above the Chupadera Mountains in the background. In the image above, the early morning light and the shadows on the mountains add to that drama.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 1/3 stops off the sky just above the mountains: 1/1000 sec. at f/5.6 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

7:04am.

Why ISO 800 and +1 1/3 stops for the image above? The image was made at 7:03am not long after sunrise. The softer the light the dumber the meter. In full sun I’d make a similar image at only +1/3 off the much bluer sky. Note one of my two favorite wing positions: wings fully down.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +2/3 stop off the sky just above the mountains: 1/2500 sec. at f/7.1 in Manual mode. Three sensors right of central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

7:40am.

South winds are rare at the crane pools in the morning. Understanding the relationship between wind and light direction and bird behavior is hugely important to those wishing to become good bird photographers. Note my other favorite wing positions: wings full up. Note that once it gets to be about 7:30am or so on clear days I switch the exposure to only +2/3 stop off the sky; as the meter gets smarter as the sun gets brighter. But the meter is never as smart as a competent photographer who understands exposure. See the section on Exposure Theory in the original The Art of Bird Photography and Exposure Simplified in ABP II. Save $10 by purchasing the two book bundle. Learn more about each book and about Digital Basics in “98.6 Per Cent” here.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1 stop off the low sky: 1/2000 sec. at f/5.6 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a spectacular larger version.

4:39pm..

When you see a group of cranes fling in over the cottonwoods in the afternoon the trick is to watch them carefully and train your long lens on a bird that separates from the group to avoid merges and clipped wings as they come in to land….

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 stop off the low sky: 1/1250 sec. at f/6.3 in Manual mode. Two sensors left of central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

4:22pm.

The image above was created with in the afternoon as the cranes were returning to their evening roost in the main impoundment. Moving the active sensor with both the 1D X and the 5D Mark III is a snap. You can learn everything that I know about the great AF system of the 1D X in the 1D X AF Guide and everything that I know about the 5D III in the 5D Mark III User’s Guide.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 1600. Evaluative metering +2/3 stop off the low sky: 1/1250 sec. at f/9 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

7:03am.

Here I needed to set a high ISO and add lots of light because a thin layer of clouds had obscured the sun. Image files at the higher ISOs with the 1D X are so clean as to be barely believable.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 stop off the low sky: 1/1250 sec. at f/7.1 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

3:51pm.

A healthy dose of NIK Color Efex Pro got this image to sing. Here I used one of my custom recipes: 80% Tonal Contrast/33% Detail Extractor. After I ran this combo I reduced the opacity in Photoshop to about 50%.

NIK 15% Discount

As regular readers here know, NIK Color Efex Pro has drastically changed my digital workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 1/3 stops off the sky above the mountains in very early morning light: 1/60 sec. at f/6.3 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

6:58am.

Getting the eye sharp when creating pan blurs requires you to match your panning speed with the speed of the bird in flight. The older I get the more difficult it becomes to do that. Want to learn more? Get yourself a copy of A Guide to Pleasing Blurs by Denise Ippolito and yours truly.

This pair of Sandhill Cranes was photographed at Bosque del Apache NWR, San Antonio, NM with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1 stop off the low sky: 1/1600 sec. at f/8 in Manual mode.

4:36pm.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

As regular readers know I purchased a second 1D X after wrecking my first in South Georgia (along with my new 500 f/4L IS II). I was aghast at first when the new 1D X would not AF with the 1.4X TC…. See “1D X Detective” below for the whole story.

On the afternoon of November 27, the birds were landing farther away than usual so I added the 1.4X III TC and went to ISO 800.

Which are Your Favorites, and Why?

Take a moment to let us know which of the above images above are your favorites, and be sure to let us know why. For the sake of simplicity, please use the time of capture when referring to an image.

Amazing Sigma Lens Prices

As regular readers know the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO Autofocus lenses for both Canon and Nikon mounts offer amazing focal length coverage and are razor sharp when used at f/8. Clemens van der Werf used the Canon mount model with fabulous results on the Cheesemans’ Ecology Safaris Southern Ocean expedition this past October and Robert O’Toole has been using the Nikon mount model with great great success for years.

Now here is the amazing news: each of the lenses below sells regularly for $1659.00. Though there is no indication on the B&H page for each item, when you place the item in your cart the price drops to $1299.00. This is an amazing value for one of the most versatile lenses on the planet.

Click on the left-hand icon for the Canon mount or click on the right hand icon for the Nikon mount.

You can enjoy similar savings on the Sigma 24-70 lenses (for both mounts) by clicking here and putting the selected model in your cart.

Weekend Creative Nature Photography Seminar, Tampa, FL: February 23 & 24, 2013: $149 Limit: 50/Openings: 45

Join Denise Ippolito and me on the weekend of February 23-24 on the outskirts of Tampa, FL for a great weekend of fun and learning. Learn to improve your photography skills, your skill at designing images in the field, your creative vision, and your image optimization skills. Sunday critiquing session. Click here for additional details and the complete schedule.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 13th, 2012

Tampa, Florida: Weekend Nature Photography Seminar

Weekend Creative Nature Photography Seminar, Tampa, FL: February 23 & 24, 2013: $149

Limit: 50/Openings: 2

Join Denise Ippolito and me on the weekend of February 23-24 on the outskirts of Tampa, FL for a great weekend of fun and learning. Learn to improve your photography skills, your skill at designing images in the field, your creative vision, and your image optimization skills. Sunday critiquing session–see below for details. Limited to the first 50 registrants.

To Register

To register for the seminar you can call Jim or Jennifer between 9am and 3pm weekdays at 863-692-0906 with your credit card in hand. You can send a PayPal to us at birdsasart@verizon.net or to birdsasart@att.net. Or you can send a check made out to “Arthur Morris” for the full amount in US dollars to us here: Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL 33855; be sure to include a note with your clearly written e-mail address and phone number on it and print the words “Tampa Seminar” on your check. You will receive a confirmation letter approximately 3 weeks before the seminar.

Terms

Payment in full is due upon registration. Limit 50. We will keep a waiting list. Cancel before January 23 and receive a complete refund less a $20 processing fee. Cancel less than one month before the seminar and forfeit your registration fee unless the event sells out in which case you will receive a full refund less a $20 processing fee.

Seminar Schedule

Based on our experience at the highly successful NYC seminar we have fine-tuned the schedule to maximize teaching and learning opportunities.

Saturday: 9:00am-5:00pm (Doors open at 8:00am)

9:00am: artie/slides: Tools of the Trade/Choosing and using lenses for bird and wildlife photography
10:30 am: break
10:45am: denise/slides: Blooming Ideas/Creating new and different images of flowers and trees
noon-1:30pm: lunch
1:30pm: artie: Basic Image Design
2:15pm: artie and denise: Pro Gear Handling Tips: Live demos: tripod, lens handling, flight photography, stalking, & packing tips. Vest info & lots more.
3:00pm: break
3:15: artie: Photoshop Tips, Tricks, and Techniques
5:00pm: the end

Sunday: 8:30am-5:00pm (Doors open at 8:00am)

8:30am: It’s easier than you think: How to clean your sensor without fear or trepidation/Live Demo
9:00am: denise & artie/slides: Creating Pleasing Blurs/Using slow shutter speeds, panning, camera movement, & more. Prestigious contests are now awarding prizes to creatively blurred images.
10:30am: break
10:45: artie and denise: Refining your photographic vision.
noon-1:30pm: lunch
1:30pm: denise/Creative Filters and Effects includes live Photoshop demo
2:45pm: break
3:00pm: Image Critiques. Submit no more than three 1400 X 1050 sharpened JPEGs via e-mail
before February 9. A selection of the submitted images will be chosen for critiquing.
4:00: artie: Getting the Right Exposure with Digital: It’s as easy as pie. If you have ten seconds with the subject there is no excuse for not getting the right exposure every time with digital.
4:30: Door Prizes
5:00pm: the end

Best Western Brandon Hotel & Conference Center, 9331 East Adamo Drive, Tampa, FL.


813-621-5555

Mention the seminar: $65/night + tax. Regular rate: $109.95.

10 minutes from Tampa–40 minutes from St. Petersburg–less than an hour from Sarasota

1 hr 15 minutes from Orlando–less than 2 hours from Fort Myers

NYC Seminar Kudos

By e-mail from Sharon Hallowell:

I just wanted to take a minute to say “Thank you very much for last weekend!” I had a great time, and I learned an awful lot. It was a nice way to spend my birthday weekend, and you topped it off nicely by picking my number for the Think Tank Airstream rolling bag door prize; it’s something I’ve been wanting badly! I just finished transcribing my notes from the seminar days and can’t believe how much new info I garnered. I am anxious to put it to use. The day spent in the field, despite the foggy and wet conditions, were a big help to me. I really appreciated the individual attention you both provided. You are both masters in the field and it was a privilege to be able to spend time with you. Thanks also for the great lunch on Monday! Wishing you both a wonderful holiday. I hope that our paths cross again in the future. Thanks again for Everything! Sharon

By e-mail from Debbie Zilli:

Thank you both so much, Artie and Denise, for a wonderful weekend! It was great to meet you and I learned so much. Now I need to find the time to put all I learned to use; that is easier said than done!

By e-mail from BPN member Rachel Hollander:

Denise & Artie- I just wanted to drop you a note and say how much I enjoyed meeting you both and getting a glimpse into your extremely creative minds, your thought processes, and your workflows. I signed up for the B&H workshops in hopes that I’ll be able to sneak away from the office for a couple of hours. I hope to see you then. Thanks again for all the tips, tricks and wisdom.

By e-mail from Gerry Matteo:

Dear Art & Denise, I attended your Staten Island seminar and really learned tons. Thank you both for sharing your knowledge. I also purchased Denise’s book and can’t wait to use some of the filters. I feel that I am well on my way to making better pictures. Thanks again!

By e-mail from Jeff Friedhoffer

Artie & Denise, I wanted to thank you for a great weekend. I got a lot out of the two days of classes and the morning of shooting in Howard Beach was great despite the fog and rain. In just a weekend I learned so much that I would never have thought of by myself. It reinforced what I have read in Artie’s two books. Once again, thank you! I hope to see you both again soon.

Adapted from a Mark Hendricks e-mail:

I wanted to sincerely thank you again for the excellent seminar that you and Denise put on in Staten Island. It was very inspiring, educational, and informative and I received so much from the experience. I also wanted to thank you for the evening of friendship you showed to Carolina and me on Saturday after the seminar. I never dreamed in my lifetime that I would have dinner with a personal hero of mine and that that time would be filled with laughter and great conversation. What you have contributed to nature photography is nothing short of legendary as you are one of the best to ever pick up a camera. You’re an excellent photographer but what is more important is that you are a hell of a dude and a great man. I hope one day to convince you to have an IPT at Assateague Island and Blackwater! Either way you gotta come hang one day and have some of Carolina’s paella! I plan to make some images to make you proud. Again, my sincerest thanks to you brother. Mark

By e-mail from Sherb Naulty:

Hi Denise and Artie, Wow! I am still trying to process all that we went over in those two days at the NY Seminar and feel incredibly lucky to have been able to attend! You both bring such positive energy, amazing insights, and a world of experience to share with those who participate in your workshops. I am just in awe at the amount of information that we covered and have already begun to review my notes while they are still fresh. Artie said on the first day that thankfully he hadn’t built a business solely on stock photography world but on education; we are the lucky ones! Attending your workshops is a must a for anyone who is inspired by photography ….Your passion for the art/craft is contagious and evident each minute of the time we were there You both complement each others’ strengths and are downright superstars. I just loved these weekend and can’t wait to put some of the new info and techniques to use. I am especially eager to play with some of the software. And yes, CS6 is downloaded already.

In addition, I am tickled too that I won a tripod!! Thank you and thanks to your generous sponsors. Denise, I have already put on the head that I won at the Sunflower shoot. It will be my go-to set-up for macro work! I will let you know within a day or two about your Longwood Gardens workshop; I just have to see about a couple of things. Thank you very much. My very best, Sherb

December 12th, 2012

Image Transformation Questions

BAA Bulletin #425 is On-line

BAA Bulletin #425 is on-line and can be viewed here.

  • Bosque IPT & Canon Digital Learning Center Trip Report
  • “Birds of Paradise” by Tim Laman and Edwin Scholes
  • West Nyack, NY Event: Triple Header
  • Used Camera Gear (including some great new listings!)
  • BIRDS AS ART/A Creative Adventure Barnegat Jetty IPT
  • The Barnegat Jetty Site Guide
  • Barnegat Jetty Site Guide Kudos
  • B&H (Free) Event Space Events!

West Nyack, NY Event: Triple Header

If you live in the NY metropolitan area be sure to see the information on the Triple Header program this Saturday either in BAA Bulletin #425 or here in item 1. We hope to see you there. It’s super-cheap: only $10. And you can pay at the door by check. Or click here to register on-line.

This image above was created from the image below with the Canon 24-105mm f/4L IS EF USM AF Lens (hand held at 35mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) $200 instant savings + 2% Reward [expires 5 JAN] ISO 400. Evaluative metering +1 stop: 1/60 at f/7.1 in Tv mode. Central Sensor Surround/AI Servo/Rear Focus AF on the flock in flight and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

Note that with a distant flock a shutter speed of 1/60 sec. the birds in flight were rendered relatively sharp. I used the technique for low-light shooting that is described in detail in the hugely popular eBook, “A Guide to Pleasing Blurs” by Denise Ippolito and yours truly.

Image Transformation Questions

The image above was the lead image in BAA Bulletin #425. As noted in the caption, it was created in Photoshop from the original capture immediately below.

This was the original capture from which the optimized image above was created.

The Questions

#1: What did I do in Photoshop? I used at least 5 different major techniques. There are lots of clues. List as many as you can. I will post a response in a new blog post on Sunday.
#2: Do you like the inclusion of the fine tree branches on the left frame-edge? Why or why not?
#3: What would you have done differently? And why?

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 10th, 2012

1D X Detective

This adult Ross’s Goose image was created at Bosque del Apache NWR, San Antonio, NM with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 200: 1/320 sec. at f/18 in Manual mode (brilliant white in full sun exposure with histogram check).

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

As regular readers know I purchased a second 1D X after wrecking my first in South Georgia (along with my new 500 f/4L IS II). I was aghast at first when the new 1D X would not AF with the 1.4X TC…. See “1D X Detective” below for the whole story.

West Nyack, NY Event/Triple Header: Art Morris, Robert O’Toole & Denise Ippolito

Each of the three talented photographers above will each present a unique program on Saturday, December 15, 2012 (10:00 am to 5:00 pm) at the Palisades Center Mall, 1000 Palisades Center Dr, West Nyack, NY.

Arthur Morris (Canon Explorer of Light/sponsored by Canon USA):

Arthur Morris is a free-lance nature photographer, teacher and writer specializing in birds. He is widely recognized as one of the world’s premier bird photographers and photographic educators. His images, published the world over, are noted for both their artistic design and their technical excellence. His fitting credit line: BIRDS AS ART. His book, “The Art of Bird Photography” is the classic How-to work on the subject. The all new follow-up, The Art of Bird Photography II (916 pages of CD only) was released in 2006 to rave reviews. Artie, one of the original “Explorers of Light,” has been a Canon contract photographer for the past fifteen years and continues in that role today. He is a co-founding publisher of BirdPhotographers.net A popular speaker, he has conducted more than 500 slide programs and seminars over the past two decades. He currently travels, photographs, teaches and speaks his way across North America and the world while leading BIRDS AS ART/Instructional Photo-tours and Photo-Cruises each year. Art will talk about and show you “What Makes a Good Nature Photograph.

Robert O’Toole:

Robert, a professional photographer for more than a decade, now specializes in wildlife and nature. He is an accomplished photographic instructor; he got his start co-leading BIRDS AS ART/Instructional Photo-Tours with Art Morris. He has written two Photoshop tutorials and a Nikon camera User’s Guide for BIRDS AS ART Books. In his presentation, Robert will share the inspiration, the passion and the creative vision that drives his photography. Robert will share some of his favorite images,equipment,and techniques and the stories behind them.

Denise Ippolito

Denise Ippolito is a freelance photographer, artist and writer living in NJ. She is a moderator in the Out of the Box Forum at BirdPhotographers.net. Denise has co-led several BIRDS AS ART Instructional Photo-Tours with Arthur Morris/BIRDS AS ART. Denise offers her own workshops featuring avian, flower and HDR photography. As a former award winning floral designer and garden center owner, Denise has worked extensively with flowers; her most recent eBook “Bloomin Ideas” reflects her love for flowers and art.

Denise Ippolito and Arthur Morris co-authored the hugely popular eBook, “A Guide to Pleasing Blurs.” Her program will cover the great variety of techniques that can be used to create pleasingly blurred images in the field, and at times, during post-processing. Topics that will be discussed and illustrated include pan blurs, zoom blurs, camera movement blurs including flame- and jiggle-blurs, subject movement blurs including moving water blurs, long exposure blurs, the need for accurate focusing, managing your ISO settings, in-camera multiple exposures, subject to film plane orientation, choice of shutter speeds, and how subject to sensor distance affects the degree of blurring.

With the advent of digital photography and the popularity of intentionally blurred images in prestigious nature photography competitions, more and more people are enjoying the challenges and rewards of creating pleasing blurs. Whether you photograph wildlife, flowers, people, street scenes or landscapes, this is one program that you will not want to miss if you would like to learn to unleash your creativity.

A Great Opportunity

Triple Header represents a great opportunity for all levels of photographers to learn and enjoy. The programs will run from 10:00 a.m. until 5:00 p.m. with several breaks including a lunch break. Thee vent will be be held in the Adler Room, 4th floor, on the Macy’s side of the mall (by the Ice Rink). There is plenty of available parking at the mall which is conveniently located right off a major highway. Join us to learn from three outstanding photographers and lecturers in a relaxed atmosphere.

Approximate schedule:

10:00 a.m. – 11:30 a.m. Robert O’Toole, A Passion for Photography
11:30 a.m. – 1:00 p.m. Denise Ippolito, How to Create Pleasing Blurs
1:00 p.m. – 2:00 p.m. Lunch
2:00 p.m. – 4:00 p.m. Art Morris, What Makes a Good Nature Photograph

The mall has a large food court or you can bring your own. Price: $10.00/per person. For more info or to sign-up, click here. The event is a Ridgewood Camera Club Meetup Group program.

This Snow Geese sunrise silhouette image was created at Bosque del Apache NWR, San Antonio, NM with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 200. Evaluative metering +1/3 stop: 1/6400 sec. at f/8 in Tv mode.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Having AF at f/8 with the 800mm f/5.6/1D X is hugely important to me….

1D X Detective

As regular readers know I purchased a second 1D X after wrecking my first in South Georgia (along with my new 500 f/4L IS II–see “Wrecked and Loving It!“). I was aghast at first when the new 1D X would not AF with the 1.4X TC. I checked the new camera to see that the firmware was indeed 1.1.1. It was. I e-mailed and called Chuck Westfall at Canon for his thoughts. At some point that morning as he was investigating I remembered that I had a copy of the 1.1.1. firmware on my desktop. What the heck? It couldn’t hurt to load it onto the camera. Voila! After re-installing the firmware the camera autofocused at f/8 with the 1.4X III TC on the 800 f/5.6L IS. Hooray! I called Chuck back and let him know of my findings. He asked for a few days to check things out.

As it turns out, I was right. See the Canon USA Product Advisory here.

I was pleased to be able to help and pleased to get the e-mail below from Chuck:

Hi Artie,

Thanks again for the heads-up on the 1D X! You were the first to catch it, and we jumped on it immediately and got Tokyo involved. Glad to see that they took it seriously and fixed the problem!

Chuck Westfall
Advisor, Technical Information
Canon U.S.A., Inc.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 6th, 2012

What Does WIW Mean?

This image, “Seductive blue diamond orchid,” was created by Denise Ippolito with the Canon 100mm macro lens and the EOS-5D. ISO 400. Evaluative metering +2/3 stop: 1/200 sec. at f/4.5 Click on the image to enjoy a larger version.

Denise will open the proceedings at 9am on Saturday with her “Blooming Ideas/Creating new and different images of flowers and trees” segment. Don’t miss it.

The gear above has been replaced by the following:

What Does WIW Mean?

WIW stands for Walk-Ins Welcome. Walk-ins are indeed welcome at the NYC Seminar. You can bring a check, cash, or a credit card with your driver’s licence. When? This coming weekend at the Hilton Garden Inn on Staten Island. Alternatively, you can call Jim today before 5pm or Friday before noon and register by phone. Click here for more info, for the complete schedule, and to learn about the valuable registration incentives that include a free copy of Digital Basics. On Saturday we will teach you how to capture great images in the field and on Sunday how to evaluate and process (optimize) those images. Throughout the weekend we will be working hard to help you become more creative both in the field and at the computer.

It is 8:47 am on December 6, 2012. I am sitting on the Amtrak Auto Train going at about 70mph headed towards Lorton, VA. My laptop is plugged in and I am on line via a tethered wireless connection courtesy of my Verizon Android Razr 48 cell phone. Man, what an amazing world we live in.

I just finished working on my “Tools of the Trade/Choosing and using lenses for bird and wildlife photography” segment and am excited about presenting it on Saturday at 11am. It is truly amazing how often the longest lens in your arsenal is the worst in your bag for a given situation. This afternoon I will be working on the “Seeing the Situation” segment where Denise and I will teach you to see and think like a pro.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +1 1/3 stops off the sky above the mountains in very early morning light: 1/60 sec. at f/6.3 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Once it gets to be 7:45 am I switch the exposure to only +2/3 stop off the sky as the meter gets smarter as the sun gets brighter on clear days. But the meter is never as smart as a competent photographer who understands exposure. See the section on Exposure Theory in the original The Art of Bird Photography and Exposure Simplified in ABP II. Save $10 by purchasing the two book bundle. Learn more about each book and about Digital Basics in “98.6 Per Cent” here.

The seminar “Creating Pleasing Blurs/Using slow shutter speeds, panning, camera movement, and more” segment is scheduled for Saturday at 3:15pm. Do consider joining us.

Pet Peeve

Regular readers know that one of my pet peeves is folks who have 3,000, $5000, $10,000, heck, even $20,000 or more worth of great gear and assume that their purchases will make them better photographers. Study? Learn? Practice? No way. They believe that as long as they spend lots of money on great lenses and camera bodies that their skills will improve. Not! If you live within a few hours of Staten Island and wish to become a better photographer make plans, as above, to join denise and me this weekend for tons of learning and fun. Not to mentions zillions of great images.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 4th, 2012

Dressed in Red. To Kill?

This image was created by Juan Pons with the Canon 24-105mm f/4L IS EF USM AF Lens (hand held at 40mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) $200 instant savings + 2% Reward [expires 5 JAN] ISO 400. Evaluative metering +2/3 stop: 1/640 sec. at f/7.1 in Av mode. Click on the image to see a larger version.

Dressed in Red. To Kill?

I ran into fellow Canon Explorer of Light Rick Sammon at the EdKranePool on my last morning at Bosque: Sunday, December 2. We posed for a fun image that was kindly created by Juan Pons who often works closely with Rick. Denise and I and Rick and Juan had fun connecting that night during happy hour at the Socorro Springs Brewing Company. I did not have any margaritas but I did steal a few chips and some salsa from Rick and Juan.

Rick wrote, “Here’s a shot (taken by Juan Pons) of fellow Canon Explorer of Light Arthur Morris and me on location at Bosque Del Apache, New Mexico. It looks like we are having fun, but we were actually having “The Battle of My lens is Bigger Than Your Lens.” About the red jackets: they are our sunrise and sunset camouflage jackets; we like to blend in with the nice light!”

You can check out Rick’s work here. Be sure to visit his Apps page. Thanks to Juan Pons for the image. You can learn more about Juan here or check out his educational blog.

Quiz Questions:
#1: Who has more hair, Rick or artie?
#2: Who’s older by how much? Guess both ages please.
#3: Whose lens was bigger? Identify each lens.

This image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 800. Evaluative metering +1 stop off the sky above the mountains in early morning light: 1/2500 sec. at f/7.1 in Manual mode. Well right of Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Once it gets to be 7:45 am I switch the exposure to only +2/3 stop off the sky as the meter gets smarter as the sun gets brighter on clear days. But the meter is never as smart as a competent photographer who understands exposure. See the section on Exposure Theory in the original The Art of Bird Photography and Exposure Simplified in ABP II. Save $10 by purchasing the two book bundle. Learn more about each book and about Digital Basics in “98.6 Per Cent” here.

Click on the image to see an impressive larger version.

800/1D X and a Great New Photoshop Technique

As I have said before, the Canon 800 f/5.6L IS with the Canon EOS-1D X is deadly on cranes in flight. Stay tuned for a post with tons of such images, all razor sharp. For the image above, I cropped to a pano. On both the IPT and the CDLC workshops I advised all to acquire focus while the crane was set against the uglier brushy, splotchier hillside background and to begin making images when the bird was just below or just above the Chupadera Mountains. Surround AF Expand AF Area Selection mode makes that easier to do than with any previous Canon body.

John Haedo, on his first IPT, taught the group a great trick for filling in expanded canvas after leveling an image. After I receive his permission to share it–it is killer good, I will do so here and add it to the next free update of Digital Basics.

1D X AF Guide

Not getting the sharp flight shots that you expected? In the EOS-1D X Guide I share everything that I know about the great new 1D X AF system and share my custom Case for flight photography. Learn more or purchase (only $25) here. If you own a 5D Mark III you will surely want to learn how to use it like a pro by studying our 5D Mark III User’s Guide.

Coming Soon

Stay tuned for a 5D Mark III blog post on the in-camera multiple exposure and HDR features.



5D III/24-105 Combo

As you have been seeing here lately the 5D Mark III/24-105 combo is a deadly one in many situations ranging from bird-scapes to overhead flock shots to quasi-macro to B-roll stuff. (B-roll stuff is folks birding, locations, restaurant shots; in short, any type of miscellaneous general interest material.)

NYC Seminar & Door Prize Info

Do consider joining Denise Ippolito and me in Staten Island in December for a great weekend filled with learning, fun, and great door prizes.

It’s getting late. Call 863-692-0906 soon to register.

Harlequin Duck, drake, Barnegat Jetty, NJ. Canon 800mm f/5.6L IS with the 1.4X II TC and the EOS-1D Mark IV. ISO 800: 1/250 sec. at f/8. Image copyright 2012 Arthur Morris/BIRDS AS ART.

This is one of the target species on the Barnegat Jetty IPT. Just one sign-up so far so consider joining denise and me for practically private instruction.

BIRDS AS ART/A Creative Adventure Barnegat Jetty IPT, Barnegat Light, NJ: 2 1/2 DAYS. DEC 20 (1:30pm), 21, and 22, 2012: $999. Limit 6/Openings 4. Includes 5 photo-sessions, both lunches, introductory slide program (DEC 20), Photoshop session (DEC 21), and image sharing at lunch DEC 22.

Join Arthur Morris and Denise Ippolito for a 2 1/2 Day Instructional Photo-Tour at the infamous Barnegat Jetty in Barnegat Light, New Jersey. Artie and Denise will teach you how to get close to the ducks and shorebirds that frequent this famed winter birding and photography hotspot, how to get the right exposure every time, and how to see, understand, and tackle a variety of photographic situations. Each will conduct a killer Photoshop session. We should have some excellent chances with Harlequin Duck and Purple Sandpiper, the two headliner species. With any luck we should get to photograph most of these species: Long-tailed Duck (formerly Oldsquaw), Common Loon, Red-throated Loon, Red-breasted Merganser, Surf Scoter, Black Scoter, Common Eider, Brant, Dunlin, Ruddy Turnstone, Black-bellied Plover, and Sanderling . Great Black-backed, Herring, and Ring-billed Gulls are also likely. Sunning Harbor Seals are possible. With the right winds we may have some good flight photography also.

Having at least a 500mm f/4 lens with a 1.4X teleconverter is recommended. Participants should be in good physical condition with a good sense of balance. Payment in full is due now.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

December 3rd, 2012

Looking Up

This image was created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 320mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) $200 instant savings + 2% Reward [expires 5 JAN] ISO 400. Evaluative metering +1 2/3 stops: 1/2000 sec. at f/5.6 in Av mode. Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

Looking Up at Bosque

After 3 days off and an overnight trip to White Sands National Monument Denise and I co-led a Canon Digital Learning Center weekend workshop at Bosque. In mid-morning I said to the group, “In some years with south winds the birds will blast off and fly behind us. With zoom lenses that get out to the 400mm range you can photograph single birds and small groups by pointing the lens almost directly overhead while being careful to keep the sun out of the frame. You will want to be about 10-15 degrees away from the sun; the goal is to have the birds strongly backlit. If you see hazy flare do not press the shutter button; wait for the flare to disappear so that you have a blue sky background (with or without clouds).

Remember, it pays to look up and a bit behind you at Bosque. But be careful not to fall over backwards when photographing individual birds.

Important note: Denise and I make an incredible leader team. On both the IPT and the Canon DLC event I made sure that the group was in the right place at the right time, provided general shooting advice, and answered questions while Denise provided hands on help to pretty much everyone in the group who desired it by checking their camera settings and histograms. Do consider joining us on the Barnegat Jetty IPT; see the info below.

This image was created with the Canon 24-105mm f/4L IS EF USM AF Lens (hand held at 28mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) $200 instant savings + 2% Reward [expires 5 JAN] ISO 400. Bright white ISO 400 exposure: 1/2500 at f/8 in Manual mode. 61-point/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

It took some guts to bring the Canon group to a location with zero birds. But bird behavior is often repetitive and within minutes of our arrival large groups began arriving. Most days the first group had been a huge one made up of more than 10,000 swirling geese. On this day they arrived in groups of about a hundred every few minutes for nearly an hour. Large groups were still coming in when we headed back to Socorro for lunch.

Be sure to check out the amazing before and after animated GIF below.

The Bosque Site Guide Current Conditions Update

If you are at Bosque right now or are heading to the refuge in the next week or two and you own a copy of the Bosque Site Guide, you are invited to e-mail and request a copy of the Bosque Site Guide Current Conditions Update. You will receive a short e-mail describing other current strategies and letting you know exactly where to be in the pre-dawn. If you would like to receive this update, please cut and paste the words “Bosque Site Guide Current Conditions Update” into the subject line and be sure to include proof of purchase. The simplest thing to do is to include a screen capture of the first page of the guide. No updates will be sent unless you include some sort of proof of purchase. Please do not call or e-mail Jim as he knows nothing about this :).

The Bosque Site Guide

Great year or poor year, the priceless information in the Bosque Site Guide will help you learn to be in the right spot at the right time. I followed my own advice to a tee yesterday morning and had a small group of friends and early-arriving IPT folks in the right locations all morning. Why waste time driving around trying to figure out where to be on this wind or in these lighting conditions? As I have written before, heading to Bosque without the Bosque Site Guide on your laptop is downright foolish. Why? You simply do not know as much about Bosque as I do. 🙂

Learn about all of our Site and Set-up eGuides here.

This image was created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 270mm), and the Canon EOS 5D Mark III Digital Camera (Body Only) $200 instant savings + 2% Reward [expires 5 JAN] ISO 400. Evaluative metering +1 1/3 stops: 1/1600 sec. at f/5.6 in Av mode. Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

Zooming Wider

As the three geese in the image above were flying higher than the single bird in the first image I zoomed wider to create an image of the small group. All of the images above benefited greatly from my application of various filters in NIK Color Efex Pro. Those include Tonal Contrast and White Neutralizer on all three images and a small dose of Detail Extractor on the image of the single goose. All at varying degrees of opacity and refined by a regular Layer Mask.

Your Favorite

Take a moment to let us know which of the three Snow Geese images above is your favorite, and be sure to let us know why.

Coming Soon

Stay tuned for a 5D Mark III blog post on the in-camera multiple exposure and HDR features.



Image Optimization Animated GIF

To create the optimized TIF file from the original image I did some edge clean-up with Content Aware Fill. In NIK Color Efex Pro I ran Tonal and White Neutralizer both at reduced opacity. All that I can say is “Wow!” Here’s a pro tip: with images with bright WHITEs move the Highlight slider in Tonal Contrast all the way to the left.

NIK 15% Discount

As regular readers here know, NIK Color Efex Pro has drastically changed my digital workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.

Digital Basics

The most recent update Digital Basics (the updates are free) includes the basics of using NIK Color Efex Pro, Layer Masking for Dummies, the basics of Quick Masking, all of my keyboard shortcuts including customized ones, BreezeBrowser info and preferences, dozens of great Photoshop tips, and my complete digital workflow. Learn more or order here.

5D Mark III User’s Guide

Learn to use your 5D Mark III in the 5D Mark III User’s Guide.

Bosque on Facebook

Visit Bosque on Facebook here and bookmark the page. It’s a great way to keep up on current events and refuge conditions.

NYC Seminar & Door Prize Info

Do consider joining Denise Ippolito and me in Staten Island in December for a great weekend filled with learning, fun, and great door prizes.

NYC Seminar Door Prize Info

Wow! We have put together a killer collection of door prizes for the NYC Seminar. If you live in the northeast and are not yet registered click here to join us and have a chance at winning some of the great and valuable loot below.

From ThinkTank: an Airport AirStream™ Rolling Camera Bag; meets all International carry- on regulations. A $324.75 value.
From LensCoat: a Standard LensCoat® RainCoat. A $79.99 value.
Manfrotto/Gitzo will be contributing one or more items.
From Delkin: a 32 gb 700X Compact Flash Card plus give-aways. The card is a $134.99 value.
NIK has sent a gift certificate for one copy of NIK Color Efex Pro, the Photoshop filter plug-in that has changed my digital workflow. Enter the code BAA at checkout to save 15%.
Topaz is sending a gift certificate for their black and white effects filter program.
Micheal Tapes at RAW Workflow has chipped in with a Lens Align Mark II. A $79.95 value.
You might also win a copy of The Art of Bird Photography II by Arthur Morris or a copy of A Guide to Pleasing Blurs by Arthur Morris and Denise Ipplito.

Thanks a stack to all of our generous sponsors.

Join denise (images above) and artie (below) in Staten Island to learn get inspired, give your creativity a big boost, and improve both your in-the-field techniques and your image optimization skills.

Harlequin Duck, drake, Barnegat Jetty, NJ. Canon 800mm f/5.6L IS with the 1.4X II TC and the EOS-1D Mark IV. ISO 800: 1/250 sec. at f/8. Image copyright 2012 Arthur Morris/BIRDS AS ART.

This is one of the target species on the Barnegat Jetty IPT> Just one sign-up so far so consider joining denise and me for practically private instruction.

BIRDS AS ART/A Creative Adventure Barnegat Jetty IPT, Barnegat Light, NJ: 2 1/2 DAYS. DEC 20 (1:30pm), 21, and 22, 2012: $999. Limit 6/Openings 4. Includes 5 photo-sessions, both lunches, introductory slide program (DEC 20), Photoshop session (DEC 21), and image sharing at lunch DEC 22.

Join Arthur Morris and Denise Ippolito for a 2 1/2 Day Instructional Photo-Tour at the infamous Barnegat Jetty in Barnegat Light, New Jersey. Artie and Denise will teach you how to get close to the ducks and shorebirds that frequent this famed winter birding and photography hotspot, how to get the right exposure every time, and how to see, understand, and tackle a variety of photographic situations. Each will conduct a killer Photoshop session. We should have some excellent chances with Harlequin Duck and Purple Sandpiper, the two headliner species. With any luck we should get to photograph most of these species: Long-tailed Duck (formerly Oldsquaw), Common Loon, Red-throated Loon, Red-breasted Merganser, Surf Scoter, Black Scoter, Common Eider, Brant, Dunlin, Ruddy Turnstone, Black-bellied Plover, and Sanderling . Great Black-backed, Herring, and Ring-billed Gulls are also likely. Sunning Harbor Seals are possible. With the right winds we may have some good flight photography also.

Having at least a 500mm f/4 lens with a 1.4X teleconverter is recommended. Participants should be in good physical condition with a good sense of balance. Payment in full is due now.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 30th, 2012

Nature's Best Honored Photographers on the CES Southern Ocean Expedition

“Hair Wash,” male African Lion: Highly Honored in African Wildlife. Canon EOS 1D Mark IV, Canon EF 600mm f4 L USM IS +1.4x TC, 1/125 sec, f.5.6, ISO 4,000, bean bag. Image copyright and courtesy of Paul Mckenzie. ISO 4,000 is not a typo.

Nature’s Best Honored Photographers on the CES Southern Oceans Expedition

Amazingly, with about 70 folks on the Cheesemans’ Southern Ocean Expedition, there were four photographers (including yours truly) with a total of five images honored in the 2012 Nature’s Best Windland Smith Rice International Awards Contest. The winning and honored images were selected from nearly 20,000 images submitted by photographers in 46 countries.

Enjoy the images and feel free to leave a comment.

Black-Footed Albatrosses interacting, Highly Honored in Endangered Species category. Canon EOS-1D Mark IV, Canon EF 300mm f2.8 L IS USM + 1.4x TC, ISO 2,000. 1/640sec, f9, Canon 550 EX speedlight fill flash at -2ev, hand held, lying on the ground. Image copyright and courtesy of Paul Mckenzie.

Good friend and mutliple IPT particpant Paul Mckenzie led the way with the two honored images above. You can see more of his amazing work here.

Coastal Brown Bear family: Highly Honored in Wildlife. Canon EOS 5D, Canon EF 600mm f4 L USM IS +1.4x TC, 1/500 sec, f.8 in Program mode. Image copyright and courtesy of Hank Perry.

It was nice meeting new friends Hank and Karen Perry on the South Georgia/Falklands trip; they were always smiling. You can see more of Hank’s fine work here.

Coastal Brown Bear relaxing: Highly Honored in Animal Antics. Canon EOS-1D MkIV, EF 800mm f5.6, Gitzo L3541xls, Mongoose 3.6 head: 1/500 sec at f5.6, ISO 1250. Kukak Bay, Katmai National Park, Alaska. Image courtesy of and copyright 2012: Clemens van der Werf.

Regular readers are familiar with Clemens’ wonderful imagery. Photographing nature only for about two years, Clemens has attended most IPTs during that time. You can see more of his excellent work here.

Red-crowned Cranes courtship squabbling. Highly Honored in Endangered Species. Canon 800mm f/5.6L IS with the EOS-1D Mark IV. ISO 400: 1/1600 sec. at f/5.6. Tsurui Itoh Sanctuary, Hokkaido, Japan.

Image copyright 2012 Arthur Morris/BIRDS AS ART.

If you are interested in photographing Japan in winter in February 2012, please shoot me an e-mail.

Harlequin Duck, drake, Barnegat Jetty, NJ. Canon 800mm f/5.6L IS with the 1.4X II TC and the EOS-1D Mark IV. ISO 800: 1/250 sec. at f/8. Image copyright 2012 Arthur Morris/BIRDS AS ART.

This is one of the target species on the Barnegat Jetty IPT. Just two sign-upz so far so consider joining denise and me for practically private instruction.

BIRDS AS ART/A Creative Adventure Barnegat Jetty IPT, Barnegat Light, NJ: 2 1/2 DAYS. DEC 20 (1:30pm), 21, and 22, 2012: $999. Limit 6/Openings 5. Includes 5 photo-sessions, both lunches, introductory slide program (DEC 20), Photoshop session (DEC 21), and image sharing at lunch DEC 22.

Join Arthur Morris and Denise Ippolito for a 2 1/2 Day Instructional Photo-Tour at the infamous Barnegat Jetty in Barnegat Light, New Jersey. Artie and Denise will teach you how to get close to the ducks and shorebirds that frequent this famed winter birding and photography hotspot, how to get the right exposure every time, and how to see, understand, and tackle a variety of photographic situations. Each will conduct a killer Photoshop session. We should have some excellent chances with Harlequin Duck and Purple Sandpiper, the two headliner species. With any luck we should get to photograph most of these species: Long-tailed Duck (formerly Oldsquaw), Common Loon, Red-throated Loon, Red-breasted Merganser, Surf Scoter, Black Scoter, Common Eider, Brant, Dunlin, Ruddy Turnstone, Black-bellied Plover, and Sanderling . Great Black-backed, Herring, and Ring-billed Gulls are also likely. Sunning Harbor Seals are possible. With the right winds we may have some good flight photography also.

Having at least a 500mm f/4 lens with a 1.4X teleconverter is recommended. Participants should be in good physical condition with a good sense of balance. Payment in full is due now.

NYC Seminar & Door Prize Info

Do consider joining Denise Ippolito and me in Staten Island in December for a great weekend filled with learning, fun, and great door prizes.

NYC Seminar Door Prize Info

Wow! We have put together a killer collection of door prizes for the NYC Seminar. If you live in the northeast and are not yet registered click here to join us and have a chance at winning some of the great and valuable loot below.

From ThinkTank: an Airport AirStream™ Rolling Camera Bag; meets all International carry- on regulations. A $324.75 value.
From LensCoat: a Standard LensCoat® RainCoat. A $79.99 value.
Manfrotto/Gitzo will be contributing one or more items.
From Delkin: a 32 gb 700X Compact Flash Card plus give-aways. The card is a $134.99 value.
NIK has sent a gift certificate for one copy of NIK Color Efex Pro, the Photoshop filter plug-in that has changed my digital workflow. Enter the code BAA at checkout to save 15%.
Topaz is sending a gift certificate for their black and white effects filter program.
Micheal Tapes at RAW Workflow has chipped in with a Lens Align Mark II. A $79.95 value.
You might also win a copy of The Art of Bird Photography II by Arthur Morris or a copy of A Guide to Pleasing Blurs by Arthur Morris and Denise Ipplito.

Thanks a stack to all of our generous sponsors.

Join denise (images above) and artie (below) in Staten Island to learn get inspired, give your creativity a big boost, and improve both your in-the-field techniques and your image optimization skills.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

November 28th, 2012

Lucky Thirteen: Finally Blasting at 1/13 Sec.

This blast-off blur was created at Bosque del Apache NWR in San Antonio, NM with the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 215mm), and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $145.83 Value! [expires soon]! ISO 50. Evaluative metering at zero: 1/13 sec. at f/22 in Manual mode. Central sensor Surround/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

I achieved the slow shutter speed by having the Hoya 77mm Warming Circular Polarizer Glass Filter set to dark and screwed onto the front of my 70-200 II. See below for details on “set to dark.”

Here I moved the lens down a bit while panning with the flock to create the unusual blurred effect.

Finally Blasting…

Though Bosque has been great, the huge mid-morning blast-offs had been missing. Until the last morning of the IPT. There was a big group of birds in the cornfield just past the Farm Deck. Then we saw a huge blast-off way to the north and were thrilled when all of those birds joined the birds in the cornfield to form a swirling seething mass of avian life. Within minutes they blasted off, flew around in circles right in front of us for a few minutes, and then landed in the next field to the west.

A minute apart with the same gear: the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 330mm), and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $145.83 Value! [expires soon]! ISO 50. Evaluative metering at zero: 1/13 sec. at f/22 in Manual mode. Central sensor Surround/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

I achieved the slow shutter speed by having the Hoya 77mm Warming Circular Polarizer Glass Filter set to dark and screwed onto the front of my 70-200 II. See below for details on “set to dark.”

In the image above, I was panning with the birds flying left to right which blurred the foreground cranes that were facing to the northeast. Denise Ippolito was jumping up and down doing vertical snow angels while most of the IPT group was left with their jaws dropping. It was a huge series of blasts.

Same same gear: the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 310mm), and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $145.83 Value! [expires soon]! ISO 50. Evaluative metering -2/3 stops as framed: 1/13 sec. at f/22 in Manual mode. Central sensor Surround/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

I achieved the slow shutter speed by having the Hoya 77mm Warming Circular Polarizer Glass Filter set to dark and screwed onto the front of my 70-200 II. See below for details on “set to dark.”

With correct exposure for the WHITEs set manually I did not need to worry about changing the compensation when the birds flew in front of the dark distant mountain.

The 77mm Circular Warming Polarizer

Once you have screwed on the circular polarizer, put the camera in Av mode and point it 90 degrees to the sun. Then rotate the polarizer slowly and watch the shutter speeds. When the shutter speed is at its lowest, the polarizer will be at its maximum darkening effect. Leave it set to the darkest setting. You will be able to set a shutter speed 2 to 3 stops slower than if you were using the lens alone. In addition, this filter warms the images up nicely. As long as you are working on sun angle it turns harsh light into sweet light. Even at 9:45am.

Hoya 77mm Warm Circular Polarizer Glass Filter

Same old same old; the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, the Canon 2x EF Extender III (Teleconverter) (hand held at 245mm), and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $145.83 Value! [expires soon]! ISO 50. Evaluative metering -2/3 stops as framed: 1/13 sec. at f/22 in Manual mode. Central sensor Surround/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

I achieved the slow shutter speed by having the Hoya 77mm Warming Circular Polarizer Glass Filter set to dark and screwed onto the front of my 70-200 II. See below for details on “set to dark.”

With correct exposure for the WHITEs set manually I did not need to worry about changing the compensation when the birds flew in front of the dark distant mountain.

NIK Color Efex Pro

On the first and last images above I ran a new Color Efex Pro recipe: 33% Tonal Contrast, 50% White Neutralizer, and 50% Detail Extractor. White Neutralizer really brought the BLUEs to life.

NIK 15% Discount

As regular readers here know, NIK Color Efex Pro has drastically changed my digital workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.



Learn to use your 5D Mark III in the 5D Mark III User’s Guide.

The Bosque Site Guide

Great year or poor year, the priceless information in the Bosque Site Guide will help you learn to be in the right spot at the right time. I followed my own advice to a tee yesterday morning and had a small group of friends and early-arriving IPT folks in the right locations all morning. Why waste time driving around trying to figure out where to be on this wind or in these lighting conditions? As I have written before, heading to Bosque without the Bosque Site Guide on your laptop is downright foolish. Why? You simply do not know as much about Bosque as I do. 🙂

Learn about all of our Site and Set-up eGuides here.

Your Favorite

Take a moment to let us know which of the four images above is your favorite, and be sure to let us know why.

NYC Seminar & Door Prize Info

Do consider joining Denise Ippolito and me in Staten Island in December for a great weekend filled with learning, fun, and great door prizes.

NYC Seminar Door Prize Info

Wow! We have put together a killer collection of door prizes for the NYC Seminar. If you live in the northeast and are not yet registered click here to join us and have a chance at winning some of the great and valuable loot below.

From ThinkTank: an Airport AirStream™ Rolling Camera Bag; meets all International carry- on regulations. A $324.75 value.
From LensCoat: a Standard LensCoat® RainCoat. A $79.99 value.
Manfrotto/Gitzo will be contributing one or more items.
From Delkin: a 32 gb 700X Compact Flash Card plus give-aways. The card is a $134.99 value.
NIK has sent a gift certificate for one copy of NIK Color Efex Pro, the Photoshop filter plug-in that has changed my digital workflow. Enter the code BAA at checkout to save 15%.
Topaz is sending a gift certificate for their black and white effects filter program.
Micheal Tapes at RAW Workflow has chipped in with a Lens Align Mark II. A $79.95 value.
You might also win a copy of The Art of Bird Photography II by Arthur Morris or a copy of A Guide to Pleasing Blurs by Arthur Morris and Denise Ipplito.

Thanks a stack to all of our generous sponsors.

Join denise (images above) and artie (below) in Staten Island to learn get inspired, give your creativity a big boost, and improve both your in-the-field techniques and your image optimization skills.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 26th, 2012

Only Two...

This Sandhill Crane silhouette image was created at Bosque del Apache NWR, San Antonio, NM with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 3200. Evaluative metering +1/3 stop: 1/1600 sec. at f/8 in Av mode.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Bosque Sunset Spots

The bird in the image above was flying towards me. If you think it is flying away it is an optical illusion. In hopes of having folks realize that the bird was actually flying towards me, I created a Quick Mask of the bill (which was lined up with the silhouetted head and thus unseen) and rotated it to the side using a Quick Mask and the Transform Tool. This made the bill visible.

This Sandhill Crane silhouette image was also created at Bosque del Apache NWR, San Antonio, NM with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D X digital SLR . ISO 1600. Evaluative metering +1 stop: 1/200 sec. at f/8 in Av Mode.

Central sensor (by necessity)/AI Servo Expand/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

If you are at all familiar with Bosque, you will know exactly where I created the two sunset images above. But….

This dramatic Snow Goose sunset image was create with the Canon EF 70-200mm f/2.8L IS II USM Telephoto zoom lens hand held at 85mm with the unfortunately discontinued ESO-1D Mark IV. ISO 800. Evaluative metering +1/3 stop: 1/1250 sec. at f/4 in Av mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

The 70-200 II is one of my most used lenses at Bosque.

Like many folks, you are probably scratching your head trying to figure out exactly where I create this image. I can tell you that my group has been at this location alone for three of our first five sunsets….

This image was created at the same spot with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 800 (via ISO safety shift). Evaluative metering +1 stop: 1/8 sec. at f/5.6 in Tv mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

I used the technique for low-light shooting that is described in detail in the hugely popular eBook, “A Guide to Pleasing Blurs” by Denise Ippolito and yours truly.

I can also tell you that most folks in the general vicinity were–for a variety of reasons–in the wrong location. And none had any idea where to point there lenses.

Same spot. Same lens. Different camera body. Created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens (hand held at 130mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Items – $160.75 Value! [expires 11/24]!. ISO 400. Evaluative metering at zero: 1/5000 sec. at f/2.8 in Manual mode. Central sensor/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

Learn to use your 5D Mark III in the 5D Mark III User’s Guide.

This image was created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto zoom lens with the Canon 1.4x EF Extender III (teleconverter) (hand held at 155mm) with the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $150.33 Value! [expires soon]! ISO 400. Evaluative metering +1 stop: 1/15 sec. at f/4.5 in Tv mode. Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

You guessed it. Same location. Folks often ask why I have a tele-converter in place and wind up using a focal length covered by the lens alone. Why? Because in a given situation I often feel that I made need the extra reach.

This Snow Goose blast off image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400 (via ISO safety shift). Evaluative metering +1 2/3 stops: 1/20 sec. at f/5.6 in Tv mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Again, I used the technique for low-light shooting that are described in detail in the hugely popular eBook, “A Guide to Pleasing Blurs” by Denise Ippolito and yours truly.

By being in the exact right location at sunset you can photograph two different blast-offs and the birds over the mountains in color without moving much if at all.

This Sandhill Crane through the cottonwoods image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 50. Evaluative metering +1 2/3 stops: 1/20 sec. at f/9 in Manual mode. Left of Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

I know that it will be hard to believe, but this is the same exact spot.

These Snow Geese heading to roost were photographed with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +2/3 stop: 1/1000 sec. at f/5.6 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Find the triangle mountain and you will have located my favorite Bosque sunset location.

This one was also created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens (hand held at 130mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Items – $160.75 Value! [expires 11/24]!. ISO 500. Evaluative metering +1 2/3 stops: 1/60 sec. at f/2.8 in Tv mode. Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

Even on clear evenings you will have some nice color on the western horizon. The key is knowing where to be….



Only Two…

There are only two consistently excellent sunset locations at Bosque del Apache NWR. Learn them both, learn the wind and sky conditions that determine in advance which is likely to be more productive, and learn everything that I know about photographing the geese and cranes at this great location in the Bosque Site Guide.

The Bosque Site Guide

Great year or poor year, the priceless information in the Bosque Site Guide will help you learn to be in the right spot at the right time. I followed my own advice to a tee yesterday morning and had a small group of friends and early-arriving IPT folks in the right locations all morning. Why waste time driving around trying to figure out where to be on this wind or in these lighting conditions? As I have written before, heading to Bosque without the Bosque Site Guide on your laptop is downright foolish. Why? You simply do not know as much about Bosque as I do. 🙂

Learn about all of our Site and Set-up eGuides here.

Your Favorite

Take a moment to let us know which of the ten images above is your favorite, and be sure to let us know why.

NYC Seminar & Door Prize Info

Do consider joining Denise Ippolito and me in Staten Island in December for a great weekend filled with learning, fun, and great door prizes.

NYC Seminar Door Prize Info

Wow! We have put together a killer collection of door prizes for the NYC Seminar. If you live in the northeast and are not yet registered click here to join us and have a chance at winning some of the great and valuable loot below.

From ThinkTank: an Airport AirStream™ Rolling Camera Bag; meets all International carry- on regulations. A $324.75 value.
From LensCoat: a Standard LensCoat® RainCoat. A $79.99 value.
Manfrotto/Gitzo will be contributing one or more items.
From Delkin: a 32 gb 700X Compact Flash Card plus give-aways. The card is a $134.99 value.
NIK has sent a gift certificate for one copy of NIK Color Efex Pro, the Photoshop filter plug-in that has changed my digital workflow. Enter the code BAA at checkout to save 15%.
Topaz is sending a gift certificate for their black and white effects filter program.
Micheal Tapes at RAW Workflow has chipped in with a Lens Align Mark II. A $79.95 value.
You might also win a copy of The Art of Bird Photography II by Arthur Morris or a copy of A Guide to Pleasing Blurs by Arthur Morris and Denise Ipplito.

Thanks a stack to all of our generous sponsors.

Join denise (images above) and artie (below) in Staten Island to learn get inspired, give your creativity a big boost, and improve both your in-the-field techniques and your image optimization skills.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 24th, 2012

So You Want to Visit the Southern Ocean? Be Careful What You Wish for: Zodiac Misadventure Video

The ship Usuaia on a relatively benign evening awaits the return of the last zodiac. This image was created with the Canon 24-105mm f/4L IS EF USM AF Lens (hand held at 105mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $150.33 Value! [expires soon]! Evaluative metering +1 1/3 stops: 1/100 sec. at f/5.6 in Manual mode. Lower central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Zodiac Misadventure Video

As I have mentioned, a cruise to the Falklands, South Georgia, and or/Antarctica can be physically demanding, grueling at times, and dangerous at other times. Marc Lombardi,a fine and creative photographer whom I met on the recent Cheesemans’expedition, sent me a great video. As I watched it the first time, my heart was stuck in my throat. Was this guy gonna make it onto the ship or not?

You’ll want to watch it twice so click here and then when you watch it a second time, check out my commentary below.

OK. Now the details. As I watched the video a second time (it is only 1 minute, 39 seconds long) I realized that I was the guy having all the problems. Yikes!

When you are getting on or off the video, the guidelines are:

1-Never do anything until the zodiac driver tells you to go.
2-If you do not feel safe when told to go, it is OK to abort.

There are small lengths of heavy duty ropes used as handholds around the gunnels of the zodiacs. As the zodiac approaches the gangway, the seaman on the bottom platform tosses a length of rope to either the zodiac driver, or, in rougher conditions, to the seaman in the front of the zodiac. He is always dressed in a survival suit… Then either the zodiac driver or the second seaman keeps tension on the rope to hold the zodiac in place. On rough days with lots of swell, the rope can be released and then re-tightened by the person holding it to keep the zodiac safely in position.

We had landed at the spectacular St. Andrews Bay early that morning and had planned on being ashore till 7pm. Though it did not seem to have gotten any windier, we were told, at about 4pm, that the swells were getting dangerously larger and that the captain had called off the landing; everyone needed to get back to the ship now.

OK, now that the scene is set, you can watch the video again by clicking here.

At about the six second mark, expedition leader Ted Cheeseman, our Zodiac driver that day, said “Go.” I felt the zodiac began to drop and not feeling safe, decided to wait for a more opportune moment. At the 7 second mark of the video you can hear a loud pop as the handhold rope broke. That was followed by Ted’s “Yooooh.” He pushed us away from the gangway, re-started the outboard, and came around for a second approach. At the 1:08 mark Ted said “Go” again but as the zodiac dropped about 5 feet at that moment I chose to stay aboard. At the 1:24 mark I mercifully made it onto the gangway followed soon thereafter by Denise Ippolito. Whew!

As I wrote in BAA Bulletin #422, “Kudos to expedition leader Ted Cheeseman for putting together the great itinerary and pulling it off. He made several major changes due to sea conditions and all were spot on. The Cheesemans’ staff’s greatest skill is in getting folks safely in and out of the zodiacs and onto shore even in condition where most other tour companies would call it a day. In addition all were knowledgeable and helpful, and trust me, at 66 I appreciated their help.”

Thanks a stack to Marc for sharing this great video. You can see some of his great photography here. Click here to see his trip gallery. Be sure to find his Silver Grebe photos! For more trip images, these created by his life partner Elise Spata, click here.

Click Heres

Click here for NYC Seminar information.

Click here if you missed the caption contest.

Click here to see BAA Bulletin #423. It includes info on the first MP4 Photoshop Tutorial Video and NYC Seminar info.

If you missed the South Georgia/Falkland Islands Southern Oceans Trip Report, see BAA Bulletin #422.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 22nd, 2012

Happy Bird Day

This image was created this morning with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 320 (via ISO safety shift). Evaluative metering +1 stop: 1/25 sec. at f/5.6 in Tv mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

It was great to have the IPT group in the right place at the right time and then have the birds do exactly what they were supposed to do exactly when they were supposed to do it. I had just finished saying, “We need a huge fly-in right over the ridge now” when we heard the roar of the distant flock…. I used the techniques for pre-dawn shooting that are described in detail in the hugely popular eBook, “A Guide to Pleasing Blurs” by Denise Ippolito and yours truly. I love the nearly upside down goose right by the rule of thirds position in the upper left portion of the frame.

Happy Bird Day

Denise Ippolito and I and Jen and Jim would like to wish everyone a wonderful Thanksgiving 2012. My position is that if you are breathing and you own some nice camera gear that you have lots to be thankful for every day. Best advice: breath deeply and enjoy every moment.

The Bosque Site Guide

Great year or poor year, the priceless information in the Bosque Site Guide will help you learn to be in the right spot at the right time. I followed my own advice to a tee yesterday morning and had a small group of friends and early-arriving IPT folks in the right locations all morning. Why waste time driving around trying to figure out where to be on this wind or in these lighting conditions? As I have written before, heading to Bosque without the Bosque Site Guide on your laptop is downright foolish. Why? You simply do not know as much about Bosque as I do. 🙂

Learn about all of our Site and Set-up eGuides here.

The Bosque Site Guide Current Conditions Update

If you are at Bosque right now or are heading to the refuge in the next week or two and you own a copy of the Bosque Site Guide, you are invited to e-mail and request a copy of the Bosque Site Guide Current Conditions Update. You will receive a short e-mail describing other current strategies and letting you know exactly where to be in the pre-dawn. Please be sure to read the Important Notes below. 🙂

Important Notes

As I only have three short sessions under my belt this year so far, the Current Updates e-mail will not be sent until midday on Saturday November 24, 2012. This will give me time to figure out what is going on after 8am and in the afternoons. If you would like to receive this update, please cut and paste the words “Bosque Site Guide Current Conditions Update” into the subject line and be sure to include proof of purchase. The simplest thing to do is to include a screen capture of the first page of the guide. No updates will be sent unless you include some sort of proof of purchase. Please do not call or e-mail Jim as he knows nothing about this :).

Bosque on Facebook

Visit Bosque on Facebook here and bookmark the page. It’s a great way to keep up on current events and refuge conditions.

Click Heres

Click here for NYC Seminar information.

Click here if you missed the caption contest.

Click here to see BAA Bulletin #423. It includes info on the first MP4 Photoshop Tutorial Video and NYC Seminar info.

If you missed the South Georgia/Falkland Islands Southern Oceans Trip Report, see BAA Bulletin #422.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 21st, 2012

Bosque Conditions and Kudos

This Snow Goose sunrise blur was created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto zoom lens with the Canon 1.4x EF Extender III (teleconverter) (hand held at 98mm) with the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +2/3 stop: 1/15 sec. at f/4 in Tv mode. Central sensor/AI Servo Surround/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Bosque Conditions and Kudos

Simply put, early morning conditions at Bosque del Apache NWR, San Antonio, NM are excellent this year. The main impoundment and both crane pools are brimming with water and have been disked–cleared of most vegetation. Nearly all the irrigation ditches have been cleared of tall vegetation providing unobstructed lines of sight to the birds. Kudos to Deputy Refuge Manager Aaron Mize, to the rest of the management team, and to the great crew of volunteers for getting one of the crown jewels of the national wildlife refuge system in the best shape it has been in more than a decade.

This sunrise image was created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto zoom lens (hand held at 168mm) and the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering +2/3 stop: 1/15 sec. at f/4 in Tv mode. Central sensor/AI Servo Surround/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Sharpness Tip

As detailed and illustrated on page 467 of The Art of Bird PhotographY II (in the section on advanced sharpness techniques) I rested the 70-200 on the tripod-mounted 800mm lens in order to create a sharp image. Below is a free excerpt on the subject adapted from ABP II:

Little Lens on Big Lens Technique

I am often in the field with a big tripod-mounted telephoto and an intermediate telephoto lens, the latter hanging from my shoulder via the Black Rapid RS-7 strap. When the light gets low or when I need some extra depth-of-field, I will often tilt the big lens towards the sky at about 40 degrees, lock the tripod controls, and rest the smaller lens on the base of the lens barrel of the larger lens. Then I reach around the camera that is mounted to the big lens and support the front end of the barrel of the shorter lens with my left hand as shown below. This will get you an extra stop or two of either shutter speed or aperture as needed, whether you are using an IS lens or a non-IS lens.

(Note: a picture is worth a thousand words–sometimes you just gotta buy the book!)

Click here for more on ABP II.

This image of the Ed KranePool was created with the Canon EF 70-200mm f/2.8L IS II USM Telephoto zoom lens with the Canon 1.4x EF Extender III (teleconverter) (hand held at 155mm) with the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $150.33 Value! [expires soon]! ISO 800. Evaluative metering +1 stop as framed: 1/3200 sec. at f/6.3 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Note the beautiful clean water devoid of vegetation: a photographer’s dream.

The Bosque Site Guide

Great year or poor year, the priceless information in the Bosque Site Guide will help you learn to be in the right spot at the right time. I followed my own advice to a tee yesterday morning and had a small group of friends and early-arriving IPT folks in the right locations all morning. Why waste time driving around trying to figure out where to be on this wind or in these lighting conditions? As I have written before, heading to Bosque without the Bosque Site Guide on your laptop is downright foolish. Why? You simply do not know as much about Bosque as I do. 🙂

Learn about all of our Site and Set-up eGuides here.

This Sandhill Crane flight image was created with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens and the Canon EOS-1D X digital SLR . ISO 1600. Evaluative metering +1 1/3 stop off the low blue sky confirmed by histogram check: 1/2000 sec. at f/5.6 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

The Bosque Site Guide Current Conditions Update

If you are at Bosque right now or are heading to the refuge in the next week or two and you own a copy of the Bosque Site Guide, you are invited to e-mail and request a copy of the Bosque Site Guide Current Conditions Update. You will receive a short e-mail describing other current strategies and letting you know exactly where to be in the pre-dawn.

Important Notes

As I only have one short visit under my belt this year so far, the Current Updates e-mail will not be sent until midday on Saturday November 24, 2012. This will give me time to figure out what is going on after 8am and in the afternoons. If you would like to receive this update, please cut and paste the words “Bosque Site Guide Current Conditions Update” into the subject line and be sure to include proof of purchase. The simplest thing to do is to include a screen capture of the first page of the guide. No updates will be sent unless you include some sort of proof of purchase. Please do not call or e-mail Jim as he knows nothing about this :).

Bosque on Facebook

Visit Bosque on Facebook here and bookmark the page. It’s a great way to keep up on current events and refuge conditions.

Click Heres

Click here for NYC Seminar information.

Click here if you missed the caption contest.

Click here to see BAA Bulletin #423. It includes info on the first MP4 Photoshop Tutorial Video and NYC Seminar info.

If you missed the South Georgia/Falkland Islands Southern Oceans Trip Report, see BAA Bulletin #422.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 19th, 2012

Caption Contest

This image of Northern Giant Petrel chasing a Black-browed Albatross was created in the Scotia Sea from the ship on the way back to the Falklands with the hand held Canon EF 300mm f/2.8L IS II USM Telephoto Lens, the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Item – $150.33 Value! [expires soon]!. ISO 400. Evaluative metering +1/3 stop: 1/4000 sec. at f/4 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Flight Photography from the Ship

Once I “Wrecked” my 500 II and my 1D X at Fortuna Bay the 300 II/1.4X III TC/5D Mark III combo was my go-to rig for flight photography from the ship. I love the 5D III’s AF system and its beautiful large files so much that I chose the 5D III over the 1D IV without a second thought. Depending on the direction and quality of the light, the sea conditions, and most importantly, the wind, some mornings or afternoons were great for shooting seabirds from the ship while others were lousy. In this image I am pretty sure that the big ship chopped up some bait as several of the following birds alit briefly on the sea for a quick snack. Thus the chase seen above.

Caption Contest

Write a humorous caption for the image above and win a free copy of King Penguin Clean-up, our first MP4 Screen-capture Photoshop tutorial. I am the judge. The winner will be announced on the evening of Thanksgiving. For more info on the video click here and scroll down.

NIK Color Efex Pro

Note the huge differences in the underwing detail and contrast in the before and after animated GIF above. I painted in the Detail Extractor Layer using a Hide-All Mask and used the Quick Selection Tool for the Tonal Contrast.

NIK 15% Discount

As regular readers here know, NIK Color Efex Pro has drastically changed my digital workflow. You can save 15% on all NIK products by clicking here and entering BAA in the Promo Code box at check-out. Then hit Apply to see your savings. You can download a trial copy that will work for 15 days and allow you to create full sized images.

Click Heres

Click here to see BAA Bulletin #423. It includes info on the first MP4 Photoshop Tutorial Video, Bosque IPT late-registration discount info, and NYC Seminar info.

If you missed the South Georgia/Falkland Islands Southern Oceans Trip Report, see BAA Bulletin #422.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 18th, 2012

If You Snooze...

This wonderful scene-setting image was created at Cooper Bay, South Georgia by friend Alan Lillich with the Canon 24-105mm f/4L IS EF USM AF Lens (hand held at 105mm) and the unfortunately discontinued EOS-1D Mark IV. ISO 400. Evaluative metering +2 stops: 1/400 sec. at f/8 in Manual mode. Click on the image for a larger version.

Alan and his photographer-wife Pat are multiple IPT veterans; they will be with us again soon on both the Southwest Florida and Holland (both the tulips and birds segments) ITPs. Denise Ippolito can be seen dead center top in her new, grey Xtrahand vest. Her friend Lyndelle Fairlie of San Diego, CA is in blue. The folks in the center are getting their gear out of their drybags while the next zodiac is landing. All in white-out conditions. Here, Alan made good use of it to create an image that really set the scene. He used the Gentoo Penguin very nicely as a compositional anchor. Image copyright 2012 and courtesy of Alan Lillich.

The 24-105 is my go-to B-roll lens. A B-roll lens is usually a short zoom lens that can be used to create general interest non-wildlife images, to create scenics (including scene-setting images), and to create bird- & wildlife-scapes. In a pinch, it is not bad as a quasi macro lens. (See here for an example of the latter.) I use mine for a great variety of purposes and make sure that it is in my Xtrahand vest each and every time that I head into the field. On the rare occasions that I forget to pack the 24-105 the need for it invariably arises almost immediately.

If You Snooze…

If you snooze, you generally lose. We have seen that theme play out for me in various blog posts.

After nearly 3 days at sea on the way from the Falklands to South Georgia, and 8 days of strenuous landings and long hikes, I was tired. On my January 2011 trip to the Southern Oceans the hike up and down the bluff to the Macaroni Penguin colony at Cooper Bay had been a very difficult one. I do not like tussock grass…. Expedition leader Ted Cheeseman rightfully cautioned folks on the difficult conditions. It was assumed that the heavy snowfall would exacerbate the difficulty of the climbs up and down. The first leg of the hike was up a rock-strewn stream. I figured that with snow the rocks would be very slippery. My plan all along had been to skip the landing and do some Zodiac cruising. But as it turned out, there were no macaronis on the rocks along the shoreline so the zodiac cruising was a no-go.

The deciding factor for me was that after the hike up and down to the colony, you needed to hike back up a good distance and then back down the rocky stream, Having arisen at my usual 4am I did not technically snooze but I did decide to skip the landing and work on some images….

This wonderful, scene-setting image was created at Cooper Bay, South Georgia by friend, top student, and multiple-IPT veteran Clemens van der Werf with the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO Autofocus Lens (hand held at 138mm) and the unfortunately discontinued EOS-1D Mark IV. ISO 1000. Evaluative metering +2 stops: 1/800 sec. at f/8 in Manual mode.

Image copyright 2012 and courtesy of Clemens van der Werf Photography. Click on the image to enjoy a larger version.

Clemens made great use of the Sigma 50-500mm lens (for Canon mount) on this trip. He properly works at an aperture of f/8 or smaller at all times as the lens is not sharp wide open. But as you can see in this and especially in the next image, the lens is incredibly sharp at f/8.

Here is another killer from Cooper Bay, South Georgia created by Clemens van der Werf with the Sigma 50-500mm f/4.5-6.3 DG OS HSM APO Autofocus Lens (this time hand held at 500mm) and the unfortunately discontinued EOS-1D Mark IV. ISO 800. Evaluative metering +1 stop: 1/400 sec. at f/10 in Manual mode.

Image copyright 2012 and courtesy of Clemens van der Werf Photography. Click on the image to enjoy a larger version.

Notice that Clemens took advantage of the great versatility of the Sigma 50-500mm lens, working at 138mm to create the first image, a lovely bird-scape, and then at 500mm for the tight head and shoulders portrait. Additionally, he knew that when working close to minimum focusing distance for the tight image the image would benefit from a bit of additional depth-of-field.

As immediately below, this lens is also available with a Nikon mount as we have seen before and often with images by Robert O’Toole.

This Sheathbill flight image was created by friend and multiple-IPT veteran Paul Mckenzie with the old Canon 300mm f/2.8L IS lens (replaced by the Canon 300mm f/2.8: IS II lens) and the unfortunately discontinued EOS-1D Mark IV. ISO 160. Evaluative metering +2/3 stop: 1/200 sec. at f/6.3 in Manual mode. Click for a larger version.

Image copyright 2012 and courtesy of Paul Mckenzie.

In the image above, Paul exhibited his usual great creativity by choosing a slow shutter speed to accentuate the falling snow. He wisely set a low ISO to enable him to use a wide aperture and then panned perfectly to achieve a sharp eye and head at 1/200 sec., a relatively slow shutter speed for flight photography.

This Light-mantled Sooty Albatross flight image was also created by the talented Paul Mckenzie with the old Canon 300mm f/2.8L IS lens (replaced by the Canon 300mm f/2.8: IS II lens) and the unfortunately discontinued EOS-1D Mark IV. ISO 500. Evaluative metering +1 2/3 stops: 1/800 sec. at f/8 in Manual mode. Click for a larger version.

Image copyright 2012 and courtesy of Paul Mckenzie.

Above we see more of the same from Paul. Note the different look to the snowflakes as a result of the faster shutter speed. This species is not an easy one to photograph…. While I was on the boat and most of the gang was concentrating on the macaronis, Paul was looking for something different. And did so with great success.

This killer image of copulating Gentoo Penguins was created on the Cooper Bay landing by the talented Michael Viljoen of South Africa. Michael attended a Bear Boat IPT a few years back. Nikon 200-400 hand held at 400mm. ISO 500. Evaluative metering at 0: 1/640 sec. at f/8. Rear focus.

Image copyright 2012 and courtesy of Michael Viljoen.

Amazing behavior in a somewhat strange setting (at least for humans), a perfect exposure, two perfect head angles, and kissing penguins make for a great image. It would be easy to move the birds back in the frame a bit using techniques from APTATS II; it would take about five seconds. As presented, there is a bit too much room behind the lovebirds and not quite enough in front of them.

This image was created at Cooper Bay, South Georgia, by Denise Ippolito with the Canon 100-400mm IS L zoom lens (hand held at 400mm) and the unfortunately discontinued EOS-1D Mark IV. ISO 800. Evaluative metering +2 stops: 1/800 sec. at f/8 in Manual mode. Click for a larger version.

Image copyright 2012 and courtesy of Denise Ippolito.

Here, I like the inclusion of the tussock grasses in the upper corners to frame the subject, the wonderful head angle, and the disturbed snow that leads us to believe that this Macaroni Penguin was having a hard time getting around.

This image was created at Cooper Bay, South Georgia, by Denise Ippolito with the Canon 100-400mm IS L zoom lens (hand held at 400mm) and the unfortunately discontinued EOS-1D Mark IV. ISO 800. Evaluative metering +2 stops: 1/2500 sec. at f/5.6 in Manual mode. Click for a larger version.

Image copyright 2012 and courtesy of Denise Ippolito.

To create the “penguin in heaven” look for the image above, Denise chose her perspective carefully and then snuggled down awkwardly in the snow so that the snow-covered mound of tussock grasses would dominate the foreground. By doing so she created an ethereal mood for this image.

The 100-400 is much maligned. Denise loves here. And she consistently shows that <em>this lens is sharp at 400 and is sharp wide open. Those who disagree need to look in the mirror; can you say operator error?

When the Zodiacs Returned

When the zodiacs returned I was anxious to learn how the group had done. “It was wonderful. The Macaroni Penguins were at the top of the first climb. The foot-deep wet snow actually made the climb up easier. And the “climb” down was even easier.” Folks simply sat down, cradled their gear in their laps, and tobogganed down.

You snooze. You lose. You gotta love it.

Lessons Learned

#1: If there is a chance to photograph a difficult species, do not skip the landing.
#2: Bad weather often means great photography.
#3: And perhaps most important of all; do not assume that conditions will be the same from one year to the next. Heck, we should never assume that conditions will be the same from one day to the next.

It is often said that if we do not learn our lessons, God, or whomever is in charge, will keep putting us in the same situation till we get it right.

That said I was very tired and was concerned about getting hurt. Ted Cheesman says often, “If you are tired or concerned about the difficulty of a landing it is often best to stay on the ship.”

All in all I wish that I had gone :).

Which Is Your Favorite?

Take a moment to leave a comment and let us know which is your favorite image above and why. Feel free to choose more than one.

Click Heres

Click here to see BAA Bulletin #423. It includes info on the first MP4 Photoshop Tutorial Video, Bosque IPT late-registration discount info, and NYC Seminar info.

If you missed the South Georgia/Falkland Islands Southern Oceans Trip Report, see BAA Bulletin #422.

Photographer Links

Each of the photographer links above will take you to a web site that contains some incredible imagery. Enjoy.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 16th, 2012

Don't Be Late!

Don’t Be Late: B&H (Free) Event Space Events!

This 5-frame in-camera multiple exposure depicting large numbers of Oakum Boys (immature King Penguins) was created at St. Andrews Bay, South Georgia with the tripod-mounted Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens (at 190mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Items – $160.75 Value! [expires 11/24]!. ISO 400. Evaluative metering at zero: 1/5000 sec. at f/2.8 in Manual mode. Central sensor/AI Servo/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see the spectacular larger version.

I love both the in-camera HDR and Multiple Exposure features of the EOS-5D Mark III. Learn to use them both in the 5D Mark III User’s Guide.

Don’t Be Late: B&H (Free) Event Space Events!

B&H Event Space Events sell out quickly. Skip the promos below and register for the two great events below by clicking on the following links:

Learning to Create Pleasing Blurs

Lenses for Bird and Nature Photography/BIRDS AS ART Style

If one or both events is full, be sure to check back often. We hope to see you there.

Pleasing Blurs

On Wednesday, December 19, 2012 Denise Ippolito and I will present “Learning to Create Pleasing Blurs” from 1:00 to 3:00PM at the B&H Event Space in the NYC Superstore. They liked the program so much that they invited us back for a reprise. This event is being generously co-sponsored by Manfrotto and Canon USA.

Professional nature photographers Denise Ippolito and Arthur Morris co-authored the hugely popular eBook, “A Guide to Pleasing Blurs”. Their program will cover the great variety of techniques that can be used to create pleasingly blurred images, mostly in-camera in the field, and at times, during post-processing. Topics that will be discussed and illustrated include pan blurs, vertical pan blurs, zoom blurs, camera movement blurs including flame and jiggles, flash blurs, subject movement blurs including moving water blurs, long exposure blurs, the need for accurate focusing, managing your ISO settings, in-camera multiple exposures, subject to film plane orientation, the role of neutral density and polarizing filters when creating pleasing blurs, choice of shutter speeds, and how subject to sensor distance affects the degree of blurring.

With the advent of digital photography and the popularity of intentionally blurred images in prestigious nature photography competitions, more and more people are enjoying the challenges and rewards of creating pleasing blurs. Whether you photograph wildlife, flowers, people, street scenes, or landscapes, this is one program that you will not want to miss if you would like to unleash your creativity. Join Denise (www.deniseippolito.com) and Arthur (www.BIRDSASART-blog.com) for two hours of fun and learning.

This image of a young Wandering Albatross was created at Prion Island, South Georgia with the hand held Canon EF 300mm f/2.8L IS II USM Telephoto Lensand the Canon EOS-1D X Digital SLR Camera (Body Only). ISO 400. Evaluative metering +1/3 stop: 1/1000 sec. at f/2.8 in Manual mode. Central sensor/AI Servo Surround/Rear Focus AF and re-compose. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

As you are limited to a narrow boardwalk and a small platform I needed to un-mount my 1.4X III TC and get it into the pocket of my parka. I did. Learn how I smashed both my 1DX and my new 50mm f/4L IS II lens here.

Choosing & Using Lenses

On Wednesday, December 19, 2012 I will present “Lenses for Bird and Nature Photography/BIRDS AS ART Style from 4:00 to 6:00PM at the B&H Event Space in the NYC Superstore. This event is being generously sponsored by Canon USA.

In this practical and educational slide program we will learn which Canon lenses—from the 8-15mm fish eye up to the 800mm f/5.6 L IS, that Artie uses to create his amazing images, how, why, and when he uses each of them, and what he is thinking as he depresses the shutter button. Most folks will be surprised to learn that a long lens with a teleconverter is often not the best tool for the job. In addition Artie will comment on exposure and image design.

EOS-5D Mark III User’s Guide

With the wreck of my EOS-1D X (see “Wrecked. And Loving It” for complete details), I went to my 5D Mark III as my workhorse camera body. It performed flawlessly surviving some heavy drizzle, sand, grit, and extensive use. I used it almost exclusively for seabird flight photography from the ship. As I have said from the get-go, the 5D Mark III’s new AF system is superb.

You can learn everything about it including my custom case for flight photography, my favorite AF Area Selection Modes, how I use the great HDR and Multiple Exposure Features, and pretty much everything that I know about this great lightweight camera here. I will be updating the guide in January. All updates are free.

Learn more or purchase here.

To thank us for all the free info that we provide on the blog, in Bulletins, and via e-mail, or if your decision to purchase a 5D III was influenced by what you learned here, please use one of our B&H affiliate links immediately below to order and e-mail me a copy of your receipt. The upper logo-link is for the body alone (along with ($154.83 of free items), the lower link for a kit with the body and my B-roll lens, the 24-105mm zoom. (I never leave home without it.)



EOS-1D X Autofocus Guide

Learn the ins and out of this great pro bodies killer AF system including my personalized Case for flight photography here.

DPP Conversion Guide

Both of the images above and all of my Southern Oceans Expedition photographs were converted in DPP. Learn more about this new guide and why you might wish to switch to DPP here.

Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

Shop B&H

B&H Photo Video Pro Audio

photography Pro Audio Computers and Solutions Portable Entertainment Home Entertament photography

Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Realtree AP (All Purpose) Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

November 15th, 2012

A Rare Side-lit Image...

This optimized image of a group of adult King Penguins about to enter the ocean was created on an early morning (6:04am) landing at St. Andrews Bay with the hand held Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens (at 70mm) and the Canon EOS 5D Mark III Digital Camera (Body Only) w/FREE Bonus Items – $160.75 Value! [expires 11/24]!. ISO 400. Evaluative metering at zero: 1/800 sec. at f/11 in Av mode. Lowest Central sensor/AI Servo/Rear Focus AI Servo Suround AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Be sure to click on the image to see a larger version.

A Rare Side-lit Image…

“Point your shadow at the birds.” If I have said it once, I have said it 1,000 times. Or 10,000. In my 28+ years of bird photography I have created only a handful of side-lit images that I am happy with. Above is one more to add to that small collection. As you can see by the shadows on the beach, I was working about 80 degrees off of sun angle. For two reasons. First, I did not want to get in the ocean and get swept away by a big wave never to be seen again. (A good reason, no?). Second, with the sun just up, the light was not too, too harsh even though we were pretty close to the bottom of the world.

I was lucky in that I somewhat mis-judged the exposure. I went with the metered exposure because the bright WHITEs on the penguins breasts were near the middle of the frame and the snow on the mountains would also influence the meter towards under-exposure. But I had to do some fancy work during the DPP conversion to recover the blown highlights on the birds’ breasts. Minus 1/3 stop or even -2/3 stop would have been better and brought the WHITEs into Photoshop with RGB values at about 230 (as I prefer).

Cheesemans’ Ecology Safaris is the only tour company I know of that offers serious photographers (as well as just plain folks) the option of landing before breakfast at selected spectacular sites in the Southern Ocean. The photographers can take advantage of the best light. Those who prefer to sleep in join the landing later in the morning.

See the original capture below.

Do You?

Take a moment to let us know if you like or don’t like the side-lit image above. And either way, let us know why.

This is the original image. When comparing it to the optimized image that opened this blog post, note the really messy beach, the crop from our right, the expanded (actually stretched) canvas to our left, and the two birds that were removed. You will likely need to click on the image to see the larger version to find the second bird.

As usual I used the Patch Tool, the Spot Healing Brush, and a few Quick Masks and Layer Masks to execute the clean-up. All as described in detail in Digital Basics, an e-mailable PDF that is sent via e-mail and includes my complete digital workflow, dozens of great Photoshop tips and techniques, and info on the great keyboard shortcuts that I use. See below for our newest educational offering.

MP4 Photoshop Tutorial Videos

Today we offer the first of what will become many MP4 screen-capture Photoshop Tutorial videos, King Penguin Image Clean-up. Many folks have expressed a desire to see me at work in Photoshop doing all the great stuff described in detail in Digital Basics and to hear my voice as I explain each step along the way. The topics covered in this first video include the use of the Patch Tool, the Spot Healing Brush, Content Aware Fill, and the basics of both creating and using Quick Masks and Layer Masks.

This 16 minute, 50 second MP4 video will be sent to your e-mail address via YouSendIt. Save it to your computer and then simply click and play. We have long thought about creating Apps but they are quite costly and you need something special to play them on.

King Penguin Image Clean-up MP4 Photoshop Tutorial Video

The King Penguin Image Clean-up MP4 Photoshop Tutorial Video is available right now for the ridiculously low introductory price of $3.00. If we sell a zillion of them we just price all of them at $3.00. No guarantees though. To order yours through the BAA store, click here. Or call Jim weekdays between 9am and 5pm (3pm on Fridays) at 863-692-0906 with your credit card in hand. Or send us a Paypal for $3.00 to birdsasart@verizon.net with the words King Penguin Image Clean-up in the e-mail.

NYC Seminar Door Prizes!

Good news: the Hilton Garden Inn in Staten Island survived Hurricane Sandy with bells on; the seminar will be presented as scheduled.

Better yet, we have put together a killer collection of door prizes for the NYC Seminar. If you live in the northeast and are not yet registered click here to join us and have a chance at winning some of the great and valuable loot below.

From ThinkTank: an Airport AirStream™ Rolling Camera Bag; meets all International carry- on regulations. A $324.75 value.
From LensCoat: a Standard LensCoat® RainCoat. A $79.99 value.
Manfrotto/Gitzo will be contributing one or more items.
From Delkin: a 32 gb 700X Compact Flash Card plus give-aways. The card is a $134.99 value.
NIK has sent a gift certificate for one copy of NIK Color Efex Pro, the Photoshop filter plug-in that has changed my digital workflow. Enter the code BAA at checkout to save 15%.
Topaz is sending a gift certificate for their black and white effects filter program.
Micheal Tapes at RAW Workflow has chipped in with a Lens Align Mark II. A $79.95 value.
You might also win a copy of The Art of Bird Photography II by Arthur Morris or a copy of A Guide to Pleasing Blurs by Arthur Morris and Denise Ipplito.

Thanks a stack to all of our generous sponsors.

EOS-5D Mark III User’s Guide

With the wreck of my EOS-1D X (see “Wrecked. And Loving It” for complete details), I went to my 5D Mark III as my workhorse camera body. It performed flawlessly surviving some heavy drizzle, sand, grit, and extensive use. I used it almost exclusively for seabird flight photography from the ship. As I have said from the get-go, the 5D Mark III’s new AF system is superb.

You can learn everything about it your D Mark III including my custom Case for flight photography, my favorite AF Area Selection Modes, how I use the great HDR and Multiple Exposure Features, and pretty much everything that I know about this great lightweight camera iin the 5D Mark III User’s Guide. I will be updating it in January. All updates are free.

Learn more or purchase the 5D III UG here.

To thank us for all the free info that we provide on the blog, in Bulletins, and via e-mail, or if your decision to purchase a 5D III was influenced by what you learned here, please use one of our B&H affiliate links immediately below to order and e-mail me a copy of your receipt. The upper logo-link is for the body alone (along with ($154.83 of free items), the lower link for a kit with the body and my B-roll lens, the 24-105mm zoom. (I never leave home without it.)



Shopper’s Guide

Thanks a stack to all who have used our B&H affiliate links to purchase their gear as a thank you for all the free information that we bring you on the Blog and in the Bulletins. Before you purchase anything be sure to check out the advice in our Shopper’s Guide.

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Support the BAA Blog. Support the BAA Bulletins. We want and need to keep providing you with the latest free information, photography and Photoshop lessons, and all manner of related information. Show your appreciation by making your purchases immediately after clicking on any of the links above. Remember, B&H ain’t just photography!

And from the BAA On-line Store:

LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather….
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera’s hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.