Arthur Morris/BIRDS AS ART
May 13th, 2024

Help Needed Times Two

Help Needed I

I got a response to a ticket at Homepage Universe stating that they think they found the problem with post notifications.

If you received a post notification for this short post via e-mail, please forward it to me at samandmayasgrandpa@att.net. Many thanks, artie

Repair Sony Raw (ARW) Files?

Question: Does anyone know of, or have experience with, a software package that can repair damaged ARW files?

Situation: After uploading many photos from the Sony A1 and A9iii, I accidentally deleted them. I was able to recover all the files, but they are currently not viewable in Photoshop or Photo Mechanic. I’ve heard that Wondershare Recoverit can restore the files. Does anyone have any experience with this software or any other? Sony’s first level technical support was unable to help me.

Thank you,
Steve Shore

If you can help Steve, you can leave a comment or shoot him an e-mail.

May 13th, 2024

AMOY Birdscape -- Bill Reconstruction & Band Removal

a9 iii E-mail Set-up and Info Guide

a9 iii E-mail Set-up and Info Guide

For those who think that my comments on the a9 iii are pure hype, know that I sold the second of my three a1 bodies this morning. Lots more on the switch coming soon.

If you plan on purchasing a Sony a9 III Mirrorless Camera (or anything else for that matter), please remember to use or write for either my Bedfords discount code or my B&H affiliate link. Folks who use one of my two affiliate links to purchase the a9 III will receive my .DAT settings (the complete camera set-up) along with a Buttons and Dials Guide.

Supporting My Efforts Here

If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.

In many cases, I can help you save some serious dollars.

Learn to be a Much Better Bird Photographer

Join a BIRDS AS ART Instructional Photo-Tour. Better yet, sign up for both Homer trips.

What’s Up?

Blog Post notifications stopped sending on 4 May. I have been working hard to restore the e-mail notifications with no success. I can log in to WordPress but when I use the same user name and password to log into the WordPress Help Forums I get the dreaded “wrong user name or password” notice. I did manage to get into Jetpack support yesterday but have not received an answer to my question. I opened another ticket with the server company, HomePage Universe, but my last two requests for help have fallen on deaf ears. I shall keep trying.

My plan is to publish a new post every other day. By bookmarking www.BIRDSASART-Blog.com you can continue to enjoy the new posts even though you are no longer receiving the e-mail notifications simply by clicking on the previous link.

Today is Monday 13 May 2024. I have a ton of work to do before I leave on Thursday for Little Rock. I have so much to do, that other than for my walks, I have not been down to the lake since I returned from DeSoto.

Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Sony FE 400mm f/2.8 GM OSS Lens

Used Gear Page veteran Robert Hollyer is offering a Sony FE 400mm f/2.8 GM OSS lens in Like-New condition for a BAA record Low $9,998.00. The sale includes the front lens cap, the rear lens cap, the lens hood, the lens strap, that hard case & strap, the original product box, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Bob via e-mail or by phone at 1-206-359-0018 PST.

I purchased my Sony 400mm f/2.8 two years ago to complement my 600mm f/4. Robert is selling his because he rarely uses it, opting instead for the 600mm f/4! It is far easier for me to handhold the 4 ounces lighter, much smaller, and better balanced 400 f/2.8 than it is to handhold the 600mm f/4. The 400 is superb in extreme low light and for flight with or without the 1.4X teleconverter. This lens sells new right now for $11,998.00 at B&H and there are used copies going for $10998.00 as well. Act quickly to save a handsome $2,000.00 by grabbing Robert’s might-as-well-be-new 400mm GM lens. And you can’t beat the f/2.8 bokeh! artie

This image was created on 9 May 2024 on the second morning of the Spring DeSoto IPT. While seated on dry sand, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 400mm f/2.8 GM OSS lens, the Sony FE 1.4x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800. 1/1000 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect. AWB at 7:51:31am on a variably cloudy morning.

Manual Focus. Be sure to click on the image to enjoy a larger, sharper high-res version.

Image #1: American Oystercatcher taking over incubating duties.

Your Call

Do you like this image? Why or Why Not?

DeSoto AMOY Nest

Thanks to multiple IPT veteran and good friend David Pugsley who alerted me to the presence of a roped off American Oystercatcher nest that was photographable only in the morning. Thursday last began mostly cloudy with a 20 mph wind from the S/SW. I had heard that there had been some spoonbills in Hidden Lagoon. Considering that possibility, the AMOY nest, and the low light, I went with the 400mm f/2.8 and an a-1, the latter as I was not expecting to do any flight or action.

As we arrived at the ropes and sat, we talked about choosing the best perspective. 560mm yielded the same in the frame look that I was after and allowed me to include the beach vegetation in the background along with a peek at the Gulf of Mexico. With everyone using Sony, I advised getting significant Zebras on the sky. With the wind hard from my left, I removed the lens hood and stored it on the sand. With all of the big, fast super-telephoto lenses, it is always best to remove the hoods when working in a cross wind; that keeps the hood from acting like a giant wind sail and destroying images sharpness.

Early on, one adult was on the nest and was sitting atop a small rise but well down on the nest. The grasses around the sitting bird’s head made it virtually impossible to use autofocus, even for those using one of the Spot S AF methods. I quickly went to Manual Focus with a (red) focus peaking and taught the two folks using the a1 how to use the focus magnification technique to ensure accurate manual focusing.

The other parent had been hanging around the nest so I told everyone that the best images might come if a nest change occurred. When that happened, the first bird walked away to the south and the second adult walked quickly to the nest. At this point I decided to trust my previously set manual focus distance. I got lucky as the second bird was on the same exact plane as the first bird had been.

I wanted to make an image before the bill of the new bird became obstructed by the grasses. I came close to doing that, but the tip of the bill wound up behind some grass. In addition, the end of the bird’s bill was badly stained with salt. Worst of all, I saw that the new bird had three bands, two orange/red EA bands on both lower leg bones and one metal, USFWS band (with the first two digits “11”) on the right tarsometatarsus. At first glance, I thought that the image clean-up would be too difficult. See the Animated GIF below.

Diagram #2: Comparison of human leg bones and bird leg bones

Diagram by Rebecca Hawkins here on Twitter (X).

Rebecca Hawkins” Comments

Ever wonder why birds have backwards knees? That’s because those aren’t knees, they’re the equivalent of our ankles! Bird knees are further up their legs and often hidden by feathers.

@RebeccasBones’ diagram above and her explanation of the reality of a bird’s leg bones are the clearest and most understandable I have ever come across.

Band Removal and Bill Clean-Up and Reconstruction

With the IPT group huddled around the kitchen counter, I did not think that I could do it, but using my cadre of clean-up and repair tools, I was eventually successful. Everyone in the group, especially Geri, offered helpful comments and suggestions. In no particular order, I used the Remove Tool, the Patch Tool, the Clone Stamp Tool, and several Quick Masks that were refined by the addition of a regular layer mask. All as detailed in Digital Basis II and in the Digital Basics III Video Series.

The shared AirBnB experience on the DeSoto IPT worked out amazingly well. Unless I was sleeping, I was there to answer everyone’s questions. We saved a ton of money on meals — we shared the cost of the food — and we all got along great.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).

You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

The techniques mentioned above and tons more great Photoshop tips and techniques — along with my complete digital workflow, Digital Eye Doctor Techniques, and all my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

Please note: the Divide and Conquer technique was inadvertently omitted from DB II. It is detailed in a free excerpt in the blog post here.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: most of the videos are now priced at an amazingly low $5.00 each.

You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About three years ago I began converting my Nikon and Sony RAW files in Capture One and did that for two years. You can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here. Today, I convert my Sony raw files in Photoshop with Adobe Camera Raw.

You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.

The Digital Basics III Video Series

The Digital Basics III Video Series

I realized about a year ago that my digital workflow had changed significantly and was toying with the idea of writing a Digital Basics III. More recently, I learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.

As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born.

You can save $26 by ordering the first five videos in Volume I by clicking here. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

May 11th, 2024

Word Press Help Needed. And Sony a9iii 420mm Shorebirds

Supporting My Efforts Here

If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.

In many cases, I can help you save some serious dollars.

Live Life to the Fullest

Join an Instructional Photo-Tour. Better yet, sign up for both Homer trips.

Important Notice

After a recent update, Word Press stopped sending post notifications. We are aware of the issue and are working on rectifying it. You can always visit the blog by visiting or bookmarking www.BIRDSASART-Blog.com.

Word Press Help Needed

As some of you realized, several days ago the automated post notification e-mails quit being sent. Why? Last week, whenever I opened my Word Press dashboard a notice appeared advising me to update the PHP and Word Press itself. The directions were so complicated that I refrained as long as possible. Not to mention that anytime I update anything it is done with trepidations. So, I contacted Homepage Universe, the folks we pay for the server, and they did the two updates. Everything seemed fine. But, several blog subscribers e-mailed yesterday asking if I was OK.

I quickly realized that the post notifications were not being sent. Because of the updates. I can log into Word Press with the user name and password that I have been using for two decades. But, using the same user name and PW, I am unable to log into the support forum to try to figure out why the e-mail notifications quit and how I can fix the problem.

If you have any ideas or have a friend who might be able to help, please get in touch with me via e-mail and include the necessary contact info including e-mail address and phone number.

Many thanks.

Your Call

Enlarge each of today’s two featured images and let us know which you feel is the stronger photograph and why you made your choice. Read the info below each image to improve your shorebird photography. By doing so, you will learn what that three folks on the IPT learned this morning.

What’s Up?

The May 2024 DeSoto IPT group has been a pleasure to work with. We had a great thank you dinner Thursday night at Pia’s Trattoria in Gulfport. Photography at DeSoto has ranged from great to terrible. Afternoons have been uniformly terrible. Jim Miller left a day early after our Friday morning session for a doctor’s appointment in Tallahassee. Steve and Geri were thrilled that I took them to the North Venice Rookery in the afternoon. The forecast was perfect: mostly cloudy with a west wind. The reality was that it was totally sunny with an east wind :-(. We got our best stuff late in the day when the colony was in the shade. There were lots of Great Egret chicks and several Wood Stork chicks. We also had some sweet Tricolored Herons (one pair with young), a breeding plumage Snowy Egret, and an adult Black-Crowned Night Heron. When we arrived, there was a juvie Little Blue Heron foraging on the duckweed. The best news? There was zero traffic on the way back to our AirBnB.

Sharing the AirBnB with three participants was a first and we all got along great. We ate most meals in the house and everyone loved my cooking. And I loved their dishwashing!

This image was also created on 10 May 2024 on the May 2024 Fort DeSoto IPT. Seated on damp sand I used the kneepod technique with the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter (at 420mm) and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 2000: 1/1250 sec. at f/5.6 (stopped down one stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 7:38:41am on a partly cloudy, variably sunny morning.

Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #1: Sanderling molting into breeding plumage

Plan B

In comparison to the last ten years, photography at North Beach this spring has been terrible. The east winds (perfect) of the previous ten days have been replaced by W/SW winds. On the sunny mornings, that is the worst possible combination as the sun rises in the northeast. With the strong winds and super low tides, afternoons at any location have been very challenging at best. The great news is that everyone has learned a ton and been making excellent photographs. The forecast for Friday morning was for sunny turning cloudy by 9:00am. When we drove into the park at 7:00am, there were lots of clouds to the east so rather than head to North Beach for another death march, we headed for my morning back-up spot, a spot that most self-respecting bird photographers shun. But not me. My decision to with tracks based on the tide and the weather was brilliant.

Anyhoo, the sun came out for good at 9:00am. So much for the weather forecast …

We had two small, clean areas of beach that mush have been packed with tiny invertebrates as we had 15 to 20 turnstones and perhaps a half dozen Sanderlings foraging in front of us right down sun angle (whenever it poked through the clouds). In addition, we had two White Ibis feeding and on occasion, we were joined by an oystercatcher and a Willet.

See the next item to learn what the group learned on what turned out to be a great morning of shorebird photography.

This image was also created on 1o May 2024 on the May 2024 Fort DeSoto IPT. Seated on damp sand I used the kneepod technique with the handheld handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter (at 420mm) and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1600: 1/1600 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead solid perfect. AWB at 7:54:32am on a partly cloudy, variably sunny morning.

Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #2: Ruddy Turnstone with clam and a strand of green seaweed

The Old Maxim

In the Art of Bird Photography, I wrote, In bird photography, add green whenever possible. I love the line of green seaweed in front of the Sanderling in Image #1 and the tiny bit of seaweed hanging from the small clam in Image #2. Not that I had anything to do with either 🙂

Shorebird Photography Lessons Learned

1- When there are shorebirds around, pick out a stretch of clean beach, an area with little to no beach debris like shells, seaweed, pebbles and other beach wrack like algae, sea grasses, and some invertebrates like as sponges and soft corals, and sit or lie down on the sand.

2- If and when the birds take flight, stay put; unless the tide has come in and covered the beach, the birds will almost always return.

3- Individual birds like the Sanderling in Image #1 will often stake out and defend a small area of food-rich shoreline and defend it against all comers. They often provide consistent action.

4- When the sun is coming in and out, you quickly need to change your exposures. Advantage Sony Zebras. But even with Zebra technology you need to stay sharp.

5- Foraging shorebirds rarely stay still (like the Sanderling in Image #1), even for a second. Thus, for moving birds, you need relatively fast shutter speeds of 1/1000 second (at a minimum).

6- Foraging shorebirds are affected much less by “bad” wind direction (wind against sun conditions) as terns or gulls roosting on the beach are. The trick is to make a series of image in the rare instant that the birds are square to the imaging sensor or angled slightly toward you; subject to film plane orientation is difficult when the birds are feeding and changing positions practically ever second.

Fine Point Lesson

Note that Image #1 is from the full frame (uncropped) raw file. Working at only 420mm, the bird was likely eight or nice feet from me. When photographing large in the frame birds at point blank range, there is usually a need for additional depth of field. That is why I opted to stop down one full stop for the first image; That helped to sharpen up the wing feathers this side of the plane of focus, right on the eye.

Speaking of right on the eye, Sony a9 iii Bird Face-Eye AF continuous autofocus puts a-1 AF to shame. When shooting foraging shorebirds with the a1, I would need to go to Tracking: Expand Spot and would struggle to keep the active AF point somewhere near the bird’s eye, face, or head. Tracking the eye was sporadic. Working in Tracking: Zone with the a9 iii, the AF system grabs the eye and pretty much never lets go. Tracking: Zone gives you leeway when framing images of moving birds.

Image #2 on the other hand, was a small crop and the bird was smaller in the original frame. Therefore, there was no need to stop down; the feathers of the folded wing were rendered sharp at the wide open aperture (f/4) because of the distance factor. At a given aperture, d-0-f increases as the distance to the subject increases.

Why the 300mm f/2.8?

As we age, pretty much all bird photographers are looking to go lighter. And working without a tripod is an incredible pleasure that makes you much more mobile and makes it easier to get into the best shooting position. Having rented my 600mm f/4 GM to Steve Shore for the IPT, I’ve been switching using either the 400mm f/2.8 GM lens (with TCs) or the 200-600 (often with the 1.4X TC. As the 300mm f/2.8 8s the lightest of the three and I was feeling a bit tired on Friday morning, I went as light as possible and handheld the 300. I started with the 2X TC but as the birds were so close, I quickly switched to the 1.4X. I was surprised at how well I did.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.