The first two images in today’s blog post were created by yours truly on September 26. The last two images were created by Anke Frohlich (in virtually the same instant) on September 27. The funny thing is that on Sunday, while using the 200-600, I got several really good images while Anke, using the hand held 600mm f/4, struck out. The next day, with each of us using the 600mm f/4s, I got nothing and Anke absolutely kicked my butt.
If you would like to learn exactly how we had so many good chances to photograph Pileated Woodpeckers in flight, shoot me a PayPal for $20.00 to birdsasart@verizon.net with the words Pileated Flight Photography Trick included in the e-mail. This trick works well with many bird families. The odds are that it will help you get some great images of typically difficult-to-photograph species.
Your Fave?
Which of the four flight poses is your favorite? All are invited to leave a comment and let us know why they made their choice.
What’s Up?
I spent a good part of the last two days working on the pre-trip info letters for the 2nd and third Fort DeSoto IPTs and the sold out Homer Bald Eagle IPT. Today is Friday 1 October. Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post more than two hours to prepare including the time spent on the four image optimizations.
If you missed the Bird Photography Heaven at Fort DeSoto with Arthur Morris/BIRDS AS ART video, you can view it here.
Remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Fort DeSoto in fall is rife with tame birds. All of the images on this card were created at Fort DeSoto in either late September or very early October. I hope that you can join me there this fall. Click on the composite to enjoy a larger version.
Clockwise from upper left to center: Long-billed Curlew, Marbled Godwit, Caspian Tern, Great Egret, Sandwich Tern with fish, Willet, Black-bellied Plover threat display, Snowy Egret, 2-year old Yellow-Crowned Night-Heron, juvenile Yellow-Crowned Night-Heron.
The Fall 2021 Fort DeSoto Instructional Photo-Tours
Fall 2021 Fort DeSoto Instructional Photo-Tour #2
3 1/2 Days: Tuesday 5 October through the morning session on Friday 8 October. $1999.00 includes three working lunches. Limit six photographers/Openings 3.
Fall 2021 Fort DeSoto Instructional Photo-Tour #3
3 1/2 Days: Tuesday 19 October through the morning session on Friday 22 October. $1999.00 includes three working lunches. Limit six photographers/Openings 3.
Fort DeSoto in Fall
Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for migrant shorebirds and terns in fall. There they join hundreds of egrets, herons, night-herons, and gulls that winter on the T-shaped peninsula. With any luck at all, we should get to photograph one of Florida’s most desirable shorebird species: Marbled Godwit. Black-bellied Plover and Willet are easy, American Oystercatcher is pretty much guaranteed. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two. And we will get to do some Brown Pelican flight photography. In addition, Royal, Sandwich, Forster’s, and Caspian Terns will likely provide us with some good flight opportunities as well. Though not guaranteed, Roseate Spoonbill and Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.
On this IPT, all will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button.. Everyone will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, and to design pleasing images by mastering your camera’s AF system. Most importantly, you will surely learn to evaluate wind and sky conditions and understand how they affect bird photography. And you will learn how and why to work in Manual mode (even if you’re scared of it). The best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever and whenever you photograph.
There will be a Photoshop/image review session during or after lunch (included) each full day. That will be followed by Instructor Nap Time.
These IPTs will run with only a single registrant (though that is not likely to happen). The best airport is Tampa (TPA). Once you register, you will receive an e-mail with Gulfport AirBnB information.
A $500 deposit is due when you sign up and is payable by credit card. Balances must be paid by check after you register. Your deposit is non-refundable unless the IPT sells out with six folks, so please check your plans carefully before committing. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand, or by sending a check as follows: make the check out to: BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, clothing, and gear advice. Please shoot me an e-mail if you plan to register or if you have any questions.
Clockwise from upper left to center: Long-billed Curlew, juvenile Tricolored Heron, Marbled Godwits, Great Blue Heron, juvenile Pectoral Sandpiper, Wood Stork, smiling Sea Scallop, Ruddy Turnstone scavenging needlefish, Great Blue Heron sunset silhouette at my secret spot, and southbound migrant tern flock blur.
Up Early, Stay Out Late!
Obviously folks attending an IPT will be out in the field early and stay late to take advantage of the sweetest light and sunrise and sunset colors (when possible). The good news is that the days are relatively short in early fall. I really love it when I am leaving the beach on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving. The length of cloudy morning sessions will often be extended. Click on the composite to enjoy a larger version.
I created this image on 26 September 2021. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1250. Exposure determined via Zebras with ISO on the rear dial: 1/3200 sec. at f/6.3 (wide open) in Manual mode. RawDigger showed that the raw file brightness was perfect. AWB at 8:34am on then-cloudy morning.
Center Zone/AF-C Bird/Eye Detection AF was active at the moment exposure and performed perfectly by nailing the bird’s left eye. Click on the image to view a hi-res version.
Image #1: Pileated Woodpecker full downstroke
The Wings-down Flight Pose
Flight images that feature both wings in the fully down position — as with Image #1 above, often work very well. On both days, each of us deleted dozens of sharp flight shots because the birds — they were a pair, were angling slightly aways from us. With all of our best images, the birds were angling slightly toward us.
I created this image on 26 September 2021. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1250. Exposure determined via Zebras with ISO on the rear dial: 1/3200 sec. at f/6.3 (wide open) in Manual mode. RawDigger showed that the raw file brightness was perfect. AWB at 8:36am on then-cloudy morning.
Center Zone/AF-C Bird/Eye Detection AF was active at the moment exposure and performed perfectly by nailing the bird’s left eye. Click on the image to view a hi-res version.
Image #2: Pileated Woodpecker, bullet flight pose
The Bullet Flight Pose
I am not sure that I have seen photographs of any birds but woodpeckers in this seemingly strange flight pose with the wings tightly tucked against the bird’s body. Have you? Photography often allows us to see things that we simply miss with the human eye. And the SONY a1’s 30 frames per second is a champion at doing just that.
This image was created on 27 September by Anke Frohlich. While standing, she used the hand held Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 2000. Exposure determined via Zebras with ISO on the rear dial: 1/4000 sec. at f/5.6 (stopped down one stop) in manual mode. RawDigger showed that the raw file brightness was perfect. AWB at 7:55am on a windy very cloudy stormy morning.
Zone/AF-C was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.
Image #3: Pileated Woodpecker, flying up to perch
Image Courtesy of and Copyright Anke Frohlich Photography
The Crops
Today’s four featured images on average represent only about 33% of the original pixels with about 66% cropped away and discarded. Anke loves shooting wide, cropping, and taking advantage of the superb image quality of sharp a1 raw files. A further advantage of shooting flight and action small-in-the frame is that you will often have more than enough depth-of-field to cover a singe bird, and with a bit of luck, to cover two subjects that are interacting.
This image was created on 27 September a fraction of a second later than Image #3 by Anke Frohlich. While standing, she used the hand held Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 2000. Exposure determined via Zebras with ISO on the rear dial: 1/4000 sec. at f/5.6 (stopped down one stop) in manual mode. RawDigger showed that the raw file brightness was perfect. AWB at 7:55am on a windy very cloudy stormy morning.
Zone/AF-C was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.
Image #4: Pileated Woodpecker, nearing perch
Image Courtesy of and Copyright Anke Frohlich Photography
The Wings-Up Flight Pose
As with the wings-fully-down flight pose, the wings-up flight pose is often a winner. This is about as “up” as a woodpecker’s wing get in flight. Again, we see the great advantage of working at 30 fps.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
If you have a Canon EF 500mm f/4L IS II Lens that is sitting on a shelf and would like to sell it for a decent price, please shoot me an e-mail.
Image 1C: This JPEG represents the raw file for the Barred Owl in flight image
By Popular Request
The JPEG above is an accurate representation of the raw file as it came out of the camera … Keep reading to see the optimized version. Be sure to note how well a sharp a1 image stands up to a relatively large crop.
What’ Up?
On Sunday, we had some good chances on Pileated Woodpecker in flight using audio down by the lake. You will see a Jackpot image or two here soon. On Tuesday, I just about finished my 2020 tax return. I was glad to learn yesterday that Pete Meyers will be joining the third DeSoto IPT.
Today is Wednesday 29 September.
Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post more than two hours to prepare including the time spent on the image optimization.
Remember that you can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Fort DeSoto in fall is rife with tame birds. All of the images in this card were created at Fort DeSoto in either late September or very early October. I hope that you can join me there this fall. Click on the composite to enjoy a larger version.
Clockwise from upper left to center: Long-billed Curlew, Marbled Godwit, Caspian Tern, Great Egret, Sandwich Tern with fish, Willet, Black-bellied Plover threat display, Snowy Egret, 2-year old Yellow-Crowned Night-Heron, juvenile Yellow-Crowned Night-Heron.
The Fall 2021 Fort DeSoto Instructional Photo-Tours
Fall 2021 Fort DeSoto Instructional Photo-Tour #2
3 1/2 Days: Tuesday 5 October through the morning session on Friday 8 October. $1999.00 includes three working lunches. Limit six photographers/Openings 3.
Fall 2021 Fort DeSoto Instructional Photo-Tour #3
3 1/2 Days: Tuesday 19 October through the morning session on Friday 22 October. $1999.00 includes three working lunches. Limit six photographers/Openings 3.
Fort DeSoto in Fall
Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for migrant shorebirds and terns in fall. There they join hundreds of egrets, herons, night-herons, and gulls that winter on the T-shaped peninsula. With any luck at all, we should get to photograph one of Florida’s most desirable shorebird species: Marbled Godwit. Black-bellied Plover and Willet are easy, American Oystercatcher is pretty much guaranteed. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two. And we will get to do some Brown Pelican flight photography. In addition, Royal, Sandwich, Forster’s, and Caspian Terns will likely provide us with some good flight opportunities as well. Though not guaranteed, Roseate Spoonbill and Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.
On this IPT, all will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button.. Everyone will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, and to design pleasing images by mastering your camera’s AF system. Most importantly, you will surely learn to evaluate wind and sky conditions and understand how they affect bird photography. And you will learn how and why to work in Manual mode (even if you’re scared of it). The best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever and whenever you photograph.
There will be a Photoshop/image review session during or after lunch (included) each full day. That will be followed by Instructor Nap Time.
These IPTs will run with only a single registrant (though that is not likely to happen). The best airport is Tampa (TPA). Once you register, you will receive an e-mail with Gulfport AirBnB information.
A $500 deposit is due when you sign up and is payable by credit card. Balances must be paid by check after you register. Your deposit is non-refundable unless the IPT sells out with six folks, so please check your plans carefully before committing. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand, or by sending a check as follows: make the check out to: BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, clothing, and gear advice. Please shoot me an e-mail if you plan to register or if you have any questions.
Clockwise from upper left to center: Long-billed Curlew, juvenile Tricolored Heron, Marbled Godwits, Great Blue Heron, juvenile Pectoral Sandpiper, Wood Stork, smiling Sea Scallop, Ruddy Turnstone scavenging needlefish, Great Blue Heron sunset silhouette at my secret spot, and southbound migrant tern flock blur.
Up Early, Stay Out Late!
Obviously folks attending an IPT will be out in the field early and stay late to take advantage of the sweetest light and sunrise and sunset colors (when possible). The good news is that the days are relatively short in early fall. I really love it when I am leaving the beach on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving. The length of cloudy morning sessions will often be extended. Click on the composite to enjoy a larger version.
This image was created on 24 September 2021 at Lake Blue Cypress aboard Clemens Van der Werf’s flats boat. I used the hand held Sony FE 600mm f/4 GM OSS lens and the beyond amazing Sony Alpha 1 Mirrorless Digital Camera (Body Only). ISO 1250. RawDigger showed that the raw file was just about two stops too dark at: 1/2500 sec. at f/4 (wide open) in Manual mode. AWB at 7:49am on sunny morning.
Center Zone/AF-C with Bird-Eye/Face Detection performed perfectly and produced a sharp-on-the-eye image.
Be sure to click on the image to view the spectacular hi-res version.
Image 1: Barred Owl in flight
And then the beautiful owl flew into the shade …
I was set up to photograph the owl lit by the sun. When it jumped off its perch, I acquired focus and fired off a burst. Today’s featured image was created after the owl flew into the shadow of the tree that it would land in. As expected, RawDigger showed that the raw file was just about two stops too dark. Keep reading for more on RawDigger and to learn how the image was saved in Photoshop.
Image 1A: The RawDigger screen capture for the Barred Owl in flight image
The RawDigger Screen Capture
I analyze every raw file that I process in RawDigger. I knew that this image would be well under-exposed, but was surprised that it showed as almost two full stops too dark, especially since the foreground and background foliage was lit by the sun. Do remember that a perfect exposure shows the G channel almost reaching the 16000 line.
The analysis in RawDigger gives me a good idea of how to set the Exposure slider in Adobe Camera Raw. See below for more on the ACR raw conversion.
RawDigger — not for the faint of heart …
Nothing has ever helped me learn to create perfect exposures to the degree that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are completely bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.
The RawDigger (pink) Adapted Histogram
In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me when I struggled with R5 exposures and when learned my new camera body, the Sony Alpha a1.
RawDigger e-Guide with Two Videos
The RawDigger e-Guide with Two Videos
by Arthur Morris with Patrick Sparkman
The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.
Patrick and I began work on the guide in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We could not figure out why the Max G values varied by camera system. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.
The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.
We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.
The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.
If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.
Image 1b: The ACR settings for the Barred Owl in flight image
The ACR Settings
Above you can see how I adjusted the sliders for the raw conversion of today’s featured image. If you convert in Capture One or DPP 4, the principles will be the same.
First, understand that the setting show as Auto only because of a glitch in the screen capture process. All of the sliders were and always are adjusted manually.
I increased the overall exposure to the tune of +1.35. I reduced the contrast five points to tone down the sunlit moss and pulled the Highlights down for the same purpose. I moved the Shadow slider to +74 to open up the under-exposed owl. I moved the White slider to the right to brighten the Highlights on the bird. I moved the Black slider to the left to set the black point. I rarely touch the Dehaze slider, but +6 here helped. I increased the Vibrance by 16 points and hit Open.
After the substantial crop — you gotta love sharp a1 files, I ran Topaz DeNoise on Auto. Next I made a careful selection of the owl, feathered it one pixel, saved the selection, and placed it on its own layer. I used Viveza on that layer to lighten the owl and heighten the details on the bird. I saved the first version of the image only to realize that the owl was too cool. I loaded the saved selection, opened Hue-Saturation, selected the BLUE channel, and reduced the Saturation to -80. Still not happy, I opened the ACR filter and upped the color temperature. I had not done that during the raw conversion as that would have affected the sunlit foliage.
It was lots of work, but I felt that this flight shot was worth saving.
The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).
You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.
The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)
The clean-up techniques mentioned above, making raw conversions in ACR, and tons more great Photoshop tips and techniques — along with all of my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my MacBook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.
Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: all of the videos are now priced at an amazingly low $5.00 each.
You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About two years ago I began converting my Nikon and Sony RAW files in Capture One Pro 12 and continue to do so today.
Which of the Fort DeSoto images in the video are your favorites? Please leave a comment and let us know why you made your choice or choices.
What’s Up?
On Friday, we had a great morning of Barred Owl photography aboard Clemens Van der Werf’s flats boat on Lake Blue Cypress! Images soon. On Saturday morning you ask? Not so great. On Sunday morning we played audio for Pileated Woodpecker down by the lake and had lots of action. You will see the Jackpot image here soon.
Wherever you are, and whatever you are doing, I hope that you too have a great day. This blog post more than three hours to prepare including the time spent on the creating and editing the educational video. I did learn some valuable video editing tips in the process.
Remember that you can find some great photo accessories (and necessities!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.
Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Please Remember
With income from IPTs now close to zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.
New and Better Bedfords Discount Policy!
You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.
Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.
Money Saving Reminder
Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.
Gear Questions and Advice
Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.
Bird Photography Heaven
Three of the four mornings on the first DeSoto IPT were outstanding. The third morning was just excellent. On the first morning, more than 100 birds were packed into Hidden Lagoon and the day began with some clouds. None-the-less, we had some truly great chances. You can check out the results by playing the YouTube video above. In addition to some of my favorite images, there are photos by multiple IPT veterans Mike DeRosa and Anke Frohlich. It is hard to believe that Anke has been photographing birds for well less than 15 months!
Fort DeSoto in fall is rife with tame birds. All of the images in this card were created at Fort DeSoto in either late September or very early October. I hope that you can join me there this fall. Click on the composite to enjoy a larger version.
Clockwise from upper left to center: Long-billed Curlew, Marbled Godwit, Caspian Tern, Great Egret, Sandwich Tern with fish, Willet, Black-bellied Plover threat display, Snowy Egret, 2-year old Yellow-Crowned Night-Heron, juvenile Yellow-Crowned Night-Heron.
The Fall 2021 Fort DeSoto Instructional Photo-Tours
Fall 2021 Fort DeSoto Instructional Photo-Tour #2
3 1/2 Days: Tuesday 5 October through the morning session on Friday 8 October. $1999.00 includes three working lunches. Limit six photographers/Openings 3.
Fall 2021 Fort DeSoto Instructional Photo-Tour #3
3 1/2 Days: Tuesday 19 October through the morning session on Friday 22 October. $1999.00 includes three working lunches. Limit six photographers/Openings 4.
Fort DeSoto in Fall
Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for migrant shorebirds and terns in fall. There they join hundreds of egrets, herons, night-herons, and gulls that winter on the T-shaped peninsula. With any luck at all, we should get to photograph one of Florida’s most desirable shorebird species: Marbled Godwit. Black-bellied Plover and Willet are easy, American Oystercatcher is pretty much guaranteed. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two. And we will get to do some Brown Pelican flight photography. In addition, Royal, Sandwich, Forster’s, and Caspian Terns will likely provide us with some good flight opportunities as well. Though not guaranteed, Roseate Spoonbill and Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.
On this IPT, all will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button.. Everyone will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, and to design pleasing images by mastering your camera’s AF system. Most importantly, you will surely learn to evaluate wind and sky conditions and understand how they affect bird photography. And you will learn how and why to work in Manual mode (even if you’re scared of it). The best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever and whenever you photograph.
There will be a Photoshop/image review session during or after lunch (included) each full day. That will be followed by Instructor Nap Time.
These IPTs will run with only a single registrant (though that is not likely to happen). The best airport is Tampa (TPA). Once you register, you will receive an e-mail with Gulfport AirBnB information.
A $500 deposit is due when you sign up and is payable by credit card. Balances must be paid by check after you register. Your deposit is non-refundable unless the IPT sells out with six folks, so please check your plans carefully before committing. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand, or by sending a check as follows: make the check out to: BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, clothing, and gear advice. Please shoot me an e-mail if you plan to register or if you have any questions.
Clockwise from upper left to center: Long-billed Curlew, juvenile Tricolored Heron, Marbled Godwits, Great Blue Heron, juvenile Pectoral Sandpiper, Wood Stork, smiling Sea Scallop, Ruddy Turnstone scavenging needlefish, Great Blue Heron sunset silhouette at my secret spot, and southbound migrant tern flock blur.
Up Early, Stay Out Late!
Obviously folks attending an IPT will be out in the field early and stay late to take advantage of the sweetest light and sunrise and sunset colors (when possible). The good news is that the days are relatively short in early fall. I really love it when I am leaving the beach on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving. The length of cloudy morning sessions will often be extended. Click on the composite to enjoy a larger version.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
