Arthur Morris/BIRDS AS ART
March 21st, 2022

Anita North's Kenyan Cats. Sony High ISOs. A Great Guide!

The Strongest Image?

Which of today’s seven featured images is the strongest? Why?

What’s Up?

I headed down to the lake for sunset and hung out by The Perch. The sky color was gorgeous, and I had a few Boat-tailed Grackles land. But there were no fly-bys in the color. I spent most of the day watching more March Madness games on TIVO and finally finished watching the 32 first round games. Today is Monday 21 March 2022. The forecast for this morning is for clear skies with a northeast breeze. You know where I will be. Wherever you are and whatever you are doing, I hope that you too have a great day. This blog post took about two hours to prepare and makes eleven days in a row with a new one.

Please remember to use the B&H and Amazon links on most blog pages and always in the right column or to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. And please consider joining a BAA IPT. You will be amazed at how much you will learn …

This image was created on 17 August 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 2500. The exposure was determined by Zebras with ISO on the rear wheel: 1/1600 sec. at f/5.6 (wide open) in Manual mode. AWB.

Tracking: Spot S AF-C with Animal-Eye/Face Detection performed very well. Click on the image to enjoy a high-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #1: Leopard cub holding antelope leg

A Great Trip Made Possible by a Great Driver-Guide

A photo trip to Africa can be made or broken by the skill and knowledge of your driver guide. On several of my trips to Kenya and Tanzania, I argued often with my co-leader about firing one of the guides … Anita North spent four months in Africa in 2021 — from August thru November. She spent a good deal of time with the same guide, and came home raving about him. Here is what she had to say:

First, I would like to thank Arthur for posting the story of my remarkable photography experiences with Simon Kararei in Kenya. I hope that this blog post inspires others who wish to visit Africa to make a trip with Simon. Simply put, he is the best.

In the early 1980’s I made my first trip to Africa with a small local company in Tanzania. We camped off the beaten path at several locations. Amazingly, we pitched tents on the floor of Ngorongoro Crater; there were no lodges on the rim and the crater was densely populated with wildlife. Over the decades, I visited Tanzania several times but had never explored Kenya. I began photographing 2016 and was determined to get to Kenya.

I recalled a photographer who had mentioned a terrific driver-guide in Kenya but remembered only his first name: Simon. Almost miraculously, I was able to find him on social media. Or so I thought. When I contacted him, he told me that I had reached the wrong Simon, but he knew exactly who I was looking for, his friend and neighbor — Simon N. Kararei.

Each segment of my trip the I did with Simon was flawlessly planned and executed. I loved he Simon offered a variety of lodging options. On my travels, I learned that Simon was a highly respected in his community and served as a mentor for other aspiring driver-guides.

Most nature photographers appreciate the critical importance of a wildlife guide. All the amazing opportunities I had in Kenya during my two trips were due to Simon’s immense knowledge of the animals and their habitats and due to his incredible understanding of photography and his commitment to helping you get the best possible shot. One of his strongest skills is getting the safari vehicle in the best spot and positioning it perfectly every time. He was tireless in his efforts.

Simon’s Safari Vehicle

Get in Touch with Simon!

Simon was born and raised in the Masai Mara. He knows and understands the habits of all the animals that share his home. He always had me in the right place at the right time. And he was at his best when the sun was close to the horizon so that I could enjoy the magical early morning light and create dramatic sunset silhouettes. His modified vehicle has the door removed so that you can photograph from a low perspective rather than from the top of a safari van.

Simon is quite flexible and would be glad to help you or your group plan the African trip of a lifetime. Here is his contact info:

Simon N. Kararei
e-Mail: skararei@gmail.com
What’s App #: +254717457601

This image was created on 3 September 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 1600. The exposure was determined perfectly by Zebras with ISO on the rear wheel: 1/800 sec. at f/8 (wide open) in Manual mode. AWB.

Tracking: Spot S AF/C with Animal-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #2: Leopard taking down wildebeest

A Note From Simon

I was born in Maasai Mara and grew up there. I have been leading safaris here and in other parks in Kenya and Tanzania for more than 15 years. I love Nature! Guiding is my passion and career and I just love helping photographers to make great images. I did my extensive forestry training in 1998. From 2001 to 2004 I worked with Basecamp Mara where I helped create various tree plantation woodland projects to conserve the environment. While I was working with Basecamp I got inspired and did my guiding training with Kenya’s professional guiding association and did my field training with the WWF Mara Monitoring program. In 2005, I began guiding at Fig Tree Camp. From 2006 to 2008 I worked with Kicheche Camps. At that time, I worked with several other guides to create the Olare Conservancy. In 2009 I set out on my own and started my own small private guided safari business. My business grew slowly, and I now have clients from around the globe. I work with a group of 4 other excellent Maasai guides. I guide both single photographers and larger photographic groups in addition to private individuals and families as well.

Thanks, Anita, for helping me to get my name out there. Lots of love. God 🙏 bless you a million times over.

Simon

This image was created on 3 September 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera. IS 20000. The exposure was determined via Zebras with ISO on the rear wheel: 1/200 sec. at f/4 (wide open) in Manual mode. AWB.

Tracking: Spot S with Animal/Face-Eye Detection performed perfectly. Be sure to click on the image to enjoy a higher-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #3: African Lion adult male

Sony’s High ISOs

Kudos to Anita for exposing to the right and not worrying about the ISO settings. The average ISO for today’s seven featured images is just under 6000, yet there is virtually no visible noise in any of the images. That is due in part to the quality of the a1’s sensor, in part due to exposing properly to the right, and in part due to the beyond remarkable plug-in, Topaz DeNoise.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

This image was created on 9 September 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera. IS 8000. The exposure was determined via Zebras with ISO on the rear wheel: 1/2000 sec. at f/4 (wide open) in Manual mode. AWB.

Tracking: Zone with Animal/Face-Eye Detection performed perfectly. Be sure to click on the image to enjoy a higher-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #4: Cheetah cubs playing

Sony Tracking: Zone AF

Shooting flight with Sony Tracking: Zone AF is a remarkable experience. And with Animal/Face-eye detection enabled the AF performance when tracking running cats is equally amazing.

This image was created on 22 November 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera. IS 4000. The exposure was determined via Zebras with ISO on the rear wheel: 1/1600 sec. at f/8 (stopped down two stops) in Manual mode. AWB.

Tracking: Zone with Animal/Face-Eye Detection performed perfectly. Be sure to click on the image to enjoy a higher-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #5: Cheetah cubs playing

On Working Hard

Anita North works harder than any photographer I know. Including and especially me. She is relentless. She has worked very hard for the past six years to improve her skills both in-the-field and at the computer. I’d say that she has done quite well.

This image was created on 22 November 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 2500. The exposure was determined by Zebras with ISO on the rear wheel: 1/2000 sec. at f/5.6 (wide open) in Manual mode. AWB.

Tracking: Zone AF-C with Animal-Eye/Face Detection performed very well. Click on the image to enjoy a high-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #6: Cheetah — adult running

November 22

22 November is a significant date in American history. Considering that three of today’s seven featured images were created on that date in 2021, I am quite sure that Anita will remember the date fondly for many years to come.

This image was created on 22 November 2021 somewhere in Kenya by Anita North. She used the Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 3200. The exposure was determined by Zebras with ISO on the rear wheel: 1/2000 sec. at f/5.6 (wide open) in Manual mode. AWB.

Tracking: Zone AF-C with Animal-Eye/Face Detection performed very well. Click on the image to enjoy a high-res version.

Image courtesy of and copyright 2021: Anita G. North
Image #7: Cheetah cubs running

Thanks!

Big-time thanks to Anita for allowing me to share some of the great images from her four-month trip to Africa with you hear today.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 20th, 2022

The Handoff. Gatorland Update. Sony 200-600 Versatility

Photoshop Question

If you see any evidence of significant Photoshop clean-up work, please leave a comment and state your case clearly. All are invited to share their thoughts on today’s featured image, be they good or bad.

What’s Up?

Keep reading to learn about my Gatorland morning. On Saturday afternoon, Peter Dominowski returned to ILE for some Sony A1 lessons. He recently purchased two a1 bodies, the 200-600, the 70-200 f/2.8 II, and the 1.4X TC — all from Bedfords — God bless him, and wants to learn to use his new gear before heading to Africa this summer. I taught him the basics that afternoon even though we did not have any really good situations. Sunday morning dawned cloudy with a breeze from the NW and the sun came out at about 8:15am. We did well with the crane colts and Peter quickly got the hang of my super-simple a1 AF set-up, the hang of getting the right exposure (even in changing light) using Zebra technology, and the hang of working with a 200-600 zoom lens.

When we got back to my house at about 9:15am, I noticed that my glasses were missing. For a change. I searched the whole car using the light from my cell phone. No luck. We took a ride back to our last location — we had been sitting while photographing two adult cranes in a field of yellow tickseed blossoms. I thought that I had dropped them very close to the road, so we parked so as to avoid running over the glasses. We walked slowly north for two or three minutes. I gave up. Peter said, “I am gonna go on for just a bit.” A moment later he said, “I got em!”

That was a great moment, but not as great as seeing the young eagle fly around for the first time, that in the low light of early morning. First it flew from the nest tree to the next tree just to the south. I felt like a proud poppa. I marveled as it flew around the nest tree in the wind and landed safely. And when it flew across the canal and landed atop a small palm, I kvelled. I said to Peter, “I feel like a dad watching their child ride a bike for the first time without falling.”

Kvell (verb): to experience pride and satisfaction from seeing others (particularly one’s children and grandchildren) excel. From Yiddish, and most often used by American Jews.

Today is Sunday 20 March 2022. I will be doing some more work on my first GNPA keynote and watching first and second round Men’s March Madness (NCAA basketball) games on TIVO. I have already watched nine first round games and have seven more of those to watch along with the eight second round games from Saturday. Eight more second round games are set to record today. In addition, I am taping all the Women’s NCAA tournament games as well!

The highlight so far has been the incredible 15th-seeded St. Peter’s stunning upset of number-2 ranked Kentucky. To give you an idea of the immensity of this upset, consider these two facts: St. Peter’s men’s basketball coach Shaheen Holloway made $266,344 in 2019; Kentucky head coach John Calipari’s base salary is $8.5 million. St. Peter’s basketball revenue was $1.6 million in 2019-20, while Kentucky’s was $29.3 million. I give Calipari credit for being a gracious loser; he gave lots of credit to the scrappy St. Peter’s team.

Wherever you are and whatever you are doing, I hope that you too have a great day. This blog post took about two hours to prepare and makes ten days in a row with a new one.

Please remember to use the B&H and Amazon links on most blog pages and always in the right column or to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. And please consider joining a BAA IPT. You will be amazed at how much you will learn …

This image was created on 19 March 2022 at Gatorland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 456mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 500: 1/1000 second at f/6.3 (wide open). AWB at 8:20:22Am on a mostly sunny morning.

Tracking: Zone with Bird/Face-Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Great Egret — Male passing twig to female

Sony 200-600 Gatorland Versatility

As it is on the cliffs of La Jolla, the Sony 200-600mm G lens is very effective at Gatorland. It is great for flight on sunny mornings, and its less than 8-foot MFD (minimum Focusing Distance) makes it deadly on nests that are close to the boardwalk, all the while yielding plenty of much-needed magnification. As the gate opened promptly at 7am, as sunrise was not until 7:29, and as the day began completely overcast and foggy, I spent the first half hour trying to create some nice pleasing blurs with the 200-600. I failed. There was lots of action, mostly with Great Egrets, and I created more than 200 images. But only two — of a Snowy Egret flying right at me with a green background were kept. And neither of those is very good … Creating excellent pleasing blurs is a lot like playing the lottery!

Gatorland Update

There are probably ten times as many Great Egret nests this year as there were last season. As always, photographing from boardwalks at the gator rookeries is extremely challenging and difficult. Here is an excerpt from The BAA Middle of Florida Site Guide:

Many photographers who know anything about Gatorland would say, “Who needs a guide or photographic instruction at an alligator farm tourist zoo rookery? The birds are right there; all you need to do is push the button. “My answer – based on many, many visits – would be, “Just about everybody.” Rookeries are great places to make hundreds of really lousy images in short order. They are busy places with zillions of branches, cluttered backgrounds, other nests, other birds, whitewash, and blocking vegetation, all of which make it difficult to create artistically pleasing images. To get you on the right track I will start by commenting on the various locations along and above the boardwalk and then offering some general tips …

My Gatorland visit yesterday was no exception. At about 9am, I counted more than 60 photographers. There was a busload of folks (about 35) from The Villages, a large active adult retirement community located in Lake and Marion counties northwest of Orlando. They were 100% beginners. Of the other 30 or so folks, most had zero clue as to how to photograph birds. None, zero, nada. There were perhaps half a dozen folks with decent gear, and I doubt that any of them made a decent image. At least not while I was looking.

Though there are more than a half dozen Great Egret nests close to the boardwalk, there was exactly one decent situation. The male in today’s featured image was very active, bringing in sticks every minute or so — sounds like a piece of cake, no? Actually “No.” When the bird landed, its head was in the shade. When he leaned down to pass the twig to his mate, the heads of both birds were fully lit by the sun, but only for a moment. After it handed off the stick, it would turn to the north, to my left, and take flight almost instantaneously. As I said, not easy. I was the only one who worked that bird. There were lots of folks very close to me trying to make photographs in an impossible situation — there were two tiny Great Egret chicks in a higher nest that was completely blocked by twigs. Despite of that, many folks persisted.

When it clouded over briefly at about 9:15am, I switched to the Sony 70-200mm f/2.8 II with the 2X TC to gain even closer focus along with an extra 1/3 stop of light. I kept one image of the female egret tending the eggs and several others of a gator head. All with perfect exposures, thanks to Sony’s Zebra technology.

Folks who own The BAA Middle of Florida Site Guide are invited to e-mail proof-of-purchase and the words “Gatorland 19 March 2022 Short Update Please” cut and pasted into the subject line.

The Lesson

When working the gator wading bird rookeries, do not settle for cluttered shots. Keep searching for at least one good situation. And then hammer it.

Gatorland In-the-Field Sessions

I will be at Gatorland on the next two Photographer’s Pass mornings, Sunday 27 March and Saturday 2 April. If you are interested in learning to make good photographs in difficult situations, please shoot me an e-mail. Remember that you will need — as noted below — to purchase you pass or passes well in advance.

The BAA Middle of Florida Photographic Site Guide

You can purchase your copy here in the BAA Online Store.

The BAA Middle of Florida Photographic Site Guide

126 pages, 87 photographs by Joe Przybyla and Arthur Morris.
The PDF for this e-Guide is an electronic download sent via e-mail.

Purchase your copy here in the BAA Online Store.

I had thought about doing a guide to some of the great but little-known photo hotspots around central Florida for about a decade, but those plans never came to fruition. I met Joe online in the Avian Forum at BirdPhotographer’s.Net about two years ago. Joe’s photography has improved tremendously over the past few years; he credits the BAA blog, my books and PDFs, and his participation on BPN. The one thing that I learned right from the get-go about Joe is that he is a hard and tenacious worker, always striving to improve his skills and to grow his knowledge base. As he knew of more than a few good spots in central Florida, I broached the idea of us doing a photographic site guide that covered many of the little-known photographic hotspots from Brandon to Lakeland to Joe Overstreet Road to Indian Lake Estates (my Florida home for the past 20 years or so). After more than many, many dozens of hours of effort, The BIRDS AS ART Middle of Florida Photographic Site Guide is now a reality. Thanks to Joe’s wife Dottie for her review of our writing. We all learned once again that writing is a process, a back-and-forth process. All thanks to the white pelicans of Lakeland. Here are the locations that are detailed in this e-Guide:

  • Indian Lake Estates: Sandhills Cranes with chicks and colts, lots of vultures, and Ospreys up the kazoo!
  • Gatorland, Kissimmee: Learn to make great images of wading birds in a cluttered rookery.
  • The Brandon Rookery: Great for nesting Wood Storks, Great Egrets, and more.
  • Circle Bar B Reserve, Lakeland: Here you will find a great variety of avian subjects in a great variety of habitats.
  • Lake Morton, Lakeland: There are lots of silly tame birds here including and especially American White Pelican during the colder months.
  • Lake Mirror, Lakeland: Tame Anhingas, Limpkins, and a zillion White Ibises at times.
  • West Lake Parker, Lakeland: Here you will have a chance for two difficult birds, Snail Kite, and Purple Gallinule.
  • Joe Overstreet Road, Kenansville: Crested Caracara, meadowlarks, Loggerhead Shrike, and much more on the fenceposts and barbed wire.

Each location includes a map, a detailed description of the best spots, best season, light and time of day instructions, the expected species, and an educational and inspirational gallery that is designed to open your eyes as to the possibilities.

You can purchase a copy here in the BAA Online Store.

30 Good Reasons to Visit Gatorland

In this short (3:48) video, you can check out the variety of wading bird species that can be easily photographed at Gatorland in Kissimmee, FL in most years. Keep reading for info on the 2022 Gatorland Photographer’s Pass Program.

2022 Gatorland Photographer’s Pass Program

Though the 2022 Gatorland Photographer’s Pass Program (GPPP) is much improved from last year’s program, it falls well short of the great program that was in effect BC (Before Covid). I am hoping that the program will be restored to its former greatness next year. This year’s program includes ten scheduled days. The first is on 19 March, and the last is 21 May 2022. And it gives photographers the opportunity to get into the park at 7:00 am instead of the normal 10:00 am entry time.

Reservations are required two days before your visit. For example, if you wish to visit on 27 March, you need to make your reservation on March 25th. You can make reservations here on the Gatorland website, or by calling 407-855-5496 ext. 226 during business hours with your credit card in hand. There is no late stay option this year. The price is $25.00 + tax per visit and includes early entry at 7:00 AM at the SOUTH ENTRANCE. All tickets are date specific and non-transferable. You will not be able to leave until 10:00am when Gatorland opens.

Choose from the following 2022 dates:

March 27, 2022
April 2, 2022
April 10, 2022
April 17, 2022
April 22, 2022
April 30, 2022
May 8, 2022
May 13, 2022
May 21, 2022

A far better deal for folks who live in the area is the Birding Seasonal pass for $125.00 per person. That includes visits on all ten dates. And best of all, you can never be shut out. If, like me, you are on the list for the Birding Seasonal pass, you can show up on any of the GPPP days, have your name checked off the list, and enjoy a great morning of photography.

If you have a party of 15 or more folks and would like to book a Private Group early entry, Gatorland is able to offer additional dates of your choice (subject to availability and pending approval). Please contact: JoIndomenico@gatorland.com.

The famous Gatorland Bird Rookery was created in 1991 as an alligator breeding marsh. While the birds lose an occasional chick to the gators, they gain pretty much complete protection from ground predators. This unique habitat has grown into one of the largest and most accessible wading bird rookeries in Florida. Today, this area provides protected nesting, foraging, and roosting area to more than 20 different species of birds, many of which are listed as Endangered or Species of Special Concern. Gatorland’s boardwalks provide birders and photographers with access to these incredible birds, their nests, and their young, allowing people to safely observe them while capturing stunning photographs.

You can learn exactly how to make the best possible photographs at Gatorland in here ; details on that above.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 19th, 2022

Announcing the 2022 Jacksonville IPTs!

What’s Up?

When I rolled by the eagle nest on a very foggy Friday morning, the eaglet was not present. At 5:30pm, it was in the nest getting fed a big juicy fish by one of the adults. Can you say fledged, flying young?

That morning I almost headed home without making a single image. But as the sun was struggling to break through, I spotted the crane colt family at the south end of the South Peninsula and worked them with the hand held 600mm f/4. I got some really nice stuff. Then I did some Cattle Egrets foraging on tiny insects. And headed home to work on the first GNPA keynote.

Today is Saturday 19 March 2022. Happy birthday to older daughter Jennifer! I went to Gatorland early. The forecast for called for clear with a breeze from the south switching to the southwest after 9am. I was anxious to see how the birds are doing; last year was the poorest year ever … Report soon. Wherever you are and whatever you are doing, I hope that you too have a great day. This blog post took more than two hours to prepare and makes nine days in a row with a new one.

Please remember to use the B&H and Amazon links on most blog pages and always in the right column or to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords. And please consider joining a BAA IPT. You will be amazed at how much you will learn …

Click on the composite image to enjoy the incredible quality of the hi-res JPEG.

Clockwise from upper left clockwise and back around to the center: Royal Tern in flight with squid for chick; Royal Tern chick on beach; Royal Tern in flight with shrimp for young; Royal Tern chick — double overhead wing stretch; Royal Tern landing with greenback for chick; Royal Tern in flight with juvenile mahi mahi for chick; Brown Pelican — large chick preening; Laughing Gull in fresh juvenal plumage; Royal Tern chick begging; Many Royal Terns with many chicks on face of dune.

Jacksonville IPT: #1: 4 FULL DAYS — the afternoon of 16 June thru the morning of MON 20 June 2022: $2,099.00. (Limit 6 photographers)

Jacksonville IPT #2: the afternoon of FRI 1 JULY thru the morning of TUES 5 July 2022: $2099.00 (Limit 6 photographers)

Jacksonville IPT #3: the afternoon of FRI 15 JULY thru the morning of TUES 19 July 2022: $2099.00 (Limit 6 photographers)

Ride with me: add $200.00. I do not like to disappoint: each trip will run with one participant. If necessary.

I first visited the breeding bird colony at Jacksonville in late June 2021. I was astounded. There were many thousands of pairs of Royal Terns nesting along with about 10,000 pairs of Laughing Gulls. In addition to the royals, there were some Sandwich Terns nesting. And there are several dozen pairs of Brown Pelicans nesting on the ground. Flight photography was non-stop astounding. And photographing the tern chicks was relatively easy. Folks could do the whole trip with the Sony 200-600, the Canon 100-500 RF, or the Nikon 500 PF or 200-500 VR. With a TC in your pocket for use on sunny days. Most of the action is within 100 yards of where we park (on the beach). As with all bird photography, there are times when a super-telephoto lens with either TC is the best tool for the job.

Morning sessions will average about three hours, afternoon sessions about 1 1/2 hours. On cloudy mornings with favorable winds, we may opt to stay out for one long session and skip the afternoon, especially when the afternoon forecast is poor. Lunch is included on the first three days of the IPT and will be served at my AirBnB. After the first lunch there will be an introductory program. On days two and three we will do image review and Photoshop after lunch.

We will be based somewhere west and a bit north of Jacksonville where there are many AirBnB possibilities. The deposit is $599.00. Call Jim at the office any weekday at 863-692-0906 to pay by credit card. Balances must be paid by check.

What You Will Learn on a Jacksonville IPT

  • 1- First and foremast you will learn to become a better flight photographer. Much better.
  • You will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button..
  • 2- You will learn to work in Manual exposure mode even if you are scared of it.
  • 3- You will learn to evaluate wind and sky conditions and understand how they affect bird photography, especially the photography of birds in flight.
  • 4- You will learn several pro secrets (for each system) that will help you to become a better flight photographer.
  • 5- You will learn to zoom out in advance (because the birds are so close!) 🙂
  • 6- You will learn how to approach free and wild birds without disturbing them.
  • 7- You will learn to spot the good and the great situations.
  • 8- You will learn to understand and predict bird behavior.
  • 9- You will learn to design pleasing images by mastering your camera’s AF system.
  • 10- You will learn to choose the best perspective.
  • 11- You will learn to see and control your backgrounds.
  • 12- You will learn to see and understand the light.
  • 12- You will learn to see and create pleasing blurs in pre-dawn situations.
  • 12- You will learn to be ready for the most likely event (at all times).

And the best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever you are and whenever you photograph.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.