Arthur Morris/BIRDS AS ART

Wing or No Wing?

Do you like the inclusion of the extra wing in the upper right corner of today’s featured image? Why or why not?

What’s Up?

I was just about to head home at 8:45am on Wednesday when the first Black Vulture landed near the road-kill cafe. That bird was followed by three more so I got out of the car and made my way to the tripod-mounted 600mm f/4/a1. Just as I got the the setup a Turkey Vulture landed left to right. The first frame was the best but in actuality, I was about five seconds too late …

Today is Thursday 18 November. Though it is cloudy dark I will be heading down to the lake at about 8am as I really need to get rid of the smelly opossum no matter what … My SUV is being picked up for service at 11:00am and I will not have it back until midday on Friday. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took about an hour to prepare.

Remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Brand New and As-Good-As-Ever Bedfords BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, and any prior purchases.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy getting 3% back on your credit card along with free 2nd Day Air Fed-Ex Air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and check the box for Free Shipping. That will automatically upgrade to free 2nd Day Air Fed-Ex. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager-to-please.

Wanted to Buy

If you have either of the following items that you would like to sell, please get in touch via e-mail. If you are not familiar with the Items for Sale terms, please click here before responding.

Sony FE 100-400mm f/4.5-5.6 GM OSS lens in near-mint or like-new condition.

Canon EF 500 f/4L IS II USM lens in excellent or better condition.

Canon EF 600mm f/4L IS II (or III) USM lens in excellent or better condition.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the links on the blog (including the logo-link immediately above). My link works with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂

Please Remember Also

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times — I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created 22 January 2020 on a San Diego IPT. I used the tripod-mounted Sony FE 600mm f/4 GM OSS lens and the 61-MP Sony Alpha a7R IV Mirrorless Digital Camera Body. ISO 800. Exposure determined by Zebras with ISO on the rear dial: 1/1250 sec. at f/5 (stopped down 2/3 stop) in Manual mode. AWB at 8:46am on cloudy-bright morning. Center Zone Continuous/tracking AF was active at the moment of exposure. Click on the image to see the spectacular hi res version. Image #1: Pacific Race Brown Pelican adult in flight

a7R IV/600 GM for Flight

With the Amazing SONY Alpha 1 in hand, it is easy to forget that the a7R IV on the 600 GM was a formidable flight photography rig. I used it often in San Diego to create ultra-tight portraits of the gorgeous pelicans, often with either the 1.4X or 2X TCs. 600mm is usually much too long a focal length for La Jolla flight, but when this relatively distant bird flew right toward the cliffs, I kept firing and the AF system tracked the subject perfectly. As I had clipped the wingtips, this image is a small crop all-around. Thus the guideline: it is better to cut than to clip.

Flight Shutter Speed Note …

This image was created at ISO 800 with a shutter speed of 1/1250 second and an aperture of f/5. What would have been better choices for the shutter speed and the aperture if I remained at ISO 800?

A Pre-RawDigger Under-Exposure

This image was created before I began using and learning from RawDigger; it was about one stop too dark. Being able to accurately evaluate the raw file brightness guides me when setting the Exposure slider during the raw conversion.

RawDigger — not for the faint of heart …

Nothing has ever helped me learn to create perfect exposures to the degree that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are completely bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.

The RawDigger (pink) Adapted Histogram

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me when I struggled with R5 exposures and when learned my new camera body, the Sony Alpha a1.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We could not figure out why the Max G values varied by camera system. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

San Diego, California: A Bird Photographer’s Paradise!

I’ve been visiting San Diego, California for more than 50 years, and photographing there for almost four decades. It truly is one of my favorite bird photography locations on the planet. The Pacific race Brown Pelicans with their fire-engine red and olive green bill pouches, are indeed the stars of the show, but there are lots of other great birds there that are relatively easy to photograph. Check out this five minute video to see the potential.

Be sure to subscribe to my YouTube channel by clicking here.

San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.

The 2022 San Diego Brown Pelicans (and more!) IPT. Monday 17 January thru the morning session on Friday 21 January 2022. Four full and one-half day: $2999.00. Deposit: $899.00. Limit: 8 photographers/Openings: 6

Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting with eggs and possibly chicks) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Duck; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals (depending on the current regulations) and California Sea Lions. And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.

Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.

Learning Exposure, Whether You Like It Or Not

Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on the exposure situation along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode and to get the right exposure every time as long as a bird gives you ten seconds with the light constant. (Or two seconds with SONY zebras…) And you will learn what to do when the light is changing constantly. What you learn about exposure is one of the great takeaways on every IPT.

Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.

It Ain’t Just Pelicans

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography as well, often with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of all of those opportunities. And depending on the weather and local conditions and tides, there are a variety of other fabulous photo chances available in and around San Diego.

Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.

The San Diego Details

This IPT will include five three hour morning photo sessions, four one and one-half afternoon photo sessions, four working brunches that will include image review and Photoshop sessions. On rare cloudy day occasions, we may — at my discretion, stay out in the morning for a long session and skip that afternoon. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.

An $899 deposit is required to hold your slot for this IPT. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 3385, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due right after you sign up.

Travel Insurance

Travel insurance for both big international trips and US-based IPTs is highly recommended as we never know what life has in store for us. I strongly recommend that you purchase quality travel insurance. Travel Insurance Services offers a variety of plans and options. Included with the Elite Option or available as an upgrade to the Basic & Plus Options you can also purchase Cancel for Any Reason Coverage that expands the list of reasons for your canceling to include things such as sudden work or family obligation and even a simple change of mind. My family and I use and depend on the great policies offered by TIS whenever we travel. You can learn more here: Travel Insurance Services. Do note that many plans require that you purchase your travel insurance within 14 days of our cashing your deposit check or running your credit card. Whenever purchasing travel insurance, be sure to read the fine print carefully even when dealing with reputable firms like TSI.

Variety is surely the spice of life in San Diego. Click on the composite to enjoy a larger version.

Getting Up Early and Staying Out Late

On all BIRDS AS ART IPTS including and especially the San Diego IPT, we get into the field early to take advantage of unique and often spectacular lighting conditions and we stay out late to maximize the chances of killer light and glorious sunset silhouette situations. We often arrive at the cliffs a full hour before anyone else shows up to check out the landscape and seascape opportunities.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

What’s Up?

I went down to the lake late yesterday afternoon without much success, though I did see a calling Barred Owl in a gorgeous tree with lots of hanging moss. The bird was sitting on an open perch. I would have set up the 600 with the 2X but for a single vine that hung right in front of the owl’s face …

Today is Tuesday 16 November 2021. It is 7:28am and I am sitting in my SUV working on today’s blog post. I am right on sun angle with the most recent road-kill cafe: a defrosted (previously road-killed) opossum carcass and a pile of smoked salmon skins. The sun came over the big cloud on the eastern horizon about ten minutes ago but so far there has not been any action other than a few Fish Crows flying around. It is dead clear now with a nice breeze from the Northeast so conditions are pretty good. The 200-600 is on the passenger seat and the bare 600 f/4 is on the tripod down by the edge of the canal so that if the vultures come in, I will be right at grass level. Aside from both species of vultures both Crested Caracara and Bald Eagle are potential diners. Time will tell. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post took more than two hours to prepare.

Remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

This Just In …

It is not 8:43am and I am ready to hit Publish on today’s post. Not a single bird flew by my road kill cafe, even for a sniff. I am going to shovel the opossum and the fish skins into a small cooler and let them ripen for another day. Then I will try again tomorrow.

New Bedfords BAA Discount Info

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy free Overnight Fed-Ex Air shipping for orders over $1,000.00 and free Second Day Fed-Ex Air shipping for orders under $1,000.00. Even better news is coming very soon. If you are curious, shoot me an e-mail.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would like to enjoy free Fed-Ex Air shipping as above, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it qualify for the free Fed-Ex Air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a 1, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager-to-please.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the links on the blog (including the logo-link immediately above). My link works with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂

Please Remember Also

Please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will (still!) save 3% on every order and enjoy free second-day air shipping. In these crazy times — I lost about fifty thousand dollars in income due to COVID 19 — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created on 7 June 2021 by BAA-friend, IPT veteran, and a1 Group member David Pugsley. Working from a very low perspective, he used the Sony FE 200-600mm f/5.6-6.3 G OSS Lens with the Sony FE 1.4x Teleconverter(at 840mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 2500. Exposure determined via Zebras with ISO on the Thumb Wheel: 1/1600 sec. at f/10 (stopped down 1/3 stop) Manual mode. AWB at 9:24am on what looked like a cloudy-bright morning. Image courtesy of and Copyright 2021: David Pugsley Image #1: Marbled Godwit scratching

Clipping the Virtual Feet

While doing the research for this blog post, I came across David’s BPN Scratch That Itch post here. Most everyone who commented felt that the image was too bright and that bird needed more room all around, especially in front of the bird and on the bottom frame edge where David had not left room for the virtual feet, the feet as if we could see them through the water. Scroll down to see how David improved his image with the repost in Pane #11 and to learn more about clipping virtual feet …

Searching for the term “virtual feet” on BPN, turned up exactly 500 links! Most were in the Avian Forum with a few in Wildlife. The first references were to posts from 2009 by Moderator Randy Stout and yours truly. Like me, David Pugsley learns something new with every image he posts. BPN is truly a great place to learn to improve your skills for only $40.00 a year. And we offer a three month free trial.

Image courtesy of and Copyright 2021: David Pugsley Image #1: Marbled Godwit scratching

A Big Improvement

With more room at the bottom of the frame for the virtual feet, and with the brightness pulled down nicely, David’s repost was a big improvement. David had room all around in the original capture; his error was simply in cropping too tightly. That is another very common error. This from a recent e-mail to De Soto IPT participant Pete Myers:

As for not liking tight crops at all, for me, the bird needs room in the frame, room to move, room to see, room to exist. At this point leaving room for an editor’s type no longer plays into the equation. But — for artistic reasons — I will often pick a looser original over a tighter one. with love, artie

In any case, I (crudely) added the virtual feet to give folks a better understanding of the concept. That brings us to …

I created this image on 4 November at Circle B Bar Preserve in Lakeland, FL. While standing, I used the Levered-clamp Flexshooter Pro/Induro GIT 304L tripod-mounted Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 467mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1000. Exposure determined via Zebras with ISO on the rear dial: 1/320 sec. at f/6.3 (wide open) in Manual mode. RawDigger showed that the brightness of the raw file was perfect. AWB at 3:39pm on a cloudy afternoon. Tracking: upper center Zone AF-C Bird/Eye Detection AF was active at the moment exposure and worked perfectly. Be sure to click on the image to enjoy the hi-res version. Image #2: Anhinga, female in Pond (or Bald) Cypress

Clipping the Virtual Tail

The discussion above brings us back to the Circle B Bar Reserve Anhingas & Bald Cypress Trees. Sony 200-600 G Lens Plate/Low Foot Options. And Why! blog post here where I wrote:

#2: Which basic compositional rule did I break when I created the second and the fourth images?

Over the course of four days several folks took a shot at my question, but nobody had a clue until BPN Super-moderator Daniel Cadieux posted this comment to a more recent blog post:

Hey artie, Yes, you clipped the virtual tail, the part of the tail that extends beyond the lower frame-edge had it been visible. I just checked the BPN thread and saw that a member there got it right. There is lots of learning on BPN for everyone 😉

But!

With both images 2 and 4, I was aware that I was clipping the virtual tail. I shot slightly wider versions but far preferred the somewhat tighter views with the clipped (not entirely virtual) tail.

When I posted Image #2 here on BPN, long-time member Jim Crosswell commented on the problem right off the bat. An interesting discussion with another long time member Andreas Liebman followed:

Originally Posted by Andreas Liedmann:

Hi Arthur …. who cares about those rules , and more important who is thinking about him/herself to dictate rules for others ????

All rules are more or less killing creativity … well IMHO .

I think it is just a matter of individual taste …. but if anyone wants wants to follow rules, go for it .

So …. I cannot see any form of violation, using your term.

My response:

Thanks, Andreas. I agree that rules stifle creativity. I have never been one to blindly follow the “rules,” photographically or otherwise. My photography is often guided by a series of artistic principles that I believe in. Jim, in Pane #6, hit upon what I was looking for, the fact that I clipped the virtual tail (partially obscured by the vegetation). I was aware of that when I pressed the shutter button, and wound up liking it a lot better than the slightly wider shot.

And I never suggest that folks should follow any photographic rules (other than “stay on the path,” when that is the rule) 🙂

with love, artie

Typos

In all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.