Arthur Morris/BIRDS AS ART
May 25th, 2021

Canon R5 Crop-ability. And A New, Brian Sump, Hand Held, Ground Level/Rear Screen Shooting Technique That is Not for the Average Joe ...

What’s Up?

On a gorgeous Monday morning, I concentrated on the two large colts and the two growing chicks. A rather late visit to the marsh to the left of the pier revealed that at least one pair of Black-necked Stilts might have a nest … I ran down at sunset for a short sunset session. So far, only Boat-tailed Grackles have landed on The Perch II.

I got some more work done on the second edit of my APRIL 2021 folder. I will start work today on a simple Viveza II instructional video.

The forecast for ILE for this morning — Tuesday 25 May 2021, is perfect: clear and sunny with a gentle breeze from the northeast. I will likely spend a good deal of time sitting on the milk crate in the marsh in hopes of getting better images of the Limpkin chicks that I photographed yesterday. Wherever you are, and whatever you are doing, I hope that you have a great day.

This blog post took about two hours to prepare, and makes 151 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords and is also available in the BAA Online Store, it would be great if you opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

Image #0: From the last two mornings at ILE

What You’ve Been Missing

All of the images in the screen capture above were created on either May 23rd or 24th with the hand held SONY 200-600 and the a1. The pickings are easy.

ILE In-the-Field Sessions
Sandhill Crane colts and small chicks guaranteed!

Wednesday May 26 or Sunday May 30, 2021.
2-hour session: $300.00/each

The crane colts family and the crane chicks family have been utterly dependable for the past few days. Join me for a morning at Indian Lake Estates with a money-back guarantee: if we do not get to photograph either the colts and/or the chicks at close range, you will get every penny back. Also possible: Ospreys in flight and Black-necked Stilts.

Lodging and Photoshop lessons available. If you are seriously interested in joining me for one or more sessions, get in touch via e-mail or call or text me on my cell at 863-221-2372.

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

Brian Sump created this image with the handheld Canon EF 600mm f/4L IS III USM lens, the Canon Extender EF 1.4X III, the Canon Control Ring Mount Adapter EF-EOS R, and the highly-touted Canon EOS R5 Mirrorless Digital Camera body (in 1.6 crop mode). ISO 1250. Exposure determined by test exposure & histogram and blinkies evaluation: 1/5000 sec. at f/8.

Face Detection plus Tracking AF got both eyes sharp — see the screen capture below.

Image #1: Western Grebe down-the-throat shot: boxy crop. The Carol Holmberg Preserve, Broomfield, CO.

Image courtesy of and copyright 2021: Brian Sump Photography.

Sump Scores and BPN

I met Brian Sump more than a year ago in the Avian Forum at BirdPhotographers.Net. Like Kevin Hice before him, Brian is a shining example of a young bird photographer who has worked hard and vastly improved his skills and the quality of his images by participating full out in the Avian Forum. You can learn more about Brian’s progress in the blog post here.

Brian is quite clever with words when he chooses titles for his BPN posts. For this image he came up with Warning!, and followed that with May cause nightmares … You can learn what the boys and girls on BPN had to say about this image here in the Avian Forum.

Brian Sump created this image with the handheld Canon EF 600mm f/4L IS III USM lens, the Canon Extender EF 1.4X III, the Canon Control Ring Mount Adapter EF-EOS R, and the highly-touted Canon EOS R5 Mirrorless Digital Camera body (in 1.6 crop mode). ISO 1250. Exposure determined by test exposure & histogram and blinkies evaluation: 1/5000 sec. at f/8.

Face Detection plus Tracking AF got both eyes sharp — see the screen capture below.

Image #1A: Western Grebe down-the-throat shot: 2X3 crop. The Carol Holmberg Preserve, Broomfield, CO.

Image courtesy of and copyright 2021: Brian Sump Photography.

A New, Hand Held, Ground Level/Rear Screen Shooting Technique That is Not for the Average Joe …

I spoke by phone with Brian about the creation of this image. I had assumed that he had been lying down working with his eye to the viewfinder. Not. He was sitting on a rock dam holding the lens about in front of him, sort of Indian- style, with his heels together and his knees apart. The camera rests on the inside of his heels. He’s holding the camera — with the rear screen tilted out about 45 degrees, in his right hand. With his torso leaning forward, his left hand supports and aims the front of the big lens. He states that every shooting session is an incredibly difficult best core workout.

Even finding the bird in the frame is very, very difficult. This technique is one that I would not attempt, even once.

Image #1B: DPP 4 AF Points for the Western Grebe down-the-throat shot original.

The Active R5 AF Points

Here is an adapted excerpt from The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide:

When Face Detection plus Tracking AF cannot detect an eye, the system will revert to a box of varying sizes with smaller boxes when it gets on the bird’s face, and bigger boxes that cover large parts of the subject. And at times, when it is struggling even more, it goes to a zone-like AF with the dancing points. The good news is that in most cases, the image winds up being razor-sharp on the bird’s eye.

And that is exactly what occurred successfully with Brian’s spectacular image.

Canon R5 Crop-ability

As seen here, sharp R5 images can stand up to healthy crops. I’d estimate that Image #1A above contains no more than 30% of the original pixels. Yet the image quality remains superb.

Boxy or 2X3?

A tough question: which crop do you prefer, the boxy crop of Image #1 or the more traditional 2X3 crop of Image #1A? Please let us know why.

Cover Image courtesy of and Copyright 2021 Brian Sump (Sump scores!)

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide: $75.00

The guide is 82 pages long: 21,458 words. More than 50 DPP 4 Autofocus-depicting screen captures. And a 31 minute 44 second educational video. This guide took three and a half months of hard work and a ton of help from at least seventeen very helpful and generous folks.

The guide covers — in great detail — all Menu Items that are relevant to bird, nature, and wildlife photography. It does not cover video. The section on AF methods and the AF Gallery has been expanded from the R5/R6 AF e-guide. It remains the one of the great strengths of this guide. I share my thoughts on what I am sure is the single best AF Method for photographing birds in flight. As most of you know, the guide includes a simple and easy way to change AF Methods that was introduced to me by Geoff Newhouse. In the AF Gallery you will see exactly how Face Detection plus Tracking AF works. In the Educational R5 Gallery video, I share my favorite R5 images along with dozens of bird photography tips and techniques.

In addition, I teach you how to get the best exposures with your R5. Detailed instructions on using the great In-camera HDR and Multiple Exposure features will be appreciated by creative folks who like to have fun. The three shutter modes are explained in detail as well. Bruce Dudek solved the can’t-get-to-Auto ISO problem that had stumped everyone at Canon. This information is of course shared in the guide. You will learn how to set up your EVF (Electronic Viewfinder) and Screen toggle options. Not to mention that the mysterious performance of the Q Button is revealed and simplified. Brian Sump’s images reveal how well you can do when using the R5 with EF lenses using one of the three Canon EF-EOS R Mount Adapters (as Donna did with Image #1 below). You will learn how I use Customize Dials to put either ISO or EC on the Thumb Dial and how to set up and save Custom Shooting Modes (C1-C3) that can remember both your Customize Dial and Customize Button settings! That is something that none of the SONY bodies do. 🙁 Near the end of the guide I share my all-important MY MENU items with you.

Like all BAA educational materials, the R5 guide is written in my informal, easy-to-follow style. I am quite proud of this guide and look forward to hearing your thoughts on our hard work.

You can purchase your copy of the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide for $75.00 here in the BAA Online Store or by calling Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand.

From the late Luis Grunauer via e-mail

I’ve watched the R5 gallery video. I LOVE THE PHOTOS and the stories behind them, not to mention that the EXIF data is displayed in Photo Mechanic. Your explanations of the settings and the processes are very helpful. Your comments on framing and composition (both the great ones and the ones you refer to as “created by operator error”) were enlightening. It gives folks a chance to learn from someone with lots of in-the-field hands on experience with the R5! Well done and thanks so much for sharing it with me. There is some awesome teaching in the video to say the least!

From Ron Santini via e-mail

I have an R5 and purchased your “The BAA R5/R6 AF Guide” about a month ago. It has been a game-changer for me. I previously used back button focus (BBF), but after following your guide, that is a thing of the past. You truly simplified the process and I just want to thank you.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

May 24th, 2021

Ground Level/Rear Screen Shooting Obsession and How-to ...

What’s Up?

I had a very good session on Sunday morning. I photographed the crane colts and the crane chicks. The latter are getting large enough to be visible above the grass. Recognizing the wind and light conditions, my best images were of an Osprey landing with some chunks of reddish bark for its nest. Last were some good ground level images of a pair of Black-necked Stilts. I’ve started going down at sunset to check out The Perch II. So far, nothing but Boat-tailed Grackles …

Today is Monday 24 May 2021. I will be heading down to the lake soon no matter the weather. Today, I will be consolidating all of my April photo sessions into a single folder and then doing a second edit. Wherever you are, and whatever you are doing, I hope that you have a great day.

This blog post took about two hours to prepare, and makes 150 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords and is also available in the BAA Online Store, it would be great if you opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

ImaGE #0: From the last two mornings at ILE

What You’ve Been Missing

All of the images in the screen capture above were created on either May 23rd or 24th with the hand held SONY 200-600 and the a1. The pickings are easy.

ILE In-the-Field Sessions
Sandhill Crane colts and small chicks guaranteed!

Tuesday May 25, Wednesday May 26, or Sunday May 30, 2021.
2-hour session: $300.00/each

The crane colts family and the crane chicks family have been utterly dependable for the past few days. Join me for a morning at Indian Lake Estates with a money-back guarantee: if we do not get to photograph either the colts and/or the chicks at close range, you will get every penny back. Also possible: Ospreys in flight and Black-necked Stilts.

Lodging and Photoshop lessons available. If you are seriously interested in joining me for one or more sessions, get in touch via e-mail or call or text me on my cell at 863-221-2372.

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

I-Phone image at 1/2 magnification (wide-angle). Click on the image to see a version that fits in your browser window.

Note: most of this frame is shallow water.

Image #1: the view from the milk crate

Near-ground Level Shooting on the Tripod in the Water

I leave the bottom tripod leg sections extended about one inch. All the other leg sections are not extended at all. That allows me to have the tripod as low as possible. Before splaying the legs completely, I will usually loop the lens strap a few times around the near-end of the lens to keep it dry. Having my reading glasses with me for these endeavors is important. Once I set the tripod down firmly, I level the Induro GIT 304L topped by a Levered-Clamp FlexShooter Pro so that I can pan left and right while remaining perfectly level. I activate the Level to make sure that I am perfect. Then I toggle the Level off. Next, of course, is to flip up the rear screen to about 45 degrees.

It takes some practice to find the bird in the lens so that you can see it on the rear screen. Once you’ve done that, double-check your exposure by whatever method you use. It is of course, easiest for those using SONY Zebra technology (assuming of course that the camera is set up correctly). With small in the frame subjects the trick is to acquire focus with the subject in the center of the frame, and then pan to move the subject back in the frame. At times, even the AF system of the a1 is blind. With the 600 GM, it is a simple matter of focusing manually until the bird becomes fairly sharp and is thus visible to the AF system. With large in the frame subject’s such as the Black-necked Stilt in Image #2, you simply have to trust the Face/Eye/Subject tracking AF. Learn more in the AF point screen capture below.

I wear a long-sleeved outdoors shirt with two large pockets on the upper chest (like a dress shirt would have). I keep the TC caps in the left pocket, and my cell phone in the right. If I need to remove the TC, I can simply drop it in the left hand pocket and be good to go. I’ll pop my glasses into the right hand pocket for flight photography. The pockets have flaps with Velcro closures. I make sure to shut the pockets carefully ;if I get up to do something and happen to bend over, I do not want anything to fall into the lake.

The huge advantage of sitting on the milk crate (or when sitting on a beach or a mudflat using a Panning Ground Pod) is that you stay relatively dry and relatively clean. All that without having to strain your lower back and neck … Do understand that in general you have more control when lying down flat, but understand that there are large prices to pay (as noted in the two previous sentences). Shooting off the rear screen while seated is child’s play as compared to truly getting down and dirty.

One thing that I have failed to mention is that if you are working super-low off the rear screen and spot a bird in the distance flying toward you, it is possible — even easy with a slow-flying bird, to flip the rear screen down, unclamp the lever, grab the rig, and hand hold it for flight.

The iPhone Photography e-Guide

To order your copy of the iPhone Photography e-Guide, please click here.

The PDF is sent link by e-mail for downloading: the file is relatively huge at 216 MB.

Hard to Believe

Yes, Cliff has a great eye and wonderfully creative vision. Yet it is still hard for me to believe that he can make so many great images with just an i-phone. Almost more amazingly Cliff captures with his iPhone and does all of his post-processing on the phone! In this great new e-Guide written for BIRDS AS ART you will learn to use set up you iPhone quickly and efficiently and how to use it. In addition, there are dozens and dozens of tips on Cliff’s favorite apps and his favorite gear. Scroll down to the bottom to see the Table of Contents.

The iPhone Photography e-Guide: $20.00.

To order your copy of the iPhone Photography e-Guide please click here.

Dr. Cliff Oliver

Dr. Cliff Oliver is an award-winning photographer, former photography instructor for the San Diego Natural History Museum, cutting-edge integrative health care professional, and international workshop leader. He created and taught the first 5-day immersion iPhone photography workshop at Hollyhock, Canada’s premier Leadership Learning Center. He teaches quarterly iPhone photography classes at the Athenaeum Music & Arts Library School of the Arts (these include Art on the iPhone, iPhoneography, Portraits and Selfies, and Practicing in the Field). His images have been on the cover of WildBird magazine, on display at Scripps Oceanography Institute, and been honored with multiple first-place finishes in the International Exhibition of Photography Del Mar. The San Diego Natural History Museum’s, “Birds of the World” centennial exhibit featured several of his images. One of his iPhone images received an honorable mention in the Athenaeum 23rd annual juried exhibition. He has displayed images at Art Speaks: Expressions of Hope and Healing and has produced a series of books, called Zen I, II, III, IV, V, VI and VII that feature original images that promote inner peace. The last 4 books feature only images taken on the iPhone. He teaches individuals and groups the skills of capturing iPhone/mobile photographs and then how to create personalized works of art.

To see some of Cliff’s iPhone images, click here. Learn more about Cliff and what he does on his Center for Balance website here. And don’t forget, if I had never met Cliff I would be pushing up daisies somewhere. To request my Health Basics File that contains the whole story, please shoot me an e-mail by clicking here..

This image was created down by the lake at ILE on 21 May 2021. While sitting on a milk crate along behind my flattened
Induro GIT 304L topped by a Levered-Clamp FlexShooter Pro, I used my Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 500. Exposure determined via Zebras with ISO on the rear dial: 1/2000 sec. at f/5.6 (wide open) in Manual mode. AWB at 7:35am on clear sunny morning.

Wide/AF-C was active at the moment of exposure and performed beyond flawlessly — see the second screen capture below. Click on the image to see a larger version.

Image #2: Black-necked Stilt male feeding

Success!

When you do everything just right, the results can be spectacular. Today’s featured image is full frame. The raw file was converted in Adobe Camera Raw and aside from a layer of Topaz DeNoise, is pretty much right out of camera. As regular readers know, I have recently become obsessed with ground level shooting. It’s official: I am now addicted.

The males of this species are totally black above, while the females have a brownish saddle of feathers on their backs.

Image #2A: The RawDigger Adapted (Pink) histogram for the Black-necked Stilt male feeding image

Dead Solid Perfect Exposures …

This one, with the G channel just a shade inside the 16000 line, is better than most as far as exposures go. Learn how to fine tune your exposures in the RawDigger e-Guide.

RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three complete beginning to end re-writes.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

Image #2B: The AF point for the Black-necked Stilt male feeding image

More-Than-You-Could-Ever-Hope-For Autofocus …

With large-in-the-frame birds, most AF systems will simply grab the side of the bird leaving the head and eye quite soft, well beyond point of focus. Even with my reading glasses on I cannot see the tiny green box that tracks the bird’s eye with the a1. And though I am forced to trust the AF system, I never dreamed that it would have performed so superbly in this situation. But it did, not only for this image but for all those in the series!

Sony Alpha a1 AF

Barring operator error, the performance of the Sony Alpha a1 AF system at any focal length — including 1200mm as seen in recent blog posts — is, when the a1 is set up properly as detailed in the in e-mails to the Sony Alpha a1 Info & Updates group, more than remarkable. Early on, there was lots of discussion within the group with many preferring multiple back button approaches. For me a simple shutter button approach with the right AF settings that yield 99% sharp-on-the-eye images is best. By far. It is super-simple and mega-effective. In the next SONY Alpha a1 Set-up and Info Group e-mail, I will be sharing what I have learned as to when and it what situations it is best to abandon Wide. And with what. The group has already learned to limit the AF Area choices and to switch AF Areas quickly and conveniently. The default method of switching AF points with the C2 button is both slow and cumbersome.

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based advice. We are now up to an astounding 46 lucky folks. Early on, we discussed the myriad AF options. I gave my opinion as to the best one for flight and general bird photography. More recently, we have been in contact with folks at SONY sharing our thoughts, experiences, and frustrations with the EVF blackout problem.

All who purchased their Alpha a1 bodies via a BAA affiliate link will receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates after shooting me their receipts via e-mail. (Note: it may take me several days to confirm B&H orders.) This same service may be purchased by anyone with an a1 body via a $150.00 PayPal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. Alternatively, folks can call Jim weekdays at 1-863-692-0906 to pay via credit card. New members will receive composite e-mails that summarize all previous discussions.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

May 23rd, 2021

A Thing of Beauty is a Joy ... The Perch II

What’s Up?

Saturday morning was gorgeous, dead clear with a gentle northeast breeze. I was set-up on the edge of the marsh by 6:45am, but the Black-necked Stilts were nowhere to be seen. None showed up, nothing flew by, and nothing swam by. At 7:15, I left to drive around. There was an Osprey atop a dead cabbage palm struggling with a big Black Crappie. As that bird is is very shy, I stayed well back. The wind was perfect. But as I placed the lens on the lowered window the bird flew off. It was gonna be one of those days …

I drove around some more with similar results. I did see all five of the young Sandhill Cranes along the lakefront, making a few images only of the half-grown colts. I headed home early and decided to go look for a new perch. Anita North and I had searched for and set up a new one last week. The very attractive top broke off as we took it out of my SUV. We thought that we had repaired it well with duct tape and wire, but by the next day the repair failed, probably startling the first Osprey that landed on it. So I decided to look for a new perch a few blocks from my house.

I was fairly deep in the woods when a friendly voice said, “Arthur, is that you?” It was my neighbor Ralph. On that day, at that minute, Ralph was the perfect person to run into. Keep reading below to learn why.

Today is Sunday 23 May 2021. I will be heading down to the lake soon no matter the weather. Wherever you are, and whatever you are doing, I hope that you have a great day.

This blog post took about 90 minutes to prepare, and makes 149 consecutive days with a new one. Please remember that if an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords and is also available in the BAA Online Store, it would be great if you opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to save 3% at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides and/or discounts. And doing so always earns my great appreciation.

ILE In-the-Field Sessions
Sandhill Crane colts and small chicks guaranteed!

Monday May 24, Tuesday May 25, or Wednesday May 26, 2021
2-hour sessions: $300.00

The crane colts family and the crane chicks family have been utterly dependable for the past few days. Join me for a morning at Indian Lake Estates with a money-back guarantee: if we do not get to photograph either the colts or the chicks at close range you will get every penny back. Also possible: Ospreys in flight and Black-necked Stilts.

Lodging and Photoshop lessons available. If you are seriously interested in joining me for one or more sessions, get in touch via e-mail or call or text me on my cell at 863-221-2372.

This image was created on 22 May 2021 in the marsh down by the lake at ILE. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 368mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1000. Exposure determined via Zebras with ISO on the rear dial: 1/1250 sec. at f/6.3 (wide open) in Manual mode. The exposure was confirmed as perfect by RawDigger. AWB at 8:08pm with some haze along the western horizon.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a version that fits in your browser window.

Image #1: The Perch II on Day One at sunset

The Right Man at the Right Time …

So Ralph says to me, “Whatcha doing?””Looking for the perfect perch,” I replied. We chatted for a while and an hour later, we were driving around in Ralph’s somewhat battered truck with a chain saw in the bed. We looked and looked and I explained him why each dead tree he pointed out was not the perfect perch. “You’re being quite picky, “he said. “You are correct sir.” Anyhoo, I finally spotted a dead tree that I thought would do the trick. It was tall enough –about 18 or 20 feet. It was very sturdy compared to previous perches. And the single branch at the top, on your left in the image above, seemed to be perfect for all manner of large birds like Osprey, Anhinga, and Great Blue Heron.

The first trick would be to cut the tree down without breaking off the single side-perch near the top. We came up with a plan. Ralph made the first cut from the bottom. Then he taught me to use the chain saw. I would make the top cut and Ralph, shorter, 15 years younger than me, and quite a bit stronger, would break the fall of the tree to prevent the side perch from snapping off. I had never used a chain saw before, so my goal was not to cut off a hand or part of a leg. I made the cut and withdrew the saw as the tree began to crack and fall. It was a great plan, but the tree was too large and too heavy for Ralph to manage; he lost control of it almost instantly and it crashed to the ground. We heard a loud crack, and we were both sure that the side perch had broken off. Miraculously, it had not.

After Ralph cut off the bottom four feet of the new perch, we wrestled it into the back of his truck. It probably weighed at least 80 pounds. We stopped by my house to grab a post-hole digger and by Ralph’s house to grab two five-gallon buckets. We drove to the home of a guy whose lawn Ralph mows regularly to fill the buckets with broken and smashed roof tiles. So far, so good.

Anita and I had found and set up the first The Perch about three or four years ago. The birds loved it and I shared many of the images made of birds sitting atop (and flying to and from) The Perch here on the blog. About a year and a half ago, the top cracked off. I attempted to repair it, but it was not tall enough and, as above, the repair failed. I set up several other perches fairly recently, but none of them were any good for various reasons. The trick now would be to plant the new perch successfully.

This image was created on 23 May 2021 in the marsh down by the lake at ILE. I used the hand held Sony FE 24-105mm f/4 lens at 24mm and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1000. Exposure determined via Zebras with ISO on the rear dial: 1/80 sec. at f/4 (wide open) in Manual mode. The exposure was confirmed as perfect by RawDigger. AWB at 6:35am in pre-dawn light.

Upper Zone/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a version that fits in your browser window.

Image #2: The Perch II on the morning of Day Two in the pre-dawn

Success!

I picked a spot for the new perch and started the hole with a long-handled spade as Ralph suggested. Then he took over with the post-hole digger. When Anita and I had set up the perch that failed last week, it took me about 20 minutes to dig a four-inch wide 18-inch deep hole. As The Perch II was much bigger and much heavier, we would need a much deeper and much wider hole. I volunteered to go back to the truck and grab the two buckets of rocks. When I returned five minutes later I was amazed; the hole was about eight inches wide and three feet deep! Ralph was a machine!

In short order, The Perch II was upright in the hole. We rotated it so that the side perch would be close to square with both the rising and the setting sun (as the position of the sun in the sky changed with the seasons). Then we filled in the hole with rocks, tamped them down with a shovel, and topped that off with a few shovel-fulls of dirt. Last was to pour two half-buckets of water onto the dirt and into the hole and stamp the mud down. Running into Ralph on Saturday morning was quite serendipitous as he was surely the right man for the moment. Without his help, strength, and brains, not to mention his chain saw, the Perch II would never had happened.

Ralph thinks that this perch will definitely outlast me. And I agree.

Now, it is up to the birds. I am quite optimistic, but only time will tell …

Thanks, Ralph!

Designing and Creating Pleasing and Dramatic Natural History Images
A Video Webinar: $30 by electronic download

Order your copy by clicking here.

Designing and Creating Pleasing and Dramatic Natural History Images

A Video Webinar

In this 1 hour 28 minute plus video you will learn and be inspired. We cover everything from the very basics to the fine points. After a brief bio, the topics include Behavior, Action, Diagonal Lines, and the Cuteness Factor; Birds in Flight — The Holy Grail of Bird Photography; Mis-Framing!; Basic Image Design/HORIZONTALS: Get the subject out of the center of the frame. Basic Image Design/VERTICALS: The center of the frame is generally fine; The Importance of BACKGROUND; Isolating the Subject; Other Elements of Composition; On Getting Low; Going Wide for Bird-scapes; Super-tight!; Working in Sunny Conditions; Working in Cloudy Conditions; Working in Foggy Conditions; Working in the Shade; Working in Bad Weather; Creating Back-lit Images; Creating Silhouettes; and Creating Pleasing Blurs.

Each segment of the program consists of an average of about 15 images that will drive home the points being made, educate you, and inspire. The instructions and advice, given clearly and concisely, are based on my near-38 years of experience photographing birds with telephoto and super-telephoto lenses. And on several decades of creating educational blog posts.

This presentation is based on the webinar that I did for the South Shore Camera Club in April. You can find some of the comments below along with comments from two of the folks who viewed the webinar the night before the DeSoto IPT began.

You can order your copy of Designing and Creating Pleasing and Dramatic Natural History Images/A Video Webinar by clicking here or by calling Jim with your credit card in hand at 863-692-0906.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.