Arthur Morris/BIRDS AS ART
February 4th, 2021

New ILE Residents? Hope So!

The Best?

Please take a moment to let us know which of today’s two featured images is your favorite, and why you chose it. Comparative comments are also welcome.

What’s Up?

Yesterday was the second straight NPD (no photography day). I worked long and hard yesterday on the BAA EOS R5 Camera User’s e-Guide. I was privileged to spend 30 minutes on the phone with top Canon tech-rep and long-time friend, Rudy Winston. Before the call, thinking on my own, I improved the work that I had done yesterday on the VF/info/toggle settings. Getting that set correctly makes working with the R5 much easier. I will be pounding away on this e-Guide again today.

I did my swim yesterday with the pool three degrees colder than it was on Wednesday. And froze when I got out.

Today is Thursday 4 February 2021. It is clear, and for Florida, brutally cold this morning: 30 degrees at 6:00am. I do not think that it has ever been this cold since I moved here more than two decades ago. With gentle NE winds in the forecast for this morning, I will likely head down to the lake to do some photography. Sunset is finally looking decent with a south wind. That is good but not great; I will go down hoping for some color in the sky.

With today’s record-low overnight temps and this being the third day in a row with a cold evening, I will likely skip my swim today.

If you think that I am exaggerating on the cold, I just checked the pool temperature. It is down to 74 degrees. Twelve days ago it was 88 degrees!

This blog past makes forty-six days in a row with a new blog post. This one took about two hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Levered-Clamp FlexShooter Pro News

We now have two dozen (make that 23) Levered-Clamp FlexShooter Pro heads in stock. The ballhead that acts like (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter Pro head — taken the world of nature photography by storm. And it’s all on the level too!

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past year or more at the bottom of the page.

Biggest and Best SONY Bargains

Sony Alpha a7r IV Mirrorless Digital Camera Body

Price Reduced $200 on 2 FEB 2021

BAA-friend Craig Elson is offering a Sony a7r IV Mirrorless Digital camera body in like-new condition for the very low price of $2198.00 (was $2398.00). The body had a glass LCD protector on it from the moment it was taken out of the box. The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. Your new camera will not ship until payment clears unless other arrangements are made.

Please contact Craig via e-mail or by phone at 1-704.904.7953 (Pacific time zone).

For the past two years you have seen the incredible detail in my a7r IV images made with a variety of SONY lenses and both teleconverters. I’ve typically used my 7r IV for about 50% of my bird photography and my a9 II in pure flight situations. As the 7r IV sells new right now for $3498.00, you can save a cool $1100.00 by grabbing Craig’s pretty much new a7r iv. Though this 61-MP body is especially attractive to landscape and macro photographers, it is great for birds as well as you can pretty much crop to your heart’s content. artie

Sony Alpha a9 ii Mirrorless Digital Camera Body

Price Reduced $200 on 28 JAN 2021
Price Reduced $100 on 2 FEB 2021

BAA-friend and multiple IPT veteran William Schneider is offering a Sony a9 ii Mirrorless Digital camera body in like-new condition for the very low price of $3298.00 (was $3498.00). The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. As a favor to Bill, I will throw in a copy of The Sony Camera User’s e-Guide and One Camera Set-up Video (a $100.00 value). Your new camera will not ship until payment clears unless other arrangements are made.

Please contact Bill via e-mail or by phone (or text) at 1-262-269-8628 (Eastern time zone).

From the moment I tracked that first incoming Brandt’s Cormorant, I knew that SONY a9 series bodies featured the world’ best AF. I upgraded to the a9 ii as soon as it was released for the slightly larger body size. I currently own two of them. A new a9 ii sells for $4,498.00. You can save a very nice $1000 by grabbing Bill’s pretty much new a9 ii. Not to mention that the new Sony A1 sells for $6498.00 … artie

134 sold to rave reviews.

The SONY e-Guide by Patrick Sparkman and Arthur Morris

The Sony Camera User’s e-Guide (and Videos)

Click here to purchase the guide with one Camera Set-up Video. Be sure to e-mail us by clicking here to specify your camera body so that we can send you a link for the correct video.

Click here to purchase the guide with two Camera Set-up Videos. Be sure to e-mail us by clicking here to specify your two camera bodies so that we can send you links for the correct videos.

Click here to learn more about the SONY e-Guide.

Folks who have used my B&H affiliate links or purchased their SONY gear are invited to e-mail for discount information.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 25 January 2021 down by the lake at ILE. Working from my SUV, I used the Induro GIT 204/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1600. Exposure determined by Zebras with ISO on the rear dial: 1/1000 sec. at f/4 in Manual mode. RawDigger showed this as a huge over-exposure. But that was just what I wanted. See Image 2A to learn why. AWB on a very cloudy day at 9:03am.

Tracking Expand Flexible Spot AF-C was active at the moment of exposure and performed perfectly.

Click the image to see a larger version.

Image #1: Bald Eagle standing on nest

New ILE Residents?

As regular readers know, a pair of Bald Eagles has been hanging around the lakefront for the past few months. I have seen them at two different Osprey nests from previous years. I did see them copulating at this nest a few weeks ago. They have not laid any eggs. Yet, I hope.

I took a walk up and back on the North Field (and then the pier) yesterday. I walked by the nest a good distance away and saw that both birds were perched near the nest. As you might imagine looking closely at the nest, it will be lit unevenly on sunny mornings. But on cloudy days, photography from the car is possible. It was a no-brainer going with the 600 f/4 GM lens rather than the 200-600 f/6.3 G lens to save four clicks of ISO.

For this image I went vertical and stayed well back from the nest so as to emphasize the trunk of the pine tree, the nest, and the hanging moss.

Image #2A: Topaz DeNoise AI Comparison View screen capture for the Bald Eagle standing on nest image

Topaz Stuff

As we have seen here before and often, using the Comparison View allows us to choose the best DeNoise AI option. With the most recent update, Low Light seems to have been improved considerably. With this image, results with DeNoise and Low Light are hard to distinguish. Curiously, the settings on both for this image were identical. Note that with this image AI Clear made a mess of the dark feathers in the lower left corner. The lesson is that it pays to compare.

This image was also created on 25 January 2021 down by the lake at ILE. Still working from my SUV, I used the Induro GIT 204/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 640. Exposure determined by Zebras with ISO on the rear dial: 1/500 sec. at f/4 in Manual mode. RawDigger (again) showed this as a huge over-exposure. But it was just what I wanted. Learn why below. AWB on a very cloudy day at 9:14am.

Tracking Expand Flexible Spot AF-C was active at the moment of exposure and performed perfectly.

Image #2: Bald Eagle near nest

Image Design Thoughts

One of the eagles likes to perch on this branch to our left of the nest. Getting closer and adding a teleconverter to try for a bigger-in-the-frame portrait does not work because of the downward-facing branch just to our left of the big raptor’s right foot. It is just plain ugly. So I came up with the idea of staying well back and including the lovely curve of that very same branch as a main element of the composition.

I am, of course, hoping that this pair continues to set up housekeeping, lays eggs, and fledges an eaglet or two.

Image #2A: RawDigger Screen Capture for the Bald Eagle near nest/em> image

The RawDigger Adapted “pink” Histogram

Ok, so we have 8,000,000 over-exposed pixels. But for me, this is a perfect exposure. Why? First of all, I needed to properly expose for the dark feathers of the eagle while guiding against over-exposing the white feathers of the head. Note that there are no rosy pink OvExp warnings on the eagle’s head. And I am never at all worried about getting detail in a white sky on a cloudy day.

Over-exposing a light-toned background to the best exposure for a dark subject or subjects is a fairly common occurrence that is detailed in the RawDigger e-Guide. Note: Patrick Sparkman, the junior author, prefers not push this type of image as far to the right as I do.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

February 3rd, 2021

Pewter Visions. RF 100-500 (100mm) Versatility. Two-Gun Morris. An Angelic Blur. Thinking Clean, Bold, and Graphic! And Creating B&W Silhouettes during the raw conversion

Your Favorite?

Please take a moment to let us know which of today’s four featured images is your favorite, and why you chose it. Comparative comments are also welcome.

What’s Up?

Yesterday was a rare NPD, a no photography day. (Sorry — I love TLAs.) Thanks to help from top Canon tech rep and long-time friend Rudy Winston, I got a ton of work done on the BAA EOS R5 Camera User’s e-Guide. I was struggling with how to set up my viewfinder and rear monitor viewing options. Thanks to Rudy, I now have that down pat. I can say that it is a really tricky process …

I will be calling Rudy this morning in hopes of clearing another hurdle, this one having to do with getting to Auto ISO.

I did get in the pool yesterday despite the brisk, cold NW wind. The pool is still a relatively warm 82 degrees; I was fine. Until I got out! I am up to 54 slow lengths (with 88 to the mile).

It is clear and cold again here this morning — Wednesday 3 February 2021, but not as windy as it was yesterday. If the winds die down, I many get out for sunset.

This blog past makes forty-five days in a row with a new blog post. This one took about three hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Levered-Clamp FlexShooter Pro News

We now have two dozen (make that 23) Levered-Clamp FlexShooter Pro heads in stock. The ballhead that acts like (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter head — taken the world of nature photography by storm. And it’s all on the level too!

Canon R5/R6 AF e-Guide Info

So far, 92 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 33 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed your Bedford receipt or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least another month to finish.

RawDigger e-Guide pre-publication version

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide some time in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three head-to-toe re-writes of the guide.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

Remember that I got away from any form of back-button or rear focusing many years ago after finally realizing that it is always easier to do one thing (press the shutter button), than it is to do two things (press a back button and then press the shutter button).

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 100mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 250. Exposure not very well) determined via the in-viewfinder histogram. Evaluative metering +1 stop: 1/60 sec. at f/4.5 (wide open) in Shutter Priority (Tv) mode. RawDigger showed this as about 1/2-stop under-exposed. AWB at 7:06am (pre-dawn) with some big clouds in the east. .

Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below.

Image #1: Blue-winged Teal/Shorebird Cloud-scape

RF 100-500 Versatility

The ability to zoom out from 500mm to as wide as 100mm can come in very handy when creating bird-scapes with attractive skies. All of today’s featured images were created on the morning that I was in Single Shooting drive mode making one image at a time when I thought that I was creating from five to 15 images each time I pressed the shutter button. Despite have limited choices while editing, I did OK.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. Working away from my SUV, I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, Sony FE 1.4x teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 125. The exposure was (not very well) determined by Zebras with Exposure Compensation on the rear wheel. Multi-metering +1.7 stops: 1/15 sec. at f/5.6 (wide open) in Shutter Priority (Tv) mode. RawDigger showed that +2.7 stops EC would have been perfect … AWB at 7:08am.

Center Zone AF-C was active at the moment of exposure and performed to perfection.

Click the image to see a larger version.

Image #2: Dunlin flock flight surreal blur

Two-Gun Morris

After I got my R5 set up reasonably well (but far from perfect …), I worked each sunrise with the SONY 600 GM/1.4XTC/a9 ii rig mounted on the Induro GIT 404L/Levered-clamp FlexShooter Pro and the Canon RF 100-500/R5 on my shoulder via a Black Rapid Curve Breathe Strap.

By reading the EXIF data above carefully, you will note that in the soft pre-dawn or cloudy morning light, I prefer to work in Shutter Priority mode with Auto ISO with both my SONY and Canon gear. And I did the same when I used Nikon. Doing so makes it easy get from a bulrush shutter speed to a fast-enough-for sharp shutter speed in no time at all. Understand that you still need to set the EC correctly (and quickly) to come up with a perfect exposure. I failed to do that with Image #1 concerned about toasting the large area of white sky with mixed dark clouds …

The surreal look to this image was because I failed to pan well with the flock. In this case, it turned out to be a big plus.

A Guide to Pleasing Blurs

Learn everything there is to know about creating pleasingly blurred images in A Guide to Pleasing Blurs by Denise Ippolito and yours truly. This 20,585 word, 271 page PDF is illustrated with 144 different, exciting, and artistic images. The guide covers the basics of creating pleasingly blurred images, the factors that influence the degree of blurring, the use of filters in creating pleasing blurs, and a great variety of both in-the-field and Photoshop techniques that can be used to create pleasingly blurred images.

Artie and Denise teach you many different ways to move your lens during the exposure to create a variety of pleasingly blurred images of flowers and trees and water and landscapes. They will teach you to recognize situations where subject movement can be used to your advantage to create pan blurs, wind blurs, and moving water blurs. They will teach you to create zoom-blurs both in the field and during post-processing. Artie shares the techniques that he has used and developed for making blurred images of flocks of geese in flight at his beloved Bosque del Apache and Denise shares her flower blur magic as well as a variety of creative Photoshop techniques that she has developed.

With the advent of digital capture creating blurred images has become a great and inexpensive way to go out with your camera and have fun. And while many folks think that making successful blurred images is the result of being a sloppy photographer, nothing could be further from the truth. In “A Guide to Pleasing Blurs” Artie and Denise will help you to unleash your creative self.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 472mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined via the in-viewfinder histogram and highlight alert evaluation confirmed as perfect by RawDigger: 1/1000 sec. at f/7.1 (wide open) in Manual mode. AWB at 7:32am on a morning with lots of clouds in the east.

Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below.

Image #3: Tricolored Heron BW silhouette

Thinking Clean, Bold, and Graphic!

At the time this image was created, the sun was trying to break through the clouds. That put some color in the water. But rather than try to juice up the color, I went in the other direction. See below to learn what I did.

Image #3A: Capture One screen capture for the Tricolored Heron BW silhouette image

Creating B&W Silhouettes during the raw conversion

First — working in Capture One — I clicked the Exposure warning to On. Then, working with the Levels Too, I grabbed the dark-tone slider and moved it to the right until the entire bird showed as under-exposed. Then I grabbed the highlight slider and move it to the left until the water showed as completely over-exposed. Then I converted the raw file to a TIF and opened it in Photoshop. I cleaned up a few specks in the water and I was done.

Note: you can do pretty much the same thing in any raw converter, or, in Photoshop after the fact.

Image #3B: RawDigger Screen Capture for the Tricolored Heron BW silhouette image

The RawDigger Adapted “pink” Histogram

In the RawDigger e-guide you will learn exactly why this exposure is 100% dead-sold perfect. The RawDigger Adapted “pink” Histogram makes it easy to quickly and accurately evaluate the exposure or brightness for raw files for virtually all digital camera bodies now in use. And we teach you not to be tricked by specular highlights; note the rosy pink OvExp warnings where the sun caught the ripples in the water.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 100mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined via the in-viewfinder histogram and highlight alert evaluation. RawDigger showed a massive over-exposure that was just what I wanted (see the screen capture below): 1/640 sec. at f/7.8 (stopped down 1/3-stop) in Manual mode. AWB at 8:54am on a cloudy morning that was just beginning to clear.

Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well.

Click on the image to see a larger version.

Image #4: Grey morning feeding aggregation

A Quick Drive-Around

After the pewter sunrise the birds disappeared. So when the sun broke through, I packed up and did a loop around Black Point. I stopped at the popular pond on the left and had some great chances with a young spoonbill and several Little Blue Herons, all at fairly close range and all beautifully lit by golden sunlight and set against a background of the lead-grey skies now in the west and reflected in the still water. Very sweet. I continued around as it clouded over and got back to my sunrise spot. In the channel to my right about 500 wading birds were packed in like sardines in a can, taking part in a huge feeding spree. I tried for a bit but things were so tight and there were so many birds that I deleted all of the images. (There were not that many as I did not realize that I was in Single Shooting until after I got home.)

When many of the birds in the channel made their way out onto the flats I saw the opportunity for a nice bird-scape so I moved to my left and went back to 100mm.

Image #4A: RawDigger Screen Capture for the Grey morning feeding aggregatione image

The RawDigger Adapted “pink” Histogram

Ok, so we have 8,793,000 over-exposed pixels comprising almost 50% of the pixels in the image, yet for me, this was the perfect exposure. Why? I wanted to properly expose for the darker toned birds (mostly Tricolored Herons) and the mangroves in the background. That to reduce the noise in the dark tones. This fairly common occurrence is detailed in the RawDigger e-Guide. Note: Patrick Sparkman, the junior author, prefers not push this type of image as far to the right as I do.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

February 2nd, 2021

Blue-winged Teal Three Ways. Including my best-ever wingstretch image? And After-Bath Flapping Tips

The Best?

Please take a moment to let us know which of today’s three featured images is your favorite, and why you chose it. Comparative comments are also welcome.

What’s Up?

After working too hard and too long to finish yesterday’s blog post, I arrived at my favorite Black Point sunrise location on Monday right at sunrise, at least 15 minutes late … On the way in, I missed the chance to photograph several large flocks of wading birds in flight. Had I been on time, I would have stopped to do some blurs. As I was setting up, a huge flock of shorebirds that had been roosting in the dead-still pewter water — yes, there was a big cloud on the eastern horizon — took flight and swirled around for a full minute before disappearing.

As the skies cleared too quickly, and the wind from the west strengthened, there was not much to do so I headed home.

The best thing that happened on Monday morning was meeting and chatting with a videographer named Tom Fitz, one of his assistants, and his daughter Phoebe. Tom was very nice and very modest. We e-mailed and I learned that he and his team are incredibly accomplished.

Below, from Tom’s website, Fitz Productions. Note: on the home page there are several impressive video clips; I urge everyone to take a peek at the Frozen Planet — Narwhals clip. Hold onto your seatbelts at the six second mark. I can only imagine what Tom was thinking and feeling at that moment …

Tom Fitz is an American cameraman, producer and director who has documented our planet’s natural wonders for over thirty years. As a freelance cinematographer, Tom has worked for the BBC, PBS, National Geographic and many others. He is the recipient of four Primetime Emmy Awards for cinematography and two for outstanding series, as well as two BAFTA awards.

Tom’s experience and comfort working underwater are rivaled by few. He is among a small handful of cameramen who has worked in all seven continents and five oceans, including under the ice in our planet’s polar regions. He has experience with underwater ROV technology and manned submarines in waters over a mile deep.

In 2008, Tom started Schoolyard Films, Inc. with the belief that educating today’s students about the natural world and the challenges it faces is of critical importance to tomorrow’s healthy environment. With Schoolyard, Tom produces films specifically for use in K-12 classrooms that are available for free with accompanying study guides to teachers worldwide.

To learn more about Schoolyard Films, visit their website here.

When I drove by the causeway — always worth checking out, a guy was collecting soda cans from the trash receptacles. Every time that he opened a trash bin, a big cloud of Laughing and Ring-billed Gulls would swirl above the bin hoping to garner a few scraps. I tried getting the birds banking on sun angle but with the now strong wing right against the bright sun, that was hopeless. Instead, I turned around and created about 700 frames of backlit gulls in flight. I’ll be thrilled if I get one or two good ones — my intent was to learn more about the R5 AF system.

Anyhoo, I was home by 11:30am. I edited several session folders and took a nap. Then it was my bursts and a swim.

I was glad to learn yesterday that I sold my SONY a7r iv (after three price reductions) and that Craig Elson sold his a9 ii. There are still some great SONY camera body buys on the BAA Used Gear Page. Note the nice 7r iv and a9 ii price reductions below.

Today is Tuesday 2 February 2021 and the forecast is for cold and clear with strong NW winds. Not good for bird photography …

This blog past makes forty-four days in a row with a new blog post. This one took close to three hours to prepare (including the time spent on the image optimizations). Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Sony Alpha a7r IV Mirrorless Digital Camera Body

Price Reduced $200 on 2 FEB 2021

BAA-friend Craig Elson is offering a Sony a7r IV Mirrorless Digital camera body in like-new condition for the very low price of $2198.00 (was $2398.00). The body had a glass LCD protector on it from the moment it was taken out of the box. The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. Your new camera will not ship until payment clears unless other arrangements are made.

Please contact Craig via e-mail or by phone at 1-704.904.7953 (Pacific time zone).

For the past two years you have seen the incredible detail in my a7r IV images made with a variety of SONY lenses and both teleconverters. I’ve typically used my 7r IV for about 50% of my bird photography and my a9 II in pure flight situations. As the 7r IV sells new right now for $3498.00, you can save a cool $1100.00 by grabbing Craig’s pretty much new a7r iv. Though this 61-MP body is especially attractive to landscape and macro photographers, it is great for birds as well as you can pretty much crop to your heart’s content. artie

Sony Alpha a9 ii Mirrorless Digital Camera Body

Price Reduced $200 on 28 JAN 2021
Price Reduced $100 on 2 FEB 2021

BAA-friend and multiple IPT veteran William Schneider is offering a Sony a9 ii Mirrorless Digital camera body in like-new condition for the very low price of $3298.00 (was $3498.00). The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. As a favor to Bill, I will throw in a copy of The Sony Camera User’s e-Guide and One Camera Set-up Video (a $100.00 value). Your new camera will not ship until payment clears unless other arrangements are made.

Please contact Bill via e-mail or by phone (or text) at 1-262-269-8628 (Eastern time zone).

From the moment I tracked that first incoming Brandt’s Cormorant, I knew that SONY a9 series bodies featured the world’ best AF. I upgraded to the a9 ii as soon as it was released for the slightly larger body size. I currently own two of them. A new a9 ii sells for $4,498.00. You can save a very nice $1000 by grabbing Bill’s pretty much new a9 ii. Not to mention that the new Sony A1 sells for $6498.00 … artie

134 sold to rave reviews.

The SONY e-Guide by Patrick Sparkman and Arthur Morris

The Sony Camera User’s e-Guide (and Videos)

Click here to purchase the guide with one Camera Set-up Video. Be sure to e-mail us by clicking here to specify your camera body so that we can send you a link for the correct video.

Click here to purchase the guide with two Camera Set-up Videos. Be sure to e-mail us by clicking here to specify your two camera bodies so that we can send you links for the correct videos.

Click here to learn more about the SONY e-Guide.

Folks who have used my B&H affiliate links or purchased their SONY gear are invited to e-mail for discount information.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 29 JAN 2021 at Black Point Wildlife Drive at Merritt Island NWR. Working away from my SUV, I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). ISO 640. The exposure was determined by Zebras with ISO on the rear wheel: 1/1250 sec. at f/8 (wide open) in Manual mode. RawDigger confirmed this exposure as dead-solid perfect. AWB at 4:02pm.

Tracking Expand Flexible Spot AF-C was active at the moment of exposure and performed to perfection.

Click on the image to enjoy a larger version.

Image #1: Blue-wing Teal drake floating in sweet reflections

Out-of-the Vehicle Photography at Merritt Island NWR

My memories of shooting at Black Point in the 1990s are that I worked from my vehicle 99% of the time. On my recent three-day visit, I worked from my vehicle about 1% of the time. What changed? In part, the birds have — over the years — become more acclimated to humans on the tour loop road. In addition, the roadside vegetation — often mangroves — has gotten higher. While I needed to move slowly, I was surprised at how cooperative the birds had become, especially the formerly-skittish Blue-winged Teal.

This image was created on the afternoon of Saturday 30 January 2021 at Black Point Wildlife Drive at Merritt Island NWR. Working away from my SUV, I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, Sony FE 1.4x teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 640. The exposure was determined by Zebras with ISO on the rear wheel: 1/1600 sec. at f/5.6 (wide open) in Manual mode. RawDigger showed a slight over-exposure. I was able to save the bright white cheek-crescent using techniques mentioned on the RawDigger e-Guide. AWB at 4:43pm.

Tracking Expand Flexible Spot AF-C was active at the moment of exposure and performed to perfection.

Click the image to see a larger version.

Image #2: Blue-winged Teal Drake flapping after bath

Shooting Down on Black Point Drive

Yeah, it would have been great for the most part to have made all three of today’s featured images while lying flat on my belly at water level. But the tour loop road around the refuge is about ten feet above the water. With the thick vegetation along the roadsides, getting low is simply not an option. You can combat the rather large angle-of-declination by using really long focal lengths like 840 and 1200mm. I was lucky with this one to have been “only” at 840mm; had I been at 1200mm, I would have surely been too tight.

After-Bath Flapping Tips

When you see a bird dipping its breast in the water there is a 90% chance that it is going to flap in place or flap up out of the water. Be sure not to frame too tightly — you will clip something if you do, and be sure to keep the bird in the center of the frame so that you can have a chance to get the forward flaps and the backward flaps without clipping anything.

This image was also created on the afternoon of Saturday 30 January 2021 at Black Point Wildlife Drive at Merritt Island NWR. Again, working away from my SUV, I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). ISO 1600. The exposure was determined by Zebras with ISO on the rear wheel: 1/500 sec. at f/8 (wide open) in Manual mode. Again, RawDigger confirmed this exposure as dead-solid perfect. AWB at 5:14pm in the shade.

Tracking Expand Flexible Spot AF-C was active at the moment of exposure and performed to perfection.

Click on the image to enjoy a larger version.

Image #3: Blue-wing Teal near-wingstrech

Best Wingstretch Image Ever?

Many times when birds stretch their near-wings, they turn their heads away. The last absolutely perfect wingstretch I had was in 1984. The sun had come out after a big thunderstorm and a Buff-breasted Sandpiper surrounded by pink salt marsh fleabane flowers stretched its near wing and held the pose for 30 seconds. I learned later that the film had not been winding … A year later I was lying on my belly fourteen feet away from a fresh juvenile Curlew Sandpiper. Those images — on film of course — would have been the first photo-documented images of juvenile Calidris ferruginea had the film been winding. Interestingly enough, both of those film-not-winding episodes occurred in September on the highest of the Jewish high holy days, Yom Kippur …

I am infinitely pleased with this one.

Image #3B: RawDigger Screen Capture for the Blue-wing Teal near-wingstrech image

The RawDigger Adapted “pink” Histogram

In the RawDigger e-guide you will learn how to set up the Adapted Histogram and precisely why this exposure is 100% dead-solid perfect. And you will learn how you can use what you learn RawDigger to drastically improve your exposures. The RawDigger Adapted “pink” Histogram makes it easy to quickly and accurately evaluate the exposure or brightness for raw files for virtually all digital camera bodies now in use. One point that is stressed throughout the RawDigger e-guide is that everyone tends to under-expose in low-light, low contrast situations …

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.