Arthur Morris/BIRDS AS ART

What’s Up?

The recent dearth of pelicans has not stopped Bob and me from making some great images every day. On Friday morning, we met recently retired San Diego PD Detective Sergeant Juan Gonzales early at La Jolla. Juan is looking to get into and improve as a bird photographer. He showed up with Nikon gear: a brand new Nikon NIKKOR Z 180-600mm f/5.6-6.3 VR Lens (Nikon Z) and a Nikon Z8 Mirrorless Camera. I quickly got him squared away on sun angle, getting the right exposure, wind direction, and flight photography. Like many beginning bird photographers with their first long lens, proper framing consistency was a problem. But — do not be shocked, he made some very good images. I will be sharing a few of them with you here soon. He did quite well considering his total lack of experience with bird photography.

Late in the morning I finally found a sweet breeding pelican teed up for Juan. He got a few frames of the bird but had to head back to his car for a third battery. Right after he left, the bird had a fight with a honeybee. A-1-ii Tracking: Zone nailed the eye in every frame of a wonderful sequence. I will share the best one or two here soon.

Bob and I headed back to La Jolla on Friday afternoon and worked the Brandt’s Cormorants as hundreds of tourists passed by; many stopped to chat about the amazing birds as close as three feet away on the breeding ledge below the sidewalk. We ended a great day with an early dinner at the Promiscuous Fork. I tried something brand new: I used only the 300mm f/2.8 with the a-1 ii. It was an eye-opening experience and the results merit a YouTube instructional video.

I finally got around to ordering my second a-1 ii body yesterday, this one from B&H as I had several Gift Cards to use. I got my first one from Steve Elkins at Bedfords.

On Saturday morning Bob and I headed to Coronado Beach — conditions were perfect with a gentle east breeze and clear skies. We worked several small flocks of relatively tame Marbled Godwits in the sweet early morning light. Next was an assortment of gulls and smaller shorebird species. For me, the rest of the day was NFL football. Go Patrick! Go Chiefs!

Today is Sunday 19 January 2025. We will be headed out somewhere early. Wherever you are and whatever you are doing, we hope that you too choose to have a wondrously happy day.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Sony a-1

BAA friend and brilliant bird in flight photographer Arash Hazeghi is offering a Sony a-1 in excellent plus condition for $3850.00. The best news is that Arash is leaving his personal birds in flight settings on this a-1. The camera has had an LCD protector screen in place since Day One so the LCD is pristine. There is a bit of paint loss on the EV (Thumb) dial and on the flash hot shoe, the latter from normal flash use. Photos of the camera are available upon request. The camera has been used with electronic shutter virtually 100% of the time; the mechanical shutter count should be very low if any. The sale includes all the original accessories (still wrapped), the original box and paperwork, one extra Sony OEM FZ100 battery, a RRS camera body baseplate (made in USA), a Watson dual charger with USB output, and fully insured FedEx shipping with tracking — direct signature will be required upon delivery — US addresses only.

Please contact Arash via e-mail.

I have used Sony a-1 bodies as my workhorse camera bodies for three years. They produce stunning 51MP files with vivid natural colors. The AF system is science-fiction-like. They are rugged and dependable and 30 frames per second is nothing to sneeze at. If you are looking to get into bird photography with Sony, a used a-1 is the way to go! With a brand new a-1 ii going for $6498.00, you can save a bundle by grabbing Arash’s body today. Right now, B&H is offering a used a-1 in like-new condition for $4,397.00. Do the math. artie

This image was created on 15 January on the 2025 San Diego IPT. Standing at full height above the breeding shelf, I used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens (AT 200mm) and The Latest Greatest Sony Flagship Body, the a1 II Mirrorless Camera. ISO 2000. Exposure was poorly determined with ISO on the Thumb Wheel; 1/3200 sec. at f/2.8 (wide open) in Manual mode. RawDigger showed that the exposure was one full stop too dark (due to operator error). AWB at 8:11:29am in the shade on a sunny morning. Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly. Image #1: Brandt’s Cormorant inbound with seaweed for the nest Image copyright 2025 Arthur Morris/BIRDS AS ART

Incoming Flight

The standard flight lens for the Brandt’s Cormorants returning to their nests just below the sidewalk near the Bridge Club is a 70-200mm f/2.8. No teleconverter is necessary. Early mornings are best. Even with a super-fast mid-range telephoto lens, high ISOs are required. Even though you will be working in the shade early and late in the day, my great preference is for cloudy (rather than for clear) days. Folks with f/5.6 or f/6.3 lenses will need to use ridiculously high ISOs in order to obtain decent exposures with the required high shutter speeds.

Though I urged folks on the IPT to bring along a 70-200 2.8 lens even if they had to rent one, only Warren Robb had one along. Super-fast lenses are a huge plus when shooting the Brandt’s Cormorant nesting shelf in La Jolla.

This image was created on 16 January on the 2025 San Diego IPT. Leaning on the railing above the breeding shelf, I used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and the Latest Greatest Sony Flagship Body, the a1 II Mirrorless Camera. ISO 800. Exposure determined via Zebras with ISO on the Thumb Wheel; 1/250 sec. at f/4 (wide open) in Manual mode. RawDigger showed that the exposure was dead solid perfect: AWB at 8:29:06am in total shade on a sunny morning. Tracking: Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly. Image #2: Brandt’s Cormorant breeding plumage male head portrait Image copyright 2025 Arthur Morris/BIRDS AS ART

Easy-Peasy Head Shots

There are several spots along the railing where you can get very close to the cormorants, sometimes as close as two feet, much too close to focus. Anyhoo, there are lots of chances to create head portraits of the handsome males as well as the females and young birds from last year. Fast lenses are ideal but are not a vital as with the flight photography.

To get as low as possible and ensure a distant background without any distractions, I leaned over the railing and worked off a-1 ii’s the tilted rear screen. With my reading glasses on and the level activated.

Image #2A: unsharpened 100% crop of the Brandt’s Cormorant breeding plumage male head portrait Image copyright 2025 Arthur Morris/BIRDS AS ART

Amazing Detail

The combination of an a-1 or an a-1 ii, the 1.4X TC, and the 300mm f/2.8 GM lens provides incredibly rich and sharp detail in competent hands, even at the wide open aperture.

Enlarge the photo by clicking on it and you can see me in the center of the bird’s pupil along with the railing. Just to our left, you can see the head of a second cormorant peeking above the horizon.

This image was also created on 16 January on the 2025 San Diego IPT. Leaning on the railing above the breeding shelf, I used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The Latest Greatest Sony Flagship Body, the a1 II Mirrorless Camera. ISO 800. Exposure determined via Zebras with ISO on the Thumb Wheel; 1/500 sec. at f/2.8 (wide open) in Manual mode. RawDigger showed that the exposure was dead solid perfect: AWB at 9:18:40am in total shade on a sunny morning. Tracking Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly. Image #3: Brandt’s Cormorant breeding plumage male displaying Image copyright 2025 Arthur Morris/BIRDS AS ART

Hey Honey; Look at Me!

The male Brandt’s display all day and pretty much all season long. They are quite impressive as they tip their heads back, partially spread and vibrate their wings, and show off their turquoise blue gular pouches. Good photographs can be created with just about any focal length up to and including 1200mm.

This image was also created on 16 January on the 2025 San Diego IPT. Standing at full height above the breeding shelf, I used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens (AT 145mm) and The Latest Greatest Sony Flagship Body, the a1 II Mirrorless Camera. ISO 160. Exposure determined via Zebras with ISO on the Thumb Wheel; 1/30 sec. at f/4 (stopped down one stop for no particular reason) in Manual mode. RawDigger showed that the exposure was dead solid perfect: AWB at 7:34:04am in total shade on a sunny morning. Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly. Image #4: Brandt’s Cormorant landing at shelf Image copyright 2025 Arthur Morris/BIRDS AS ART

The Early Morning No Light District

In the early mornings, the hills and homes of La Jolla block almost all light until an hour or more after sunrise. Not to mention that the prime nesting shelf is in the shade for most of the day. Thus, very early and very late are the prime times for creating pleasing blurs. Folks who hate blurs get to sit on their hands for an hour or two. Everyone in the IPT was open to at least trying.

You can get varying degrees of blurring by experimenting with different blur speeds. With Image #4, I love the two blurred nests that frame the incoming bird.

This image was also created on 16 January on the 2025 San Diego IPT. Leaning on the railing above the breeding shelf, I used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens (AT 146mm) and The Latest Greatest Sony Flagship Body, the a1 II Mirrorless Camera. ISO 400. Exposure determined via Zebras with ISO on the Thumb Wheel; 1/250 sec. at f/2.8 (wide open) in Manual mode. RawDigger showed that the exposure was dead solid perfect: AWB at 7:34:04am in total shade on a sunny morning. Tracking Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly. Image #5: Brandt’s Cormorant female on seaweed nest Image copyright 2025 Arthur Morris/BIRDS AS ART

Should You Upgrade to or Purchase a Sony a-1 ii?

I will be purchasing my second a-1 ii today.

Aside from the improved ergonomics as compared to the a-1, other nice features include the fact that the rear screen tilts both ways. Pre-capture will surely prove to be a plus while in my option, the Speed Boost feature is a total waste for bird photography. In addition, the resolution on the rear monitor has been improved dramatically. Not to mention that Bird Face-Eye tracking on the a-1 ii is significantly better than on the a-1 and that the 51MP file are to die for. And don’t forget the Pre-Capture feature!

So, the big question is, is the a-1 ii “worth” a gear upgrade. Remembering that I can never know whether or not something is worth it to you, I can say that I was not floored when using my a-1 ii. The differences between the a-1 ii and the original a-1, are neither huge nor eye-opening. The huge difference between the new camera body and the a9 iii is, of course, the 51MP a-1 raw files (as compared to the 24MP files rendered by the a9 iii).

With the price of a new a-1 having recently dropped $1500.00 to $4,998.00, the decision for new Sony buyers is a very tough one. The a-1 ii sells new for $6,498.00. And the price of used a-1 bodies will continue to drop (but surely not as much as I had thought before using the a-1 ii).

If you do purchase an a-1 ii, be sure to use one of my two affiliate links so that you will receive my a-1 ii settings (in the form of a CAMSEa1ii.DAT file), the Buttons and Dials Guide, and an Info Sheet. Folks who do not purchase their new a-i using my B&H link or from Bedfords here and entering the BIRDSASART discount code at checkout will be able to purchase the a-1 ii guide for $227.43. If you are at all confused and do not want to screw up your order, please get in touch via e-mail.

What’s Up?

The San Diego IPT is turning into a love fest. Everyone is getting along great and everyone is learning a ton. On Monday, there were zero pelicans on the main cliff. We started off doing Western Gull pink/purple sky setting full moon-scapes. Then lots of California Sealions, Black Oystercatchers, and finally, some decent chances with the pelicans by the Bridge Club. We headed to Coronado for the afternoon and saw only two Heermann’s Gulls; in most years, there would be many dozens of that most handsome gulls at this location. We did well with Ring-billed and Western Gulls both on the beach and in flight, and ended with glorious sunset silhouettes of the gulls with colorful, streaked wet sand backgrounds. Then it was off to the AirBnB for dinner.

I was glad to learn that I sold my second Sony a-9 iii body and that Dane Johnson sold his Sony a-1 as well. He already has his a-1 ii. I will be selling at least one of my two remaining a-1 bodies. I will be purchasing a second a-1 ii today.

Speaking of today, it is Tuesday 14 January 2025. We will be headed out early in hopes of proper breeding plumage Pacfic race Brown Pelicans. Wherever you are and whatever you are doing, we hope that you too choose to have a wondrously happy day.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Should You Upgrade to or Purchase a Sony a-1 ii?

I will be purchasing my second a-1 ii today.

Aside from the improved ergonomics as compared to the a-1, other nice features include the fact that the rear screen tilts both ways. Pre-capture will surely prove to be a plus while in my option, the Speed Boost feature is a total waste for bird photography. In addition, the resolution on the rear monitor has been improved dramatically. Not to mention that Bird Face-Eye tracking on the a-1 ii is significantly better than on the a-1 and that the 51MP file are to die for. And don’t forget the Pre-Capture feature!

So, the big question is, is the a-1 ii “worth” a gear upgrade. Remembering that I can never know whether or not something is worth it to you, I can say that I was not floored when using my a-1 ii. The differences between the a-1 ii and the original a-1, are neither huge nor eye-opening. The huge difference between the new camera body and the a9 iii is, of course, the 51MP a-1 raw files (as compared to the 24MP files rendered by the a9 iii).

With the price of a new a-1 having recently dropped $1500.00 to $4,998.00, the decision for new Sony buyers is a very tough one. The a-1 ii sells new for $6,498.00. And the price of used a-1 bodies will continue to drop (but surely not as much as I had thought before using the a-1 ii).

If you do purchase an a-1 ii, be sure to use one of my two affiliate links so that you will receive my a-1 ii settings (in the form of a CAMSEa1ii.DAT file), the Buttons and Dials Guide, and an Info Sheet. Folks who do not purchase their new a-i using my B&H link or from Bedfords here and entering the BIRDSASART discount code at checkout will be able to purchase the a-1 ii guide for $227.43. If you are at all confused and do not want to screw up your order, please get in touch via e-mail.

Sony Alpha 1 (a-1) Mirrorless Camera Body (with Extras!)

Used Gear Page regular, IPT veteran, and BAA friend Dane Johnson is offering a rarely used Sony a-1 (ILCE-1) mirrorless camera body (Firmware v2.02) in like-new condition for a ridiculously low $3,798.00. The sale includes a like-new Really Right Stuff Modular L-plate set (a $215.00 value), a Sony 160GB CFexpress Type A TOUGH Memory Card (a $268.00 value), the original product boxes, the owner’s manual, the USA warranty card, the body cap, the camera strap, one battery and the charger, the cords, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Dane via e-mail or by phone at 559-593-0989 (Pacific time zone).

I have used Sony a-1 bodies as my workhorse cameras for three years. They produce stunning 51MP files with vivid natural colors. The AF system is science-fiction-like. They are rugged and dependable and 30 frames per second is nothing to sneeze at. If you are looking to get into bird photography with Sony, a used a-1 its the way to go! With a brand new a-1 ii going for $6498.00, you can save $2800.00 (plus the two great extras) by grabbing Dane’s pretty much as good as new copy ASAP Right now, B&H is offering a used a-1 in like-new condition for $4,397.00. That makes Dane’s body package an absolute steal. artie

This image was created on 11 January on the 2025 San Diego IPT. Standing at full height I used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and the The Latest Greatest Sony Flagship Body, the a1 II Mirrorless Camera. ISO 1000. Exposure determined via Zebras with ISO on the Thumb Wheel; 1/4000 sec. at f/4 (wide open) in Manual mode. RawDigger showed that the exposure was dead solid perfect: AWB at 8:08:59am on a sunny morning. Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly. Image #1: Western Gull jumping up to a higher perch Image copyright 2025 Arthur Morris/BIRDS AS ART

Sony a-1 ii/1.4X TC/300mm f/2.8 GM Rig

This lightweight combination is the deadliest setup I have ever had in my hands for photographing birds in flight and in action at fairly close range. Over the weeks, I have come to realize that the Bird Face-Eye tracking on the a-1 ii is vastly improved as compared with the a-1, especially with birds in flight. I love the larger body with more room on the grip for the fingers (of your gloved hand), I love the rear screen that tilts both ways, and the greatly improved in-camera body Optical Stabilization System (OSS).

This image was created by Warren Robb on 13 January on the 2025 San Diego IPT. Standing at full height he used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and The One, the Sony a1 Mirrorless Camera. The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1000. 1/4000 second at f/4 (wide open) in Manual Mode. AWB at 9:24:26am on a sunny morning. RawDigger showed the raw file brightness to be dead solid perfect. Zone AF-C AF with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version. Image #2: Brown Pelican sub-adult in flight Image courtesy of and copyright 2025: Warren Robb

Warren Robb

Warren Robb, retired US Navy fighter pilot, had us all on the edge of our seats at dinner in the AirBnB as he told the harrowing story of taking off and landing on his carrier in a driving rainstorm during the Vietnam War. The cockpit was drenched when he entered his aircraft (an A-7E) and got strapped in. Not surprisingly, he could not see the target for his load of ten 500 pound bombs. As you cannot land on a carrier with your bombs, he was told to jettison them over the jungle. None of several bomb release methods worked so he was ordered to fly 200 miles south, land at the airbase in Danang, and have the bombs off-loaded. He was surprised when they ordered him back to the USS Kitty Hawk as all the other planes had already been landed.

When he got to the ship, he couldn’t see a thing as the rain still poured down. During and instrument landing, the rule is that if you cannot see the carrier at 1/2 mile 200 feet, you must abort the landing. He told the landing officer that he could not see the ship. The guy told him to keep coming. So, on blind faith, he did after turning on his taxi light as instructed. The first things he saw were other planes on the deck as the plane’s hook caught the three wire!. Later, Warren thanked the guy and told him that having him turn on the taxi light was a great idea. The guy confessed that he had never seen the plane until it landed but that it sounded good!

Warren summed things up by saying that his scariest landing ever had been quite an e-ticket ride.

On Sunday, Warren borrowed my Sony 400mm f/2.8 GM lens to do the Brandt’s Cormorants. He liked it a lot. On Monday, he borrowed my Sony 300mm f/2.8 GM lens and fell in love instantly. He will be ordering one when he sells his Canon EF 500mm f/4 L IS II lens here on the BAA blog (soon). “I can’t believe how light and easy it is to hand hold” he said after our morning session. If you might be interested in this lens, shoot me an e-mail.

This image was also created by Warren Robb on 13 January on the 2025 San Diego IPT. Standing at full height he used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and The One, the Sony a1 Mirrorless Camera. The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 800. 1/4000 second at f/4 (wide open) in Manual Mode. AWB at 9:55:30am on a sunny morning. RawDigger showed the raw file brightness to be dead solid perfect. Zone AF-C AF with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version. Image #3: Brown Pelican non-breeding adult head throw Image courtesy of and copyright 2025: Warren Robb

Right Response, Right Place, and Right Lens

We were past the bridge club doing flight, sea lions, and Black Oystercatchers and working hard to get anything decent. I had called “15 minute warning” at 9:45 but I decided that we should head back to the big SUV a bit earlier. I, of course, was the last to leave. Just as I took the 600 off the tripod, a pelican landed on a nice rock. I caught Warren’s attention and signaled to him to come quickly and bring the rest of the group. Just as he got on the bird, it did a lovely head throw.

You can see that we were a bit off sun angle. I explained why to the group:

1- We were square to the plane of the subject’s body.
2- We avoided a very ugly rocks and sealion background and exchanged for a Pacific Ocean background.

As I was at 840mm, I managed only some tight head and bill pouch images.

For those who did not use my link to purchase their Sony 300mm f/2.8 GM lens, you can order your a copy here for $209.93. Click on the image to enlarge and to be able to read the fine print.

The BAA Sony 300mm f/2.8 Lens Guide

Impressed by my (or Pat’s) Sony FE 300mm f/2.8 GM OSS Lens (Sony E) images? Use either my Bedfords or B&H affiliate link to purchase your Sony 300mm f/2.8 GM lens and shoot me your receipt via e-mail and request a copy of the first-ever BAA Lens Guide. I thought that it would take only minutes to create this guide, but I was dead wrong. In the process of creating it, I learned a ton about the lens. And even better, I discovered a simple yet potentially fatal flaw that was resulting in sporadically unsharp flight images. The set-up fix is simple. Just be sure to use one of my affiliate links and get the guide for free.

If not, you can purchase a copy here for $209.93. Yes, it never hurts to use my links and it never costs you one penny more. And if you contact me via e-mail before you make a major purchase, I can often save you some money.

Supporting My Efforts Here

If you enjoy and learn from the blog, are all set for gear, or live overseas, consider leaving a BAA Blog Thank You Gift here.

If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.

In many cases, I can help you save some serious dollars. And/or prevent you from purchasing the wrong gear from the wrong shop.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.