Arthur Morris/BIRDS AS ART
March 19th, 2021

A Perfect Storm of Great Egret Perfection

What’s Up?

After a somewhat blah sunrise on Thursday, the last morning of the Merritt Island IPT, we were looking at getting back very early. The only thing that can save us, I said, is a feeding spree near the tour road with the birds on our left and the sun on our right. Donna and Bev wanted to get back early to check out of their AirBnB and begin their 2-day drive back to Chattanooga. We stopped briefly at a small pond for some Black-necked Stilts and an unusually tame breeding plumage Glossy Ibis. A drop-dead gorgeous Reddish Egret flew in to tussle with a less handsome reddish but quickly flew off.

I looked down the road to our right and saw several parked vehicles and some flashes of white. We are outta here now! A short drive brought us to a huge feeding spree right next to the tour road with the birds on our left and the sun on our right. More than 100 Snowy Egrets and several other species were fishing and dip-feeding in a pond that was about 30 X 40 feet. A six foot American Alligator paddled around the pound making half-hearted lunges at a few birds. We were rooting hard for him to get breakfast but the gator was an abject failure as a hunter.

You will learn more about this incredibly difficult situation and the amazing end to the story in a future blog post.

Good friend Bill Schneider arrived at about 3pm for two days of SONY a1 Set-up and In-the Field Instruction. After we went through the menus and set up his camera, he practiced with it a bit by taking a few snaps around the yard. We headed to the refuge at about 3:30pm. It was partly sunny with a strong south wind. I did not expect to find much. We came around a curve near Sign 3 when I spotted what I thought was Snowy Egret taking shelter from the wing behind a mangrove. I almost did not stop but something did not look right. A second glance revealed that it was the odd heron/egret that has been visiting the refuge each spring for about five years. We stayed with the bird for close to an hour and had some great chances with a very strange and very beautiful bird.

After leaving the bird, again sheltered by a mangrove, Bill said, I want a nice spoonbill. We quickly found one feeding in small bay next to the road and stayed with it for about 30 minutes. We headed home, downloaded and looked at our images, and headed late for another great dinner at Dixie Crossroads Restaurant in Titusville. If you are not in the restaurant at 8:00pm sharp they send you home. Please do not ask me how fast I was driving up US Route 1. But we made it. 🙂

Today is Friday March 19 2021. The forecast for today is for mostly sunny with north/northwest winds all day. That is bad for morning bird photography. We will be headed out at 6:30 in hopes of a decent sunrise.

Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about two hours to prepare and makes eighty-seven days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout.

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

Wanted to Buy

If you have a Canon EF Extender 2X III (teleconverter) that you would like to part with, please contact me via e-mail. I have an interested buyer.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

The Stick Marsh Site Guide Subscription Service

Th Site Guide Subscription Service is a new concept. I will send a short site guide no later than this coming Monday that covers the basics. It will include a map of the rookery area with specific instructions and wind and weather advice. There were some good photographers at Stick Marsh yesterday. Many are skilled at hand-holding 500 and 600mm f/4 telephotos lenses. But with all due respect, none of them can come anywhere near me when it comes to analyzing the photo opps at a given location. With the exception of the aforementioned Fred — I think his full name was Fred Vaughn, every photographer got to their favor spot and never moved. We moved around a lot and had great and different chances all day long. After each visit, you will receive an e-mail noting the best locations and anything knew that I learned.

To sign up for the Stick Marsh Site Guide Subscription Service, send a PayPal for $100.00 to us at birdsasart@verizon.net and be sure to include the words Stick Marsh. Or, you can call Jim any day at 1-863-692-0906 to pay by credit card. At some point, we will get this item in the BAA Online Store.

I fully understand that you can go to Google Maps, find the Stick Marsh, visit, and likely make some good or great images. You might think, I can do fine just without artie’s advice. But you would do a whole lot better with it.

Please contact me via e-mail to explore the possibilities of morning In-the-Field Instructional Sessions at Stick Marsh.

This image was created on 17 March 2021 at the Stick Marsh in Fellsmere, FL. I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 1250. Exposure determined by Zebras with ISO on the thumb dial: 1/2500 sec. at f/5.6 (wide open) in Manual mode. AWB at 7:56am on a clear morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a larger version.

Image #1: Great Egret breeding plumage spotlit angel pose

A Perfect Storm of Perfection

Everything came together for the creation of this image. We arrived at Stick Marsh early and got into perfect position. The light was gorgeous. I had noted the flight pattern of this particular bird returning to its nest and alerted the group. (Donna Bourdon got a very similar image.) I had checked the exposure, and the Sony Alpha a1 AF system performed to perfection. This was my favorite image from the IPT Stick Marsh visit. I will share my favorite spoonbill image and reveal the tiny flaw in that image in tomorrow’s blog post.

Some might say that the head angle in today’s “perfect” image is poor as the bird is looking away. They might be right, but without that very head angle I would likely not have gotten the wings-fully spread angel pose … In that situation, I could not have done any better.

Click on the screen Capture to see a larger version.

Image #1A: Raw Digger screen capture for the Great Egret breeding plumage spotlit angel pose image

The RawDigger (pink) Adapted Histogram

The Adapted Histogram here shows an absolutely perfect exposure with zero OvExp pixels and the GREEN histogram 2/3 of the way from the 8000 line to the 16000 line.

In the RawDigger e-Guide, you will learn exactly how to set up the Adapted “pink” RawDigger Histogram and how to use it to quickly and easily evaluate the exposure or raw file brightness of images from all digital cameras currently in use. RawDigger has been especially helpful to me as I have struggled with R5 exposures and learned my new camera body, the Sony Alpha a1.

Click on the screen Capture to see a larger version.

Image #1B: Active AF points for the Great Egret breeding plumage spotlit angel pose image

Sony Alpha a1 Astounds

To learn exactly how I set up my Alpha a1 for flight to achieve results like this, join the SONY Alpha a1 Set-up and Info Group.

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based answers. I learned a ton recently in group e-mail exchanges with Geoff Newhouse, Craig Elson and James Spillman. Like the R5, the a1 is an incredibly complex camera body. But the sad news is that if you are doing bird photography right now the Alpha a1 pretty much obliterates the competition with 51,000,000 gorgeous pixels and a science-fiction-like AF systsem …

All who purchase their Alpha a1 bodies via a BAA affiliate link receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates group. This same service may be purchased by anyone with an a1 body via a $150.00 Paypal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. New members will receive all back issues.

Click on the screen Capture to see a larger version.

Image #1C: Topaz DeNoise AI the Great Egret breeding plumage spotlit angel pose image

Topaz DeNoise AI

There was quite a bit of noise in the dark tones. Why? Because when we properly expose for the WHITEs, the dark tones are approximately 1 2/3 stops under-exposed. Click on the image to see how beautifully Topaz DeNoise AI on Auto cleaned up the background noise and sharpened an already sharp image beautifully and non-destructively. Confused? Read and study the section on Exposure Theory in the original soft cover The Art of Bird Photography.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off of the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 18th, 2021

Kicking Myself Over Stick Marsh. Or Not? Roseate Spoonbill Heaven. Sony Alpha a1 Unfair to Flying Birds!

This Just In!

I am hitting publish on this blog post at an unusually late 1:18pm. We had yet about great morning so I have been very busy. 🙂 As always. Right now it is nap time!

Do take a moment to let us know which of today’s three featured Stick Marsh images is your favorite. And please let us know what you like about it. I doubt that anyone will spot the tiny bothersome element in Image #1. I will share that along with my favorite in a future blog post.

What’s Up?

We had an awesome photo session at Stick Marsh on Wednesday 17 March. It was so good that it lasted until after 2pm! The morning part of our shoot was nothing short of phenomenal. A very nice man named Fred gave us an exciting early-afternoon tip so we decided to find a breakfast spot and return to check out the possibilities despite the fact that it was a clear sunny day and the light would be quite harsh at midday. We had a fine traditional breakfast at a place we found online, The Pelican Diner in Sebastian.

After some eggs, homemade corned beef, and killer home fries we headed back to Stick Marsh hoping for some cloud cover. As we got close, we noticed a strange gray cloud off to the north. It soon enveloped the sky. The cloud was smoke from some prescribed burns in South Florida. The tip did not pan out — possibly because of the smoke cloud, but Donna and John Dupps persisted and had some good chances (while I tried but failed with Instructor Nap Time).

We got back to the AirBnB where John and I are staying — Jim Dolgin had to head home that morning — at about 4:00pm. We had dinner at the legendary Dixie Crossroads Restaurant in Titusville. We started with drinks and mind-boggling hush puppies with powdered sugar. Next were excellent Caesar salads all around. I was the only one who passed on the stuffed baked potatoes. The Large Shrimp dinners were also nothing short of phenomenal; we could not decide which was more amazing, the tartar sauce or the cocktail sauce, both distinctively delicious.

Today — Thursday March 18 2021 is the last day of the Merritt Island IPT. The forecast for today is for mostly sunny becoming partly cloudy with south winds switching to southwest and strengthening to more than 20 mph this afternoon.

This blog post took about 3 1/2 hours to prepare and makes eighty-six days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout.

New Listings Priced to Sell!

Canon EOS-1DX Mark II Professional Digital Camera Body/with Extras!

BIRDS AS ART Record-low Price

Professional photographer Jim Zuckerman is offering a Canon EOS-1DX Mark II in excellent condition with great extras for a BAA record-low $2298.00. The sale includes the body cap, a Canon leather hand grip, a Really Right Stuff L-bracket, one extra battery, the charger, two Cfast 64 gig high speed flash cards, the instruction manuals in English and Spanish, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Jim via e-mail or by phone at 1 615 414-7644 (Central Time zone).

The 1DX Mark II is a rugged, blazingly fast Canon professional digital camera body. It features an amazing AF system and high quality image files with great dynamic range. When he used Canon, it was the first choice of Arash Hazeghi, one of the world’s premier birds in flight photographers. This body is still in production and currently sells new for $4,499.00. Save a very sweet $2201.00 by grabbing Jim’s dSLR ASAP. artie

Canon 500mm f/4L IS USM super-telephoto lens (the “old five”)

BIRDS AS ART Record-low Price

Professional photographer Jim Zuckerman is offering a Canon 500mm f/4L IS USM super-telephoto lens (the “old five”), in excellent condition for a BAA RECORD-LOW $2146.00. The sale includes the front leather lens cover, a 3rd party collapsible/camouflaged lens hood, the lens trunk, the rear lens cap, and insured ground shipping via major courier to lower 48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Jim via e-mail or by phone at 1 615 414-7644 (Central Time zone).

The 500mm f/4 lenses have been the world’s most popular telephoto lenses for birds, nature, wildlife, and sports for many decades. I owned and used and loved my “old five” for many years. If you use Canon and don’t have the cash for a 500 II, and can handle the additional 1 1/2 pounds, then this is your best super-telephoto lens option. Most everyone can produce sharp images with this lens and a 1.4X TC. Folks with good to excellent sharpness techniques can do the same with a 2X TC. A new 500 II sells right now for $8,999.00; you can save an astounding $6,853.00 by grabbing Jim’s lens right now. artie

Kicking Myself …

I have been hearing about Stick Marsh for well more than a decade. It is located in Fellsmere, FL northwest of Vero Beach. I assumed that it was best done by boat. When Donna Bourdon and I visited with Clemens and photographed from his flats boat last Sunday, I realized that photographing from the shoreline would likely be as good as being in a boat. I was wrong. It is better. Roseate Spoonbill is the holy grail subject for bird photographers visiting Florida (and for those who live here as well). When I think that I have been living just one hour ten minutes from this spot, I really do want to kick myself. But I won’t. 🙂 But you can bet your bottom dollar that I will be visiting very often.

The Stick Marsh Site Guide Subscription Service

Th Site Guide Subscription Service is a new concept. I will send a short site guide no later than this coming Monday that covers the basics. It will include a map of the rookery area with specific instructions and wind and weather advice. There were some good photographers at Stick Marsh yesterday. Many are skilled at hand-holding 500 and 600mm f/4 telephotos lenses. But with all due respect, none of them can come anywhere near me when it comes to analyzing the photo opps at a given location. With the exception of the aforementioned Fred — I think his full name was Fred Vaughn, every photographer got to their favor spot and never moved. We moved around a lot and had great and different chances all day long. After each visit, you will receive an e-mail noting the best locations and anything knew that I learned.

To sign up for the Stick Marsh Site Guide Subscription Service, send a PayPal for $100.00 to us at birdsasart@verizon.net and be sure to include the words Stick Marsh. Or, you can call Jim any day at 1-863-692-0906 to pay by credit card. At some point, we will get this item in the BAA Online Store.

I fully understand that you can go to Google Maps, find the Stick Marsh, visit, and likely make some good or great images. You might think, I can do fine just without artie’s advice. But you would be very wrong.

Please contact me via e-mail to explore the possibilities of morning In-the-Field Instructional Sessions at Stick Marsh.

This image was created on 17 March 2021 at the Stick Marsh in Fellsmere, FL. I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 640. Exposure determined by Zebras with ISO on the thumb dial: 1/2500 sec. at f/5.6 (wide open) in Manual mode. AWB at 8:05am on a clear morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a larger version.

Image #1: Roseate Spoonbill flying past mangroves in early morning light

One Tiny Thing …

I love, love, love, love this image. The early morning light and the combination of pink and green works incredibly well. There is one teeny-weenie thing about this image that bothers me. I would be astounded if someone left a comment identifying what it is that bugs me. Oh, and BTW, the Alpha a1 continues to amaze me.

On Panning Well

With birds this large in the frame, it is absolutely necessary that you pan smoothly along with the bird to prevent clipping the wings. In all honesty, that is something that I am not very good at. With today’s Image #1, I succeeded.

Image #1A: AF points on the Roseate Spoonbill flying past mangroves in early morning light image

Sony Alpha a1 Astounds

To learn exactly how I set up my Alpha a1 for flight to achieve results like this, join the SONY Alpha a1 Set-up and Info Group.

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based answers. I learned a ton recently in group e-mail exchanges with Geoff Newhouse, Craig Elson and James Spillman. Like the R5, the a1 is an incredibly complex camera body. But the sad news is that if you are doing bird photography right now the Alpha a1 pretty much obliterates the competition with 51,000,000 gorgeous pixels and a science-fiction-like AF system …

All who purchased their Alpha a1 bodies via a BAA affiliate link receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates group. This same service may be purchased by anyone with an a1 body via a $150.00 Paypal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. New members will receive all back issues.

Topaz DeNoise AI on the Roseate Spoonbill flying past mangroves in early morning light image

Topaz DeNoise AI

There was surprisingly little noise even in the dark tones of the background here. Click on the image to see how beautifully Topaz DeNoise AI on Auto cleaned up the background noise and sharpened an already sharp image beautifully and non-destructively.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off of the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

This image was created on 17 March 2021 at the Stick Marsh in Fellsmere, FL. I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 500. Exposure determined by Zebras with ISO on the thumb dial: 1/3200 sec. at f/5.6 (wide open) in Manual mode. AWB at 8:46am on a clear morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a larger version.

Image #2: Roseate Spoonbill wings raised flight with nesting material

The Problem with the Nesting Material Birds …

Everyone wanted to get some images of the birds carrying nesting material. But by the time they got to the rookery island, they were angling away from us. I said to the group, “Follow me.” and they did. Folks who join the The Stick Marsh Site Guide Subscription Service group will learn exactly where to be and what to look for to try for this difficult shot in the very first issue.

This image was created on 17 March 2021 at the Stick Marsh in Fellsmere, FL. I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 2.0x Teleconverter and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 500. Exposure determined by Zebras with ISO on the thumb dial: 1/1600 sec. at f/8 (wide open) in Manual mode. AWB at 9:24am on a clear morning.

Tracking: Spot M/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a larger version.

Image #3: Roseate Spoonbill tight portrait

Clean Tight, and Graphic

Head portraits of most any bird have always turned me on. Getting a chance at Stick Marsh to create this one had me shaking in my boots. Folks who join the The Stick Marsh Site Guide Subscription Service group will learn the strategy that I used to create Image #3 in the very first issue. (I am a quick learner.)

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 17th, 2021

Photographing in Rapidly Changing Light. What is a Dip-landing? Amazing SONY a1 AF! A Perfect Flight Shot?

What’s Up?

We enjoyed a third straight pretty-decent sunrise on Tuesday. The star of the show was a dancing Reddish Egret in silhouette. Again, we were headed home early only to be surprised by another roadside feeding spree. We had a tasty and too-filling brunch at the dependably good Village Inn.

The afternoon was somewhat of a bust. We worked on group shots of small floating flocks of sleeping Blue-winged Teal. On the way to a good sunset spot, we came across a single sleeping Roseate Spoonbill with a nice reflection. Soon after that, the second straight sunset was fizzled by a distant fog bank.

Today is Wednesday 17 March 2021. We are all dressed in green and headed for Stick Marsh for some Roseate Spoonbill flight photography. The forecast is for clear skies with zero wind picking up a bit to south at 5-10. Again, on a very busy day, I did not have a single moment to devote to the R5 Guide yesterday.

Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about 1 1/2 hours to prepare and makes eighty-five days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 15 March 2021 on the Merritt Island IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 250mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 400. Exposure determined via Zebras with ISO on the Thumb Dial: 1/3200 sec. at f/6.3 (wide open). AWB at 9:42am on a clear morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a slightly larger version.

Image #1: Snowy Egret dip-landing

What is a Dip-landing?

Snowy Egrets often engage in dip-feeding: they take flight over a small pool or pond, and grab usually tiny baitfish while airborne. The bird in Image #1 was dip-feeding when it realized that the water was deep enough for it to land in. Thus, a dip-landing 🙂

As I mentioned yesterday, the huge problem with the situation was isolating a single bird in a frame without other birds or their distracting white reflections. The square crop here with a bit of canvas added above completed the isolation trick. The funny thing is that I kept suggesting to the group that the best plan of action was to zoom out to 250mm and fire away. Following my own advice here worked to perfection.

Image #1A: 100% Screen Capture of the Snowy Egret dip-landing image

Amazing Sony Alpha a1 AF

I continue to be astounded by the speed and accuracy of the SONY autofocus system. With the addition of the bird autofocus options, the AF system is clearly better than the AF systems of the a9 ii and the Canon R5. You can learn exactly how I set up my a1 by joining the SONY Alpha a1 Set-up and Info Group.

SONY Alpha a1 Set-up and Info Group

The SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based answers. I learned a ton yesterday in exchanges with Craig Elson and James Spillman. Like the R5, the a1 is an incredibly complex camera body.

All who purchased their Alpha a1 bodies via a BAA affiliate link receive a free subscription to the Sony Alpha a1 Set-Up and Info Updates. This same service may be purchased by anyone with an a1 body via a $150.00 Paypal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. New members will receive all back issues.

This image was created on 15 March 2021 on the Merritt Island IPT. I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 400. Exposure determined via Zebras with ISO on the Thumb Dial: 1/3200 sec. at f/6.3 (wide open). AWB at 10:02am on a then cloudy morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to enjoy a larger version.

Image #2: Snowy Egret perfect flight shot?

Snowy Egret Perfect Flight Shot?

Is this a perfect flight image? Why or why not? Is there anything missing that might have improved it?

Photographing in Rapidly Changing Light

If the light is constant, such as it is on a totally cloudy day or a clear sunny morning, getting the right exposure with any camera system is relatively easy (if and only if you know what you are doing). But when light clouds drift in front of the sun briefly photographers are really put to the test: bright sun one moment and white sky conditions the next. With lots of in-between possibilities. Though I find that it is easier to get it right with SONY’s Zebra technology with ISO on the rear dial, it still ain’t easy. Not to mention that you always want to guard against totally blowing the whites and having to delete the image.

Out late-in-the morning session on Monday was typically difficult. Getting close to the right exposure often meant 4-5 one-third-stop clicks to get things close to right. Image #1 was about 1/2 stop under, Image #2 was less than 1/3-stop too dark. All in all, not bad. And all with zero over-exposed highlight.

As always, folks are referred to the section on Exposure Theory in the original soft-cover The Art of Bird Photography.

Image #2A: Topaz DeNoise AI on the Snowy Egret perfect flight shot? image

Topaz DeNoise AI

Click on the image to see how beautifully Topaz DeNoise AI on Auto cleaned up the background noise and sharpened an already sharp image beautifully and non-destructively.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off of the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.