Arthur Morris/BIRDS AS ART
January 27th, 2021

Stop the Presses! Time Sensitive for SONY Users. Announcing the Sony Alpha a1 Mirrorless Digital Camera ...

What’s Up?

The blog post planned for today has been postponed until tomorrow so that I can share the news of the beyond-amazing SONY mirrorless digital camera body that was announced yesterday. You will have to wait a day to find out if the Osprey was flying away or toward us. The short story is that I ordered two Sony Alpha a1 bodies yesterday from Steve Elkins at Bedfords. Many have known of the rumors of a new SONY body. The specs, however, far exceed what folks might have been dreaming of. I will share much of the manufacturer’s promotional hype with you below. The bold italics are mine and are intended to emphasize the features that will likely be of greatest importance to bird, wildlife, and nature photographers. While the new camera is surely an incredible camera for video, I have excised all info on creating movies below.

The new body has an updated menu structure that is supposed to be more intuitive than that of previous SONY mirrorless bodies and enable users to save different workflows and groups of settings selections. Patrick and I will be doing a BAA Camera User’s e-Guide for the Alpha a1. The guide will be free to those who purchase their a1 using the BAA B&H affiliate link and those who save 3% by ordering with Bedfords and using the BIRDSASART code at check-out. It will be priced punitively for those who did not use a BAA affiliate.

Yes. I have lots of questions about the new body… I am already working hard to get to get answers and will of course share them with you here. One thing is for sure, it will be very difficult to get your hands on an Alpha a1.

I enjoyed a wonderfully eclectic morning of photograph on Tuesday. On that note, if you can help me identify the turtle I photographed yesterday morning, please get in touch via e-mail. I finished the textual portion of the RawDigger e-guide and will add the promotional materials and links today. I hope. Sunset last night was promising but turned into a dud. πŸ™‚

Today is Wednesday 27 January 2021. It is foggy/very-bright and promising here at ILE, but I have decided to stay in and finish working on this blog post. The sun broke through at 8:18am and the world is glowing, but I stayed in anyway!

Ordering a Sony Alpha a1

10am Eastern or 9am Central or ASAP

If you — like Patrick and me — want to get your Alpha a1 before the next Ice Age begins, it would be best to order it today at exactly 10am Eastern time (or ASAP after that). Best to do that right now as the queues for this amazing new body will surely be very long. The first ship date is 4 March 2021.

To order from B&H, please click here and you will be good to go. Folks living in Arkansas, Oklahoma, Missouri, California, and Pennsylvania will want to use their B&H Payboo Card to save the sales tax. You can do that when you use the link above and are asked to pay.

To pre-order your SONY a1 from Bedford Camera, click here at 9am Central time (or ASAP after that). To save 3% and enjoy free second-day air shipping, be sure to use the BIRDSASART discount code at checkout. SONY Pro Support (SPS) members should place their orders and then send Steve an e-mail with their SPS membership number. In addition to getting on Bedford’s priority list, you will also be placed on SONY’s priority list. In addition, doing so will help Steve get more cameras faster.

Learn More About the Alpha a1

Learn lots more about the new camera in the B&H Explora blog post here. Scroll down to view the promotional video. And there is lots in the post on a1 video capabilities.

There will be a live panel discussion today, Wednesday 27 January 2021 here on the B&H site at noon.

The Sony Alpha a1 Mirrorless Digital Camera

Relevant Info/Hype on the Sony Alpha a1 Mirrorless Digital Camera

Everybody always wants to find the one. For imaging professionals, β€œthe one” is the one camera that can do it all. The Sony Alpha 1, or a1, is that camera. An unbelievable array of high-end specs makes this mirrorless flagship the one to beat. A quick look reveals a brand-new full-frame 50.1MP Exmor RS stacked CMOS sensor capable of 30 frames per second full-resolution shooting (only when using the Electronic Shutter with a CFexpress Type A card). When working with the Mechanical Shutter, you will get 10 frames per second. The camera has dual memory card slots, both of which support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.

The large buffer memory permits recording up to 155 compressed raw frames in a single single burst at 30 fps. Note: the a1 offers a compressed lossless raw format to save space on your cards and drives. (Important note: If you are shooting uncompressed RAW or lossless compressed RAW, the maximum frame rate is 20 fps… As always, you gotta read the fine print.) To pull off these speeds, the a1 relies on an advanced electronic shutter capable of speeds of up to 1/32,000 second. And the anti-distortion shutter claims rolling shutter has been improved by 1.5x from the a9 ii (that was already the rolling shutter champ).

The newly-developed 50.1MP Exmor RS full-frame sensor features a stacked back-illuminated design with integrated memory that maintains high image clarity, expandable sensitivity up to ISO 102400, and a 15-stop dynamic range while also enabling fast 30 fps shooting and and phase-detection AF. A revised BIONZ XR engine greatly benefits image processing capabilities throughout the camera system, including up to 8x faster processing, greatly reduced rolling shutter, and more fluent interface and file management handling speeds.

The Alpha 1 offers a range of selectable continuous shooting speeds: 20, 15, 10, or 5 fps assignable to the Hi, Mid, and Lo drive modes. Continuous shooting is fixed at 30 fps in the Hi+ mode. This makes it easier to set a continuous shooting speed that best suits the subject and shooting environment, while an expanded range of speed and compression combinations offers new flexibility.

The a1 features a fast hybrid AF system that covers 92% of the image area. It incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. It will lock onto subjects quickly using Real-time Tracking for AI-based tracking on moving subjects. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Dedicated Real-time Eye AF Bird Mode lets you select the bird to be tracked and the camera will automatically detect the bird’s eye and track it, whether the bird is in flight or just sitting there. It works even when a sitting bird takes flight. . (I am of course anxious to see how true this is …) Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.

The Alpha a1 has an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting. It allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

The a1 weighs 1.6 lbs (737 grams). That is only 1.76 ounces more than the a9 ii (1.49 lbs or 678 grams). But, once again, we need to read the fine print. The weight for the a1 says “body only.” The weight for the a9 ii says “body and battery.” As the battery weighs a shade under 3 ounces, the a1 is actually a shade under 5 ounces heavier than an a9 ii (each with a battery). While that might seem like a ton, the a1 is 21% heavier than the a9 ii.

Speaking of batteries, the a1 takes an NP-FZ100 Rechargeable Lithium-Ion battery (7.2 VDC, 2280 mAh). The battery is rated for “approximately 430 shots” as compared to “500 shots” with the a9 ii.

For those who like the feel of a larger body, the a1 works with the same Sony VG-C4EM Vertical Grip that fit the a9 ii and the a7r iv (among others). Kudos to SONY for not changing the design to force folks to buy a new one.

A final note: The a1 will work with all SONY e-mount lenses. All features work with the SONY GM (Grand Master) lenses like the 600mm f/4 OSS GM. That means that some will not work with the G series lenses like the SONY 200-600mm.

If you have any questions or comments, please leave them below.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

January 26th, 2021

RawDigger e-Guide News. Canon R5 Vulture Flight. R5 Cropping. R5 Face Detection + Tracking AF for Flight ... And a neat Topaz Sharpen AI Tip

What’s Up?

Monday morning began with the discovery of an eagle pair re-building — and copulating in — an old Osprey nest in a pine tree down by the lake. When it cleared, I enjoyed another great vulture flight session with the SONY 600 GM and the a9ii (on a tripod, of course). It has been so warm here for the past few days that the pool was up to 86 degrees yesterday! Swimming has been a pleasure. I am now doing 52 slow lengths a day (with 88 to a mile).

I am almost finished going through the copy edits/proofreads of the RawDigger e-guide. Special thanks to BPN-friend Paul Burdett (from Down-Under), IPT veteran Bart Deamer, and long-time blog-friend Dane Johnson for their efforts. The amazing thing that happens when several folks proofread the same document is that for the most part, everyone finds different errors. Overlaps — where two or more folks point out the same problem, are rare. Today I have one more edit to do. After that, I need to add some promotional information and links. Then I will be done. I expect to have the final version in the BIRDS AS ART Online Store available for purchase by Thursday the latest.

Sunset last night was decent but not spectacular as the wind was from the southwest. I tried an alternate location and learned a bit. For years I thought that mornings were always best here at ILE and recently learned that I was wrong. And the best thing about the sunset session is that I head down to the lake at 5:30pm and get home just after six.

Opinions on the optical illusion Osprey question were widely divided with most folks feeling that the bird is absolutely 100% taking off toward us … Others explain why it is obviously flying away. Answer on Thursday.

The forecast for today, Tuesday 26 January 2021, is for partly-cloudy skies early becoming sunny with a gentle southwest breeze. I will be headed down to the lake early to see what I can do.

This blog past makes thirty-seven days in a row with a new blog post. This one took about two hours to prepare. Please remember …

The Status of My Canon Gear

With the RawDigger e-Guide nearly complete, I am looking forward to setting up my very own R5 and getting back to using it with the RF 100-500 (and on occasion, with the RF 1.4X teleconverter). That will enable me to get back to work on the BAA Canon EOS R5 Camera User’s Guide. It will be the most-expensive-ever Camera User’s Guide. Except for those who have used my affiliate links to purchase their Canon mirrorless gear …

Well, at least the battery is already charged. πŸ™‚

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

Levered-Clamp & FlexShooter Pro News

We have zero Levered-Clamp FlexShooter Pro heads in stock. Two dozen are being shipped from Hungary tomorrow. Best to place your order now to be assured of getting one from our next shipment.

We do have FlexShooter Pro heads in stock; B&H does not … The ballhead that acts like (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter head — taken the world of nature photography by storm. And it’s all on the level too!

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long!

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

Canon R5/R6 AF e-Guide Info

So far, 85 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 30 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least a month to finish.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, β€œThis is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

Remember that I got away from any form of back-button or rear focusing many years ago after finally realizing that it is always easier to do one thing (press the shutter button), than it is to do two things (press a back button and then press the shutter button).

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 1 January 2021 at down by the Vulture Tree at Indian Lake Estates. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined by experience and luck and confirmed as perfect by RawDigger: 1/2500 sec. at f/7.1 (wide open) in Manual mode. AWB at 9:25am on a cloudy bright sunny morning.

Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below.

Click on the image to see a larger version.

Image #1: Turkey Vulture in rocking flight

R5 Crops

At 45MP, sharp R5 raw (CR.3) files hold up nicely to significant crops. When I mentioned cropping in an online chat with BPN-friend/R5 user Brian Sump, he eventually responded, At the end of the day, though, I guess that all I care about is, “Does the image look great?”

I would have to agree.

Here is an important point: if you crop to 50% of the width and the height of an image, you have cropped away 75% (not half) of the original pixels.

Image #1A: DPP 4 screen capture for Turkey Vulture in rocking flight

DPP 4 Screen Capture

Lots of top Canon mirrorless bird photographers like to use Face Detection plus Tracking as their go-to AF method for birds in flight. As I did here. As detailed in the R5/R6 AF guide, this AF method reverts to an AF box when it cannot track the bird’s eye. In other cases it reverts to a Zone-type AF with many AF points activated. And it often tracks all over the place. We will be exploring this latter occurrence with both systems in a blog post soon.

Please remember that I have not done a ton of flight photography with the R5/RF 100-500 in part because I have been unwilling — and in some cases — unable to travel. Can you say Bosque? Can you say San Diego? As things stand for me right now, for flight photography I do not have confidence in Face Detection plus Tracking, and I do not have confidence in Large Zone: Horizontal either. The next chance that I get, I will try Zone AF, the one large box in the center with the dancing AF points …

Image #1B: Topaz Sharpen AI on the vulture’s head

The Topaz AI One-Two Punch!

After converting the raw file in Capture One, I ran Topaz DeNoise AI on the entire image. It cleaned up the noise in the sky and in the dark tones of the vulture beautifully. Then I selected the bird’s head with the Quick Selection Tool (W), put that on a layer, and brought the layer only into Topaz Sharpen AI. In the Comparison View, I clicked on Auto and saw the Stabilize was best. I ran it at full strength. Once it was back in Photoshop, however, I zoomed in to 100% and clicked the eyeball for the Sharpen AI layer on and off. The sharpening was obviously much too strong. I reduced the Opacity of that layer to 50% and the sharpened head looked a whole lot better.

With almost all of my SONY and Canon mirrorless flight images, I do some Eye Doctor work by darkening the pupil using Tim Grey Dodge and Burn (as detailed in ABP II). Darkening the pupil gives images an added jolt of apparent sharpness.

Image #1C: the RawDigger Adapted Histogram for the Osprey taking flight just after sunset image

The RawDigger Adapted Histogram

Click on the image to enlarge it and note the rosy-red Ov-Exp warnings on some of the feather vanes and the bill tip. Note also the 1742 OvExp G pixels along with the 14 OvExp R pixels and the 9 OvExp B pixels. The OvExp R and B pixels are insignificant. In the RawDigger e-guide we teach you how to deal with images like this. We explain why the raw file brightness in this image is pretty much perfect and how to deal with the small areas of over-exposure. Remember that 1742 pixels out of 45,000,000 works out to 0.00% ever-exposed …

In the guide, you will — of course — learn how to set up the Adapted Histogram and use it to evaluate the exposures and raw file brightness for files from pretty much every dSLR and Mirrorless camera body in use today. It performs perfectly with my Canon CR.2 image files from 2001 and with all of my Nikon NEF files as well. Like me, you will probably find that you were severely under-exposing everything, especially overall light-toned images that were created in low light. And as we have seen recently, with silhouettes created against richly-colored skies. Like the Topaz AI stuff RawDigger has been a game-changer for me.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

January 25th, 2021

Sun-ball Silhouettes. A One-Shot AF & an f/22 Diffraction Question. A Coming-or-Going Optical Illusion. And more!

What’s Up?

Photographically speaking, Sunday morning was an interesting one. I worked at the Vulture Tree for a while when the sun broke through, got some nice tight stuff on a sweet Anhinga with a distant, killer-green background working from the car at 1200mm, and had a Red-shouldered Hawk atop the new, tall perch. With the latter situations, I auto-bracketed (gasp!) the exposures. (Working with RawDigger will do that to you!)

When I got home, I had my brunch and created the RawDigger Adapted Histogram video. Several folks did serious reviews and copy edits of the last pre-publication version that was sent out last week. This coming week I will make corrections, put the finishing touches on the e-guide, and — with Jim’s help — get the RawDigger e-Guide by Arthur Morris with Patrick Sparkman into the BIRDS AS ART Online Store.

There was a nice sunset on Sunday evening and the wind from the east was perfect. I did not, however, do very well as the sun went down without the benefit of any light clouds or haze low in the western sky.

All are invited to leave a comment letting us know which of today’s two featured images they feel is the more dramatic. And why.

Kudos to old man Tom Brady and the Tampa Bay Buccaneers for sending the Green Bay Packers home and advancing to the Super Bowl in two weeks. As a lifelong NY Giants fan, I had long hated pretty boy Brady for being too good and too good-looking. But I dislike the surly Aaron Rodgers even more, and was rooting hard for Brady and the Bucs. It will be Tom Brady’s tenth Super Bowl. John Elway is second with five appearances. Long-retired Buffalo QB Jim Kelly started in four Super Bowls and lost them all. πŸ™

Concussion-healed quarterback Patrick Mahomes masterfully led his Kansas City Chiefs in their destruction of the still-hapless Buffalo Bills. Tight-end Travis Kelce and receiver Tyreek Hill performed in their usual spectacular fashion. Hill had nine receptions for 172 yards, including a 71-yard slashing catch-and-run play deep in Kansas City’s own territory that set up a touchdown. And Kelce caught 13 passes for 118 yards including a short, KC-patented inside-shovel-pass for a touchdown in the third quarter. The Chiefs meet Brady and the Bucs in Super Bowl LV in Tampa on February 7. If Brady wins that match-up all discussion of the GOAT (greatest of all time) quarterback will be ended. Unless the young Mahomes keeps it up. πŸ™‚

The forecast for today, Monday 25 January 2021, is for cloudy skies with south/southeast winds. I will surely be headed down to the lake early with relatively high hopes.

This blog past makes thirty-six days in a row with a new blog post. It took about three hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

Levered-Clamp & FlexShooter Pro News

We have just zero Induro GIT 404L/Levered-Clamp FlexShooter Pro heads in stock. Two dozen are being shipped from Hungary tomorrow. Best to place your order now to be assured of getting one from our next shipment.

We do have FlexShooter Pro heads in stock; B&H does not … The ballhead that acts like a (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter head — taken the world of nature photography by storm. And it’s all on the level too!

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long!

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

134 sold to rave reviews.

The SONY e-Guide by Patrick Sparkman and Arthur Morris

The Sony Camera User’s e-Guide (and Videos)

Click here to purchase the guide with one Camera Set-up Video. Be sure to e-mail us by clicking here to specify your camera body so that we can send you a link for the correct video.

Click here to purchase the guide with two Camera Set-up Videos. Be sure to e-mail us by clicking here to specify your two camera bodies so that we can send you links for the correct videos.

Click here to learn more about the SONY e-Guide.

Folks who have used my B&H affiliate links or purchased their SONY gear are invited to e-mail for discount information.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 22 JAN 2021 down by the lake at ILE. I used the Induro GIT 404L/Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). AUTO ISO set 100. Multi-metering -3 stops: 1/6400 sec. at f/22 (stopped down 3 stops) in Shutter Priority (Tv or S) mode. AWB at 6:44pm.

Flexible Spot (S) One-Shot AF!

Click on the image to enjoy a larger version.

Image #1: Osprey in setting sun

Sun-ball Silhouettes

I have been playing with this type of image for several decades. The first successful one was created at Anhinga Trail at sunrise. On film. I used a Canon 600mm f/4 lens with stacked teleconverters. The image — of a screaming Belted Kingfisher — graced the cover of Outdoor Photographer magazine. I am not sure why it took me more than 30 years to come up with Sun-ball Silhouettes, but I like it! I coined it at 6:42am today while searching my brain for a title for this blog item. πŸ™‚

In any case, as I have mentioned here before, as the earth is spinning quite rapidly you need to move your tripod every thirty seconds or so to keep the subject properly framed by the sun. That is always an exciting venture. RawDigger showed significant over-exposure of the slightly-muted sun, but I could have done better. Working with Auto ISO limited me to a low of ISO 100. Had I been in Manual mode, I could have gained one full stop by setting ISO 50 and another one-third stop by upping the shutter speed to 1/8000 second.

Diffraction?

Working at f/22 is supposed to cause diffraction. I am not quite sure what that is supposed to look like, but I see no problems at all with the sharpness and/or image quality with today’s first featured image …

AF Question

Why did I go to One-Shot AF here???

This image was also created on 22 JAN 2021 down by the lake at ILE. Again, I used the Induro GIT 404L/Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). AUTO ISO set 2000. Multi-metering +2 stops: 1/2000 sec. at f/8 (wide open) in Shutter Priority (Tv or S) mode. AWB at 6:48pm.

Tracking Expand Flexible Spot AF-C performed perfectly (even though the active AF point was on the sky).

Click on the image to enjoy a larger version.

Image #2: Osprey taking flight just after sunset

A Coming-or-Going? Optical Illusion

I stayed on the Osprey after the sun set and upped my EC to +2 stops. (See more on that below …) IAC, this is the question of the day: is the Osprey flying away from us or toward us? Be careful as these can be very tricky.

BTW, how do you like them talons?

Image #2A: the RawDigger Adapted Histogram for the Osprey taking flight just after sunset image

The RawDigger Adapted Histogram

With the RED channel just inside the 8000-line, this image is right at one stop too dark. It is rare for an image to have a Max-R value that is higher than the Max-G value. In the RawDigger e-guide, we show that everybody under-exposes when creating silhouettes (without the sun in the frame). That in part to the fact that the RGB histograms on our cameras always show the RED channel as over-exposed with richly colored skies (whether it is or not). Also in this great guide, we explain when it fine to under expose at one ISO but not at another.

In the guide, you will — of course — learn how to set up the Adapted Histogram and use it to evaluate the exposures and raw file brightness for files from pretty much every dSLR and Mirrorless camera body in use today. It performs perfectly with my Canon CR.2 files from 2001, and with all of my Nikon NEF files as well. Like me, you will probably find that you were severely under-exposing everything, especially overall light-toned images that were created in low light. RawDigger has been a game-changer for me.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.