Arthur Morris/BIRDS AS ART
March 27th, 2021

Invasive But Beautiful Introduced Species. Sony Alpha a1 Bad News Coming Monday ...

What’s Up?

Yesterday, Vaughn Larsen and I had yet another great morning at Stick Marsh. Vaughn, visiting from Colorado, worked with his R5/RF 100-500 rig. To say that he learned a ton about his R5 would be a huge understatement. More on that in tomorrow’s blog post.

Monday’s post will reveal a major problem that has been plaguing folks using the Sony Alpha 1 Mirrorless digital camera.

Today is Saturday 27 March 2021. The forecast for this morning is dead-solid perfect for bird photography: clear with a gentle southeast wind freshening as the morning progresses. I would love to be headed to Stick Marsh, my new favorite place in the world, but I simply have too much work to do. Today, I will working on the Sony Alpha a1 problem with the Alpha a1 Set-up and Info Group, preparing and sending out the second issue of the Stick Marsh Site Guide Subscription Service, and beginning to work on an all-new program entitled Designing and creating pleasing and dramatic natural history images. The latter is for a Zoom Webinar presentation that I will be doing for the South Shore Camera Club on April 7th.

I will, however, be headed down to the lake for a bit at about 7:30am. Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about an hour to prepare and makes ninety-five days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides or discounts. And doing so often earns my great appreciation.

Unsolicited, via e-mail, from Fernando Ramos

The excellent Canon EOS R5 Camera User’s e-Guide is unlike anything I’ve encountered. Your detailed instruction supported by excellent reasoning is exactly what I needed to set-up my Canon EOS R5. Thank you for sharing your expertise with me; as a result, you saved me immeasurable time. Fernando

Unsolicited, via e-mail, from Joel Eade

Thank you so much for the R5 guide and I am honored to have had an image included! It is a wonderfully written, extremely comprehensive document that would benefit any R5 user. It is evident that a tremendous amount of time and effort was required to create it. After reading through, I can say it that flows in a logical fashion and that each item is carefully described in a way that is not difficult to follow. I agree with 99% of your set up suggestions 🙂 Joel

Cover Image courtesy of and Copyright 2021 Brian Sump (Sump scores!)

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide: $75.00

The guide is 82 pages long: 21,458 words. More than 50 DPP 4 Autofocus-depicting screen captures. And a 31 minute 44 second educational video. This guide took three and a half months of hard work and a ton of help from at least seventeen very helpful and generous folks.

The guide covers — in great detail — all Menu Items that are relevant to bird, nature, and wildlife photography. It does not cover video. The section on AF methods and the AF Gallery has been expanded from the R5/R6 AF e-guide. It remains the one of the great strengths of this guide. I share my thoughts on what I am sure is the single best AF Method for photographing birds in flight. As most of you know, the guide includes a simple and easy way to change AF Methods that was introduced to me by Geoff Newhouse. In the AF Gallery you will see exactly how Face Detection plus Tracking AF works. In the Educational R5 Gallery video, I share my favorite R5 images along with dozens of bird photography tips and techniques.

In addition, I teach you how to get the best exposures with your R5. Detailed instructions on using the great In-camera HDR and Multiple Exposure features will be appreciated by creative folks who like to have fun. The three shutter modes are explained in detail as well. Bruce Dudek solved the can’t-get-to-Auto ISO problem that had stumped everyone at Canon. This information is of course shared in the guide. You will learn how to set up your EVF (Electronic Viewfinder) and Screen toggle options. Not to mention that the mysterious performance of the Q Button is revealed and simplified. Brian Sump’s images reveal how well you can do when using the R5 with EF lenses using one of the three Canon EF-EOS R Mount Adapters (as Donna did with Image #1 below). You will learn how I use Customize Dials to put either ISO or EC on the Thumb Dial and how to set up and save Custom Shooting Modes (C1-C3) that can remember both your Customize Dial and Customize Button settings! That is something that none of the SONY bodies do. 🙁 Near the end of the guide I share my all-important MY MENU items with you.

Like all BAA educational materials, the R5 guide is written in my informal, easy-to-follow style. I am quite proud of this guide and look forward to hearing your thoughts on our hard work.

You can purchase your copy of the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide for $75.00 here in the BAA Online Store or by calling Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 12 March 2021 by Donna Bourdon at my favorite morning spot in Lakeland, FL. She used the Induro GIT 304L/Mongoose M3.6-mounted Canon EF 600mm f/4l IS II lens (now replaced by the Canon EF 600mm f/4L IS III USM lens) with the Canon Control Ring Mount Adapter EF-EOS R, the Canon Extender RF 2x, and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 320. Exposure determined by test exposure & histogram and blinkies evaluation: 1/2500 second at f/7.1 (wide open) in Manual mode. AWB at 8:06am on a sunny morning.

Face Detection plus Tracking worked perfectly. Click on the image to enjoy a larger version.

Image #1: Mute Swan pair courting
Image courtesy of and Copyright 2021: Donna Bourdon

Kudos

Donna Bourdon is both a dear friend and a many multiple IPT veteran. Her timing was perfect when creating this image. The light was sweet, she was right on sun angle, the exposure spot-on, and she gave the birds just enough room in the frame. And the processing was perfect. Jeez, I almost forgot the water droplets! You can see more of Donna’s work on her FB page here or here on Instagram.

The R5 with EF Lenses

Both Donna Bourdon and Brian Sump report that R5 AF (and all other) performance is stellar when it is used with EF super-telephoto (and other) EF lenses. Donna uses the Canon Control Ring Mount Adapter EF-EOS R and Brian uses the Canon Mount Adapter EF-EOS R. Learn more about the three EF-EOS R adapters in the blog post here.

Mute Swan: Invasive But Beautiful Introduced Species

Mute Swan (Cygnus olor) is a large member of the waterfowl family Anatidae. It is native to much of Eurosiberia, and (as a rare winter visitor), to the far north of Africa. It is an introduced species in North America – home to the largest populations outside of its native range – with additional smaller introductions in Australasia and southern Africa. The name ‘mute’ derives from it being less vocal than other swan species.

This species was introduced to North America in the late 19th century. Recently, it is widely viewed as an invasive species because of its rapidly increasing numbers and its adverse effects on other waterfowl and native ecosystems. Mute Swans will chase native breeding birds from their nests. A single bird can consume four to eight pounds of plants a day. They uproot and destroy wetlands vegetation, a main food source for native birds and cover for native fish and invertebrates. These large birds show little fear of people. Ironically, the Mute Swans in Lakeland are owned and protected by the city …

This image was created on 20 February 2021 at my favorite morning spot in Lakeland, FL. I used the hand held Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 800. Exposure determined via test image and blinkies evaluation: 1/ 400 sec. at f/7.1 (wide open) in Manual (M) mode. AWB at 8:51am in the shade on a partly sunny morning. 1-point AI Servo AF was active at the moment of exposure and performed as expected.

Click on the image to enjoy a larger version.

Image #2: Mute Swan resting on nest

Learning the R5

I normally do not photograph introduced species (or “soup” ducks). But I made an exception as this tame swan, resting peacefully on its fenced-in nest, enabled me to learn about getting the right exposure with the R5 and about the various R5 AF Methods. As this bird blinked when I created my favorite image design, the eye was replaced with one borrowed (via a Quick Mask) from another image in the series. Learn to do that and tons more in Digital Basics II.

Click on the image to view a larger version.

Image #2A: DPP 4 screen capture for the Mute Swan resting on nest image

AF Strategy for All Systems

When working with static subjects, all modern camera systems allow the user to select a single AF point and move it around the frame to exactly the right spot. That is what I did here (while hand holding). The The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide covers all aspects of the fabulous R5 AF system. I let you know which AF Method has worked best for me for birds in flight, which AF Methods to enable, and which to disable. And the extensive DPP 4 screen capture gallery depicts and explains exactly how the AF system performs.

Click on the image to view a larger version.

Image #2B: Topaz DeNoise screen capture for the Mute Swan resting on nest image

Topaz DeNoise Tip

What can I say? Topaz DeNoise is amazing! Note the position of the Navigator box in the upper right corner of the original frame. Working at 400%, I placed the box on the darkest shaded portion of the image where the noise would be most visible. Be sure to click the image to see the complete and non-destructive elimination of the background noise.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off of the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 26th, 2021

Five Million to One Shot Comes Home! Or not?

What’s Up?

Stick Marsh continues to consistently provide some of the very best photographic opportunities I have ever come across in my almost 38 years of bird photography. I screwed up yesterday by switching back and forth from the 200-600 G lens to the 600 GM (with a TC) and back again. Eery time I switched, I wound up having the wrong rig in my hands. (What else is new???) Today I will put one of my a9 ii bodies on the 600 f/4 with the 1.4X TC and leave it on the grass beside me where I can grab it and hand hold when needed for head portraits.

Despite my misadventures, I wound up with 122 keepers after the first edit on Thursday. Wednesday was 146 keepers after the first edit. As I said, the action at Stick Marsh is phenomenal and unprecedented. On Thursday I tried some out of the box stuff and got some neat images — including the one featured in today’s blog post. What’s more amazing is that with the amazing AF capabilities of the latest mirrorless cameras this (relatively) old man has become a fairly proficient flight photographer (though I still struggle at times with getting the bird in the middle of the frame and keeping it there …) That said, with the last two edits I have deleted hundreds of sharp, perfectly exposed flight shots, images that I and others would have given their eye teeth for just a year ago …

Today is Friday 26 March 2021. I am meeting with BPN/Brian Sump-friend Vaughn Larsen for a morning of In-the-Field Instruction. Vaughn is visiting Florida from the Denver, CO area. The forecast for this morning is for partly cloudy skies with light winds from the south. That is a great forecast for bird photography; the more sun the better. Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about an hour to prepare and makes ninety-four days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides or discounts. And doing so often earns my great appreciation.

DeSoto IPT Notes

You will see below that I have committed to both DeSoto IPTs with just a single registrant? Why? Because I value your time and interest. If you are arranging your schedule, taking time off from work, and planning your travel there is no way that I will disappoint you. Note: certain IPTs like Homer Bald Eagle IPTs and Galapagos Photo Cruises (both coming soon) do require a minimum number of sign-ups because of the huge up-front money that is required. DeSoto has been hot lately.

Stick Marsh In-the-Field Instruction

If you live in or will be visiting Florida in the next few weeks, consider joining me for a morning of In-the-Field Instruction at Stick Marsh. A three hour morning session is $300.00. You will enjoy spoonbill flight action beyond what you might have ever dreamed of. You can contact me via e-mail to discuss a schedule and the weather. Or, you can try me on my cell phone or message me at 1-863-221-2372. I will be running a Stick Marsh IPT next March.

The Stick Marsh Site Guide Subscription Service

The Site Guide Subscription Service is a new concept. I e-mailed the first issue yesterday to five smart folks: Stick Marsh Site Guide e-Mail #1: The Basics. I will be e-mailing the next installment tomorrow, Saturday 27 March. The Basics includes specific directions to the site, and a map of the rookery area with specific instructions and wind, weather, and where-to-be advice. There are lots of photographers at Stick Marsh most days. Many are skilled at hand-holding 500 and 600mm f/4 telephotos lenses. But with all due respect, none of them can come anywhere near me when it comes to analyzing the photo opps at a given location. With the exception of a very nice and very helpful man I met, Fred Vaughn, every single photographer got to their favorite spot and never moved. We moved around a lot and had great and different chances all day long. After most of my visits, you will receive an e-mail noting the best current locations and anything new that I’ve learned.

To sign up for the Stick Marsh Site Guide Subscription Service, call Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand or send a PayPal for the $100.00 to us at birdsasart@verizon.net. Please be sure to include the words Stick Marsh with your Paypal. At some point, we will get this item in the BAA Online Store.

I fully understand that you can go to Google Maps, find the Stick Marsh, visit, and likely make some good or great images. You might think, I can do fine just without artie’s advice. But you will do a whole lot better with it.

As above, please contact me via e-mail to explore the possibilities of a morning In-the-Field Instructional Session or two at Stick Marsh.

This image was created on 25 March 2021 at Stick Marsh. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 400mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 800. Exposure determined with ISO on the Thumb Wheel. The exposure was shown to be less than 1/3 stop under by RawDigger: 1/3200 sec. at f/6.3 (wide open) in Manual mode. AWB at 9:05am on partly sunny morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to enjoy a larger version.

Image #1 and Only: Roseate Spoonbill leaving with stick for nest

Five Million to One Shot Comes Home! Or not?

Spoonbills were flying in one after another. They search around for a minute or two for the “best” stick — lord knows how they know which is the best stick — and then they take flight and head back to the rookery a bit more than one hundred yards distant. Every time a bird departs every photographer holds down the shutter button in hopes of getting a single good one in what is a very difficult situation at best. Why? The birds are flying away from us and even the AF system of the SONY a1 had trouble tracking the eye. Especially when there is not an eye in sight as with today’s featured image.

The sound of the shutters going off is almost as deafening as the airboats. Except for the shutters of the R5 shooters that are unfortunately silent. When the 20th bird took off to a crescendo of shutter releases, I called out, “These are one in five million chances.” Everyone laughed out loud.

I absolutely love today’s featured image. What do I like? The full downstroke wing position, the subtle gradation of the still-blue-water background, the great look at the incredible copper-orange tail feathers and the rich, carmine rump. And the stick!

One thing bugs me. If you think you know what it is, please leave a comment.

Does this image work for you? Why or why not?

Sony Alpha a1 Astounds

To learn exactly how I set up my Alpha a1 for flight photography to achieve results like those seen in Image #1, above, join the SONY Alpha a1 Set-up and Info Group.

SONY Alpha a1 Set-up and Info Group

With 18 members already, the SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based answers. I learned a ton recently in group e-mail exchanges with Geoff Newhouse, Craig Elson and James Spillman. Like the R5, the a1 is an incredibly complex camera body. But the sad news is that if you are doing bird photography right now, the Alpha a1 pretty much obliterates the competition with 51,000,000 gorgeous pixels and a science-fiction-like AF system … Right now the group is dealing with a fairly serious problem with the a1. We have made SONY aware of the problem and are hoping for a resolution soon.

All who purchased their Alpha a1 bodies via a BAA affiliate link receive a free subscription to the Sony Alpha a1 Set-Up and Info group. This same service may be purchased by anyone with an a1 body via a $150.00 Paypal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. Or, you can call Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand. New members will receive a composite e-mails that will bring them 100% up to date with where we are with this great new camera body.

All of the images were created at Fort DeSoto in April or early May. Click on the card to enjoy a larger version.

Fort DeSotoIPT card A

Fort DeSoto Spring IPT #1

Fort DeSoto Spring IPT #1. 3 1/2 DAYS. SAT 10 APR thru the morning session on TUES 13 APR 2021. $1499 includes three lunches. Limit: 6. Openings: 5.

While DeSoto is one of the rare photo hotspots with the potential to be great any day of the year, it absolutely shines in spring. Many of the wading birds and shorebirds are in full breeding plumage. The terns and gulls are courting and copulating. We will have lots of flight photography opportunities. Did I mention that many of the birds are silly tame?

A $499 deposit is required to hold your spot for this IPT. You can send a check (made out to “BIRDS AS ART) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due immediately after you sign up. If you have any questions, please feel free to contact me via e-mail. If you cancel due to COVID 19 concerns, all of your payments will be refunded.

All of the images were created at Fort DeSoto in April or early May. Click on the card to enjoy a larger version.

Fort DeSoto IPT card B

Fort DeSoto Spring IPT #2

Fort DeSoto Spring IPT #2. 3 1/2 DAYS. MON 26 APR thru the morning session on THURS 29 APR 2021. $1499 includes three lunches. Limit: 6. Openings: 5.

Not only am I conversant in all three major camera systems used in the US — Nikon, Canon, and SONY (sorry Andy Rouse …), I have used all three within the past four years. Those include both SONY and Canon mirrorless. On both of these IPTs you will learn how to get the best exposure, how to get the most out of your AF system, and how to get close to free and wild birds. And tons more.

A $499 deposit is required to hold your spot for this IPT. You can send a check (made out to “BIRDS AS ART) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due immediately after you sign up. If you have any questions, please feel free to contact me via e-mail. If you cancel due to COVID 19 concerns, all of your payments will be refunded.

All of the images were created at Fort DeSoto in April or early May. Click on the card to enjoy a larger version.

Fort DeSoto IPT card C

Fort DeSoto Spring IPTs Expected Species

With any luck, we should get to photograph the following species: Laughing, Ring-billed, Herring, and Lesser Black-backed Gull; Royal, Sandwich, and Forster’s Tern: Great, Snowy, and white and dark morph Reddish Egret and Great Blue, Little Blue, and Tricolored Heron; Yellow-crowned Night-Heron, Wood Stork, Roseate Spoonbill, and Brown Pelican. We will see and photograph lots of shorebirds including American Oystercatcher, Black-bellied, Wilson’s, Semipalmated, Snowy, and Piping Plover, Marbled Godwit, Willet, Dunlin, Red Knot, Sanderling, and Western and possibly White-rumped Sandpiper.

Sign up for both IPTs and enjoy a $200 discount. Most of us will be staying in nearby Gulfport.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 25th, 2021

Four Basic But Oft-Ignored Lessons. R5 Versatility Shines. And New BAA Record-low Used Canon Gear Price Listings

Your Favorite?

All are invited to leave a comment and let us know which of today’s three featured Canon R5 images is their favorite, along with the reason they made their choice. It is very clear that for Canon shooters, the RF is the best overall body when it comes to creating sharp images of birds in flight and in action. The AF system on the ES-1DX III is superb but that body is much heavier and much more expensive.

What’s Up?

Joe Usewicz and I absolutely killed at Stick Marsh on Wednesday. The action was so good that we did not head home until 1:00pm! Clemens Van der Werf was there and joined Jim and me for dinner on the pool deck and a night’s lodging.

Today is Thursday 25 March 2021. The forecast for this morning is for gentle south winds at sunrise increasing to southeast at 10mph. That is close to dead solid perfect for bird photography. Wherever you are and whatever you are doing, I hope that you have a great day. Jim and Clemens and I are leaving for Stick Marsh at 5:50am.

As we have had several new sign-ups for the Alpha a1 group in recent days, I have created three Sony Alpha a1 Info and Set-up Group e-mails that summarize everything that we have come up with so far and clarifying some of the stuff we had been unsure of. Right now we are trying to solve a very large a1 problem … See yesterday’s blog post here for details on joining the group.

I finished sending the links for the complete R5 Camera User’s e-guide to all who earned a free copy or purchased it at 4:04am this morning. If you should have, but did not receive this e-mail, please check your Spam or Junk folder. If it is still MIA, please let me know via e-mail.

If you paid $25.00 for the R5/R6 AF Guide, you are entitled to a $10.00 discount on the Camera User’s e-Guide. To pay the $65.00, you can call Jim at 1-863-692-0906 weekday afternoons or send a Paypal to birdsasart@verizon.net for the $65.00. Be sure to include the words R5 Camera User’s Guide with your PayPal.

If you earned a free copy of the guide by purchasing your Canon mirrorless gear using a B&H affiliate link or by saving 3% at Bedfords, you are entitled to a $65.00 discount on the complete guide. You can call Jim as above, or shoot us a Paypal to birdsasart@verizon.net for $10.00. Again, be sure to include the words R5 Camera User’s Guide with your PayPal.

This blog post took about an hour to prepare and makes ninety-three days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides or discounts.

Comments and Responses on Donna Bourdon’s Fine Osprey Image

From the blog post here.

Guido Bee: March 23, 2021 at 11:58 am

Not sure about the 1-5, but many lenses are sharper just short of the max focal length, so just short may be better. Also, less danger of clipping a wing. Great exposure.

Arthur Morris/BIRDS AS ART: March 25, 2021 at 4:19 am

Hey Guy, One out of two ain’t bad :). The old “zoom out to increase sharpness” adage does not apply to modern telephoto zooms. Most all of them are razor-sharp at the long end. with love, a
ps: the brightness of the jpeg as presented does looks perfect. But the only way to know about the exposure of the CR.3 file is to bring the images into RawDigger.

KEN PRIDE: March 24, 2021 at 11:35 pm

I love this photo; 472mm fits the entire Osprey with it’s building materials into the frame; any longer focal length and the wingtip and the stick would have been clipped.

Arthur Morris/BIRDS AS ART: March 25, 2021 at 4:14 am

Good work Ken. You should be proud 🙂 Sometimes the very simplest answer is the best one. with love, artie

Cover Image courtesy of and Copyright 2021 Brian Sump (Sump scores!)

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide: $75.00

The guide is 82 pages long: 21,458 words. More than 50 DPP 4 Autofocus-depicting screen captures. And a 31 minute 44 second educational video. This guide took three and a half months of hard work and a ton of help from at least seventeen very helpful and generous folks.

The guide covers — in great detail — all Menu Items that are relevant to bird, nature, and wildlife photography. It does not cover video. The section on AF methods and the AF Gallery has been expanded from the R5/R6 AF e-guide. It remains the one of the great strengths of this guide. I share my thoughts on what I am sure is the single best AF Method for photographing birds in flight. As most of you know, the guide includes a simple and easy way to change AF Methods that was introduced to me by Geoff Newhouse. In the AF Gallery you will see exactly how Face Detection plus Tracking AF works. In the Educational R5 Gallery video, I share my favorite R5 images along with dozens of bird photography tips and techniques.

In addition, I teach you how to get the best exposures with your R5. Detailed instructions on using the great In-camera HDR and Multiple Exposure features will be appreciated by creative folks who like to have fun. The three shutter modes are explained in detail as well. Bruce Dudek solved the can’t-get-to-Auto ISO problem that had stumped everyone at Canon. This information is of course shared in the guide. You will learn how to set up your EVF (Electronic Viewfinder) and Screen toggle options. Not to mention that the mysterious performance of the Q Button is revealed and simplified. Brian Sump’s images reveal how well you can do when using the R5 with EF lenses using one of the three Canon EF-EOS R Mount Adapters (as Donna did with Image #1 below). You will learn how I use Customize Dials to put either ISO or EC on the Thumb Dial and how to set up and save Custom Shooting Modes (C1-C3) that can remember both your Customize Dial and Customize Button settings! That is something that none of the SONY bodies do. 🙁 Near the end of the guide I share my all-important MY MENU items with you.

Like all BAA educational materials, the R5 guide is written in my informal, easy-to-follow style. I am quite proud of this guide and look forward to hearing your thoughts on our hard work.

You can purchase your copy of the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide for $75.00 here in the BAA Online Store or by calling Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 30 to 70% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list at the bottom of the page.

Via e-mail from Kirk Stitt

I recently had my first experience as a seller on your site. I had been very happy with several earlier purchases. I am very impressed with the services you provided with regards to listing my Canon EF 500 f/4L IS II USM lens. Your suggestions for pricing were very valuable along with the great reach the Used Gear page provides. I was not interested a fire sale, but rather in a fair price for me as the seller and in an attractive price for a potential buyer. Your pricing suggestions were right on and your fees are very fair. Thanks again. Sincerely, Kirk

Canon EOS-1DX Professional Digital Camera Body

BAA Record-low Price!

Accomplished photographer and BAA-friend Jim Burns is offering a Canon EOS-1DX camera body in like-new condition for a BAA record-low $949.00. The sale includes an extra LP-E4N batteries, the dual battery charger, the front body cap, and insured ground shipping via major courier to lower-48 addresses. Your item will not ship until your check clears unless other arrangements are made.

Please contact Jim via e-mail or by phone or text: 1-602-616-9431, Mountain standard time (Arizona is not on DST).

Two fast, rugged 1D X bodies served as my workhorse cameras for more than four years. I used them to create hundreds of family-jewels-type images. I actually like the 1D X more than I liked my 1D X IIs. artie

Canon BG-E20 battery grip for the EOS 5D Mark IV dSLR

Accomplished photographer and BAA-friend Jim Burns is offering a new-in-the-box Canon BG-E20 battery grip for the EOS 5D Mark IV for a very low $179.00. The sale includes the original box and insured ground shipping via major courier to lower-48 addresses. Your item will not ship until your check clears unless other arrangements are made.

Please contact Jim via e-mail or by phone or text: 1-602-616-9431, Mountain standard time (Arizona is not on DST).

Enjoy longer shooting times and improved control in portrait orientation with the Canon BG-E20 Battery Grip for your EOS 5D Mark IV. Able to hold up to two LP-E6/LP-E6N Li-ion battery packs, this grip will effectively double your shooting time. It features vertically-positioned controls, including a shutter release button, a multi-controller, and an AF area selection button. The battery grip is constructed from magnesium alloy to match that of the 5D Mark IV and is both dust- and water-resistant. I used this grip with all of my 5D IV bodies to give them a pro-body feel. The grip sells new for $299.00 so if you are in the market for one, grab Jim’s ASAP. MFR and artie

Canon EF 70-200mm f/2.8L IS II zoom lens

BAA Record-low Price!

Accomplished photographer and BAA-friend Jim Burns is offering a Canon EF 70-200mm f/2.8L IS II zoom lens in like-new condition for BAA record-low $749.00. The sale includes the rear lens cap, a generic front cap, the tough fabric lens case, and insured ground shipping via major courier to lower-48 addresses. Your item will not ship until your check clears unless other arrangements are made.

Please contact Jim via e-mail or by phone or text: 1-602-616-9431, Mountain standard time (Arizona is not on DST).

The 70-200mm f/2.8 lenses in all systems are huge favorites with nature and wildlife photographers. They are fast, very sharp, and extremely versatile. All pair well with a 1.4X teleconverter. They are great for bird-scapes, wildlife, large mammals, scenics, sports, low light situations, and lots more. I used mine often to photograph granddaughter Maya’s dance recitals. And for birds in flight at close range they are unbeatable. artie

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 26 February 2021 at Fort DeSoto Park, Tierra Verde, FL. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens, with the Canon Extender RF 1.4x (at 508mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 400. Exposure determined via test image and blinkies evaluation: 1/1250 sec. at f/10 (wide open!) in Manual mode. AWB at 8:58m on sunny morning.

Face detection + Tracking/AI Servo AF was active at the moment of exposure and performed perfectly.

Click the image to see a larger version.

Image #1: Great Blue Heron scratching

Basic Lesson #1

When photographing a scratching bird at close (or really, at any) range, head angle is of utmost importance. If the bird’s head if angled away from you — even ever-so-slightly, the image will be an insta-delete.

R5 Versatility

By adding the RF 1.4X teleconverter you have a 420-700mm f/10 zoom lens that focuses down to inside of four feet. Like all zoom lenses, this combo allows many framing options. A key to the success of Image #1 was zooming out wide enough to avoid clipping the right ankle. (Yes, what we think of as a bird’s knee is actually the ankle.) Note: when you add either RF TC to the 100-500 it is not possible to zoom out wider then the 300mm mark. If you try to mount the TC to the lens you must be zoomed in past the 300mm mark or it will not fit into the back of the lens.

Blog Post Question

This is the same very cooperative GBH that was featured in a fairly recent (R5) blog post. It was posing atop Battery Bigelow. If you can find that post, please leave a comment with the link. I searched for a while this morning and came up empty …

This image was created on 28 February 2021 at Fort DeSoto Park, Tierra Verde, FL.I used the hand held Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 135m) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 800. Exposure determined via test image and blinkies evaluation:1/ 1250 sec. at f/8 in Manual (M) mode. AWB at 7:30am on a partly sunny morning. Face detection + Tracking/AI Servo AF was active at the moment of exposure and performed just fine.

Click on the image to enjoy a larger version.

Image #2: Great Blue Heron body flight shot

Basic Lesson #2

When unexpected action occurs, push the shutter button. You never know what you’re gonna get.

R5 Versatility

Here I zoomed out ASAP AWAP but it was not enough. But I listened to my own oft-given advice and came up with something interesting.

This image was created on 26 February 2021 at Fort DeSoto Park, Tierra Verde, FL. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 428mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 640. Exposure determined via test image and blinkies evaluation: 1/3200 sec. at f/7.1 in Manual (M) mode. AWB at 8:04am on a party sunny morning. Please see the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide to learn the best R5 AF Method for flight and action.

Click on the image to enjoy a larger version.

Image #3: Laughing Gull headed for shore after bath

Basic Lesson #3

With the wind and the light behind you, watch for birds dipping their breasts in the water. Nine times out of ten they will flap in place, jump up, and fly toward shore.

Basic Lesson #4

When photographing birds in flight and in action, keep the shutter button pressed down hard until after the action is over. With the 20fps frame rate of the R5, you will have many nice wing positions and poses to choose from.

R5 Versatility

The R5/RF 100-500 is a superb birds in flight and in action rig. Especially if you know the best AF Method to use. Yes, the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide to learn the best R5 AF Method for flight and action.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.