Arthur Morris/BIRDS AS ART
January 19th, 2021

Learning a lot from a so-so R5 Bald Eagle flight image ...

What’s Up?

I enjoyed a modicum of success on Monday morning before the wind came up and switched to northwest. Working from the car with the SONY 600 GM/1.4X TC/a9 ii on the tripod from my SUV, I learned a lot photographing a Little Blue Heron standing on a cleat on a small boat dock. Then I made a few images of a Sandhill Crane in the marsh. Several are already acting a bit nesty. Recently, there have been many dozens of Killdeer in the fields down by the lake. Just before quitting yesterday, I finally got close to a single bird in a decent spot. I thought that I got one great one, but was not really thrilled with any of the five that I kept.

I am just about finished with the final text for the RawDigger e-Guide. I will send out a nearly-complete version either this afternoon or tomorrow to everyone who has purchased a pre-publication copy. Soon, I will do a second video detailing Patrick’s latest brilliant idea, the RawDigger adapted histogram. When I am finished with the RD guide, I will set up my new R5 and get back to work on the BAA EOS R5 Camera User’s e-Guide. In addition, I need to update the R5/R6 AF e-Guide.

I headed down to the lake yesterday afternoon, but with no clouds anywhere, there was not much sunset color. With the winds from the west, the silhouetted birds would be landing directly away from me so I headed home early.

It has been quite chilly here and getting in my daily swim has been somewhat of a challenge. The pool made it back up to 80 degrees yesterday; the big problem is getting out :). It looks as if things will be warming up over the next week.

Anyone who might be interested in COVID-Aware in-the-field instruction at the end of this week or the beginning of next week, is invited to shoot me an e-mail to learn the low rates and to arrange a schedule.

Today is Tuesday 19 January 2021. The forecast for this morning is clear with a gentle northwest breeze. Not terrible for photography. Not great. I will be headed down to see what’s around at about 7:30am. Have a great day!

This blog past makes thirty days in a row with a new blog post. This one took about 2 hours to prepare (including the time spent on the post-processing). Please remember …

Please Remember

With income from IPTs approaching zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Canon R5/R6 AF e-Guide Info

So far, 70 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 28 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least a month to finish.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

Remember that I got away from any form of back-button or rear focusing many years ago after finally realizing that it is always easier to do one thing (press the shutter button), than it is to do two things (press a back button and then press the shutter button).

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon R5/R6 User’s e-Guide

As regular readers know, I am working on a complete Canon R5/R6 User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by mid- to late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … At a discount, of course.

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long …

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 30 December 2020 at ILE. I used the handheld-Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 2500: 1/2500 sec. at f/7.1 (wide open) in Manual mode. AWB at 9:18am on a cloudy morning.

Large Zone: Horizontal AF-C was active at the moment of exposure and performed well.

Image #1: Bald Eagle adult in flight

The Situation

At this time of year (at least), the two eagles hanging around down by the pier are not looking spiffy. They have dirty heads and very dirty tails. This bird flew over a road-kill-cafe set-up on a cloudy morning. I find it more difficult to get the color and contrast right with R5 low light images than I do with a9 ii or a7r iv images. I think that I need to process some low-light R5 images with Canon Digital Photo Professional (DPP 4) …

For me — having been to Homer, AK more than half a dozen times, there is nothing at all special about this image. It does, however, present lots of learning opportunities.

I am hoping that the eagle pair opts to nest in a somewhat accessible location on the lakefront …

Click on the image to better see the noise reduction.

Image #1A: Topaz DeNoise AI screen capture

Topaz DeNoise AI on Bald Eagle adult in flight image

After converting the raw file in Capture One, I created a new layer and — after checking out all three options using the Comparison View, opted for Low Light on Auto. Click on the screen capture above to note the the superb noise reduction and the sharper, cleaner look of the After image on our right.

Click on the image to enlarge it so that you can read the fine print.

Image #1B: DPP 4 screen capture

DPP 4 Screen Capture

I was using Large Zone AF: Horizontal in the centered position As noted in the R5/R6 AF e-Guide, you can move all of the Zone AFs around in the frame using the Joystick. AF did a decent (but not perfect) job of selecting to AF points just below the bird’s face. The raw file is sharp enough but definitely not laser/razor sharp. I have much more confidence in SONY’s Center Zone for flight than I do with any of the R5 Zone Methods. Now that I have my very own R5/RF 100-500 rig, I am hoping to do lots more flight photography somewhere. Sometime.

Click on the image to enlarge it so that you can read the fine print.

Image #1C: RawDigger screen capture

RawDigger Screen Capture

The screen capture here depicts a dead-solid perfect exposure. You will learn a ton in the RawDigger e-Guide. Most importantly, you will learn how to set up and use an adapted histogram that will let you quickly and easily evaluate the exposure — or raw file brightness to be perfectly correct for high ISO images — of raw files from all current and nearly all older dSLR and mirrorless camera bodies. The fact is that almost everyone is creating underexposed raw files on a consistent basis.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

January 18th, 2021

The Great Turkey (& Black Vulture) Shoot. SONY Center Zone AF-C Rocks! And a New FlexShooter Video

What’s Up?

Last weekend, five of the six teams I was rooting for in the NFL playoffs won. This weekend two of my four favorite teams lost. All-time great Drew Brees and his New Orleans Saints went down the tubes, vanquished by G.O.A.T Tom Brady and the Tampa Bay Buccaneers. The Chiefs managed to eke out a win after all-world QB Patrick Mahomes was left very woozy after a big hit. He was diagnosed with a concussion that might keep him out of next weekend’s AFC Championship game …

The forecast for today — Monday 18 January 2021, is cloudy turning sunny with NW winds. Again. Though I will be heading down to the lake early, I do not expect to do very well with the wind against sun conditions. Maybe I will get lucky!

I was glad to learn yesterday that Roger Dietrich sold his Canon EOS 5D Mark III in excellent condition for the BAA recored-low price of $499.00 and a Canon Battery Grip BG-E16 the Canon 7D Mark II in like-new condition for a BIRDS AS ART record-low $99.00, both soon after they were listed in early January 2020.

Anyone who might be interested in COVID-Aware in-the-field instruction at the end of this week is invited to shoot me an e-mail to learn the low rates and to work out a schedule.

This blog past makes twenty-nine days in a row with a new blog post. This one took about 1 1/2 hours to prepare (including the time spent on the post-processing). Please remember …

Please Remember

With income from IPTs approaching zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long …

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on the morning of 18 January 2021 at ILE. I used the Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1600. Exposure determined via Zebras with ISO on the large rear dial on the back of the camera: 1/2500 sec. at f/4 in Manual mode. AWB at 10:16am on a cloudy day.

Center Zone AF-C was active at the moment of exposure and performed perfectly. Click the image to see a larger version.

Image #1: Black Vulture landing

The Great Turkey (& Black) Vulture Shoot!

When we last spoke, I was in my SUV working on yesterday’s blog post. The first Turkey Vulture (TV) flew over the bait at 8:54am. The first Turkey Vulture landed at 9:08 but as quite reluctant to approach the big fish head and begin eating. So I stayed in my vehicle. Three other TVs landed and they also stayed well back. At 9:29, two the vultures began eating and it was as if the dinner bell had been rung. I had already set up the 600 on the slope that led to the canal so that I could be just about at eye level with the birds. I got out of my car on the side away from the birds and quickly made my way down to the lens. It turned out to be a real turkey shoot as about two dozen TVs landed into the east wind right at me. After a few minutes, about two dozen Black Vultures flew in to join the fray. I enjoyed a good twenty minutes of non-stop flight photography action. It might have been the best vulture flight situation ever, but for a few I got to experience in East Africa as dozens of vultures flew into a fresh kill.

As the action slowed, a man with a golf cart and a dog came by and all the birds flew away. That turned out to be the best thing that could have happened as many of them flew back in quickly. As I have mentioned here, the TVs are almost always the first to arrive, but when the smaller Black Vultures show up, they dominate and drive the larger Turkey Vultures away. By 10:30, the wind had switched to a less-than-ideal northeast so I headed home for a late brunch.

I created 360 images with the 600 GM/a9 ii rig. 358 were razor sharp on the eye. Two were very sharp on the eye. Center Zone AF with the a9 ii is simply amazing, almost science-fiction-like in its ability to create sharp flight images of bird’s flying toward the photographer. I kept only the best 28 based mostly on wing position. I will delete at least half of those on the second edit.

This image was also created on the morning of 18 January 2021 at ILE. Again, I used the Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1250. Exposure determined via Zebras with ISO on the large rear dial on the back of the camera: 1/2500 sec. at f/4 in Manual mode. AWB at 10:13am on a cloudy day.

Center Zone AF-C was active at the moment of exposure and performed perfectly. Click the image to see a larger version.

Image #2: Turkey Vulture about to join the feast

Learning From Raw Digger

Analyzing the raw file brightness in RawDigger, I noted that pretty much every image was about 1/3 stop too dark. I went for some Zebras on the sky, but should have gone for lots of Zebras on the sky. As things worked out, noise in the dark feathers or both species did not turn out to be problematic; in both cases, Topaz DeNoise eliminated it completely.

In the same situation — having learned from RawDigger — every exposure will be perfect.

Note also that in the same light, I go to 1/3 stop more light with the Black Vultures because their light tones are not as white as the lightest tones on the Turkey Vultures. — the feather vanes and the bill tips of the adults.

Image #2A: Topaz Sharpen AI screen capture

Topaz Sharpen AI on the head of the Turkey Vulture about to join the feast image

After converting the raw file in Capture One, I created a new layer and — after checking out all three options using the Comparison View, opted for DeNoise AI on Auto. Despite the small underexposure, there was not much noise in this ISO 1250 image. And unlike the R5, there was zero color noise to deal with. Then, I painted the vulture’s head with a Quick Mask, placed the selection on its own layer, and ran Sharpen AI on the layer only. On Auto, the plug-in selected Stabilize so I went with that. Click on the screen capture above to see the the improvement in the After image on our right.

The FlexShooter Pro Heads on Slopes

Working on steep uphill slopes with a properly set-up FlexShooter Pro head is a dream situation. First, make sure that the tripod is firmly seated with the leg lengths adjusted so that the platform of the tripod is relatively level. Now, simply level the bubble on the silver ball and then lock the black lever. With the lens rotated to the click stop in the tripod collar, you can point the lens in any direction an be assured that you will be square to the world, i.e., that all of your images will be perfectly level. Note that if you move your rig up or down the slope, you will need to repeat the process above.

Please note that for smaller telephoto lenses like the Nikon 500 PF, the Canon RF 100-500, all of the 100-400s, and the SONY 200-600 G, we recommend the FlexShooter Mini. Why? The spring-loaded counterbalance of the larger models is too stiff to perform optimally with the smaller, lighter lenses.

Ron Bielefeld FlexShooter Video

Friend and colleague Ron Bielefeld of Whistling Wings Photography fell in love with the Levered-Clamp FlexShooter Pro when one of his students showed up with one. He created a great YouTube video. You can see it here.

I particularly enjoyed this comment by Michael Cohen: Thanks Ron. I bought the FlexShooter Pro and (sic) sold my RRS BH-55 ballhead, my original Wimberley, a Wimberley sidekick, and a leveling base!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

January 17th, 2021

Beauty is Obviously in the Eye of the Beholder. Used SONY a7r iv for sale! Fort DeSoto In-the-Field Instruction. And a 1200mm a7r iv Roseate Spoonbill Family Jewel

What’s Up?

It is 8:30am on Sunday 17 January 2021. I am sitting in my SUV working on today’s blog post. Conditions are perfect for vulture flight: cloudy bright skies with the wind from the east. Both eagles flew over the fish heads and smoked salmon skins that I put out even before I got back to my vehicle. Since then, a few Ring-billed Gulls have flown by, but I have not seen a single vulture. Time will tell.

I spent 1 1/2 hours with Patrick Sparkman yesterday in a Zoom meeting; he kindly clarified a few important points that will enable me to finish the RawDigger e-Guide this week.

Be sure to read all the way down to learn of the free RawDigger screen capture offer.

This blog past makes twenty-eight days in a row with a new blog post. This one took about 2 1/2 hours to prepare (including the time spent on the post-processing and on assembling the two a7r iv composites). Please remember …

Please Remember

With income from IPTs approaching zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Beauty is Obviously in the Eye of the Beholder

In yesterday’s ILE GBH-Scape: Color or Black and White? blog post here, I was astounded by the number (21) of folks who left a comment sharing their opinion of the two images, and even more astounded by folk’s reactions. In effect, those ranged from “delete both of them as soon as possible” to “one or both is a true work of art.” As I said in the post, while realizing that neither image is a family jewel, I sorta liked each version. If I had to choose, I’d go with the color image but as several did, I found the mood of the B&W to be quite interesting. In any case, it was amazing to see such huge differences of opinion; and I am glad that I kept the image and shared the two versions.

RawDigger e-Guide and Video Advance Copy Available

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a pre-publication copy of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the RawDigger guide ready for sale by next Monday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

Click on the composite to enjoy a larger version.

SONY a7r iv Fort DeSoto Composite

SONY a7r iv (for sale below) Fort DeSoto Composite

All of the images in the composite above were created at Fort DeSoto Park with the SONY a7r iv. Contrary to popular opinion, the a7r iv is quite excellent for flight when used with all GM lenses including and especially the 600mm f/4 GM and the 400mm f/2.8 GM. It does not do well for flight with the SONY 200-600 GM (at least in my hands). With decent technique, competent users can create super-sharp images with either of the SONY super-telephoto lenses when used with either teleconverter.

If you are a landscape or macro shooter who uses SONY, the a7r iv was made for you.

DeSoto In-the-Field Instruction

Anyone who might be interested in COVID-Aware in-the-field instruction at the end of this week is invited to shoot me an e-mail to learn the low rates and to work out a schedule.

Click on the composite to enjoy a larger version.

SONY a7r iv San Diego Composite

SONY a7r iv (for sale below) San Diego Composite

All of the images in the composite above were created at San Diego, CA. Of all the cancelled IPT destinations, I have missed going to San Diego the most. I had visited this great town every year since 1970. Back then I did not know what a bird or a camera was, but I was playing lots of golf. Younger daughter Jennifer was one when she first visited her grandma and grandpa in San Diego.

New Listing

Sony Alpha a7r IV Mirrorless Digital Camera Body

BAA Record-Low Price

Arthur Morris is offering a Sony a7r IV Mirrorless Digital camera body in excellent-plus condition for the BAA record-low price of $2498.00. Many might call this one near mint, but I like to be conservative when selling my own gear. The body has only 38,497 shutter actuations on it. The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. In addition, I will throw in a copy of The Sony Camera User’s e-Guide and One Camera Set-up Video (a $100.00 value). Your new camera will not ship until payment clears unless other arrangements are made. PayPal +4% will guarantee same day shipping.

Please contact artie via e-mail or by phone (or text) at 1-863-221-2372 (Eastern time zone).

For the past two years (and also below), you have seen the incredible detail in my a7r IV images made with a variety of SONY lenses and both teleconverters. I’ve typically used my 7r IV for about 50% of my bird photography and my a9 II in pure flight situations. As the 7r IV sells new right now for $3498.00, you can save a cool $1000.00 by grabbing this great SONY mirrorless body ASAP. artie

This image was created on 22 September 2020 at Fort DeSoto Park, Tierra Verde, FL. I used the Induro GIT 304l/Induro GIT 304L/FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the 61-MP Monster, the Sony Alpha a7R IV Mirrorless Digital camera body. ISO: 400. Exposure determined by Zebras with exposure compensation on the rear wheel: 1/1000 sec. at f/9 in Manual mode. In bright sun, I went for just a smattering of Zebras. AWB at 8:31am on a clear sunny morning.

Tracking Flexible Spot (M) AF-C worked to perfection. Click on the image to see a larger, sharper version.

Roseate Spoonbill with water droplets falling off bill

A 1200mm Family Jewel

I loved this image from the minute I pushed the shutter button. I did that when I saw the water dripping off the bird’s bill. And I loved it even more when I saw it on the laptop for the first time. I just never got around to processing it and publishing it on the blog. I thought of it when I realized that I wanted to sell my SONY a7r iv. And don’t get excited, that has nothing to do with my recent purchase of the Canon EOS R5. Zero in fact.

Because this bird was just beginning to blink at the moment of exposure, I replaced the forward portion of the iris with the that from an adjacent frame. I used a small Quick Mask that was transformed and then refined with a Regular Layer Mask.

An unsharpened 100% crop from Roseate Spoonbill with water droplets falling off bill

SONY a7r iv Detail

Simply put, and as seen above, the incredible detail in sharp a7r iv image files is unparalleled when compared to sharp image files from any dSLR or mirrorless camera bodies.

Sometimes you have to ask yourself, “When was the last time I saw a bird’s ear?”

Image #2A: Topaz DeNoise AI screen capture

Topaz DeNoise AI on the Roseate Spoonbill with water droplets falling off bill image

After converting the raw file in Capture One, I created a new layer and — after checking out all three options using the Comparison View, opted for DeNoise AI on Auto. Be sure to click one the image to see the larger version and note the complete elimination of small-pixel noise on the background. Remember that as I properly exposed for the WHITEs, the middle-tones were about one full stop under-exposed. That despite this exposure being confirmed as dead-solid perfect by RawDigger There were 1,205 OvExp pixels out of 61,000,000. All of those were present only in various specular highlights. In the guide, we teach you to ignore the specular highlights so that you can come up with a perfect exposure (or with the perfect raw file brightness) for a given subject. If you would like to see a RawDigger screen capture that shows this, please click on this link.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.