Arthur Morris/BIRDS AS ART
April 20th, 2022

Getting Low and Looking for an Edge, a Ridge, or a Rise ...

Do you Like the Feather?

Why or why not?

What’s Up?

Life goes on. I am feeling and doing well. And I got lots of work done on Tuesday.

Today is Wednesday 20 April 2022 and I will continue to take it easy. Wherever you are and whatever you are doing, I hope that you too have a great day. This blog post took about an hour to prepare and makes forty days in a row with a new one.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

BIRDS AS ART Image Optimization Service (BAA IOS)

Send a PayPal for $62.00 to birdsasart@verizon.net or call Jim at 863-692-0906 and put $62.00 on your credit card. Pick one of your best images and upload the raw file using a large file sending service like Hightail or DropBox and then send me the link via e-mail. I will download and save your raw file, evaluate the exposure and sharpness, and optimize the image as if it were my own after converting the raw file in Adobe Camera Raw. Best of all, I will make a screen recording of the entire process and send you a link to the video to download, save and study.

This image was created on 15 July 2021 at Jacksonville, FL. Working off the rear monitor with the tripod flattened I used the no-longer-available Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 640. The exposure was determined using Zebra technology with ISO on the rear wheel: 1/1600 sec. at f/9 (stopped down 1 1/3 stops) in Manual mode. RawDigger showed that the exposure was perfect. AWB at 9:21:11am on a sunny morning.

Tracking: Zone AF-C with Bird-Eye/Face Detection performed very well. Click on the image to enjoy the high-res version.

Image #1: Royal Tern — 3-week-old chick

Getting Low and Looking for an Edge …

One of tricks of learning to spot good and great situations is to constantly be on the lookout for birds sitting in spots with relatively distant backgrounds. Those can include birds sitting along the edge of a tidal pool or creek, birds resting or preening or feeding on small rises, hills, or ridges. That done, getting low makes things even better. The farther you can place the background from the bird, the more pleasingly out-of-focus the background will be.

Today’s featured chick was standing on the edge of a long, skinny tidal pool.

Placing the lens right on the ground can often yield the bird-in-heaven look, but many folks prefer a good look at both feet. There are several options for getting really low:

  • 1- Flattening the tripod completely will get you about six inches above the ground. Lying flat will allow you to best frame the image, to acquire AF, and to follow the action more easily. But it will usually get you filthy and wet (if you are the beach) and can be tough on your back. Working off the rear screen is way more comfortable but generally is not as effective. If the latter, be sure to wear your reading glasses so that you can see the titled monitor.
  • 2- When I am planning on using the Panning Ground Pod, I will leave the tripod at home thus saving a ton of weight and making my life easier. You can get down to about 1 1/2 inches above the ground. And again, you have a choice of getting flat down on the mud or sand or sitting and working with the rear screen. I use both the 600 f/4 and the 200-600 on the Panning Ground Pod.
  • 3- Using the Ankle- or Lower Leg-pod technique allows you to control the perspective. Resting the lens on your ankle and working off the rear screen gets you three or four inches off the ground without having to carry any extra gear. Doing the same with the lens resting on your lower left allows for a bit more height. Working off the rear monitor requires practice and some degree of dexterity. And keeping the camera level requires even more practice.
  • 4- Placing the bottom of the camera body or the lens barrel (depending on the slope of the terrain) right on the ground (when seated) will obviously get you as low as is practically possible. Sometimes I place the back of my left hand on the ground and use my right hand on the camera body to frame the shot. And at times I will place the front of the lens right on the ground and control the framing with my right hand on the camera and my left hand below it.

None of these techniques are as easy as the proverbial pie, but all pay large artistic dividends.

Click on the composite image to enjoy the incredible quality of the hi-res JPEG.

Clockwise from upper left clockwise and back around to the center: Royal Tern in flight with squid for chick; Royal Tern chick on beach; Royal Tern in flight with shrimp for young; Royal Tern chick — double overhead wing stretch; Royal Tern landing with greenback for chick; Royal Tern in flight with juvenile mahi mahi for chick; Brown Pelican — large chick preening; Laughing Gull in fresh juvenal plumage; Royal Tern chick begging; Many Royal Terns with many chicks on face of dune.

Jacksonville IPT: #1: 4 FULL DAYS — the afternoon of 16 June thru the morning of MON 20 June 2022: $2,099.00. (Limit 6 photographers)

Jacksonville IPT #2: the afternoon of FRI 1 JULY thru the morning of TUES 5 July 2022: $2099.00 (Limit 6 photographers)

Jacksonville IPT #3: the afternoon of FRI 15 JULY thru the morning of TUES 19 July 2022: $2099.00 (Limit 6 photographers)

Ride with me: add $200.00. I do not like to disappoint: each trip will run with one participant. If necessary.

I first visited the breeding bird colony at Jacksonville in late June 2021. I was astounded. There were many thousands of pairs of Royal Terns nesting along with about 10,000 pairs of Laughing Gulls. In addition to the royals, there were some Sandwich Terns nesting. And there are several dozen pairs of Brown Pelicans nesting on the ground. Flight photography was non-stop astounding. And photographing the tern chicks was relatively easy. Folks could do the whole trip with the Sony 200-600, the Canon 100-500 RF, or the Nikon 500 PF or 200-500 VR. With a TC in your pocket for use on sunny days. Most of the action is within 100 yards of where we park (on the beach). As with all bird photography, there are times when a super-telephoto lens with either TC is the best tool for the job.

Morning sessions will average about three hours, afternoon sessions about 1 1/2 hours. On cloudy mornings with favorable winds, we may opt to stay out for one long session and skip the afternoon, especially when the afternoon forecast is poor. Lunch is included on the first three days of the IPT and will be served at my AirBnB. After the first lunch there will be an introductory program. On days two and three we will do image review and Photoshop after lunch.

We will be based somewhere west and a bit north of Jacksonville where there are many AirBnB possibilities. The deposit is $599.00. Call Jim at the office any weekday at 863-692-0906 to pay by credit card. Balances must be paid by check.

What You Will Learn on a Jacksonville IPT

  • 1- First and foremast you will learn to become a better flight photographer. Much better.
  • 2-You will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button.
  • 3- You will learn to work in Manual exposure mode even if you fear it.
  • 4- You will learn to evaluate wind and sky conditions and understand how they affect bird photography, especially the photography of birds in flight.
  • 5- You will learn several pro secrets (for each system) that will help you to become a better flight photographer.
  • 6- You will learn to zoom out in advance (because the birds are so close!) 🙂
  • 7- You will learn how to approach free and wild birds without disturbing them.
  • 8- You will learn to spot the good and the great situations.
  • 9- You will learn to understand and predict bird behavior.
  • 10- You will learn to design pleasing images by mastering your camera’s AF system.
  • 11- You will learn to choose the best perspective.
  • 12- You will learn to see and control your backgrounds.
  • 13- You will learn to see and understand the light.
  • 14- You will learn to see and create pleasing blurs in pre-dawn situations.
  • 15- You will learn to be ready for the most likely event.

And the best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever you are and whenever you photograph.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

April 19th, 2022

On Keeping Your Image Optimizations Simple ...

What’s Up?

I am feeling pretty much back to normal but am still lacking a bit of get up and go. I am, however, thinking of heading down to the lake one of these mornings.

Today is Tuesday 19 April 2022. Wherever you are and whatever you are doing, I hope that you too have a great day. This blog post took about 90 minutes to prepare and makes thirty-nine days in a row with a new one.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

BIRDS AS ART Image Optimization Service (BAA IOS)

Send a PayPal for $62.00 to birdsasart@verizon.net or call Jim at 863-692-0906 and put $62.00 on your credit card. Pick one of your best images and upload the raw file using a large file sending service like Hightail or DropBox and then send me the link via e-mail. I will download and save your raw file, evaluate the exposure and sharpness, and optimize the image as if it were my own after converting the raw file in Adobe Camera Raw. Best of all, I will make a screen recording of the entire process and send you a link to the video to download, save and study.

And Please Remember

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Brand-New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard-to-get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link immediately above). My link works with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂

Please Remember Also

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times — I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 19 March 2021 somewhere in Georgia by Ken Dunwoody. He used the hand held Nikon AF-S NIKKOR 300mm f/4E PF ED VR lens and the Nikon D500 dSLR Camera. ISO 2000. 1/1250 sec. at f/4 (wide open). The raw file brightness was almost two stops too dark as per RawDigger. AWB at 7:18am in very low light.

Image #1: Barn Owl in flight — Image courtesy of and copyright 2021: Ken Dunwoody.

GNPA EXPO Critiquing Sessions

On the first two mornings of the Georgia Nature Photographers EXPO, I did critiques. One of those was with Ken Dunwoody. Of his 20 images, many of the birds looked as if they had been painted with some sort of enamel as they had a glossy, waxy, shiny, detail-less look. Strangely, another photographer that same morning had offered up similar looking images. The only thing that made sense was that they had used much too much noise reduction. As good Barn Owl images are hard to come by, I asked Ken to shoot me the raw file when he had a chance.

Image #1A: The Photo Mechanic screen capture of the Barn Owl in flight image — courtesy of and copyright 2021: Ken Dunwoody.

The Original

Image #1A represents the tif file that came out of my converting the raw file in Adobe Camera Raw. Ken’s problems began with a too-huge crop of a grossly under-exposed image.

Image #1B: The RawDigger screen capture of the Barn Owl in flight image — courtesy of and copyright 2021: Ken Dunwoody.

The Raw Digger Screen Capture

Image #1B depicts the adapted pink histogram for Ken’s raw file. With the G channel barely making it past the 4000 line, this image is almost two full stops too dark. Not only did the underexposure create a ton of high ISO noise, it did a job on the image quality as well.

RawDigger — not for the faint of heart …

Nothing has ever helped me learn to create perfect exposures to the degree that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are completely bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.

The RawDigger (pink) Adapted Histogram

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me when I struggled with R5 exposures and when learned my new camera body, the Sony Alpha a1.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We could not figure out why the Max G values varied by camera system. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

Image #1C: The Topaz DeNoise AI screen capture for the Barn Owl in flight image — courtesy of and copyright 2021: Ken Dunwoody.

Topaz DeNoise AI

Be sure to click on the screen capture to see the complete elimination of noise in the after image on our right. And note that the fine details are far sharper than they were in the original. Topaz DeNoise AI did a fine job on eliminating the ton of noise caused by Ken’s big underexposure. Note: it is possible to get the waxy look to a bird’s feathers in DeNoise by using the Severe Noise settings. Those are to be avoided at all costs as they will ruin any image.

As regular readers know, I run DeNoise on virtually every image that I process immediately after executing the crop with the Delete Cropped Pixels box checked. For images made in sunny conditions, I used Standard. For images made in low light, I use Low Light. You can check all four methods by using the Comparison View, but I rarely do that anymore as I am confident as noted above.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

This image was created on 19 March 2021 somewhere in Georgia by Ken Dunwoody. He used the hand held Nikon AF-S NIKKOR 300mm f/4E PF ED VR lens and the Nikon D500 dSLR Camera. ISO 2000. 1/1250 sec. at f/4 (wide open). The raw file brightness was almost two stops too dark as per RawDigger. AWB at 7:18am in very low light.

Image #1D: The optimized Barn Owl in flight image– courtesy of and copyright 2021: Ken Dunwoody. Image optimization by BIRDS AS ART.

The Optimized Image

I followed my standard raw conversion and image optimization workflow to create Image #1D. All as detailed in Digital Basics II. The improved, more natural look of the image is more the result of what I didn’t do rather than the result of my doing anything special.

Using only 35% of the original pixels, my crop was far more modest than Ken’s original crop. In addition, I did not go overboard with the noise reduction, and I did not over-saturate the image. Image optimizations are best done with a soft touch.

The only fancy thing that I did was to work on softening the background. I did much of that with a layer of Gaussian blur painted in with an Inverse Layer Mask. And for the first time ever, I used a very large Spot Healing Brush to eliminate the jangly look to the bushes on our right.

The Lessons

  • 1- Learn to expose to the right to reduce noise and increase the image quality. Do not fear using very high ISOs when fast shutter speeds are required.
  • 2- Avoid making huge crops as there is no better way to destroy image quality.
  • 3- Avoid over-doing noise reduction.
  • 4- Do not increase the Saturation during the raw conversion.
  • 5- Instead, increase the Vibrance by no more than 10-15% in most cases. Vibrance saturates only unsaturated colors.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

April 18th, 2022

More From my Recent St. Augustine Alligator Farm Visit ...

Which is the Stronger Image?

Why?

What’s Up?

I continued to feel better and stronger on Sunday and am still taking things very easy and sticking to the protocol (even though I am feeling so much better). Dr. Oliver let me know that sticking with the protocol after most of your symptoms have disappeared cuts down the effects of COVID long-haul syndrome. So that, of course, is what I will be doing.

Today is Monday 18 April 2022 with more of the same in the forecast for me: rest and relax. I am feeling quite good. Wherever you are and whatever you are doing, I hope that you too have a great day. This blog post took about 40 minutes to prepare and makes thirty-eight days in a row with a new one.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

BIRDS AS ART Image Optimization Service (BAA IOS)

Send a PayPal for $62.00 to birdsasart@verizon.net or call Jim at 863-692-0906 and put $62.00 on your credit card. Pick one of your best images and upload the raw file using a large file sending service like Hightail or DropBox and then send me the link via e-mail. I will download and save your raw file, evaluate the exposure and sharpness, and optimize the image as if it were my own after converting the raw file in Adobe Camera Raw. Best of all, I will make a screen recording of the entire process and send you a link to the video to download, save and study.

This image was created on 13 April 2022 at the St. Augustine Alligator Farm. Again, I used the no-longer available Induro GIT304L Stealth Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted-Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). the exposure was determined via Zebras technology with ISO on the Thumb Dial. ISO 1600. 1/160 sec. at f/8 (wide open) in Manual mode. The raw file brightness was dead solid perfect when evaluated in RawDigger. AWB at 8:47:27am in the shade on a mostly sunny morning.

Tracking: Spot S AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.

Image #1: Snowy Egret in breeding plumage with stick for nest

A Word on Relatively Slow 1200mm Shutter Speeds

Yesterday’s two images and Image #1 above were made at relatively slow shutter speeds when you consider the 1200mm focal length. Yes, the OSS (optical stabilization system) helps (as does IS with Canon). (Note: the Nikon 2X TC had been a dog for many, many years. Until and unless things improve with the z9 is does not deserve to be in this conversation). Anyhoo, at 1/125 and 1/160 second, two problems arise even when the tripod head is tightened to the max:

1- No matter how rigid the tripod/tripod head combo, there will be some play involved when using long glass. And that is especially true for those using a Wimberley Head.

2-Even if the lens were set in stone, there is always subject movement to contend with.

Do not forget the problems caused by gear shake are multiplied by the square of the focal length! When working at 1200mm with such relatively slow shutter speeds, not all the images will be razor sharp on the eye. High frame-rates like the a1’s 30fps compressed raw will almost always get you several sharp ones in these situations. With practice, you should be able to get a few sharp ones at shutter speeds as low at 1/60 second. Note: most Canon mirrorless folks are doing much better with the 2X TC on their big f/4 lenses than they did when using their dSLR bodies.

St. Augustine Alligator Farm (SAAF) Photo Pass INFO (and my comments)

You can find all the details on the St. Augustine Alligator Farm Photo Pass here. If you plan on going this season, please read everything carefully. Here are the highlights along with my comments.

There are two types of SAAF photo passes, an Annual Photo Pass for $119.95 and a 2-Day Photo Pass for $74.95. The latter is good only on two consecutive days. The former is an amazing value. It gets you in early every single day from February 26 – June 26, 2022. The extended hours benefits include early entry at 8 am and weather-dependent late-stay until sunset. The length of the season is exceedingly generous and the daily entry with late stay is astounding. Compare those with Gatorland in Kissimmee where there are only ten days to the season with no late stay and you can see where I am coming from.

The only advantage to the Gatorland Pass is that you can enter at 7:00am rather than 8:00am. Standing on the line by the red door for 45 minutes at St. Augustine knowing that the sun rose before 7:00am and that the golden light is shining on the birds to the left of the long boardwalk is pure agony, at least for me. If they opened the doors at seven, they would have things perfected. I’d gladly pay a substantially increased price that included 7:00am entry. Hey, a guy can dream, can’t he?

As for conditions at both places this year, there are probably ten times as many nests at SAAF this year than at GL. As you have seen on the blog, there have been some very accessible Great Egret nests with small chicks at GL. As far as potential for the rest of the season, I believe that SAAF has a huge edge. Do understand that creating good photographs is a very difficult thing to do at both places. I wouldn’t mind spending a week at St. Augustine in early May. If only I did not live so far away …

I forgot to mention that you do not need to get an Alligator Farm pass in advance. Show up, get on the line, hand over your driver’s license and a credit card to the staff member at the gate, and pick up your pass in the gift shop on your way out. Be sure to specify Annual or Two Day. And have fun.

If you live near either place, getting an Annual Pass is surely the way to go. If you will be coming from out of state, the Alligator Farm Annual Pass would make St. Augustine the obvious choice with daily extended entry, late stay, and lots of birds.

This image was created on 13 April 2022 at the St. Augustine Alligator Farm. Again, I used the no-longer available Induro GIT304L Stealth Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted-Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). the exposure was determined via Zebras technology with ISO on the Thumb Dial. ISO 500. 1/200 sec. at f/16 (stopped down two full stops) in Manual mode. The exposure was dead solid perfect when evaluated in RawDigger. AWB at 9:09:42am on a mostly sunny morning.

Tracking: Spot S AF-C with Bird Face/Eye detection enabled performed just fine. Be sure to click on the image to enjoy a high-res version.

Image #2: Roseate Spoonbill covert feathers pano

Spoonbills at St. Augustine

It seems that more and more pairs of Roseate Spoonbills are nesting at the Alligator Farm each year. There were several nesting pairs when I last visited about 14 years ago. There are probably 20-30 of more pairs setting up to nest this year. Over the last decade there have been some astoundingly wide-open spoonbill nests with young. Most of the nests, however, are high up and very cluttered.

This carmen wing coverts pano is the only image that I made in the sun on my recent visit. As I had lots of light, I went to f/16 to cover the curved surface of the folded wing. There are lots of opportunities at SAAF to create images like this one. As soon as you go wider you introduce sticks and clutter and dark shadows … Remember that rookeries are cluttered places and that long effective focal lengths can often be used to isolate the subject and reduce the clutter.

Homer 2022 Bald Eagle Highlights and Handholding Compositional Tips by Arthur Morris/BIRDS AS ART

Enjoy and be inspired by just a few Homer Bald Eagle highlight images. Hand holding intermediate telephoto lens will always yield slightly different compositions. Learn more about that topic in this short (3:14) video.

All images from Homer or Kachemak Bay, AK

2023 Homer/Kachemak Bay Bald Eagle IPTs

IPT #1: MON 20 FEB 2023 through the full day on FRI 24 FEB 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers

IPT #2: SAT 25 FEB 2023 through the full day on THURS 2 MAR 2023. Six full days/24 hours on the boat: $6600.00. Limit 5 photographers/Openings: 4.

IPT #3: FRI 3 MAR 2023 through the full day on TUES 7 MAR 2023. Five full days/20 hours on the boat: $5500.00. Limit 5 photographers. Openings: 4.

Save $1,000.00 by doing back-to-back trips. Save $1500.00 by doing all three.

These trips feature non-stop flight photography as well as many opportunities to create both environmental and point-blank portraits of one of North America’s most sought-after avian subjects: Bald Eagle (Haliaeetus leucocephalus). Other reliable subjects will include Sea Otter, Glaucous-winged and Short-billed (formerly Mew) Gulls.

In addition, we should see Common Murre, Black Guillemot, Pelagic Cormorant, two or three species of loons, and a smattering of ducks including two species of merganser, all three scoters, Common and Barrow’s Goldeneyes, Bufflehead, Harlequin, and Long-tailed Ducks. Close-range photographic chances for these species will require a ton of good luck. Some of these species, especially when in flocks, can, however, often be used effectively when pleasing creating bird-scapes.

If we need to be out early, we will be the first boat out. If conditions are great, we will stay out. And when there is a chance for sunset silhouettes, we will be in the right spot.

We will be traveling through gorgeous wilderness country; landscape and scenic opportunities abound.

Also featured is a professional leader, often referred to as the world’s most knowledgeable bird photography trip leader, who is conversant in Canon, Nikon, and Sony. You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer. But only if that is what you want.

You will learn to get the right exposure when it is sunny, when it cloudy-bright, when it is cloudy, when it is cloudy-dark, or when it is foggy. Not to mention getting the right exposure when creating silhouettes.

You will learn to make pleasing blurs working in manual mode and to create silhouettes working in Shutter Priority mode.

Most importantly you will learn to pick your best flight images from tens of thousands of images.

You will enjoy working with the two best and most creative boat captains on their sturdy, photography-spacious, seaworthy, open-deck crafts.

The second and third IPTs are the only Bald Eagle workshops that feature an incredibly helpful first mate.

Only five photographers (not the usual six), plus the leader.

Small group Photoshop, Image Review, and Image Critiquing sessions.

All images from Homer or Kachemak Bay, AK

What’s Included

One four hour or two two-hour boat trips every day (weather permitting), all boat fees and boat-related expenses (excluding tips), ground transportation to and from the dock and back to the hotel each day, in-the-field instruction and guidance, pre-trip gear advice, small group post-processing and image review sessions, and a thank you dinner for all well-behaved participants.

What’s Not Included

Your airfare to and from Homer, AK (via Anchorage), the cost of your room at Land’s End Resort, all personal items, all meals and beverages, and tips for the boat captain and/or the first mate.

Please Note

On great days, the group may wish to photograph for more than four hours. If the total time on the boat exceeds 20 hours for the five-day trips, or 24 hours for the second trip, the group will share the additional expense at a rate of $225/hour.

Some folks may wish to rent their own vehicle to take advantage of local photographic opportunities around Homer.

Deposit Information

A $3000 non-refundable deposit/trip is required. You may pay your deposit with credit card or by personal check (made out to BIRDS AS ART) and sent via US mail only to Arthur Morris. PO Box 7245. Indian Lake Estates, FL 33855. Your balance, due 90 days before the date of departure, is payable only by check as above.

In Closing

I have been going to Homer off and on for close to two decades. Every trip has been nothing short of fantastic. Many folks go in mid-March. The earlier you go, the better the chances for snow. The only way to assure that you are on the best of the three trips is to sign up for all of them. Can you keep up with me? If you have any questions, or are good to go for one, two, or all three trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.