Arthur Morris/BIRDS AS ART
August 19th, 2021

Butt-crawling at 840mm with the SONY 200-600 G Lens

Your Call?

Which of today’s two featured images is more endearing? Which one do you like best? All are invited to leave a comment and let us know why they made their choice or choices.

What’s Up?

Not much. I spent most of the day e-mailing and texting. Late in the day, I attempted to check up on the three credit cards that I lost recently in one fell swoop about ten days ago 🙁 Have you ever been in phone system menu hell? Rarely speaking to a human, I spent 1 1/2 hours on the phone dealing with just two of the lost cards. Today is Thursday 18 August 2021. It took me three minutes this morning to request a new card from Citi-AA Advantage … I will be packing for my four-morning JBWR outing. I have been receiving glowing reports about the great conditions and great birds on the East Pond. It is not too late to join me on Saturday or Sunday. Wherever you are, and whatever you are doing, I hope that you too have a great day.

I just realized that August 7 passed last week without notice. It marked 38 years since I bought my SLR and my first telephoto lens: the Canon AE1 and the Canon 400mm f/4.5 FD — all film and manual focus. And boy oh boy, I did not have a clue!

Please note that it is best to click on each blog image to view it larger. For unknown reasons, the images — even the verticals that are not rendered larger, look sharper once they’ve been clicked on.

Remember that you can find some great photo accessories (and necessities!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks like me, who spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

This blog post took about 90 minutes to prepare and makes 231 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

German Bird Photography Help Needed

If anyone has any bird photography contacts for folks around Karslruhe or Baden-Baden, please get in touch via e-mail.

All from the East Pond at JBWR in August

Jamaica Bay Wildlife Refuge/East Pond Shorebird In-the-Field Workshops

Saturday 21 August 2021. Morning session: 6:00 until 9:00am (Limit: 6/Openings: 3)
Sunday 22 August 2021. Morning session: 6:00 until 9:00am (Limit 6/Openings 4)

For many decades, the East Pond at JBWR was the premier spot in North America to photograph southbound migrant shorebirds: small sandpipers (known affectionately as “peeps”), plovers, godwits, dowitchers, yellowlegs, and lots more. The pond, the spot where I would like my ashes to be scattered (in about two decades), has not been good for many years because of gate valve malfunction and mismanagement of the resource. Combined, these resulted in water levels that were too high; the mudflats that normally would provide roosting and feeding locations for large flocks of shorebirds were covered.

The refuge staff finally seems to have things under control this year. Water levels at the south end are reported as the best in a decade. The young birds usually arrive around 15 AUG. They are much, much tamer than the skittish adults that begin arriving around 1 July each year. The tides are perfect for 21-22 AUG. That weekend will potentially offer the best juvenile shorebird photography in many, many years. Weather and migratory patterns permitting. You will need to get your butt muddy as you cannot do the shorebirds while standing.

Consider joining me to learn the history of the pond, to learn to identify and age a variety of shorebird species, to learn how to approach the birds, and to improve your photography. I am expecting to have some very good chances for creating images of single birds in flight.

In-the-Field morning session alone: $350/session. With brunch and image review: $425/per session.

An option would be to stay over, grab a motel room, and do both morning sessions. In addition, you might want to add in a 6pm till sunset session at Nickerson Beach for only $250.00. To learn more or too register, please shoot me an e-mail.

Please Remember

With income from IPTs now close to zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created on 15 August 2021 at Nickerson Beach, Long Island, NY. While seated on dry sand using the knee pod technique, I used the hand held I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 840mm) with the One, the Sony a1 Mirrorless Camera. ISO 1600. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was dead solid perfect: 1/500 sec. at f/9 (wide open) in Manual mode. AWB at 7:11am on a cloudy morning.

Tracking: Spot S/AF-C with Bird-Eye/Face Detection performed perfectly by tracking and nailing the bird’s eye.

Image #1: Black Skimmer fledgling about four weeks old

Butt-crawling on the Beach Strategies

It is always best to get on the ground sooner rather than later. Flushing a flock of birds as you approach will not help your chances. Then set the lowest shutter speed that will enable you to make sharp images and have a chance to freeze slow-developing action … For me that is 1/500 sec. or thereabouts. Next for me with my Sony gear is to dial the ISO until I see faint Zebras on the subject. With your Zebras set properly as noted in the a1 SONY Alpha a1 Set-up and Info Group e-mails and in the SONY Camera User’s Guide, getting consistently excellent exposures is child’s play. (Note: a1 Group members receive a free copy of the SONY User’s Guide for reference.)

Next I set my AF method. For both of today’s images I went to Tracking: Spot S/AF-C. E-mail #23 to the a1 Group will detail recent changes I have made to further simplify how I used the AF system. Next I place the lens on my thighs and push myself forward with both of my hands (made into fists). You need to be careful that the lens does not fall off into the sand. With practice it becomes easy. One of my main goals is to isolate a single bird or a feeding situation. Such situations are most often found on the edges of the flock, so I go left or right as needed, often to stay on sun angle. On cloudy days like 15 August, you are not restricted by sun angle. Once I get into position, I brush the sand off my hands on my long-sleeved shirt.

I will usually go to the knee-pod technique first. In some situations, I will put the lens on the ground by building a small sand mound to support the lens hood. Or, I can put the lens either right on the ground or on my left ankle. When working low, I toggle the level to On (of course as detailed in the a Group e-mails). And I make sure to put on my reading glasses so that I can see the AF system in action and better view the level. Once everything is good, I start pushing the shutter button. With the 1.4X TC in place when working at f/9 in low light situations, I am dead in the water as far as flight and fast action is concerned.

This image was created on 15 August 2021 at Nickerson Beach, Long Island, NY. While seated on dry sand using the knee pod technique, I used the hand held I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 840mm) with the One, the Sony a1 Mirrorless Camera. ISO 1600. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was dead solid perfect: 1/640 sec. at f/9 (wide open) in Manual mode. AWB at 7:33am on a cloudy morning.

Tracking: Spot S/AF-C with Bird-Eye/Face Detection performed perfectly by tracking and nailing the bird’s eye.

Image #2: Black Skimmer chick about three weeks old

Skimmer Chicks Getting Bigger

Though there are still some small and medium-sized Black Skimmer chicks about, most are quite large. The bird in Image #1 is about a week older than the large chick in Image #2. Note the longer primary (and tertian ?) feathers of the bird in Image #1. That bird is likely capable of flight. I have loved watching and learning about the growth and development of the Least Tern chicks in South Florida, the Royal Tern and Laughing Gull chicks at Jacksonville, and now, the Black Skimmer chicks at Nickerson Beach.

Image #2A: AF Point for the Black Skimmer chick about three weeks old image

SONY a1 AF: Beyond Belief …

a1 Bird-Eye/Face Detection has gotten much better since the V1.10 firmware update that completely eliminated the EVF Blackout problems. It has become easier to trust the AF system whether working birds perched or on the ground, when doing flight photography, or when working off the tilted rear screen with the tripod almost at ground level. In short, thee a1 AF system is amazing.

SONY and artie

Switching to SONY, first with the a9 and the a9 II, and then to the remarkable a1, has enabled me (and others, like Mike De Rosa as seen a while ago in the blog post here), to create images of birds in flight and in action that I could not have even dreamed of when using Canon for 33 years and then Nikon for more than two. Most of the time I am using one of two AF methods that together, cover about 99% of the commonly-encountered bird photography situations. At present, I am experimenting beyond those … Learn more by joining the group!

From Long-ago IPT veteran Keith Kennedy via e-mail

Absolutely great information. I am calling Jim in a few minutes to order a couple of Delkin 128GB UHS-II cards. Your timely email has saved me a ton of money! Many thanks

In the same vein, via e-mail from John LeClair

Well, e-mail #21 alone was worth the price of admission!

From Pamela Viale, after receiving artie’s a1 settings along with detailed instructions on how to copy them to her SONY a1 via e-mail

This e-mail group has been an incredible boon to me! Thank you so much!

From Joe Barranco via e-Mail

Thanks for your great ideas on the A1 set up. I have been getting MANY more keepers doing things your way!

From Barbara White via e-Mail

Wow, I just gotta say – I learn so much from the SONY Alpha a1 Set-up and Info group! My camera is on my desk, and I’m always picking it up and changing something that I’ve read about in the e-mails.

Thanks, Barbara

From Janet Horton via e-Mail

Hi Artie, Mystery solved. Yes, I was able to replicate what you did. I forgot that you have to set self-timer using the upper dial. I am used to that being a MENU selection.

Thanks much, Janet

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. With two folks joining yesterday, we are now up to an astounding 67 lucky and blessed photographers! Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. More recently, we have been in contact with folks at SONY sharing our thoughts, experiences, and frustrations with the EVF blackout problem.

All who purchased their Alpha a1 bodies via a BAA affiliate link will receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.) This same service may be purchased by anyone with an a1 body via a $150.00 PayPal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. Alternatively, folks can call Jim weekdays at 1-863-692-0906 to pay via credit card. New members will receive composite e-mails that summarize all previous discussions.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

August 18th, 2021

Black Skimmer Flight Save. What Bugs Me? The SONY a1 AF System Continues to Amaze ...

What’s Up?

Yesterday, we enjoyed one last morning (for now) at Nickerson Beach. Grey skies and a stiff wind off the ocean led to some great opportunities for skimmer flight and midair fights. We saw the first flying young skimmers of the season, and even managed a few good frames. Be sure to scroll down to the tight face crop and see if you can figure out what bugs me about today’s featured image.

Today is Wednesday 18 August 2021. I have lots of work to catch up on and lots of laundry to do to get ready for my JBWR weekend. I am thrilled that the Homer Bald Eagle IPT is now a go as there are now just two spots left, one on each segment. Wherever you are, and whatever you are doing, I hope that you too have a great day.

Please note that it is best to click on each blog image to view it larger. For unknown reasons, the images — even the verticals that are not rendered larger, look sharper once they’ve been clicked on.

Remember that you can find some great photo accessories (and necessities!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks like me, who spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

This blog post took about two hours to prepare and makes 230 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

This image was created on 10 August 2021 at Nickerson Beach. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 280mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 3200. Exposure determined via Zebras with ISO on the rear dial: 1/3200 sec. at f/6.3 (wide open) in Manual mode. AWB at 6:35pm on a cloudy afternoon.

Tracking: Center Zone/AF-C Bird/Eye Detection AF was active at the moment exposure and created a sharp-on-the-eye image.

Be sure to click on the image to enjoy the larger version.

Image #1: Black Skimmer screaming in flight
In the original — see below, the primaries of the right (upper) wing were completely clipped

Flight Photography at Nickerson Beach

Not counting my scouting walk in the rain on the afternoon of July 29, I have visited the east skimmer colony at Nickerson eleven times. During those outings, I have created somewhere between 10,000 and 20,000 flight images. Though I have made many thousands of sharp flight images, my keeper rate has hovered between two and five percent. Of those, I will process only a handful of the very best, all for the primary purpose of being featured in a blog post. As detailed here previously you need to edit stringently if you are using a high frame-rate camera with a science-fiction-like AF system. If not, your storage capacity will be maxed out quite soon. Razor sharp on the eye with the whole bird (usually :)) in the frame, are just the tip of the iceberg. In addition you are looking at the light, the sky, the subject-to-sensor plane juxtapositions, and the flight poses and wing positions, along with the intangibles: the It factor. As always, different is good and really different is great. For me, today’s featured image has the It factor.

Anyhoo, when I saw the clipped wing on this one, I knew that I would get to it eventually and that it would be featured on the blog. Today is the day.

Dead-Solid Perfect?

RawDigger showed that the raw file brightness for today’s featured image was about 1/3-stop under. As you learn in the RawDigger e-Guide, under-exposing a bit with ISOs greater than 800 will not hurt you very much if at all.

The G channel here made it only 1/3 of the way from the 8000 line to the 16000 line. Images where the G channel gets 2/3rds of the way from the 8000 to the 16000 line are perfect exposures. Images where the G channel gets right up to the line are dead-solid perfect. So we can call the exposure for today’s image very good to excellent.

RawDigger — not for the faint of heart …

Nothing has ever helped me learn to create consistently perfect exposures the way that RawDigger has. I think that many folks are reluctant to learn that most of their images are underexposed by one or more full stops and that highlight warnings in Photoshop, Lightroom, Capture One, and your in-camera histogram are completely bogus as they are based on the embedded JPEGs. Only your raw files tell the truth all the time. Heck, I resisted RawDigger for several years … Once you get over that feeling, RawDigger can become your very best exposure friend no matter what system you are using. On the recent IPTs and In-the-Field sessions, we have demonstrated that fact. Convincingly.

The RawDigger (pink) Adapted Histogram

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger was especially helpful to me when I struggled with R5 exposures and when learned my new camera body, the Sony Alpha a1.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We could not figure out why the Max G values varied by camera system. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

AF Point screen capture for the Black Skimmer screaming in flight image

The AF Point Screen Capture

As with the Canon R5, you will run across many a1 images where the AF point is not squarely on the bird’s eye, yet the image is razor-sharp (on the eye). Sometimes the AF point is in the middle of the sky, yet your flight image is more than sharp enough. These two bodies feature fabulous eye tracking AF systems. My thoughts are that although the AF system is fast enough to track the bird’s face or eye but that the system that records the AF system is not quite fast enough to keep up with the real time AF. Perhaps …

See the screen capture below to see how well the AF tracking worked with today’s image.

An unsharpened tight crop of the face from the Black Skimmer screaming in flight image

Sharp Enough for You?

Is this image sharp enough for you? Folks who routinely view their images by zooming in to 100% and beyond will can answer this question from a good perspective. It is well more than sharp enough for me.

Eye Doctor Work

Note the neat Eye Doctor work on an image made on a dreary day. I added a catchlight and lightened the light crescent at the back of the bird’s left eye. The trick is to blow the eye up so that you can get a good idea of where the natural reflections are, and work from there. All and tons more as detailed in Digital Basics II.

What Bugs Me?

In this extreme close-up, you can see the only thing about this image that bugs me. And no, it is not the white sky. The flaw is the result of a bit of bad luck. If you think that you know what it is, please leave a comment and share your thoughts.

SONY a1 AF: Beyond Belief …

As Bird-Eye/Face Detection has gotten much better since the V1.10 firmware update that completely eliminated the EVF Blackout problems, it has become easier to trust the AF system whether doing flight photography or when working off the tilted rear screen with the tripod almost at ground level.

SONY and artie

Switching to SONY, first with the a9 and the a9 II, and then to the remarkable a1, has enabled me (and others, like Mike De Rosa as seen a while ago in the blog post here), to create images of birds in flight and in action that I could not have even dreamed of when using Canon for 33 years and then Nikon for more than two. Most of the time I am using one of two AF methods that together, cover about 99% of the commonly-encountered bird photography situations. At present, I am experimenting beyond those … Learn more by joining the group!

From Long-ago IPT veteran Keith Kennedy via e-mail

Absolutely great information. I am calling Jim in a few minutes to order a couple of Delkin 128GB UHS-II cards. Your timely email has saved me a ton of money! Many thanks

In the same vein, via e-mail from John LeClair

Well, e-mail #21 alone was worth the price of admission!

From Pamela Viale, after receiving artie’s a1 settings along with detailed instructions on how to copy them to her SONY a1 via e-mail

This e-mail group has been an incredible boon to me! Thank you so much!

From Joe Barranco via e-Mail

Thanks for your great ideas on the A1 set up. I have been getting MANY more keepers doing things your way!

From Barbara White via e-Mail

Wow, I just gotta say – I learn so much from the SONY Alpha a1 Set-up and Info group! My camera is on my desk, and I’m always picking it up and changing something that I’ve read about in the e-mails.

Thanks, Barbara

From Janet Horton via e-Mail

Hi Artie, Mystery solved. Yes, I was able to replicate what you did. I forgot that you have to set self-timer using the upper dial. I am used to that being a MENU selection.

Thanks much, Janet

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as more and more folks chime in with thoughtful questions and experience-based answers. As the a1 is becoming more readily available, more and more folks are getting their hands on this amazing body. With two folks joining yesterday, we are now up to an astounding 67 lucky and blessed photographers! Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. More recently, we have been in contact with folks at SONY sharing our thoughts, experiences, and frustrations with the EVF blackout problem.

All who purchased their Alpha a1 bodies via a BAA affiliate link will receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.) This same service may be purchased by anyone with an a1 body via a $150.00 PayPal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. Alternatively, folks can call Jim weekdays at 1-863-692-0906 to pay via credit card. New members will receive composite e-mails that summarize all previous discussions.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

August 17th, 2021

In-the-Field Student Anke Frohlich Kicking Butt ...

Please Be So Kind …

Be so kind as to leave a comment and let us know which of Anke Frohlich’s four featured image you like best, and why.

What’s Up?

On Monday morning, Nickerson was once again not terrible and it was not great. Again, we worked at creating pleasing blurs. The researchers keep erecting more and more colony ropes on the beach where the skimmers are roosting. The next day, the birds move to a nearby location outside the “new” ropes. The researchers have been doing the same thing for years. In addition to limiting photographer access, these changes introduce lots of distracting background elements. And worst of all, the researchers themselves admit that the more ropes, the more skimmers will be maimed or killed during blast-offs … Speaking of visiting photographers, the last two days have been particularly revealing. The number of folks who stay a mile from the birds, who shoot facing into the wind, and/or with the sun in their faces or at 90 degrees from them, has been truly astonishing.

Thanks to the many who left thoughtful comments on the JBWR August 2021 Goal: Better These Six Images blog post here.

Speaking of which:

Bill Goodhew/August 15, 2021 at 8:33 pm

Is “juvenal” a special spelling of “juvenile” used in relation to ornithology, or just a misspelling? My dictionary just says it is the name of a Roman satirist.

Steve Schiff/August 16, 2021 at 9:07 pm · Reply · Edit

That’s what I was wondering!

Arthur Morris/BIRDS AS ART — August 17, 2021 at 10:01 am

Excellent question guys. I have been waiting for someone to ask it for years. Juvenile is good as either a noun or an adjective. Juvenal is fine only when used as an adjective describing only the word plumage 🙂

Please remember that it is best to click on each blog image to view it larger. For unknown reasons, the images — even the verticals that are not rendered larger, look sharper once they’ve been clicked on.

Today is Tuesday 16 August. I will be spending a second and final-for-now morning with In-the-Field client Anke Frohlich at Nickerson. I am looking forward to visiting the East Pond at Jamaica Bay Wildlife Refuge next weekend. I was glad to learn yesterday that there are now just two spots left on the Homer Bald Eagle IPT, one on the first segment and one on the second. Wherever you are, and whatever you are doing, I hope that you too have a great day.

Remember that you can find some great photo accessories (and necessities!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks like me, who spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

This blog post took about two hours to prepare and makes 230 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

All from the East Pond at JBWR in August

Jamaica Bay Wildlife Refuge/East Pond Shorebird In-the-Field Workshops

Saturday 21 August 2021. Morning session: 6:00 until 9:00am (Limit: 6/Openings: 3)
Sunday 22 August 2021. Morning session: 6:00 until 9:00am (Limit 6/Openings 4)

For many decades, the East Pond at JBWR was the premier spot in North America to photograph southbound migrant shorebirds: small sandpipers (known affectionately as “peeps”), plovers, godwits, dowitchers, yellowlegs, and lots more. The pond, the spot were I would like my ashes to be scattered (in about two decades), has not been good for many years because of gate valve malfunction and mismanagement of the resource. Combined, these resulted in water levels that were too high; the mudflats that normally would provide roosting and feeding locations for large flocks of shorebirds were covered.

The refuge staff finally seems to have things under control this year. Water levels at the south end are reported as the best in a decade. The young birds usually arrive around 15 AUG. They are much, much tamer than the skittish adults that begin arriving around 1 July each year. The tides are perfect for 21-22 AUG. That weekend will potentially offer the best juvenile shorebird photography in many, many years. Weather and migratory patterns permitting. You will need to get your butt muddy as you cannot do the shorebirds while standing.

Consider joining me to learn the history of the pond, to learn to identify and age a variety of shorebird species, to learn how to approach the birds, and to improve your photography. I am expecting to have some very good chances for creating images of single birds in flight.

In-the-Field morning session alone: $350/session. With brunch and image review: $425/per session.

An option would be to stay over, grab a motel room, and do both morning sessions. In addition, you might want to add in a 6pm till sunset session at Nickerson Beach for only $250.00. To learn more or too register, please shoot me an e-mail.

Please Remember

With income from IPTs now close to zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear, especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created on 17 August 2021 at Nickerson Beach by yours truly. While seated on dry sand, I used the hand held/knee-pod supported Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 205mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1250. Exposure determined via Zebras with ISO on the rear dial: 1/500 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:15am on a cloudy morning.

Tracking: Tracking Spot S/AF-C Human/Eye Detection AF was active at the moment exposure and performed perfectly.

Be sure to click on the image to enjoy the larger version.

Image 1: Anke Frohlich using the knee-pod technique with the SONY 200-600 and the a1

Right Knee-Podding

I use my left eye at the viewfinder with my left forearm resting on my left knee. Interestingly enough, Anke uses her right eye and rests her lens on her right knee. If you use the knee-pod technique you are invited to leave a comment letting us know which is your dominant eye and which knee you use.

This image was created on 15 August 2021 at Nickerson Beach by Anke Frohlich. While seated on dry sand, she used the hand held/knee-pod supported Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 500. Exposure determined via Zebras with ISO on the rear dial: 1/1600 sec. at f/5 (stopped down two thirds stop). AWB at 8:01am on a mostly sunny morning.

Tracking: Spot S/AF-C was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.

Image 2: Black Skimmer chick in scrape stretching wings
Courtesy of and Copyright Anke Frohlich Photography

When Sitting is Better Than Being at Ground Level

Had Anke opted to get the camera on the ground, the adult skimmers in the background would have merged with the skimmer chick. By supporting her left forearm on her bent right knee, she had enough elevation to separate the stretching chick from the adults.

This image was created on 15 August 2021 at Nickerson Beach by Anke Frohlich. While seated on dry sand, she used the hand held Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 500. Exposure determined via Zebras with ISO on the rear dial: 1/1600 sec. at f/5 (stopped down two-thirds stop). AWB at 8:01am on a mostly sunny morning.

Tracking: Spot S/AF-C was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.

Image 3: Common Tern juvenile in flight
Courtesy of and Copyright Anke Frohlich Photography

Young Commons in Flight

As the young terns do not do much fishing or crabbing on their own, getting a decent flight shot is not easy. Here, handholding the 600 f/4 was the key to success in relatively low light.

This image was created on 15 August 2021 at Nickerson Beach by Anke Frohlich. While seated on dry sand, she used the hand held Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 500. Exposure determined via Zebras with ISO on the rear dial: 1/2000 sec. at f/4 (wide open). AWB at 8:30am on a mostly partly cloudy morning.

Tracking: Center Zone/AF-C was active at the moment of exposure and performed perfectly. Be sure to click on the image to enjoy the larger version.

Image 4: American Oystercatcher jumping
Courtesy of and Copyright Anke Frohlich Photography

Jump Shot

Working loose gives you a chance when unexpected action occurs. Sharp SONY a1 images allow for substantial crops; this one was cropped from a horizontal original. Viveza was used to enrich the colors of the water background.

This image was created on 16 August 2021 at Nickerson Beach by Anke Frohlich. She used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 202mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 320. Exposure determined via Zebras with ISO on the rear dial: 1/15 sec. at f/6.3 (wide open) in Manual mode. AWB at 6:08am on a cloudy morning.

Tracking: Center Zone/AF-C Bird/Eye Detection AF was active at the moment exposure and created a sharp-on-the-eye image.

Be sure to click on the image to enjoy the larger version.

Image #5: Black Skimmer flock blur
Courtesy of and Copyright Anke Frohlich Photography

Creating Pleasing Blurs

On our trips to Nickerson a week ago, Anke said that she knew nothing about creating pleasing blurs. I taught her the basics and again she not only picked up the principles quickly and in short order, fell in love with creating pleasing blurs. Right off the bat we had a great morning doing skimmer skimming blurs in the parking lots ponds, and have been getting to the beach earlier and earlier in an effort to create some really special pleasing blurs. We both like her Image #4 a lot.

A Guide to Pleasing Blurs

Learn everything there is to know about creating pleasingly blurred images in A Guide to Pleasing Blurs by Denise Ippolito and yours truly. This 20,585 word, 271 page PDF is illustrated with 144 different, exciting, and artistic images. The guide covers the basics of creating pleasingly blurred images, the factors that influence the degree of blurring, the use of filters in creating pleasing blurs, and a great variety of both in-the-field and Photoshop techniques that can be used to create pleasingly blurred images.

Artie and Denise teach you many different ways to move your lens during the exposure to create a variety of pleasingly blurred images of flowers and trees and water and landscapes. They will teach you to recognize situations where subject movement can be used to your advantage to create pan blurs, wind blurs, and moving water blurs. They will teach you to create zoom-blurs both in the field and during post-processing. Artie shares the techniques that he has used and developed for making blurred images of flocks of geese in flight at his beloved Bosque del Apache and Denise shares her flower blur magic as well as a variety of creative Photoshop techniques that she has developed.

With the advent of digital capture creating blurred images has become a great and inexpensive way to go out with your camera and have fun. And while many folks think that making successful blurred images is the result of being a sloppy photographer, nothing could be further from the truth. In “A Guide to Pleasing Blurs” Artie and Denise will help you to unleash your creative self.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.