What’s Up?
It is 4:25am on Friday 19 July as I type. Today is get-away day. We will photograph till about 8:30am, head back to the AirBnB, clean up and pack up, and then get all of my stuff and Steve’s bags and cases into in my SUV. Then I drop Steve at JAX for his flights home to DFW.
Though we’ve had a breeze from the west every morning (the worst when combined with sun and clear skies) and a wind from the SE (bad) on clear afternoons — we only had two of those), the trip has been amazingly productive. Unbeknown to most avian shooters, Huguenot Memorial Park ranks right up there as a world class North American bird photography hotspot. My plan is to have a Site Guide available before next season.
Some clouds on three of the five mornings and pretty much all the afternoons have helped tremendously. On Wednesday afternoon, we had a nice breeze from the S/SW and cloudy skies, the best flight photography conditions of the trip; I created more than 14,000 images (including Image #1, below). Shooting flight for the last two days with the Sony FE 300mm f/2.8 GM OSS lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera,, I’ve been creating between 5,000 and 8,000 images per session, always getting at least a few great ones.
The combo mentioned above has quickly become my all time favorite, go-to flight photography outfit. It is so light that most folks can hand hold it for hours. And when I wanted to work low, I got down on the beach and got within range of one or more of the incredibly beautiful Royal Tern chicks. 420mm is quite a handy focal length for bird photography. And as I have not once been tempted to slap on the 2X TC, working at f/4 allows for the use of lower ISOs in all situations. Not too mention that I recently made some a9 iii AF menu changes that have significantly improved a9 iii focusing accuracy. I will be sharing those new settings with the a9 iii group soon.
Working at 120 fps with .3 second Pre-capture gives me dozens of wing positions and flight poses to choose from with each fly-by. And as Steve and Sandra have seen, the great ones jump right off the monitor even when you are viewing the a9 iii images like a movie in Photo Mechanic.
My ride back to ILE from the airport will take me about four hours. I hope that you also have a great day.
Your Call?
Which of today’s two featured images is the strongest? Why?
Supporting My Efforts Here
If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.
In many cases, I can help you save some serious dollars. And/or prevent you from purchasing the wrong gear.
Summer On Long Island
Check out the July and August Nickerson Beach (& Jamaica Bay Wildlife Refuge/East Pond) IPT offerings here and consider joining us to learn a ton, make lots of great images, and improve your image processing skills.
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This image was created on 17 July 2024 at Huguenot Memorial Park on the third afternoon of the extended JAX IPT. Standing at full height, I used the hand held Sony FE 300mm f/2.8 GM OSS lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1600. 1/4000 second at f/4 (wide-open) in Manual Mode. AWB at 5:29:04pm on a cloudy afternoon. RawDigger showed the raw file brightness to be perfect. Zone AF-C AF with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version. Image #1: Royal Tern in flight with squid for chick |
White Sky Flight Photography
With white sky conditions (cloudy), you usually need to add two or more stops of light to the metered exposure to come up with a properly exposed raw file. Thus, those should look over-exposed and washed out at best. It takes two minutes in Photoshop to blue up the dingy skies a bit — warning, do NOT try to over do that, increase the contrast, and juice up the colors. It is almost hard to believe that the raw file for Image #1, above, was totally flat and boring.
Do know that Sony’s Zebra technology makes white sky photography child’s play — just dial up your ISO until you have some Zebras on either the white sky or the subject and you are good to go.
If you are not quite sure how to bring your cloudy day images to life, check out the two offerings immediately below.
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The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II. |
The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)
The technique mentioned above (eyeball replacement) and tons more great Photoshop tips and techniques — along with my complete digital workflow, Digital Eye Doctor Techniques, and all my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.
Please note: the Divide and Conquer technique was inadvertently omitted from DB II. It is detailed in a free excerpt in the blog post here.
Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: most of the videos are now priced at an amazingly low $5.00 each.
You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here. Today, I convert my Sony raw files in Photoshop with Adobe Camera Raw.
You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.
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The Digital Basics III Video Series |
The Digital Basics III Video Series
I realized about a year ago that my digital workflow had changed fairly significantly and was toying with the idea of writing a Digital Basics III. More recently, I have learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a huge step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.
As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born. You can check out Volume I/#1 here.
You might opt to purchase single videos or to subscribe to Volume I and save $26 by ordering the first five videos in one fell swoop. You can purchase the five videos in Volume I by clicking here. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI.
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This image was created on 18 July 2024 at Huguenot Memorial Park on the fourth afternoon of the extended JAX IPT. Standing at full height, I used the hand held Sony FE 300mm f/2.8 GM OSS lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 500. 1/4000 second at f/5.6 (stopped down 1 full stop) in Manual Mode. AWB at 4:13:50pm on a bright sunny afternoon (just before a huge storm hit). RawDigger showed the raw file brightness to be dead solid perfect. Zone AF-C AF with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version. Image #2: Royal Tern in flight with fish for chick |
Wind Against Bright Sun and Indigo Blue/Black Skies
With an ominously dark sky to the north and the wind from the southeast, things looked grim at best. But following the basic tenet, keep the wind at your back, I came up with a winning approach: shoot the birds flying south 3/4 backlit against the indigo blue/black skies. Again, Sony Zebras to the rescue; we set our exposures to show just a few Zebras on the whitest parts of the backlit birds — the top of their heads and the edges of the wings.
a9 iii E-mail Set-up and Info Guide |
a9 iii E-mail Set-up and Info Guide
For those who think that my comments on the a9 iii are pure hype, know that I recently sold the second of my three a1 bodies.
If you plan on purchasing a Sony a9 III Mirrorless Camera (or anything else for that matter), please remember to use or write for either my Bedfords discount code or my B&H affiliate link. Folks who use one of my two affiliate links to purchase the a9 III will receive my .DAT settings (the complete camera set-up), a Buttons and Dials Guide, and an a9 iii Info Sheet.
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For those who did not use my link to purchase their Sony 300mm f/2.8 GM lens, you can order your a copy here for $209.93. Click on the image to enlarge and to be able to read the fine print. |
The BAA Sony 300mm f/2.8 Lens Guide
Impressed by my (or Pat’s) Sony FE 300mm f/2.8 GM OSS Lens (Sony E) images? Use either my Bedfords or B&H affiliate link to purchase your Sony 300mm f/2.8 GM lens and shoot me your receipt via e-mail and request a copy of the first-ever BAA Lens Guide. I thought that it would take only minutes to create this guide, but I was dead wrong. In the process of creating it, I learned a ton about the lens. And even better, I discovered a simple yet potentially fatal flaw that was resulting in sporadically unsharp flight images. The set-up fix is simple. Just be sure to use one of my affiliate links and get the guide for free.
If not, you can purchase a copy here for $209.93. Yes, it never hurts to use my links and it never costs you one penny more. And if you contact me via e-mail before you make a major purchase, I can often save you some money.
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Join me to photograph Black Skimmers, Common Terns, American Oystercatchers, and more! |
The Summer 2024 Nickerson Beach 3 1/2 day Terns, Skimmers, & Oystercatchers IPTs
Nickerson Beach IPT #1: July 29 – August 1, 2024. 3 1/2 days: Afternoon session on MON 29 July through the full day on THURS 1 August, 2024: $2099.00. Limit: 6. Openings: 5
Nickerson Beach IPT #2: August 5-8 2024. 3 1/2 days: Afternoon session on MON 5 August through the full day on THURS 8 August, 2024: $2099.00. Limit: 6. Openings: 5.
Join me at Nickerson Beach Park this summer to photograph Black Skimmers, Common Terns, and American Oystercatchers. The trip is timed so that we should get to photograph tiny chicks as well as fledglings. There will be lots of flight photography including adults flying with baitfish and mole crabs. Creating great images of the chicks being fed is a challenge but I will do my best to help you toward that end. We will get to photograph a variety of breeding behaviors including courtship, sitting on (incubating) eggs, chick feeding, and more. We may get to photograph pre-dawn and early evening blastoffs. There is generally great afternoon skimmer flight photography that includes frequent midair battles sunny days. And with luck, we might even see a few tiny chicks in addition to fledged and flying young. We will also get to photograph the life cycle of American Oystercatcher. This will likely include nests with eggs and small chicks, young being fed, and surely a few fledglings.
Nesting Piping Plover is also possibly. There will be lots of gulls to photograph; most years I am able to find a few lesser black-backeds of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, and maybe even Red Knot.
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Clockwise from upper left around and back to center: Black Skimmer pair with chick; Black Skimmer fledgling skimming; Black Skimmer with large needlefish; Black Skimmer large chick; Black Skimmer fledgling taking flight; Black Skimmer adult with killifish; Black Skimmer adult landing near nest; Black Skimmer in midair chase; and Black Skimmers at dawn in the red light district. |
Activities
Morning sessions will run from pre-dawn till about 9:00 or 9:30am, roughly 3 1/2 hours. Afternoon sessions will run from 5:30 till sunset (assuming that entry policies are as they were in 2023.
Many folks head home feeling that while our time in the field was fabulous and productive, that the working brunch sessions were even more valuable. During image review you will learn to select the best images from several thousand made with your 20- and 30 fps (or 120 fps!) camera bodies. And we will process a few images and distribute the screen capture videos for you to learn from after the trip. And all IPTs offer follow-up image critiques.
Change your life: sign up for this IPT today. Please shoot me an e-mail if you would like to explore the possibility of renting some Sony gear (including an a1) from me.
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Clockwise from upper left around and back to center: Adult American Oystercatcher foraging at sunrise; Adult American Oystercatcher posing on clean sand; predawn skimmer flock blur; Black Skimmer large chick; Black Skimmer landing at nest on cloudy day; Black Skimmer large chick; Black Skimmer sunrise group blur; Black Skimmer adult with Atlantic Silversides; juvenile Semipalmated Plover, and photographer with oystercatcher family. |
Some of What You Will Learn on a Nickerson Beach IPT
- 1- The basics and fine points of digital exposure; how to get the right exposure every time after making a single test exposure (or before if you are using SONY gear).
- 2- How and why to work in Manual mode (even if you’re scared of it).
- 3- How to approach free and wild birds without disturbing them.
- 4- Lots about bird behavior and how to use that knowledge to help you create better images.
- 6- To spot the good and great situations and to choose the best perspective.
- 7- To see, evaluate, and understand the light.
- 8- To design pleasing images by mastering your camera’s AF system.
- 9- And perhaps most importantly, to evaluate wind and sky conditions and understand how they affect bird photography. You will learn where and when to be (and why).
- 10- More than you could ever imagine.
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Clockwise from upper left around and back to center: Black Skimmer pair with chick; Common Tern landing at nest with small baitfish; large Common Tern chick on pristine beach; American Oystercatchers courtship flight; Common Tern with pipefish; Common Tern fledgling; American Oystercatcher on eggs in high wind; American Oystercatcher nest with three eggs; and Black Skimmer midair battle. |
The Details
We will be on the beach very early to enjoy sunrise. The morning sessions will run about 3 1/2 hours. Afternoon sessions will begin at 5:30 and run till sunset. There is never a set schedule on an IPT — we adapt to the conditions. On cloudy mornings with the right wind, we may opt to photograph till 11:30am or so and skip the afternoon session. That especially when the afternoon weather is looking iffy.
There will be a Photoshop/Image Review session before and after brunch (included) each full day. That will be followed by Instructor Nap Time. Each of these IPTs will run with only a single registrant as I do not like disappointing anyone. The best airports are JFK or Islip (if you have lots of Southwest points). Once you register, you will receive an e-mail with lodging information. Do know that it is always best if IPT folks stay in the same general area (rather than at home or at a friend’s place a good distance away).
Folks attending this IPT will be out in the field ridiculously early and stay out late to take advantage of sunrise and sunset colors; this is pretty much a staple on almost all BIRDS AS ART Instructional Photo-Tours. Doing so will often present unique photographic opportunities, opportunities that will be missed by those who need their beauty rest and those who need to get home for a proper dinner. I really love it when I am leaving the beach at 9:00am on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving … We may be getting our feet wet on occasion, especially in the mornings, but those who wish to keep their feet 100% dry can do so.
Your $699 deposit is due now. Credit cards are OK for that. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand. Once you leave a deposit, you will receive an e-mail with your balance statement and instructions for sending your balance check. Those who wish to pay for the trip in one fell swoop via check may do so by making the check out to BIRDS AS ART and then mailing it to BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, and clothing and gear advice right after you register. Please shoot me an e-mail if you plan to register or if you have any questions.
IPT veterans and couples or friends signing up together may e-mail for discount information.
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Join me on the COMBO IPT this coming August to photograph adult and juvenile shorebirds at the East Pond at Jamaica Bay Wildlife Refuge, Queens, NY.Clockwise starting from the upper left back to center: juvenile Lesser Yellowlegs; adult Semipalmated Plover; fresh juvenile Semipalmated Sandpiper; fresh juvenile Least Sandpiper; fresh juvenile Stilt Sandpiper; fresh juvenile Short-billed Dowitcher; worn, molting adult Semipalmated Sandpiper; worn, molting adult White-rumped Sandpiper; and juvenile (left) and worn, molting adult Greater Yellowlegs. |
The Combo IPT — East Pond, JBWR/Nickerson Beach: August 17 – 20, 2024. SAT August 17 through the morning session on TUES 20 August 2024. 3 1/2 days: $2199.00. Limit: 6. Openings: 5.
Join me for four mornings at the famed East Pond, Jamaica Bay Wildlife Refuge, Queens, NY (conditions permitting) to photograph southbound migrant shorebirds and for three afternoons to photograph beach nesting birds. The window for photographing juvenile shorebirds in fresh plumage is very narrow and this trip will of course get you to the right spot at the exact right time. You will learn to identify and age the shorebirds and to photograph them (at ground level). I will gladly share everything that I have learned during the 46 years I have been visiting the pond. Heck, I started late. After too many years of mismanagement, the gate valve at the north end of the East Pond has finally been repaired properly; water levels should be perfect this summer. If it is not, we will spend our mornings at Nickerson.
Afternoons (and mornings as well) at Nickerson Beach Park are superb in mid-August for photographing Black Skimmers, Common Terns, and American Oystercatchers with young of all ages. There will be lots of fledged chicks by mid-August, lots of flight including adults flying with baitfish and mole crabs, and excellent chances to photograph both chick feeding and predation by gulls. The Great Black-backed Gulls see the young skimmers as potato chips. We should get to photograph the evening skimmer blastoffs. On hot sunny days, there is still great afternoon skimmer flight photography that includes frequent midair battles.
There will be lots of terns (mostly Common Terns) and gulls to photograph; most years I am able to find a few Lesser Black-backed Gulls of varying ages in addition to the Herring, Ring-billed, and Great Black-backed Gulls. You will learn to identify and age the various gull species. There will likely be some Willets feeding along the surf and with luck we might get to photograph a handsome juvenile or two. In addition to the locally breeding shorebirds, we will likely get to see some southbound migrant arctic-and sub-arctic breeding shorebird species such as Sanderling, Semipalmated Plover, Semipalmated Sandpiper, and maybe even Red Knot. And we might encounter large, swirling flocks of Sanderling in flight over the ocean.
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Join me this August to photograph at the East Pond at JBWR in the mornings (conditions permitting) and at Nickerson Beach in the afternoons.Clockwise starting from the upper left back to center: Marbled Godwit (likely in juvenal plumage); Wilson’s Phalarope in first winter plumage; Black Skimmer adult in flight over the Atlantic; juvenile American Oystercatcher foraging surf; adult Lesser Black-backed Gull; Black Skimmer attacking tiny chick; Killdeer in fresh juvenal plumage; Least Sandpiper in fresh juvenal plumage ruffling; and juvenile Lesser Yellowlegs and mixed shorebird flock. |
Morning sessions at the East Pond will run from just before dawn till about 9:00 or 9:30am. If the afternoon weather forecast is looking ominous, we may decide to photograph until after 11:00am and cancel the afternoon session. Afternoon sessions at Nick will run from 5:30 till sunset (assuming that entry policies are as they were in 2023).
Many folks head home feeling that while our time in the field was fabulous and productive, that the working brunch sessions were even more valuable. During image review you will learn to select the best images from several thousand made with your 20- and 30 fps (or 120 fps!) camera bodies. In addition, we will process some participant images and distribute the screen-capture videos for you to learn from after the trip. All IPTs offer follow-up image critiques.
Change your life: sign up for this IPT today. Please shoot me an e-mail if you would like to explore the possibility of renting some Sony gear (including an a1) from me.
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Clockwise from upper left around and back to center: Adult American Oystercatcher foraging at sunrise; Adult American Oystercatcher posing on clean sand; predawn skimmer flock blur; Black Skimmer large chick; Black Skimmer landing at nest on cloudy day; Black Skimmer large chick; Black Skimmer sunrise group blur; Black Skimmer adult with Atlantic Silversides; juvenile Semipalmated Plover, and photographer with oystercatcher family. |
Some of What You Will Learn on the COMBO IPT
- 1- The basics and fine points of digital exposure; how to get the right exposure every time after making a single test exposure (or before you make even a single image if you are using SONY gear).
- 2-How to get low and super low
- 3- How and why to work in Manual mode (even if you’re scared of it).
- 4- How to approach free and wild birds without disturbing them.
- 5- Lots about bird behavior and how to use that knowledge to help you create better images.
- 6- To spot the good and great situations and to choose the best perspective.
- 7- To see, evaluate, and understand the light.
- 8- To design pleasing images by mastering your camera’s AF system.
- 9- And perhaps most importantly, to evaluate wind and sky conditions and understand how they affect bird photography. You will learn where and when to be (and why).
- 10- To identify and age a variety of shorebird, tern, and gull species.
- 11- More than you could ever imagine.
The Details
There will be a Photoshop/Image Review session during and after brunch (included) each full day. That will be followed by Instructor Nap Time. This IPT will run with only a single registrant as I do not like disappointing anyone. The best airports are JFK or Islip (if you have lots of Southwest points). Once you register, you will receive an e-mail with lodging information. Do know that it is always best if IPT folks stay in the same general area (rather than at home or at a friend’s place a good distance away).
Folks attending this IPT will be out in the field ridiculously early and stay out late to take advantage of sunrise and sunset colors; this is pretty much a staple on almost all BIRDS AS ART Instructional Photo-Tours. Doing so will often present unique photographic opportunities, opportunities that will be missed by those who need their beauty rest and those who need to get home for a proper dinner. I really love it when I am leaving the beach at 9:00am on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving … We may be getting our feet wet on occasion, especially in the mornings, but those who wish to keep their feet 100% dry can do so.
Your $699 deposit is due now. Credit cards are OK for that. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand. Once you leave a deposit, you will receive an e-mail with your balance statement and instructions for sending your balance check. Those who wish to pay for the trip in one fell swoop via check may do so by making the check out to BIRDS AS ART and then mailing it to BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, and clothing and gear advice right after you register. Please shoot me an e-mail if you plan to register or if you have any questions.
IPT veterans and couples or friends signing up together may e-mail for discount information.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
