Arthur Morris/BIRDS AS ART
January 5th, 2022

Oh What a Morning. Sony 200-600 Hand Held Versatility!

Your Favorite?

All are invited to leave a comment letting us know which of today’s six featured images is their favorite and why they made their choice.

What’s Up?

Multiple IPT veteran Shelly Lake and I had an amazing session with the white pelicans at Lakeland. Shelley has had an a1 for a few months, but never joined the SONY Alpha a1 Set-up and Info Group 🙁 So we met well before dawn and working with my laptop on the tailgate shelf of my SUV, I loaded my a1 settings (via .DAT file) onto her a1. The word on the street is that the a1 menu is too complex to understand and that it is difficult to learn to use the camera. Once we had my settings on her a1, it took me all of five minutes of instruction to get her ready to go. We concentrated on the AF system (easy-peasy) and on getting the right exposure using Zebras (even easier). Before long we were photographing the American White Pelicans. For whatever reason, the birds were quite Copacetic. We worked them in the shade at first, then in early morning light, and finally in full sun. We worked on choosing the best perspective to get the most pleasing backgrounds, and I double-checked Shelley’s exposures and image designs on the rear monitor of her camera.

Shelly could not believe how amazingly well the Bird Face/Eye Detection AF worked once her Alpha 1 was set up correctly. As for the photography, she said, Artie, this was way beyond anything I could have expected. I leave for San Diego on 14 January. If you would like to join me for some In-the-Field instruction at Lakeland before then, shoot me an e-mail or try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. The weather is looking best for this coming Saturday, Sunday, and Tuesday. The details are below.

I was pleased to learn yesterday that three new folks joined the a1 group. Conditions were perfect at sunset but for the most part, the birds were flying in too low.

Today is Wednesday 5 January 2022. The forecast for this morning is for cloudy and still. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took more than two hours to prepare including the time spent on the six image optimizations and makes 56 consecutive days with a new one.

Please remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Your-Pick In-the-Field Sessions

The beauty of the Your Pick In-the-Field Sessions plans below is that I am free most days from now till mid-January and we can schedule sessions to coincide with the perfect weather forecast. They are ideal for central Florida locals or folks visiting the region for whatever reason. Interested? Get in touch via e-mail or better yet, try my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. Inquire for couples and group rates.

Indian Lake Estates In-the-Field Sessions

Two hours of intensive instruction: $300.00. Add a working brunch with image review: $100.00. Sunset shoot: $100.00. Guest room lodging available. Mix and match.

Sunny mornings with east winds are best. Likely subjects include ridiculously tame Sandhill Cranes along with Black and Turkey Vultures, Crested Caracara, Limpkin, Great Egret, Great Blue Heron, and more. Bald Eagle possible; crane chicks coming soon.

Lakeland or Circle B Bar Preserve

Two hours of intensive instruction: $325.00. Add a working brunch with image review: $100.00. Mix and match.

Sunny mornings with east winds are best at Lakeland. Likely subjects include point-blank American White Pelican, Anhinga, Limpkin, Common Moorhen, White Ibis, a variety of wintering ducks including Ring-necked and Wood Ducks, and lots more.

Cloudy mornings or afternoons (shooting session only) are best at Circle B Bar Preserve. Likely subjects include Great Blue Heron, Great Egret, Little Blue Heron, Snowy Egret, Tricolored Heron, White Ibis, Common Moorhen, Osprey, Red-shouldered Hawk, American Alligator, Wild Boar, and more. If you wish to mix and match, loving at ILE is available.

This image was created 4 January 2022 at my favorite white pelican spot in Lakeland, just one hour from my home. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) ISO 1250. Exposure determined via Zebras with ISO on the rear dial: 1/500 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:44:34am in the shade on a clear morning.

Tracking: Zone AF-C Bird Face/Eye detection performed to perfection. Click on the image to enjoy a high-res version.

Image #1: Small flotilla

The Flotilla

The yellow reflections are available at this spot before the sun makes its way over the buildings and trees. I would have liked this better without the pelican on the frame edge, but I loved the ducks in the background so I executed a small crop from the left and from below while maintaining the 3X2 proportions. The duck in the center is a drake ring-necked and the two darker ones are likely hens of that species. Though there were lots of Ring-necked Ducks at close range in nice light, the pelican photography was so good that we rarely glanced at them!

This image was also created 4 January 2022 at my favorite white pelican spot in Lakeland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) ISO 1600. Exposure determined via Zebras with ISO on the rear dial: 1/500 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:58:57am in the shade on a clear morning.

Tracking: Spot S AF-C Bird Face/Eye detection performed to perfection. Click on the image to enjoy a high-res version.

Image #2: American White Pelican head and shoulders portrait

Subject in Shade, Background in Sun

I espouse here often on the beauty of images made with the subject in the shade with the background in the sun. Here, after crouching down for the background that I wanted, I went with a ton of Zebras on sunlit water in the background to ensure a perfect exposure for the bird. In such situations, the subjects seem to glow. They are not easy to find, but when you do succeed, be sure to make lots of images.

This image was also created 4 January 2022 at my favorite white pelican spot in Lakeland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 575mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) ISO 1000. Exposure determined via Zebras with ISO on the rear dial: 1/640 sec. at f/9 (wide open) in Manual mode. AWB at 8:04:20am on a sunny morning.

Tracking: Spot S AF-C Bird Face/Eye detection performed to perfection. Click on the image to enjoy a high-res version.

Image #3: American White Pelican vertical head and shoulders portrait in early morning light

Sony 200-600 Hand Held Versatility!

Here again, I got low to introduce some of the red reflections into the top of the frame. The ease of hand holding the 200-600 (with or without the 1.4x TC) makes it a deadly weapon when working large, relatively tame birds. I was able to move quickly and get higher or lower as needed to control the background. If you get too low at this spot, you introduce the very distracting far shoreline into the image …

This image was also created 4 January 2022 at my favorite white pelican spot in Lakeland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 602mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) ISO 500. Exposure determined via Zebras with ISO on the rear dial: 1/1000 sec. at f/9 (wide open) in Manual mode. AWB at 8:41:59am on a sunny morning.

Tracking: Spot S AF-C Bird Face/Eye detection performed to perfection. Click on the image to enjoy a high-res version.

Image #4: American White Pelican young bird preening

The Young Birds

The adults far outnumber the young birds at this location. They stand out with their pinker bills. I am not sure as to how to separate birds of the year from the two or three year old birds … In addition to the differences in bill color, the younger birds have grayer feathers about the head and neck. See also Image #6 below.

This image was also created 4 January 2022 at my favorite white pelican spot in Lakeland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 694mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) ISO 500. Exposure determined via Zebras with ISO on the rear dial: 1/1000 sec. at f/10 (stopped down 1/3 stop) in Manual mode. AWB at 8:50:00am in full sun.

Tracking: Spot S AF-C Bird Face/Eye detection performed to perfection. Click on the image to enjoy a high-res version.

Image #5: American White Pelican adult face portrait

Consider the Exposure Data

If you look carefully at the exposure data for Images #2-#5, you will see that as the light got stronger, the shutter speeds got higher and the ISOs got lower. With Image #5, made in full sun, I was able to stop down 1/3 stop for a slight boost in depth of field. I worked on the BLUEs in Images #4 & #5 during the raw conversion in ACR. I moved the BLUE Luminance slider to the right to get the BLUEs just right.

This image was also created 4 January 2022 at my favorite white pelican spot in Lakeland. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 840mm), and The One, the Sony Alpha 1 Mirrorless digital camera. ) ISO 1600. Exposure determined via Zebras with ISO on the rear dial: 1/500 sec. at f/9 (wide open) in Manual mode. AWB at 8:52:51 in the shade of a tree on a clear morning.

Tracking: Spot S AF-C Bird Face/Eye detection performed to perfection. Click on the image to enjoy a high-res version.

Image #6: American White Pelican — feather detail on back of juvenile

Just Peachy

Birds of the year of this species feature brown streaks on the back when they first arrive at Fort DeSoto. I have never seen that in Lakeland. But some of the younger birds have swatches of peach on their backs. I could not resist trying to create some feather pattern images when I saw this bird in the shade.

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. This week, two folks in the group ordered their third a1! I am envious. The group is now up to an astounding 102 lucky and blessed folks. Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. The best news is that all who wish, can request an e-mail that includes a .DAT file with my a1 settings on it, and explicit directions on how to load my settings onto your a1; talk about convenience! (Note: I am now offering updated .DAT files).

All who purchased their Alpha a1 bodies via a BAA affiliate link will receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates group after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.) This same service may be purchased by anyone with an a1 body via a $150.00 PayPal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info & Updates. Alternatively, folks can call Jim weekdays at 1-863-692-0906 to pay via credit card. New members will receive composite e-mails that summarize all previous discussions.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors. Special thanks to Jordan Cait who has been doing an awesome job of proofreading the blog recently and getting in touch via e-mail.

January 4th, 2022

Catching Up: More Answers and Opinions. Including Mega-blasting Silhouette Lessons

A Tough One …

Which of today’s featured images is the strongest. Please leave a comment letting us know which image you like best and why you made your choice.

What’s Up?

Monday morning was cold and cloudy with a stiff NW wind. I took a nice walk with the Sony 70-200 II, the 1.4x TC, and the a1. No good pix. When the sun rose above the big cloud to the east at 8:00am, I headed home. Monday sunset was not much better as it was dead clear with a north wind. Most of the birds were flying too high or too low. Right at sunset, I had one good chance when a single White Ibis flew slowly into the wind right through the richest color.

I usually swim 44 to 60 lengths of the pool. Though it was a bit chilly midday on Monday, the pool was a very pleasant 89° (thanks to the heater/chiller). Not sure why, but the water felt so good and I was so relaxed that I swam an easy mile — 88 lengths. Tomorrow is supposed to be 15° cooler! Maybe I will take the day off …

Today is Tuesday 4 January 2022. I am looking forward to working with multiple IPT veteran Shelly Lake early today in Lakeland for a Your Pick In-the-Field session. If you would like to join me for some In-the-Field instruction at either ILE or Lakeland in the next ten days or so, shoot me an e-mail or try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. The details are below.

Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about two hours to prepare. This post makes 55 consecutive days with a new one.

Please remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Price Drop

Canon EF 100-400mm f/4.5-5.6L IS II USM Lens

Price Reduced on 1/4/22
BAA Record-low Price for Near-mint

Blog regular Elinor Osborn is offering a Canon EF 100-400mm f4.5-5.6L IS II USM in like-new condition (except for “On/OFF” written on the lens foot) for a BAA record low $1396.00 (was $1425.00).. The sale includes the original box, the Lens Case LZ1326, the Lens Hood ET-83D, the lens strap, the instruction sheet and booklet, the front and rear lens caps, and insured ground shipping via FedEx to lower 48 US addresses only. Your item will not ship until I receive a bank (cashier’s) check and confirm its validity via a phone call to the issuing bank.

Please contact Elinor via e-mail or by phone at 1-802 586-9994 (Eastern time)

This incredibly versatile zoom lens — with its amazing .98 meter close focus — was my favorite Canon telephoto zoom lens ever. By far. It is easy to hand hold, great for tight portraits, for birds in flight, for quasi-macro stuff, and lots more. For flight, it is fabulous with an R5! The lens sells new for $2399.00 so you can save some hard cash by grabbing Elinor’s copy now. artie

Your-Pick In-the-Field Sessions

The beauty of the Your Pick In-the-Field Sessions plans below is that I am free most days from now till mid-January and we can schedule sessions to coincide with the perfect weather forecast. They are ideal for central Florida locals or folks visiting the region for whatever reason. Interested? Get in touch via e-mail or better yet, try my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. Inquire for couples and group rates.

Indian Lake Estates In-the-Field Sessions

Two hours of intensive instruction: $300.00. Add a working brunch with image review: $100.00. Sunset shoot: $100.00. Guest room lodging available. Mix and match.

Sunny mornings with east winds are best. Likely subjects include ridiculously tame Sandhill Cranes along with Black and Turkey Vultures, Crested Caracara, Limpkin, Great Egret, Great Blue Heron, and more. Bald Eagle possible; crane chicks coming soon.

Lakeland or Circle B Bar Preserve

Two hours of intensive instruction: $325.00. Add a working brunch with image review: $100.00. Mix and match.

Sunny mornings with east winds are best at Lakeland. Likely subjects include point-blank American White Pelican, Anhinga, Limpkin, Common Moorhen, White Ibis, a variety of wintering ducks including Ring-necked and Wood Ducks, and lots more.

Cloudy mornings or afternoons (shooting session only) are best at Circle B Bar Preserve. Likely subjects include Great Blue Heron, Great Egret, Little Blue Heron, Snowy Egret, Tricolored Heron, White Ibis, Common Moorhen, Osprey, Red-shouldered Hawk, American Alligator, Wild Boar, and more. If you wish to mix and match, loving at ILE is available.

Sony Alpha 1 Bodies in Stock at Bedfords/free card offer!

Steve Elkins of Bedfords let me know late yesterday that he had several Sony a1 bodies in stock. If one of them has your name on it, please click here and be sure to enter the BIRDSASART coupon code check the box for free shipping to enjoy free Second Day Air Fed-Ex. Right now, in lieu of the 3% credit refunded to the card you used for your purchase, you will receive a Sony 160GB CFexpress Type A TOUGH Memory Card, a $399.99 value!

Brand New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link immediately above). My link works with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂

Please Remember Also

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times — I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 16 December 2021 down by the lake near my home at Indian Lake Estates. I used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens with the Sony FE 2x Teleconverter (at 346mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with Exposure Compensation on the thumb dial. Multi-metering +2 1/3 stops; AUTO ISO set ISO 200: 1/25 sec. at f/6.3 (stopped down 1/3 stop) in Shutter Priority mode. AWB at 5:38:38pm just after sunset.

Tracking: Zone AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #1: Icterid blur

In the New Kid on the Block: Versatile, & Deadlier Than Ever blog post here, I asked, Does anything about Image #2 (now above) bug you? One thing about it bugs me. What is it?

Neil Hickman

December 18, 2021 at 7:46pm ·

Could it be the one colour boring background? I think the cyan colour is fine for close to the horizon, but a few wispy clouds could have made a more interesting background.

Arthur Morris/BIRDS AS ART

December 21, 2021 at 8:27am

Hi Neil,

I do not mind solid sky backgrounds. And yes, a few puffy clouds would have been nice. But what bugs me is the color of the sky; it is too CYAN and not BLUE enough. I worked on the sky color but could not come up with anything that made me happy. I far prefer the BLUE sky in Image #3. with love, artie

BTW, my favorite of the four images in that post was Image #1: Icterid blur. My second fave was Image #3: Turkey Vulture braking to land.

This image was created near Denver, CO by Brian Sump. Working off the tilted rear screen, he used the handheld Canon EF 600mm f/4L IS III USM lens, the Canon Extender EF 1.4X III, and the Canon EOS R5 Mirrorless Digital Camera. Exposure determined via histogram evaluation. ISO 1600: 1/6400 sec. at f/7.1 (stopped down 2/3 stop). AWB early on a then sunny morning.

Image courtesy of and copyright 2021: Brian Sump Photography. Click on the image to enjoy a high-res version.

Image #1: Common Goldeneye — drake floating in early morning light

My Favorite Goldeneye

In the Extraordinarily Uncommon R5 Goldeneye Images. And, if someone held a gun to your head … blog post here, I wrote, If someone held a gun to your head and asked, Which of today’s two featured images is the strongest, would you go with Image #1 or with Image #2? All are invited to leave a comment and let us know why they made their choice.

I chose the portrait (above), over the action shot. While I love the raised foot and the splashes in Image #2, the sun on the bird in Image #1 is to die for. It lit up the colors of the bird and the background beautifully. In addition, Brian Sump did a superb job with the processing so that both the whites and the dark tones revealed lots of detail. If I could say that one of those images were mine, I’d go with the sunlit portrait in an instant.

Note: I am against gun violence.

You can see what folks in the Avian Forum on BPN, had to say about this image here.

This image was created on 22 December 2021 down at Circle B Bar Reserve in Lakeland, FL Standing at full height, I used the no-longer-available Induro GIT 204/Levered-Clamp FlexShooter Mini-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 125. The exposure was determined by Zebras with ISO on the rear wheel: 1/20,000 sec. at f/8 (stopped down 1 stop) in Manual mode. AWB at 8:23:47 am on a then very sunny morning.

Focusing information will the revealed in a future blog post soon. Click on the image to enjoy the high-res version.

Image #1A: Yes, a preening Anhinga

Mega-blasting Silhouette Lessons

In the What Gives? ISO 125: 1/20,000 second at f/8! blog post here, I wrote:

If you think that you can explain the exposure data — ISO 125: 1/20,000 second at f/8, please leave a comment. What was the background? What was the lighting?

Jake Kneale left a comment that hit the nail on the head:

My guess is a preening anhinga against the specular highlights of water in full sun

Yes, I was shooting into the blasting highlights of the full sun on the water. On a clear day, when the sun is in the frame, if you avoid over-exposing the sun, the rest of the image will be black. Period. Beware, however, of trying to include the un-muted sun in the frame as you risk eye damage. There is a way to do it without endangering your vision, but it is quite tricky.

If you want to try this, see the section on Photographing the Bright Sun in The Art of Bird Photography II (on CD). An electronic download is available here. If you are really serious about attempting this difficult shot without hurting yourself, you need to look carefully at a 5-stop, or better yet, a 10-stop ND filter that fits the drop-in filter drawer of your super-telephoto lens.

This last bit of advice is super-important: when shooting into the blasting highlights of the sun, you must focus manually. All AF systems are blinded by the brightness of the scene. If you camera offers a Focus Peaking feature, use it in these situations.

This image was created on 12 January 2020 at San Diego, CA. While standing at full height, I used the no-longer available GIT304L Grand Series 3 Stealth Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted-Sony FE 600mm f/4 GM OSS lens, the Sony FE 1.4x Teleconverter, and the Sony a9 ii(now replaced, for me, by The One, the Sony Alpha 1 Mirrorless Digital Camera). ISO 640. The exposure was determined by Zebras with ISO on the rear wheel: 1/500 sec. at f/5.6 (wide open) in Manual mode. AWB at 10:15:10am on a mostly sunny morning.

Expand Flexible Spot S AF-C performed perfectly. Be sure to click on the image to enjoy a larger higher-res version.

Image #2: American Coot in holiday reflections

Image #2 for Me

In the Happy Holidays! Christmas Coots Times Two blog post here, I wrote:

I feel that one of today’s featured images is by far the stronger of the two. Which one is it? And why?

Like many who left a comment, I feel that Image #2 is by far the better image. Several folks explained why they made the same choice:

Mo

#2 is much better. I like the position of the coot in the frame, the background color is better, & the tilted head position gives the image more interest.

Chris Davidson

Mo, summed up my thoughts perfectly! The curious pose is wonderful, and the lighter and brighter colors really amp up those glorious red and green reflections in the water. I agree. low is not always the way to go. A BIRDS AS ART holiday classic IMO!

Are the folks who preferred Image #1 wrong? Not at all. Judging art is 100% subjective and 100% personal. It’s that “beauty is in the eyes of the beholder” thing.

This image was created on 24 December 2021 down by the lake near my home at Indian Lake Estates, FL. Working from my stepladder, I used the no-longer available GIT305XXL Grand Series 5 Stealth Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted-Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). Multi-metering +1.7 stops/Auto ISO set ISO 1600. 1/1250 sec. at f/8 (wide open) in Shutter Priority mode. AWB at 5:36:44pm right after sunset on a clear afternoon.

Tracking: Zone AF-C Bird Face/Eye detection performed well enough. As this is a healthy crop and two birds were removed from the frame, let’s call this one a photo illustration. Be sure to click on the image to enjoy a higher-res version.

Image #2: Cattle Egret landing at evening roost

Loving the Action Shot

In the Late Afternoon Sunset Quickies blog post here, my favorite was Image #2: Cattle Egret landing at evening roost. I definitely like both images, but the richer colors, the inclusion of the far shoreline, and the dramatic flight pose were the deciding factors.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

January 3rd, 2022

Less Bird, More Green, or More Bird, Less Green? Still Learning After 38+ Years. And George Lepp on TCs

Your Favorite?

Which of today’s two featured images do you like best? Everyone is invited to leave a comment and let us know why they made their choice. Note: be absolutely sure to click on each image to view a larger, high-res version.

What’s Up?

The sun broke through the fog just before 7:30am on Sunday morning and disappeared behind a large cloud at 8:15am. I started with a Great Blue Heron on The Perch

in the fog. I was further blessed as the bird stayed on the perch for 15 minutes. Then I worked the crane family of four with the new, hard-to-get-your-hands-on Sony FE 70-200mm f/2.8 GM OSS II lens with the 1.4X TC and the a1.

Engaged in watching several NFL games on TIVO, I was very late getting down to the lake. Most of the Cattle Egrets and Little Blue Herons had already gone to roost, but I’m glad that I made it as I learned something new. With a fairly brisk wind from the southwest, the surface of the lake was rippled and ruffled. As a result, there was no color in the water. I had been spoiled by the dead calm conditions and the still water for the past week when the sky colors were reflected by the mirror-like surface of the lake.

There was not much action, but I had another good chance on the Mottled Ducks blasting off — I had one miraculously good one out of a burst of 25. And I got some nice stuff on Boat-tailed Grackle and White Ibis. That said, I created less than 200 images, far below average for a sunset session.

Today is Monday 3 January 2022. There is a small front passing by this morning as the forecast is calling for mostly cloudy with a brisk northwest wind and falling temps. I will almost surely head down to the lake for at least a bit. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about 90 minutes to prepare including the time spent on the image optimizations. This post makes 54 consecutive days with a new one.

Special thanks to Jordan Cait who has been doing an awesome job of proofreading the blog recently and getting in touch via e-mail.

I am looking forward to working with multiple IPT veteran Shelly Lake on Tuesday morning in Lakeland for a Your Pick In-the-Field session. If you would like to join me for some In-the-Field instruction at either ILE or Lakeland in the next ten days or so, shoot me an e-mail or try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. The details are below.

Please remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Your-Pick In-the-Field Sessions

The beauty of the Your Pick In-the-Field Sessions plans below is that I am free most days from now till mid-January and we can schedule sessions to coincide with the perfect weather forecast. They are ideal for central Florida locals or folks visiting the region for whatever reason. Interested? Get in touch via e-mail or better yet, try my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up. Inquire for couples and group rates.

Indian Lake Estates In-the-Field Sessions

Two hours of intensive instruction: $300.00. Add a working brunch with image review: $100.00. Sunset shoot: $100.00. Guest room lodging available. Mix and match.

Sunny mornings with east winds are best. Likely subjects include ridiculously tame Sandhill Cranes along with Black and Turkey Vultures, Crested Caracara, Limpkin, Great Egret, Great Blue Heron, and more. Bald Eagle possible; crane chicks coming soon.

Lakeland or Circle B Bar Preserve

Two hours of intensive instruction: $325.00. Add a working brunch with image review: $100.00. Mix and match.

Sunny mornings with east winds are best at Lakeland. Likely subjects include point-blank American White Pelican, Anhinga, Limpkin, Common Moorhen, White Ibis, a variety of wintering ducks including Ring-necked and Wood Ducks, and lots more.

Cloudy mornings or afternoons (shooting session only) are best at Circle B Bar Preserve. Likely subjects include Great Blue Heron, Great Egret, Little Blue Heron, Snowy Egret, Tricolored Heron, White Ibis, Common Moorhen, Osprey, Red-shouldered Hawk, American Alligator, Wild Boar, and more. If you wish to mix and match, loving at ILE is available.

Sony Alpha 1 Bodies in Stock at Bedfords/free card offer!

Steve Elkins of Bedfords let me know late yesterday that he had several Sony a1 bodies in stock. If one of them has your name on it, please click here and be sure to enter the BIRDSASART coupon code check the box for free shipping to enjoy free Second Day Air Fed-Ex. Right now, in lieu of the 3% credit refunded to the card you used for your purchase, you will receive a Sony 160GB CFexpress Type A TOUGH Memory Card, a $399.99 value!

Brand New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, or to any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The waitlists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link immediately above). My link works with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂

Please Remember Also

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times — I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 2 January 2022 at Indian Lake Estates. Working from the front seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). ISO 500. The exposure was determined using Zebra technology with ISO on the rear wheel: 1/250 sec. at f/4 (wide open) in Manual mode. AWB at 7:29:28am just as the sun broke through the light fog.

Small Spot S AF-C performed perfectly. Be sure to click on the image to enjoy a higher-res version.

Image #1: Great Blue Heron on The Perch

Less Bird, More Green

It is Hard to Believe …

It is hard to believe that after nearly 38 1/2 years of doing bird photography, there are still new lessons to be learned almost every day. On Sunday morning, I refined a BLUBB sharpness technique that I have been working on for a while. I am planning on doing a short video on that topic soon. Next, I discovered a new button setting that will improve the AF system of the world’s best bird photography camera body, the Sony a1. I will be sharing that with the a1 group this week via SONY Alpha a1 Set-up and Info Notes e-mail #27. I am continually astounded by the complexity of the a1, and the degree to which it can be customized to best meet your needs.

Eagle-eyed Image Question

There is a small distracting element in Image #1 that was eliminated in Image #2. If you can spot it — it bothers the heck out of me, please leave a comment.

This image was created on 2 January 2022 at Indian Lake Estates. Working from the front seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). ISO 800. The exposure was determined using Zebra technology with ISO on the rear wheel: 1/320 sec. at f/5.6 (wide open) in Manual mode. AWB at 7:37:28am, less than 10 minutes after the sun had broken through the light fog.

Small Spot S AF-C performed perfectly. Be sure to click on the image to enjoy a higher-res version.

Image #2: Great Blue Heron on The Perch

More Bird, Less Green

Add Green Whenever Possible …

I am not sure when I first wrote, Add green whenever possible. It might have been in the original The Art of Bird Photography, or in the digital follow-up, The Art of Bird Photography II (on CD). An electronic download of the latter is available here. If you do not own both of these classics, you can do yourself a lot of good by ordering the Two-Book Bundle.

In any case, I try to add green whenever possible. Note that in Image #1, made with the 600mm lens alone, I could have worked horizontally and still included lots of green. Twenty years ago I would have done just that so that the image might have sold for a two-page magazine spread … Unfortunately, creating image designs for specific book and magazine usages is a thing of the past. With Image #2, I needed to work vertically to include the tops of the reeds in the bottom of the frame. The soft, early morning light did not hurt either image.

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. This week, two folks in the group ordered their third a1! I am envious. The group is now up to an astounding 99 lucky and blessed folks. Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. The best news is that the all who wish can request an e-mail that includes a .DAT file with my a1 settings on it, and explicit directions on how to load my settings onto your a1; talk about convenience! (Note: I am now offering updated .DAT files).

All who purchased their Alpha a1 bodies via a BAA affiliate link will receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates group after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.) This same service may be purchased by anyone with an a1 body via a $150.00 PayPal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info & Updates. Alternatively, folks can call Jim weekdays at 1-863-692-0906 to pay via credit card. New members will receive composite e-mails that summarize all previous discussions.

George Lepp on TCs

While creating the New Species: Fan-tailed Vulture! Why No Teleconverter? blog post here, I thought a lot about old friend and colleague George Lepp. George writes a great Tech Tips column for Outdoor Photography magazine, and like me, was a Canon Explorer of Light, one of the original fifty-five. Learn more about George here.

Anywho, I sent this to him via e-mail the other day:

Hey George,

I hope that all is well and that you have a great 2022.

I remember clearly you saying (or writing) that images made with TC will never be as sharp as images made with bare super-telephoto lenses. You’d say something very much like this, “Images made with a 1.4X TC will be 14% less sharp than this made with the bare lens along; those made with a 2X TC will be 28% less sharp.

I’d love to hear your thoughts on this subject today. Have things changed?

With love, artie

George kindly responded (in part):

Artie:

I stand by some of what I used to say, but the change is that the new lenses are so good that the small loss in sharpness will not be noticeable. I’m getting away with 2x extenders on my Canon RF100-500mm zoom because the high ISOs are so good and when I get the file into Photoshop and then Topaz Sharpen AI, no one can tell I was at 1000mm with a zoom and at ISO 1600 or 3200. Mirrorless in the new cameras is just so good. I’m using two R5 cameras and not planning on an R3. Maybe when the R1 shows up, I’ll look at it. The 2x and even the 2x and 1.4x together on the EF600mm f/4L MK III is professionally sharp, and I can do the cover of the magazine with no excuses! I did a Bald Eagle cover with that combo with the R camera for Outdoor Photographer two years ago. It’s all just gotten better and if you use good technique, there is no reason to not use 1.4x or 2x extenders as professional tools. Not to mention that at 45 MP you even crop to some degree and get away with it!

I’m pretty much retired. Not an Explorer of Light as of last July (they cut me loose), but they gave me status as a member of the Canon Legends Group so I still get some benefits on gear purchases and with CPS. I have no complaints. I was done with the social media so they replaced me with a younger person. It used to be that between the magazine (OP), photo stock, and work I’d do for Canon (lectures and workshops), I made a very good living. I’m still a pro, but now it is mostly “Pro-Bono”. I do work for local nature organizations. My next project will be a 4K video for a local nature center that has a pair of resident Trumpeter Swans on a small lake. I’ll document the life cycle from eggs to the cygnets being ready to fledge. I did it with stills two years ago. The two swans can’t fly (injuries), so they stay on the small lake that has plenty of food. When the young swans are about to fly, they are captured and taken to a lake in eastern Oregon where there is a resident wild flock of swans that will teach them what else they need to know. The trumpeters are very rare in the western states and this helps to rebuild the numbers.

All my best,

George D. Lepp

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors. Special thanks to Jordan Cait who has been doing an awesome job of proofreading the blog recently and getting in touch via e-mail.