Arthur Morris/BIRDS AS ART

All of the images were created at Fort DeSoto in April or early May. Click on the card to enjoy a larger version. Fort DeSoto IPT card A

Fort DeSoto Spring IPT #1

Fort DeSoto Spring IPT #1. 3 1/2 DAYS. SAT 10 APR thru the morning session on TEUS 13 APR 2021. $1499 includes three lunches. Limit: 6. Openings 5.

While DeSoto is one of the rare photo hotspots with the potential to be great any day of the year, it absolutely shines in spring. Many of the wading birds and shorebirds are in full breeding plumage. The terns and gulls are courting and copulating. We will have lots of flight photography opportunities. Did I mention that many of the birds are silly tame?

A $499 deposit is required to hold your spot for this IPT. You can send a check (made out to “BIRDS AS ART) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due immediately after you sign up. If you have any questions, please feel free to contact me via e-mail. If you cancel due to COVID 19 concerns, all of your payments will be refunded.

All of the images were created at Fort DeSoto in April or early May. Click on the card to enjoy a larger version. Fort DeSoto IPT card B

Fort DeSoto Spring IPT #2

Fort DeSoto Spring IPT #2. 3 1/2 DAYS. MON 26 APR thru the morning session on THURS 29 APR 2021. $1499 includes three lunches. Limit: 6/Openings: 5.

Not only am I conversant in all three major camera systems used in the US — Nikon, Canon, and SONY (sorry Andy Rouse …), I have used all three within the past four years. Those include both SONY and Canon mirrorless. On both of these IPTs you will learn how to get the best exposure, how to get the most out of your AF system, and how to get close to free and wild birds. And tons more.

A $499 deposit is required to hold your spot for this IPT. You can send a check (made out to “BIRDS AS ART) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due immediately after you sign up. If you have any questions, please feel free to contact me via e-mail. If you cancel due to COVID 19 concerns, all of your payments will be refunded.

All of the images were created at Fort DeSoto in April or early May. Click on the card to enjoy a larger version. Fort DeSoto IPT card C

Fort DeSoto Spring IPTs Expected Species

With any luck, we should get to photograph the following species: Laughing, Ring-billed, Herring, and Lesser Black-backed Gull; Royal, Sandwich, and Forster’s Tern: Great, Snowy, and white and dark morph Reddish Egret and Great Blue, Little Blue, and Tricolored Heron; Yellow-crowned Night-Heron, Wood Stork, Roseate Spoonbill, and Brown Pelican. We will see and photograph lots of shorebirds including American Oystercatcher, Black-bellied, Wilson’s, Semipalmated, Snowy, and Piping Plover, Marbled Godwit, Willet, Dunlin, Red Knot, Sanderling, and Western and possibly White-rumped Sandpiper.

Sign up for both IPTs and enjoy a $200 discount. Most of us will be staying in nearby Gulfport.

What’s Up

Thursday morning dawned northwest windy, quite chilly, and blessedly cloudy. I took a walk with my Canon R5/RF 100-500 lens and, for the first time ever, experimented with creating some 6-frame On: ContShtng (Continuous shooting priority) Multiple Exposures. All aspects of creating in-camera Multiple Exposure (ME) and High Dynamic Range (HDR) images are detailed in the almost finished Canon R5 Camera User’s e-Guide. In addition, I share how I set up and use Custom Shooting Mode C3 to save a ton of time when I want play around with either ME or with HDR. I was surprised that I kept one pretty neat image.

I began working on the Getting the Right Exposure with the R5 section for the R5 User’s e-Guide and should have that finished today. I sent an e-mail yesterday to everyone who purchased the R5/R6 AF e-Guide offering an advance review copy of the Canon R5 Camera User’s e-Guide. If you did not receive that e-mail, please let me know via e-mail.

I am almost finished with the guide. After completing the stuff on exposure, I still need to work on the MY MENU section and create a gallery of R5 images. In addition, I got through several of the R5 Camera User’s e-Guide reviews that were e-mailed by folks who were kind enough to take a serious look at the manuscript.

Last night was another too-clear dud of a sunset; without any light clouds or fog or mist on the western horizon, there is little sunset color.

Today is Friday 5 March 2021. The forecast if for clear skies with gentle NW winds switching to the NE at about 9:00am. I will do my best to get down to the lake early.

Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took about 1 1/2 hours to prepare and makes seventy-four days in a row with a new one. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

Wanted to Buy

If you have a Canon EF 100-400mm f/4.5-5.6L IS II USM lens that you would like to part with, please contact me via e-mail. I have another interested buyer.

Canon EOS R5 Camera User’s e-Guide

Last Thursday, I sent out about a dozen copies of the almost finished Canon EOS R5 Camera User’s e-Guide for review to folks who had previously gotten free copies of the R5/R6 AF e-Guide by using my affiliate links to purchase their Canon mirrorless gear. In the same vein, I contacted everyone who purchased the R5/R6 AF e-Guide yesterday.

Because the camera and the Menus are so complex, this guide has required a ton of research, a lot of time, and a lot of effort (and will continue to do so until it is complete). It should be finished by the first week in March. 2021. The final update of the R5/R6 AF e-Guide has become part of the complete Camera User’s e-Guide; it will be revised if warranted.

The complete Camera User’s guide will sell for $75.00. Folks who purchased their Canon gear using my links will receive a $65.00 discount; the guide will cost them a nominal $10.00. Folks who spent more than $7500.00 on Canon mirrorless gear using either of my affiliate links (B&H or Bedfords), will receive the User’s Guide for free. Folks who purchased the R5/R6 AF e-Guide will receive a $10.00 discount on the User’s e-Guide. The best news is that the end is in sight.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 27 February 2021 at my back-up morning location at Fort DeSoto Park. I used the Induro GIT 304L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). ISO 500. The exposure was determined by Zebras with ISO on the rear wheel: 1/1250 sec. at f/9 (stopped down 1/3-stop) in Manual mode. RawDigger showed this exposure to be less than 1/3 stop under, i.e., almost perfect. AWB at 8:01:43am on a clear morning. Upper Left Zone/AF-C was active at the moment of exposure and performed to absolute perfection by painting the bird’s eye with AF points. Click on the image to see an inexplicably sharper version. Image #1: Laughing Gull — adult breeding plumage display calling/vertical front-end image design

Catching Up

In the Getting What I Went For, In Spades, at 1200mm … blog post here, I posted :

Your Favorite

All are invited to leave a comment letting us know which of today’s four featured images they like best. As always, please let us know why you made your choice. Comparative comments are also welcome. I will share my favorites in order from one to four here in a few days. Along with my reasons.

My Favorite

Though I love all four of the images presented in this post, #1, above, was my favorite. I love the color scheme — the red, white, and blue of Old Glory, plus the black. I love the meticulous front-end vertical framing (see more of that in item-next). I love the display/calling. I love the pretty-much perfect breeding plumage. And as mentioned in the blog post, I love the small breaking wave in just the right spot in the lower left of the frame.

Images #2 and #4 were tied as my second favorites. I liked #2 for the rather coy preening pose and the extensive blue background. And I liked #4 because I like Laughing Gulls in full breeding plumage, I like head and shoulders portraits, and I love perfection.

Lots of folks chose #3 as their favorite and for good reason. While I agree that it is a very strong image, my final tally is #1, #s 2 & 4, and #3. Thanks to the many who left a comment. Please remember that nobody is or was right or wrong.

Vertical Front-end Portraits

Anthony Ardito/March 1, 2021 at 1:21pm

#3 perfect comp and action. #1 would have been if rear end was not cut off.

Arthur Morris/BIRDS AS ART/March 2, 2021 at 7:43am

Anthony, Anthony, Anthony. See Chapter Seven, Designing the Image, in the original soft-cover The Art of Bird Photography, particularly (and coincidentally), the Laughing Gull image on the right side of page 107. The caption there includes the words, … then cut off the rear of the bird, just behind the legs.

Front-end verticals like Image #1 can be quite powerful as they will reveal much more detail than smaller in the frame images of the same subject. When working with a fixed focal length lens they are often the best option when you cannot zoom out to include the whole bird in a horizontal frame …

with love, a

An Interesting Series of Comments at the Art or Trash blog post here.

(BPN-friend) William Dix/March 4, 2021 at 11:11 am

Artie, FWIW, an unrelated bit of information that might interest some: the Audubon Photo Awards for this year have added a new stipulation: the use of Topaz Sharpen AI is not permitted on any submitted image. In response to my query they sent the following: “Sharpening is not permitted with AI software, but it is permitted, if minimal, with software like Photoshop or Lightroom.”

Warren Howe/March 4, 2021 at 11:44am

That’s interesting because “AI” means very different things to many companies. I have seen one “AI” sharpening system for out-of-focus images that actually replaces parts of the image, like teeth, earings, etc., rather than just trying to sharpen them. Now that’s AI and I would agree that that should not be used in a contest.

But, I think Topaz uses AI just to learn or predict what is actually there, not replacing from image pieces over the internet.

Arthur Morris/BIRDS AS ART/March 4, 2021 at 11:47am

Thanks, Bill. Personally, I couldn’t care less about Audubon. They have, in the magazine, shown a huge anti-photographer bias.

I was inspired in the 1970s by the great photo portfolios they published by guys like Charles Krebs and the little guy from Iowa whose name I cannot remember right now … The latter photographer specialized in the Everglades, drove around in an old VW bus, and always wore a scruffy white t-shirt. If anyone remembers his name, please let us know.

The last thirty or more years of Audubon Magazine have been nothing but junked cars and oil spills. Not that that stuff is not important, but at times, folks forget that beautiful images often inspire folks to take action and to take steps to preserve habitat. And that sometimes they can change a person’s life.

with love, artie

ps: Thanks to old VIREO friend Doug Wechsler for this: Glenn van Nimwegen was the guy’s name.

Glenn van Nimwegen

I met Glenn at Everglades National Park when I was first starting sometime in the late 1980s. At about the same time I met Charles Krebs, a highly skilled nature/stock photographer. Both were very kind to me. Below is the only thing I have been able to find online about Glenn.

Van Nimwegen, Glenn

Obituary from The Pella Chronicle, November 20, 2003

Interment for Glenn Van Nimwegen, 57 of Jackson, WY and Pella, IA, who passed away Nov. 5, 2003 was held at the Oakwood Cemetery in Pella.

Glenn Carl Van Nimwegen, born to Marion and Margaret Elizabeth Sopher Van Nimwegen, was born on May 15, 1946 in Oskaloosa. He attended the Pella Public Schools in Pella.

Glenn pursued a career in freelance nature and landscaping photography. He spent over 30 years roaming the United States in his pickup and with his camera. He traveled and photographed in 49 states. His landscape and wildlife photographs appeared in numerous publications, books, & magazines, and on calendars, posters and post cards. These included covers and photo essays in Audubon Magazine, Time-Life Books, National Graphic Books, National Wildlife Federation Magazine and Books, Natural History Magazine, Smithsonian Magazine, Birder’s World, Sierra Club and Audubon calendars, to name just a few. His work appeared regionally and locally in publications on Glacier, Yellowstone, and Grand Teton National Parks; including K. C. Publications, Sierra Press Publications, Grand Teton Natural History Association Publications, Jackson Hole-Crossroads of the West and others.

Glenn is survived by his brother Keith Lee Van Nimwegen and his wife, Patty, of West Des Moines; seven nieces and nephews.

Glenn was preceded in death by his parents: his father, Marion, his mother, Margaret, and an older brother who died at birth on July 16, 1938.

For those desiring, memorials in his memory may be given to the Nature Conservancy.

Funeral arrangements were handled by Van Dyk-Duven Funeral Home in Pella.

That Glenn was only one year older than me and has been gone for nearly two decades is a reminder of how blessed I have been. A sign of the times is that I have not been able to find a single image created by Glenn Van Nimwegen online …

Give it a Go

If — after reading and learning from this blog post — you would like to improve your editing/picking your keepers skills, please leave a comment denoting what you think is the strongest image in each of the three groups. And let us know why you made your choices. You can indicate your choice with the GROUP and file number, like this: GROUP 1 — 4389. I like the wing position and the way the bird is framed by the waves.

Canon R6 Bodies in Stock now at Bedfords/R5 Bodies on the Way!

Steve Elkins asked me to let you know that he is receiving a good number of Canon EOS-R6 bodies today. Get yours by clicking here. Enter the BIRDSASART discount code at checkout, save 3%, and enjoy free second-day air Fed-Ex shipping. And shoot me your receipt to receive your free copy of the R5/R6 AF e-Guide and save $65.00 off the price of the R5 User’s e-Guide.

Six R5 Bodies are on the way as well …

What’s Up?

It was mostly grey on Tuesday morning with the sun trying to peek through on occasion. Both crane families are doing well. I took a zillion mostly bad images of Cattle Egrets as there was a big hatch of small mayflies. I got a very few decent flight shots and one different image that I think is really neat. I will share that one with you here soon.

I worked long and hard all morning but don’t ask me on what. I often find myself wishing that there were 48 hours in a day. Sunset was totally grey, so I stayed home.

Today is Wednesday 3 March 2021. The forecast for this morning is for cloudy-dark with SW winds and scattered thunderstorms. I may head down early for a walk and then get back to work.

Wherever you are and whatever you are doing, I hope that you have a great day.

This blog post took more than two hours to prepare and makes seventy-two days in a row with a new one. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes, are invited to help out by clicking here to leave a blog thank you gift if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past thirteen months at the bottom of the page.

Price Drop

Canon EOS 5D Mark II Digital SLR Camera Body with Extras!

Price Reduced $100 on 2 NOV 2020!
Price Reduced $100 on 1 MAR 2021!

Stuart Hahn is offering a Canon 5D Mark II in excellent plus condition for a silly-low $385.00 (was $585.00). The LCDs have been protected with screen protectors since day one. The sale includes everything that came with the camera originally, a RRS L bracket, and insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Stu via e-mail or by phone at 1-916-485-1630 (Pacific time zone).

Stu Hahn was the first-ever seller on the Used Gear Page many years ago when he parted with his Canon 500mm f/4L IS lens, the “old five.” This 5D II body would be ideal for a budding landscape or Urbex photographer, as well as for some looking for a great body to convert to IR. My 5D II was expertly converted by Kolari Vision. It is also a very good body for bird and nature photography; I used mine as a back-up for my old 1D Mark IV bodies. It served me very well in that capacity in the Southern Ocean a while back when I foolishly used my two 1D IVs in a driving rainstorm for two hours with the expected result. That 5D II saved the trip for me. Stu’s body is priced to sell. artie

Canon EOS R5 Camera User’s e-Guide

On Thursday, I sent out about a dozen copies of the almost finished Canon EOS R5 Camera User’s e-Guide for review to folks who had previously gotten free copies of the R5/R6 AF e-Guide by using my affiliate links to purchase their Canon mirrorless gear. In the same vein, I will be contacting everyone who purchased the R5/R6 AF e-Guide on Monday.

Because the camera and the Menus are so complex, this guide has required a ton of research, a lot of time, and a lot of effort (and will continue to do so until it is complete). It should be finished by the first week in March. 2021. The final update of the R5/R6 AF e-Guide has become part of the complete Camera User’s e-Guide; it will be revised if warranted.

The complete Camera User’s guide will sell for $75.00. Folks who purchased their Canon gear using my links will receive a $65.00 discount; the guide will cost them a nominal $10.00. Folks who spent more than $7500.00 on Canon mirrorless gear using either of my affiliate links (B&H or Bedfords), will receive the User’s Guide for free. Folks who purchased the R5/R6 AF e-Guide will receive a $10.00 discount on the User’s e-Guide. The best news is that the end is in sight.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H, would like a 3% discount, and would enjoy free second-day air shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 28 February 2021 at Fort DeSoto Park, Tierra Verde, FL on my In-the-Field morning with Steve King. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1600. Exposure determined by test image histogram check: 1/2000 second at f/7.1. Center Zone/AI Servo AF performed quite well. Framing for after-bath flapping

Initial Framing for Flapping-After-Bath Images

The image above shows approximately how you want to frame the bird while it is bathing; note that I have given the bird room to jump up into the frame. If you approach any closer, you will surely be clipping wings. With both Canon and SONY, center zone is my choice for the flapping-after-bath images. Note that you have some (up & down and side to side) latitude in framing with center zone. Thus, I was able to place the bird nicely down and slightly to the right (in the frame).

It almost goes without saying that you want the light and the wind coming from behind you so that the bird will flap while facing you and flapping into the wind.

If a bird is flapping vigorously, you may wish to move closer or add a teleconverter to go for the dramatic splashing shots. But you will surely miss the after-bath flapping images if you do. Zooming out rapidly in those situations is a huge challenge at best. I recommend that you go for one or the other.

These six images were created on 28 February 2021 at Fort DeSoto Park, Tierra Verde, FL on my In-the-Field morning with Steve King. For all of the images in this screen capture I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. All in this series were created at 1/2000 second at f/7.1 with ISOs of either 2000 (for the first three images) or 1600 (for the bottom three images). Center Zone/AI Servo AF performed quite well. Click on the screen capture to view a larger version. Laughing Gulls flapping-after-bath GROUP A

Setting the Exposure with ISO on the Rear (Thumb) Wheel

Note with all three groups that after setting the shutter speed and the aperture (all wide open at f/7.1), I set my exposures by using ISO on the rear (thumb) wheel, just as I do with SONY. Taking a look at the EXIF for all three groups, you can see that the morning got brighter as time went by. For Canon, that means that you need to make a test exposure and evaluate the histogram every time the light changes. And when the light is changing almost second by second as a cloud passes in front of the sun, you will have to guesstimate. With SONY it is faster, simpler, and far more efficient to change the ISO as the light changes based on live Zebras in the viewfinder; you do not have to create a test image and evaluate the histogram. SONY folks can learn exactly how to do that in the Sony Camera User’s e-Guide and One Camera Set-up Video or the Sony Camera User’s e-Guide and Two Camera Set-up Videos.

Why not use the live, in-viewfinder histogram with the Canon R5?

Folks might ask, Why not use the live, in-viewfinder histogram with Canon? There are lots of problems with that approach. You have a choice of a small or a large histogram. The larger one is easier to read, but both cover a good portion of the frame; this obstructs your view and makes it difficult to design the image you want. But the major problem is that even with the large histogram, the right- (highlight-) end of the histogram is not depicted accurately. On numerous occasions, the histogram shows plenty of room on the right, but when you make an image, you will often find that it is a gross over-exposure.

These six images were created on 28 February 2021 at Fort DeSoto Park, Tierra Verde, FL on my In-the-Field morning with Steve King. For all of the images in this screen capture I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. All in this series were created with ISOs of either 1600 (for the first three images) or 1250 (for the bottom three images). Center Zone/AI Servo AF performed quite well. Click on the screen capture to view a larger version. Laughing Gulls flapping-after-bath GROUP B

20 Frames-per-Second Editing

Even though I am conservative with regards to pressing the shutter button, I often find myself making well more than a thousand images during a decent session. I choose my keepers in Capture One. Once all the files in a folder load, you can pretty much view the images at slide-show-speed. I use T to red-tag my keepers. At times I slow down a bit to open an image in RawDigger to check the exposure. That done, I can correlate what I have learned in RawDigger with the red highlight warnings in Capture One. Assuming that you know what you are looking for (see item-next for help with that), it is possible to edit large folders in warp-speed time. I created more than 1800 images on my morning with Steve. I chose my 161 keepers in about 12 minutes. In time, that number will be reduced to about 50 after a second round of editing.

These six images were created on 28 February 2021 at Fort DeSoto Park, Tierra Verde, FL on my In-the-Field morning with Steve King. For all of the images in this screen capture I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. All in this series were created at 1/3200 second at f/7.1. The first image was created at ISO 800, the last five at ISO 640. Center Zone/AI Servo AF performed quite well. Click on the screen capture to view a larger version. Laughing Gulls flapping-after-bath GROUP C

What Makes a Good Flapping-after-bath Image?

1- Is the subject relatively centered without any clipping of feet or wings? Is it facing forward or flying away?

2- Is the head sharp?

3- Is the flapping pose/wing position interesting, artistically pleasing, or dramatic (or relatively boring)?

4- Does the position of the feet & legs add something special?

5- Is one, or are both eyes, visible?

6- Do the background waves and wavelets add something to the motif or are they distracting?

7- Is the subject isolated? If not, can the image be saved with a small crop? Having other birds or man-made objects like piers or boats in the background is generally (but no always) an image-killer.

8- If the sun is out, are the underwings evenly illuminated? Harsh shadows are big negatives.

9- The condition of the subject and the plumage stage.

Even a single “no” answer to any of the questions above (except for #s 4 & 9), will usually result in an insta-pass-it-by delete. Six or seven yeses usually mean a red-tagged keeper. Eight or more positive responses and you just might have a family jewel.

Give it a Go

If you would like to improve your editing/picking your keepers skills, leave a comment denoting what you think is the strongest image in each of the three groups. And let us know why you made your choices. You can indicate your choice with the GROUP and file number, like this: GROUP 1 — 4389. I like the wing position and the way the bird is framed by the waves.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.