Arthur Morris/BIRDS AS ART
March 24th, 2021

Stick Marsh Roseate Spoonbill -- unsure of which way it was going --Flared for Landing

What’s Up

My hard work is in the process of being well-rewarded as we sold lots of BAA EOS R5 Camera User’s e-Guides on Tuesday. If you missed the announcement of the publication of this amazing guide, see yesterday’s blog post here.

If you paid $25.00 for the R5/R6 AF Guide, you are entitled to a $10.00 discount on the Camera User’s e-Guide. To pay the $65.00, you can call Jim at 1-863-692-0906 weekday afternoons or send a Paypal to birdsasart@verizon.net for the $65.00. Be sure to include the words R5 Camera User’s Guide with your PayPal.

If you earned a free copy of the guide by purchasing your Canon mirrorless gear using a B&H affiliate link or by saving 3% at Bedfords, you are entitled to a $65.00 discount on the complete guide. You can call Jim as above, or shoot us a Paypal to birdsasart@verizon.net for $10.00. Again, be sure to include the words R5 Camera User’s Guide with your PayPal.

The weather yesterday nice. Except for my swim, I stayed in and worked hard all day. Joe Usewicz joined Jim and I for an early fresh tuna dinner on the pool deck. Joe joined me for the first time for an In-the-field Instructional session at DeSoto in February. After dinner he shared some of his more recent images with me on his I-pad. His improvement has been nothing short of dramatic!

Joe and I are headed for Stick Marsh early today, Wednesday 24 March 2021. The weather is showing as partly cloudy with almost no wind, then clearing and picking up a bit from the south. Wherever you are and whatever you are doing, I hope that you have a great day.

As I have had several new sign-ups for the Alpha a1 group in recent days, I created a two Sony Alpha a1 Info and Set-up Group e-mail summarizing everything that we have come up with so far and clarifying some of the stuff we had been unsure of. See below for details on joining the group.

This blog post took about and an hour to prepare and makes ninety-two days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides or discounts.

The Stick Marsh Site Guide Subscription Service

The Site Guide Subscription Service is a new concept. I e-mailed the first issue yesterday to five smart folks: Stick Marsh Site Guide e-Mail #1: The Basics. It includes specific directions to the site, and a map of the rookery area with specific instructions and wind, weather, and where-to-be advice. There are lots of photographers at Stick Marsh most days. Many are skilled at hand-holding 500 and 600mm f/4 telephotos lenses. But with all due respect, none of them can come anywhere near me when it comes to analyzing the photo opps at a given location. With the exception of a very nice and very helpful man I met, Fred Vaughn, every single photographer got to their favorite spot and never moved. We moved around a lot and had great and different chances all day long. After most of my visits, you will receive an e-mail noting the best locations and anything new that I learned.

To sign up for the Stick Marsh Site Guide Subscription Service, send a PayPal for $100.00 to us at birdsasart@verizon.net and be sure to include the words Stick Marsh. Or, you can call Jim any day at 1-863-692-0906 to pay by credit card. At some point, we will get this item in the BAA Online Store.

I fully understand that you can go to Google Maps, find the Stick Marsh, visit, and likely make some good or great images. You might think, I can do fine just without artie’s advice. But you will do a whole lot better with it.

Please contact me via e-mail to explore the possibilities of a morning In-the-Field Instructional Session or two at Stick Marsh.

This image was created on 20 March 2021 at Stick Marsh. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 397mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 640. Exposure determined with ISO on the Thumb Wheel. The exposure was shown to be 1/2 stop under by RawDigger: 1/3200 sec. at f/6.3 (wide open) in Manual mode. AWB at 8:55am on clear morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to enjoy a larger version.

Image #1: Roseate Spoonbill flaring to land

One of Many Dozens …

As seen in the recent Pink Bonanza blog post here, I enjoyed a phenomenal day at Stick Marsh on 20 March. This was one of many dozens of dramatic, razor sharp keepers from that morning session. With the bird seemingly flying to my right but looking to my left, I had a hard time with the crop. What do you think of the placement of the bird in the frame? I am hoping for a repeat with Joe today but am not sure how long this remarkable incoming flight situation will last.

Still Room for You on Thursday or Friday Morning …

I have room for one or two more folks on Thursday and or Friday morning at Stick Marsh. Please contact me via e-mail to explore the possibilities of a morning In-the-Field Instructional Session or two at the amazingly wonderful site.

Sony Alpha a1 Astounds

To learn exactly how I set up my Alpha a1 for flight photography to achieve results like those seen in Image #1, above, join the SONY Alpha a1 Set-up and Info Group.

SONY Alpha a1 Set-up and Info Group

With 17 members already, the SONY Alpha a1 Set-up and Info Group is going great guns as folks chime in with thoughtful questions and experience-based answers. I learned a ton recently in group e-mail exchanges with Geoff Newhouse, Craig Elson and James Spillman. Like the R5, the a1 is an incredibly complex camera body. But the sad news is that if you are doing bird photography right now, the Alpha a1 pretty much obliterates the competition with 51,000,000 gorgeous pixels and a science-fiction-like AF system …

All who purchased their Alpha a1 bodies via a BAA affiliate link receive a free subscription to the Sony Alpha a1 Set-Up and Info group. This same service may be purchased by anyone with an a1 body via a $150.00 Paypal sent to birdsasart@verizon.net indicating payment for Alpha a1 Info Updates. New members will receive a composite e-mail that will bring them right up to where we are with the great camera body.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 23rd, 2021

Announcing the Publication of the BIRDS AS ART Canon EOS R5 Camera User's e-Guide. And FBM (FaceBook Maniac) Donna Bourdon and the Canon R5

What’s Up?

I am thrilled that the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide is now finished. Whew! Tomorrow, we will be sending out the link to the final PDF (and the link to the video) to all who have purchased the guide or earned a free or discounted copy by using a BAA affiliate link. The last two days were cool and grey and I never even thought about picking up a lens. I did take a nice walk and a swim both days.

Fort DeSoto ITF veteran Joe Usewicz is joining me for a Stick Marsh session on Wednesday morning. BPN/Brian Sump-friend Vaughn Larsen will be joining me on Friday morning. And the M&M boys, Morris Herstein and Mike Gotthelf, have signed up for a two-morning/one afternoon private session at Stick Marsh in early April.

Today is Tuesday 23 March and it is very foggy here at ILE. As I still have a ton of work to do I am not going anywhere.

Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about 2 hours (and 3 1/2 months!) to prepare and makes ninety-one days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout. Doing either often earns you free guides or discounts.

Cover Image courtesy of and Copyright 2021 Brian Sump (Sump scores!)

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide

The BIRDS AS ART Canon EOS R5 Camera User’s e-Guide: $75.00

The guide is 82 pages long: 21,458 words. More than 50 DPP 4 Autofocus-depicting screen captures. And a 31 minute 44 second educational video. This guide took three and a half months of hard work and a ton of help from at least seventeen very helpful and generous folks.

The guide covers — in great detail — all Menu Items that are relevant to bird, nature, and wildlife photography. It does not cover video. The section on AF methods and the AF Gallery has been expanded from the R5/R6 AF e-guide. It remains the one of the great strengths of this guide. I share my thoughts on what I am sure is the single best AF Method for photographing birds in flight. As most of you know, the guide includes a simple and easy way to change AF Methods that was introduced to me by Geoff Newhouse. In the AF Gallery you will see exactly how Face Detection plus Tracking AF works. In the Educational R5 Gallery video, I share my favorite R5 images along with dozens of bird photography tips and techniques.

In addition, I teach you how to get the best exposures with your R5. Detailed instructions on using the great In-camera HDR and Multiple Exposure features will be appreciated by creative folks who like to have fun. The three shutter modes are explained in detail as well. Bruce Dudek solved the can’t-get-to-Auto ISO problem that had stumped everyone at Canon. This information is of course shared in the guide. You will learn how to set up your EVF (Electronic Viewfinder) and Screen toggle options. Not to mention that the mysterious performance of the Q Button is revealed and simplified. Brian Sump’s images reveal how well you can do when using the R5 with EF lenses using one of the three Canon EF-EOS R Mount Adapters (as Donna did with Image #1 below). You will learn how I use Customize Dials to put either ISO or EC on the Thumb Dial and how to set up and save Custom Shooting Modes (C1-C3) that can remember both your Customize Dial and Customize Button settings! That is something that none of the SONY bodies do. 🙁 Near the end of the guide I share my all-important MY MENU items with you.

Like all BAA educational materials, the R5 guide is written in my informal, easy-to-follow style. I am quite proud of this guide and look forward to hearing your thoughts on our hard work.

You can purchase your copy of the BIRDS AS ART Canon EOS R5 Camera User’s e-Guide for $75.00 here in the BAA Online Store or by calling Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand.

From Luis Grunauer via e-mail

I’ve watched the R5 gallery video. I LOVE THE PHOTOS and the stories behind them, not to mention that the EXIF data is displayed in Photo Mechanic. Your explanations of the settings and the processes are very helpful. Your comments on framing and composition (both the great ones and the ones you refer to as “created by operator error”) were enlightening. It gives folks a chance to learn from someone with lots of in-the-field hands on experience with the R5! Well done and thanks so much for sharing it with me. There is some awesome teaching in the video to say the least!

From Ron Santini via e-mail

I have an R5 and purchased your “The BAA R5/R6 AF Guide” about a month ago. It has been a game-changer for me. I previously used back button focus (BBF), but after following your guide, that is a thing of the past. You truly simplified the process and I just want to thank you.

This image was created on 15 March 2021 by Donna Bourdon on the Merritt Island NWR IPT. She used the Induro GIT 304L/Mongoose M3.6-mounted Canon EF 600mm f/4l IS II lens (now replaced by the Canon EF 600mm f/4L IS III USM lens) with the Canon Control Ring Mount Adapter EF-EOS R and the highly touted Canon EOS R5 Mirrorless Digital Camera. Auto ISO set ISO 250. Evaluative metering +2/3 stop: 1/15 sec. at f/4 in Tv (Shutter Priority) mode. AWB at 7:08am on a misty morning just before the sun came up.

Click in the image to see a version that fits in your browser window.

Image courtesy of and Copyright 2021: Donna Bourdon

Image #1: Roseate Spoonbill flapping pre-dawn birdscape

Donna Bourdon and the R5

Donna Bourdon, her friend Beverly Still, and I have been friends for almost a decade. Donna (and often Bev) have been on many IPTs including Old Car City — the first one after I spoke at her camera club in Chattanooga, TN, Bosque del Apache, the UK Puffins, a Bear Boat trip, a land-based Falklands trip, Japan in Winter, Fort DeSoto, Merritt Island, and the Homer Bald Eagle IPT (when she managed to show up ten minutes before the first sailing!) Many of Donna’s early IPTs were co-led by my friend Denise Ippolito.

Donna had been planning to visit my home at ILE before the Merritt Island NWR IPT for several months in hopes of photographing some crane chicks and colts. Three of the four that hatched well before she arrived expired in February or early March. Though she did get a few images of the surviving colt, we did lots of other great stuff, much of it on Clemens Van der Werf’s flats boat. And we enjoyed several fine meals on the pool deck!

Right before she flew down, I convinced her that she needed to own a Canon R5. Steve Elkins kindly shipped her new body to my house just before she arrived. Donna had been playing with the SONY 200-600 and an a9 ii for a while (also at my urging), but after using the R5 she is considering selling her SONY stuff … In part because she has a big investment in Canon glass.

Donna got to ILE on the afternoon of 10 March. I had charged her R5 battery so that we were able to spend several hours setting up her new camera with my laptop opened to the then-still-in-progress R5 guide. We headed out for sunset at ILE and Donna was well on her way to loving her R5.

Donna has always been a good student. With Image #1, she turned to one my oft-taught pre-dawn/low light/pleasing blur techniques: Tv mode with Auto ISO and Exposure Compensation (EC) on the Thumb Dial. One of the great things about the R5 is that you can save your Customize Dial and Customize Button settings with a Custom Shooting Mode (C1-C3). We set up her camera with my C1, C2, and C3 Custom Shooting Modes. She opted to go with the classic blur speed of 1/15 sec. I love the degree of blurring in Image #1. In addition, I love the compositional balance with the flock of spoonies on the right balancing the tall tree in the upper left.

Donna is a huge FBM (FaceBook Maniac). She posts very often and would love to have you as a friend. You can see more of her work on her FB page here or here on Instagram.

Donna is recently retired from her job as a hospital administrator so that she can maximize her photographic opportunities. She had so much fun on her last visit that she is returning to Florida soon to join me on the second DsSoto IPT.

This image was created on 19 March 2021 by Donna Bourdon at Blythe’s Ferry near her home. She used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 472mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 2500. Exposure determined by test exposure & histogram and blinkies evaluation: 1/2000 second at f/7.1 (wide open) in Manual mode. AWB at 2:31pm on a cloudy afternoon.

Face Detection plus Tracking worked perfectly. Click on the image to enjoy a larger version.

Image #2: Osprey circling with nesting material
Image courtesy of and Copyright 2021: Donna Bourdon

Fly Softly and Carry a Big Stick!

With her R5 set up exactly as detailed in the BAA Canon EOS R5 Camera User’s e-Guide, Donna just loves her RF 100-500 for hand held flight photography. And she had lots of opportunities during her recent visit.

Focal Length Question

Why was it important that Donna zoomed out to 472mm with Image #2?

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

March 22nd, 2021

Bill Schneider, Jeff Walters' Comment, and Zebras ...

Your Favorite?

You are invited to leave a comment and let us know which of Bill Schneider’s three featured images is your favorite. Please, also, let us know why you chose as you did.

What’s Up?

Sated by my spoonbill experience on Saturday morning, I opted to stay in all day on cold and grey Sunday so that I could finish the BAA EOS R5 Camera User’s e-Guide. I did, and sent the MS Word file to IPT veteran Muhammed Arif last night to be converted into a PDF. Then I promptly discovered one big mistake and one serious omission. All of the technical stuff has been ironed out to my satisfaction. If you have earned or paid for the complete guide and have time today to review the almost-finished version, please shoot me an e-mail with the words R5 Guide Final Review Copy Please cut and pasted into the Subject Line. Please LMK of any errors or of anything that is not clear no later than 6:00pm tonight, Monday 22 March.

The finished guide will be featured in tomorrow’s blog post and will be available in the store by then. The links will be sent out no later than Wednesday. So far, I have zero clients lined up for the offered spoonbill instructional mornings. I am planning on heading to Stick Marsh on my own at least on Wednesday, Thursday, and Friday mornings.

As I have a ton more work to do, I will not be heading down to the lake this morning for a photo session. Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about 2 1/2 hours to prepare and makes ninety days in a row with a new one. Please remember to use my B&H affiliate links or to save money at Bedfords by using the BIRDSASART discount code at checkout.

Bill Schneider and Zebra Technology

The reason that I included the exchange below is because I wanted everyone to know that Bill Schneider, the subject of today’s blog post, makes sharp images with all of his SONY bodies, most especially with his brand new a1. Bill’s biggest problem is with framing his images properly; on Thursday afternoon he was cutting most of his birds in half. A close examination of his gear revealed that his Levered-clamp FlexShooter Pro was not panning smoothly. I promptly replaced it with a brand new one that functioned perfectly; he did much better on Friday and Saturday.

I’ve set up all of Bill’s SONY cameras with the correct Zebra settings. Ever since I explained to him that after setting a relatively fast shutter speed and the wide open aperture, all he had to do was adjust the ISO with the Thumb Dial until he saw faint Zebras. He has consistently been making perfect exposures ever since. For Bill, the Zebras are the Bomb!

Jeff Walters’ Comment and My Reply

In the recent blog post here, Jeff asked about exposure and Zebras. Our exchange is below.

JW: Great shot. Did you enhance the green/blue around the eyes or is that straight as it was shot?

Right out of camera. The lores of this species come in varying amazing shades of green.

JW: Curious minds want to know! (I am) So impressed with the Topaz AI Denoise. Does it work with the raw file or after a Tiff conversion?

I am not sure whether or not it will process a raw file. I use it on my TIF files first thing after converting and cropping.

JW: And I am a little confused… You wrote the chapter on exposure and refer folks to it in The Art of Bird Photography.(I own two copies).

Why so few?

JW: If you sir, could get exposure right with slide films and older camera metering systems,

at times …

JW: (and I know Zebras are the bees knees though I have never seen either one) why would an experienced Pro like yourself struggle with getting exposure right with your new Canon gear? Since digital offers more latitude in being slightly off on exposure and software nowadays can make corrections in exposure….I’m kind of lost; Confused. Is it just better to have it spot on right out of camera?

Of course.

JW: Could you beg my pardon and explain this a little bit considering I would think Zebras would only confirm what your experience has already taught you or not? As you can tell I’m a little confused on this. Thanks for reading and caring and all of your good (no great advice) and tips. As always press onward towards the goal …

You are welcome. Many folks ask the same question. With Zebras, with your cameras set up as detailed in the big SONY guide, you know you will get it right before you press the shutter button. You do not need to make a test exposure.

Another way of looking at it is as follows: you can get from New York to LA by walking, by jogging, by bike, by car, by train, or by plane. All of them will get you there. Eventually. One of those ways is obviously the fastest and the safest. Using Zebras to determine your exposures is simply the jet plane of determining exposure …

with love, a

ps: if you want to go by bike, that is your choice …

The next day, Jeff replied:

Thank-you for answering my questions in your last blog with the incredible Great Egret image. Your kindness is appreciated.

P.S. I can’t afford the Private Jet so I have a Schwinn and am pedaling like a crazy man …

Jeff, Is it a Black Phantom?

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

Wanted to Buy

If you have a Canon EF Extender 2X III (teleconverter) that you would like to part with, please contact me via e-mail. I have an interested buyer.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

Bill Schneider with his SONY Alpha a1 and the Induro GIT 304L/Levered-clamp FlexShooter Pro-mounted 200-600 GM.

William Schneider

I asked Mr. Schneider to describe himself in one word. His answer, Bill. I would say that Bill is a real character, a typical old codger. Like me, he is always independent, always generous, usually stubborn, sometimes loud, and sometimes excitable, but always loving. And easy to like. At age 82, he has — again like me — some physical problems, most recently a seriously bum shoulder. Bill was born in Watertown, WI. He describes himself as the dumbest kid in the class. His first job was frying burgers for his Uncle Howard. Bill started a printing machinery rebuilding company about 50 years ago. To say that it has been a huge success, would be a huge understatement. Thirty-seven years ago he started a printing company, Commercial Communications Inc.; it became another huge success. Today, Bill is quite well off.

He has been happily married — most of the time according to Bill — to Karen for 43 years. Today he lives in Cape Coral, FL. He spends lots of time managing his investments, loves photographing birds, and enjoys fine wine and Scotch.

This image was created on 18 March 2021 by Bill Schneider at Merritt Island NWR, Titusville, FL. Bill used the Induro GIT 304L/Levered-clamp FlexShooter Pro-mounted Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 2.0x Teleconverter (zoomed out to 546mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 2000. Exposure determined by Zebras with ISO on the thumb dial: 1/1000 sec. at f/13 (wide open!) in Manual mode. RawDigger showed the image to perfectly exposed. AWB at 5:06pm on a fortunately cloudy, very bright afternoon.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a version that fits into your browser window.

Image #1: MINWR Mystery heron/egret
Image courtesy of and copyright 2021: Bill Schneider/Schneider Photo
Image processing by artie

SONY 200-600 G with 2XTC and the Alpha a1

On our first afternoon, Bill wanted to work with the SONY 200-600 G with 2XTC and the Alpha a1 on a tripod rather than the larger, heavier, 600 G lens. The smaller, lighter rig was much easier for him to manage. The bird in this image is the mystery heron/egret that has been visiting Merritt Island NWR since 2013 (or possibly its offspring …) I will doing a blog post soon discussing the possible identification of this bird.

In any case, Bill created a fine image of this odd but beautiful bird. The sharp a1 file allowed a crop from the original horizontal image capture (with a bit of canvas added at the top).

This image was created on 19 March 2021 by Bill Schneider at Merritt Island NWR, Titusville, FL. Bill used the Induro GIT 304L/Levered-clamp FlexShooter Pro-mounted Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 2.0x Teleconverter (zoomed out to 852mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 640. Exposure determined by Zebras with ISO on the thumb dial: 1/1000 sec. at f/13 (wide open) in Manual mode. AWB at 5:43pm on a cloudy afternoon.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a larger version.

Image #2: Roseate Spoonbill feeding
Image courtesy of and copyright 2021: Bill Schneider/Schneider Photo
Image processing by artie

Bill’s Wish was My Command

After we photographed the odd heron/egret, Bill said, I’d like to photograph an adult spoonbill. All of the ones by my house are the duller young birds. I want a pretty one. We drove less than a mile and came upon a single adult Roseate Spoonbill feeding in a small mangrove-bordered cove right next to the road.

Image #2A: Topaz Sharpen AI on the head only of Bill’s Roseate Spoonbill feeding image

Topaz Sharpen AI

As with almost every image I process, all three of Bill’s featured images were run through Topaz DeNoise AI. Noting a bit of motion blur, I selected the head using the Quick Selection Tool, placed it on a Layer, and ran Topaz Sharpen AI on Stabilize. Click on the screen capture above to see the huge improvement in sharpness in the After image on our right.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plug-ins), will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off of the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Those who purchase Sharpen AI, DeNoise AI, or any other Topaz plug-ins using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. Aside from the basics, the guide explains how to install the plug-ins so that they appear in the Photoshop Filter Menu.

This image was created on 19 March 2021 by Bill Schneider at Merritt Island NWR, Titusville, FL. Bill used the Induro GIT 304L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 2.0x Teleconverter and The One, the Sony Alpha 1 Mirrorless digital camera. ISO 2000. Exposure determined by Zebras with ISO on the thumb dial: 1/1000 sec. at f/9 (stopped down 1/3 stop by accident) in Manual mode. AWB at 8:26am on a clear morning.

Wide/AF-C was active at the moment of exposure and performed perfectly. Click on the image to see a larger version.

Image #3: Glossy Ibis feeding
Image courtesy of and copyright 2021: Bill Schneider/Schneider Photo
Image processing by artie

Bill Outdoes artie

We were hurting for subjects on Friday morning. We stopped at what has been a productive pool where there were a few distant snipes. A beautiful Glossy Ibis flew in and landed right down sun angle. I decided to stick with the snipe I was on while Bill made some images of the breeding plumage ibis. I reminded him to get a few Zebras on the water. And he did. I decided to try for the ibis that promptly departed stage left … He who hesitates is lost.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.