Arthur Morris/BIRDS AS ART
June 20th, 2021

Bud Strategy. And WDYT? I & II.

What’s Up?

There was not a lot going on on Saturday morning. I saw both two-young crane families, but did not stop to photograph them. I did photograph a goldenrod blossom that I had spotted on an afternoon walk. I headed home and photographed a somewhat strange, green and reddish brown Sea Grape leaf that I picked up off the sidewalk on my trip to Southeast Florida.

I answered a ton of e-mails, got started on e-mail #17 for the SONY a1 Info and Updates Group, did more than a dozen critiques and posted the Least Tern chick Food Fight image here in the Avian Gallery on BirdPhotographers.Net (Honest critiques done gently: It ain’t just birds!) BPN is the best place on the planet to improve your nature photography.

Today is Sunday 20 June 2021. I hope to finish the aforementioned e-mail #17 and will be working on a Photo Mechanic Picking Your Keepers video after I get back from the lake. The forecast is for cloudy with a southwest breeze so it is likely to be a short trip. Wherever you are, and whatever you are doing, I hope that you too have a great day.

This blog post took more than an hour to prepare and makes 176 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords and is also available in the BAA Online Store, it would be great if you opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

Only at BAA: Levered-Clamp FlexShooters in Stock!

We have just three Levered-clamp Flex-shooter Minis left in stock. They are available in the US only from BAA.

Folks with a big lens should, of course, be working with the Levered-clamp Flex-shooter Pro. This new head on just about any decent tripod like the Induro GIT 304L or the Induro 204L (for travel), is dead-solid-perfect for those whose intermediate telephoto or telephoto zoom lenses are their workhorse lenses for bird and nature photography, for all macro lenses with a tripod collar, and for wide angle lenses with a Wimberley P-5 Plate on the camera body. The levered-clamp is super-fast and secure. Though it weighs only 1lb., 2.4 ozs, this elegantly manufactured head is rock-solid. It takes only seconds to level all FlexShooter heads for smooth, square-to-the-world panning, and these innovative and patented spring-counterbalanced double ballheads will completely eliminate ballhead-flop.

We have lots of Levered-clamp Flex-shooter Pro heads in stock. B&H does not even carry them! I use and rely on mine most ever day that I am out there.

Please Remember

With income from IPTs now close to zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created on 11 June 2021 on my pool deck. I used the Induro GIT 304L/Levered-Clamp FlexShooter Mini-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and The One, the Sony Alpha 1 Mirrorless Digital camera body. ISO 800. The exposure was determined by Zebras with ISO on the rear wheel: 1/3 sec. at f/14 (stopped down 3 2/3 stops) in Manual mode. RawDigger showed this exposure to be dead-solid perfect (as below). AWB at 8:13 on a cloudy morning.

Manual Focus with Magnification and Focus Peaking as detailed in the SONY Alpha a1 Info and Updates group e-mails. Click on the image to enjoy a larger version.

Image #1: a super-tight view of a Swamp Rosemallow Hibiscus grandiflorus blossom

Bud Strategy …

Last year in the marsh, I tried to photograph down-the-throat of some of the large, somewhat floppy Swamp Rosemallow blossoms. But they would not stay still even on a windless morning. And as soon as they open, they are covered inside and out with all manner of small bugs.

In the Hey Bud, Does Viveza Work? And lots more on exposing to the right … blog post here, I shared an image of a picked and Plamped bud that was improved nicely by Viveza. Anyhoo, I brought the bud home and stuck it in a glass of water. It opened the next day in pristine condition with not a bug anywhere in sight. I placed the glass on the arm of a deck chair and went to work. Zero wind and nice cloud cover made things a pleasure.

It almost goes without saying that you should pick buds (or flowers) only from places where such activity is permitted and then only when the plant is abundant. Or from your own garden.

What Do You Think?

What do you like about this image?

What don’t you like?

Depth-of-Field

Note: I bracketed the exposures here while shooting the bud at f/3.5, f/5, f/7.1, and f/14 without moving the lens. I am still not sure which one I like best … If you’d like to see the four raw files as screen captures, shoot me an e-mail requesting same.

This image was created on 11 June 2021 on my pool deck. I used the Induro GIT 304L/Levered-Clamp FlexShooter Mini-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and The One, the Sony Alpha 1 Mirrorless Digital camera body. ISO 800. The exposure was determined by Zebras with ISO on the rear wheel: 1/3 sec. at f/14 (stopped down 3 2/3 stops) in Manual mode. RawDigger showed this exposure to be dead-solid perfect (as below). AWB at 8:13 on a cloudy morning.

Manual Focus with Magnification and Focus Peaking as detailed in the SONY Alpha a1 Info and Updates group e-mails. Click on the image to enjoy a larger version.

Image #1A: This is the unprocessed image converted at the default setttings blossom

What Do You Think II?

Now that you’ve seen what the raw file looked like, what do you think of the image processing (as seen in Image #1 above)? Please be as honest as you wish.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

June 19th, 2021

Two Like-New Nikkor Lenses. Why the 600 f/4? And a sneaky way to save over-exposed , detail-less whites ...

What’ Up?

I headed down to the lake yesterday not expecting to do many birds. I wound up sitting in the wet grass for almost an hour with the latest crane family at the end of Palmetto. I can no longer call the two young “chicks” as they are more than half as tall as the adults.

When done with the colts, I went to check on the remaining Black-necked Stilt nest, the beautiful nest with two eggs. As we have had some heavy rains for the past week, the water level was up about six inches. Not good. The nest was flooded and both eggs were gone. The birds, however, were still hanging around. And there was still another pair just to the left of the pair. If they had a nest, it is very doubtful that it is still there. As noted earlier, the breeding success of this species in the shallows of fresh water lakes in Central Florida is precarious at best because of predation and fluctuating water levels …

I think that Steve Elkins may have a Canon R5 or two in stock, and as of yesterday, there was no waiting list for the Sony Alpha a1! Either way you go, be sure to use the BIRDSASART code at checkout to save 3% and enjoy free second-day air Fed-Ex. And the same goes for lenses and for accessories.

Today is Saturday 19 June 2021. The forecast is the same as yesterday’s: early sun followed by clouds. They were wrong both days. When I peeked out the back door at 6:30am yesterday and today, it was totally cloudy. There is less wind today than there was on Friday. I will head down to the lake at about 7:15am to see what I see. Wherever you are, and whatever you are doing, I hope that you too have a great day.

This blog post took more than two hours to prepare and makes 175 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords and is also available in the BAA Online Store, it would be great if you opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

Levered-Clamp FlexShooters in Stock!

We have just three Levered-clamp Flex-shooter Minis left in stock. They are available in the US only from BAA.

Folks with a big lens should, of course, be working with the Levered-clamp Flex-shooter Pro. This new head on just about any decent tripod like the Induro GIT 304L or the Induro 204L (for travel), is dead-solid-perfect for those whose intermediate telephoto or telephoto zoom lenses are their workhorse lenses for bird and nature photography, for all macro lenses with a tripod collar, and for wide angle lenses with a Wimberley P-5 Plate on the camera body. The levered-clamp is super-fast and secure. Though it weighs only 1lb., 2.4 ozs, this elegantly manufactured head is rock-solid. It takes only seconds to level all FlexShooter heads for smooth, square-to-the-world panning, and these innovative and patented spring-counterbalanced double ballheads will completely eliminate ballhead-flop.

We have lots of Levered-clamp Flex-shooter Pro heads in stock. B&H does not even carry them! I use and rely on mine most ever day that I am out there.

New Listings

Nikon AF-S 80-400mm/4.5-5.6G ED VR Lens with Extra

Paul Sher is offering a Nikon AF-S 80-400mm/4.5-5.6G ED VR in like new condition for $1396.95. The sale includes a Wimberley P-10 plate (a $52.00 value), the front and rear lens caps, the lens case, the original Nikon box, and insured ground shipping via major courier to lower-48 US addresses. Your item will not ship until your check clears unless other arrangements are made.

Please contact Paul Sher via e-mail or by phone at 1-503-248-9870 (Pacific time zone).

I owned and loved this super-sharp and very versatile lens when I shot Nikon. It was my go-to lens on my bucket-list Emperor Penguin trip to Snow Hill Island, Antartica. It complements either the 500 PF or the 600 f/4 VR lenses perfectly. As it sells new for $2,296.95, you can save a very handsome $900.00 on Paul’s pretty much new lens. artie

Nikon AF-S VR Micro Nikkor 105mm F2.8 G IF-ED Lens

Paul Sher is offering a Nikon AF-S VR Micro Nikkor 105mm F2.8 G IF-ED in like new condition for $496.95. The sale includes the front and rear lens caps, the lens bag, and insured ground shipping via major courier to lower-48 US addresses. Your item will not ship until your check clears unless other arrangements are made.

Please contact Paul Sher via e-mail or by phone at 1-503-248-9870 (Pacific time zone).

This super-sharp macro lens is the longest in the Nikkor line-up. It is a must-own for anyone doing flowers and/or bugs. It sells new for $896.95. Save $400.00 by getting in touch with Paul ASAP. artie

Image #1:The RawDigger screen capture for the Osprey landing with outstretched talons image

Oops: Over-exposed Leggings!

It is rare that I over-expose an image to this degree. The pink OvExp warning on the legs are all in the two GREEN channels. In addition, note that the G channel in the adapted histogram is pegged against the Y-axis on our right. Why was I trying so (too?) hard to expose to the right in low light? There were two reasons:

1- To reveal as much underwing detail as possible.

2- To reduce the noise in the dark tones.

Via e-Mail from Geri George

Hi Artie, Thanks for the RawDigger e-Guide. With many of my flower images, DPP 4 shows lots of over-exposure on the petals, but RawDigger shows only a smattering (less than a hundred). They all converted perfectly in DPP 4 simply by pulling down the Highlight slider a bit. RawDigger has some really cool stuff!

Thanks and best, Geri

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files. It is not for the faint-of-heart who are happy to go through life under-exposing every raw file they create.

Patrick and I began work on the guide in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

Be sure to click on the screen capture for a better look at the sliders.

Image #1A:The Camera Raw screen capture for the Osprey landing with outstretched talons image

Trying to Save the Toasted Whites During the Raw Conversion

In the RawDigger e-Guide you will learn that when all of the OvExp pixels (14,000 in this case), it is sometimes possible to restore detail during the raw conversion. Be sure to click on the image to see how I changed the sliders toward that end. Note: I experimented by moving the Highlights slider to -100 but even that did not help. Even though there was not a single pixel greater than 254 in the master TIF file, it was obvious that many of the white feathers on the legs were completely without detail. Neither NIK Color EFEX Pro nor a Linear Burn can bring back detail when there is none. In this case, the WHITEs were truly toasted.

Worth Saving!

This sharp frame, with the Osprey barely fitting into the frame, and the bird’s talons just about to grab the perch, was well worth saving. To repair the over-exposed areas on the leggings, I used a series of small, transformed Quick Masks refined by Regular Layer Masks. I began by grabbing the a section of detailed feathers near the bottom of the bird’s left leg, the one on our right. Then it was rinse and repeat.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).

You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

The clean-up techniques mentioned above and tons more great Photoshop tips and techniques — along with all of my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my MacBook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: all of the videos are now priced at an amazingly low $5.00 each.

You can learn how and why I converted all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About two years ago I began converting my Nikon and Sony RAW files in Capture One Pro 12 and continue to do so today.

To purchase Capture One, please use this link. Then you can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here.

You can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.

This image was created on 2 May 2021 on Lake Blue Cypress working from Clemens Van der Werf’s flats boat. I used the hand held Sony FE 600mm f/4 GM OSS lens and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 2500. Exposure determined via Zebras with ISO on the rear dial: 1/2000 sec. at f/4 (wide open) in Manual mode. AWB at 7:17am with a cloud in front of the rising sun.

Wide/AF-C was active at the moment of exposure and performed perfectly. Be sure to click on the image to see a larger version.

Image #1C: Osprey landing with outstretched talons

The Optimized Image

Yes, for me, this one was well worth saving. Note also, the neat clean-up job on the moss in the lower left corner and the small pano crop. The image from side-to-side represents the full frame original.

The Key Question

Compared today’s featured Osprey landing image with yesterday’s featured Osprey landing image and then leave a comment that answers this question: Why did I hand hold the much heavier 600mm f/4 GM lens for today’s image? (Note that for yesterday’s featured image I used the lighter, easier-to-hand hold 200-600 G lens …)

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

June 18th, 2021

Wind and Sun Together. And Truly Superb When the Sun Shines -- the SONY 200-600 G Lens

What’s Up?

I enjoyed one last session at the thriving Least Tern colony on Thursday morning. I was home just before 1pm with 7609 raw files to edit. I got through 4758 of those, keeping 362 after the first edit. I will be doing a Picking-Your-Keepers video on the last file of 2851 images soon. Understand that the photography was neither great nor easy; it was beyond extremely challenging as the adults with fish in their bills would land for an instant while searching for their chick. (Don’t ask me how they know which one is theirs …) When they do find the right chick, the fish is passed to the young in a fraction of a second. Then that lucky chick is attacked by several others unless another adult has swooped in and stolen the fish. In the meantime you are trying to find the action at 840 or 1200mm, acquire focus, and make a series of in-focus images. So at times, I may be able to go through a long series of 50-100 images without tagging a single one.

At times, you are focused on a single chick in a nice situation hoping that it will begin to beg. That takes intense concentration. After a minute or two, you really want to take your eye from the viewfinder. And with all the white sand, you are squinting to begin with. In short order, your temples hurt, as do the eye muscles that help you focus. As I said, challenging. BTW, Clemens killed me on the classic begging chick images; I will be featuring some more of his work here soon.

As the Sony Alpha a1 is becoming more readily available, the Alpha a1 Set-up and Info Group has grown to an astounding 58 folks! Most folks have earned free entry into the group by getting their bodies from Bedfords or from B&H. Two BAA folks got their a1-s yesterday!

The Mini-JAX IPT is now a sell out. I expect to be visiting this site regularly each summer. Though this will be my first visit I am very confident that we will have an amazing trip. As long as I do not get my X5 stuck in the sand …

Today is Friday 18 June 2021. The weather is calling for a brief period of sunshine at dawn quickly turning cloudy. I will be heading down to the lake to check things out. Wherever you are, and whatever you are doing, I hope that you too have a great day.

This blog post took about an hour to prepare and makes 174 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords and is also available in the BAA Online Store, it would be great if you opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

Levered-Clamp FLexShooters in Stock!

We have just three Levered-clamp Flex-shooter Minis left in stock. They are available in the US only from BAA.

Folks with a big lens should, of course, be working with the Levered-clamp Flex-shooter Pro. This new head on just about any decent tripod like the Induro GIT 304L or the Induro 204L (for travel), is dead-solid-perfect for those whose intermediate telephoto or telephoto zoom lenses are their workhorse lenses for bird and nature photography, for all macro lenses with a tripod collar, and for wide angle lenses with a Wimberley P-5 Plate on the camera body. The levered-clamp is super-fast and secure. Though it weighs only 1lb., 2.4 ozs, this elegantly manufactured head is rock-solid. It takes only seconds to level all FlexShooter heads for smooth, square-to-the-world panning, and these innovative and patented spring-counterbalanced double ballheads will completely eliminate ballhead-flop.

We have lots of Levered-clamp Flex-shooter Pro heads in stock. B&H does not even carry them! I use and rely on mine most ever day that I am out there.

Please Remember

With income from IPTs now close to zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created on 23 May 2021 down by the lake near my home at Indian Lake Estates. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 489mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1250. Exposure determined via Zebras with ISO on the rear dial: 1/2500 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:28am on a sunny morning.

Wide/AF-C was active at the moment of exposure and performed as expected: perfectly. Click on the image to see a larger version.

Osprey braking to land with nesting material

Wind and Sun Together

This image was possible because I knew exactly how the bird would approach the nest with a brisk northeast wind: birds will always fly and land into the wind. I positioned myself right on sun angle to the nest. The bird had to fly past some telephone wires and past another telephone pole to get to its platform nest. There was a very small zone of success, but everything worked out as planned. Learning to read the wind and the light is a hugely important skill for bird photographers. For a landing shot at this nest only good northeast wind will work. The bird only had one way to go. And with the sun rising in the northeast in May, conditions were dead-solid perfect.

Superb When the Sun Shines: the Hand Held SONY 200-600

As noted here recently and often, when the sun is shining, the SONY 200-600 is at its best, even doing well with the 1.4X TC. In low light, I will often turn to the 600mm f/4 GM to save 1 1/3 stops of ISO. See tomorrow’s blog post for a great example of that.

A 200-600 Relevant e-Mail Conversation with Multiple IPT Veteran Geri Georg

AM: gg,

Is there an “e” at the end of your last name???

gg: No!

AM: Re:

gg: I just got my order confirmation for a Sony a1 and 200-600mm lens from Bedford’s. I’ve attached a pdf of the email receipt. Can you please give me access to the a1 information group?

AM: Huge thanks, and yes. I will send the first 16 e-mails today. I will be working on and sending #17 this weekend.

gg: Bedford didn’t have the metabones lens adapter you use with your Canon 180mm macro, so I had to order that from B&H.

AM: I hope that you used the link 🙂

gg: Neither of them have the 1.4x teleconverter in stock, so I just ordered it from Bedford and hopefully it will come soon.

AM: Great and thanks and good luck.

gg: I was looking through several screens of your older blogs, and none of the images seemed to use the 2x teleconverter with the 200-600mm lens. I assume that this is because of losing 2 f-stops, but in bright sun (most of our hiking falls in this category), do you think a 2x might be useful with the 200-600mm lens?

AM: Yes, the wide open aperture at 1200mm drops to a rather penal f/13. I have, however, posted a least a few images made with that combo. One was a sunset silhouette (with lots of light as I was pointing near the setting sun), and the other — I think, was a head shot of a Red-shouldered Hawk made from Clemens’ flats boat. In bright light, it is a viable combination. The optics are sharp — the problem is getting a fast-enough shutter speed and properly framing the image. Though both of the images that I mentioned were hand held, a decent Induro tripod with a Levered-clamp Flex-shooter Mini would be much better. Folks with a big lens should, of course, be working with the Levered-clamp Flex-shooter Pro.

gg: If you’ve covered this question in the a1 info group, I’ll look for it there.

AM: I will include this conversation in the next mail.

With love, and huge thanks for using my affiliate links.

artie

Sony Alpha a1 AF

Barring operator error, the performance of the Sony Alpha a1 AF system at any focal length — including at 1200mm as seen in recent blog posts — is, when the a1 is set up properly as detailed in the in e-mails to the Sony Alpha a1 Info & Updates group, more than remarkable. Early on, there was lots of discussion within the group with many preferring multiple back button approaches. For me a simple shutter button approach with the right AF settings that yield 99% sharp-on-the-eye images is best. By far. It is super-simple and mega-effective. In recent SONY Alpha a1 Set-up and Info Group e-mails, I shared what I have learned as to when and it what situations it is best to abandon Wide. And with what. The group has already learned to limit the AF Area choices and to switch AF Areas quickly and conveniently. The default method of switching AF points with the C2 button is both slow and cumbersome. In addition, recent e-mails have detailed the best program to use to pick your a1 keepers and the big problem with the Camera Set. Memory menu item.

SONY Alpha a1 Set-up and Info Group

For me, today’s featured image would not have been possible without my Sony Alpha a1. The speed of initial focusing acquisition is amazingly quick as is the tracking accuracy. And all of that will be even truer for tomorrow’s featured image.

The SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based advice. We are now up to an astounding 57 blessed folks! Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. More recently, we have been in contact with folks at SONY sharing our thoughts, experiences, and frustrations with the EVF blackout problem.

All who purchased their Alpha a1 bodies via a BAA affiliate link will receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.) This same service may be purchased by anyone with an a1 body via a $150.00 PayPal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. Alternatively, folks can call Jim weekdays at 1-863-692-0906 to pay via credit card. New members will receive composite e-mails that summarize all previous discussions.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.