Arthur Morris/BIRDS AS ART
August 11th, 2020

Canon 180mm Macro Lens with Metabones Adapter Killing It! Macro Tips and Techniques. Thanks to naturalist John Bradford. And More on RawDigger

What’s Up?

I have been alternating between birds and flowers on my morning photo sessions. On Monday I began with a nice adult Crested Caracara hanging around the base of the pier and then did some of the Mother’s Day crane family — two adults and the large, surviving colt. I am loving swimming in my now-cool pool so much that on Sunday I did a full mile (88 lengths). I am blessed in many ways.

The weather for today — Tuesday 11 AUGUST 2020 — is for hot and sunny yielding to hot and cloudy with scattered thunderstorms in the afternoon. In other words, par for the course. I will be heading out with all of my SONY gear at about 7am.

If you have a moment, please leave a comment and let us know which of today’s featured images you like best and why.

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Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on the morning of 7 AUGUST 2020 near the waterlily spot at Alba and Orange. I used the Induro GIT 404L/FlexShooter Pro-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and the 61MP monster, the Sony Alpha a7R IV Mirrorless Digital camera body ISO 800. Multi metering +2 stops: 1/15 sec. at f/16 in Av mode. This exposure was confirmed as perfect by RawDigger from a series of bracketed images. AWB at 8:45am on a still, mostly cloudy morning.

Manual focus using the combination of Manual Focus Toggle and Focus Magnifier tips from the SONY e-guide along with the 2-second timer. The flower was picked from a roadside that is mowed regularly and then Plamped. In fact, the day after I spotted a nice patch of these flowers, I returned only to find that they had all been dead-headed by the big mowing machine … I returned a week later and was glad to have the chance to photograph them.

Click on the image to enjoy a larger version.

Image #1: Pitted Stripeseed (Piriqueta cistoides subsp. caroliniana)

Av Mode for Macro

Once I got the Canon EF 180mm f/3.5L Macro USM lens and the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) I was able to see the aperture in the EXIF and in addition, Zebras worked (both as opposed to what happens with the Venus Optics Laowa 100mm f/2.8 2X Ultra Macro APO Lens for Sony E where Zebras do not work and where the aperture is not recorded in the EXIF.

Now, when photographing a long series of flowers with different exposures, it only made sense to begin working in Av mode instead of Manual so that I would be able to note the Exposure Compensation (EC) after the fact. When editing a series of flower images in Capture One (C-1) I first pick the best exposures using RawDigger and then check for sharpness and image design back in C-1. Then, when I review the keepers in Photo Mechanic, I can note the ECs and see which one wound up being best. I note the lighting conditions (sun or shade), the tonality and size in the frame of the subject, and the tonality of the background. The more of that you do the more proficient you will become at nailing the exposures.

I should have mentioned before that since I began using RawDigger and have learned to mega-expose to the right (m-ETTR), I have not needed to run post-conversion noise reduction on a single image (regardless of the ISO!)

Thanks John Bradford!

Whatever I have done in my life, I have always used the same strategy to improve: find someone who knows what they are talking about and keep asking questions until they tell me to take a hike.

Thanks to John Bradford — my new best friend, for confirming the identification of this new-to-me wildflower. I met John on Facebook and messaged him asking that he e-mail me. He has been very generous with his time while helping me to improve my flower and plant identification skills. When we spoke on the phone, John began by asking if I was the Arthur Morris, the bird photographer. Talk about friends for life 🙂

John is an avid naturalist, amateur taxonomist, field trip leader, educator, and photographer. He co-writes an incredibly educational blog entitled Treasure Coast Natives with George Rogers and Dee Staley. When it comes to natural history and plants, these folks know a lot about a lot. The posts are varied and interesting; when I try to figure out how they figured out what they figured out, my brain hurts.

John was born in Nashville, TN in 1941. Adopted, he grew up in Arlington, VA. He credits his adoptive father for instilling in him the values that shaped his life. He likes to say that he flunked out of two very snazzy colleges, Johns Hopkins and George Washington. (Heck, I flunked out of Brooklyn Polytechnic.)

John worked in carpentry and construction, fabricated race cars in the Cayman Islands, and was technical writer for the space program. When John was younger, he did lots of scuba diving. John and his mentor, George Rogers, a brilliant biologist and horticultural taxonomist, collaborated on several books including Guide to the Native Plants of Florida’s Treasure Coast.

John fits well into ordinary folks, extraordinary lives category. And so far, he has not told me to take a hike!

This image was created on the morning of 9 AUGUST 2020 in the southeast corner of Indian Lake Estates. Again, I used the Induro GIT 404L/FlexShooter Pro-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and the 61MP monster, the Sony Alpha a7R IV Mirrorless Digital camera body ISO 1600. Multi metering +1 2/3 stops: 1/30 sec. at f/16 in Av mode. This exposure was confirmed as perfect in RawDigger … See more on the exposure below. AWB at 8:34am on a still sunny morning.

Manual focus using the combination of Manual Focus Toggle and Focus Magnifier tips from the SONY e-guide along with the 2-second timer. The stalk with what turned out to be a very cooperative spider on it was again picked from a roadside that is mowed regularly and then Plamped. By positioning the Plamp so that the clamp jaws were perpendicular to the ground, I was able to rotate the Plamp (and thus the stalk) when the spider moved to the opposite side of the stalk.

Click on the image to enjoy a larger version.

Image #2: Green Lynx Spider

The Spider Exposure

Shooting a long series of images of the spider with eight or ten different exposures would not make sense with a living subject that might change position at any moment. Having been working extensively with RawDigger, I knew that I needed to see some Zebras on the bright joints of the spider’s legs and on the background as well; that required +1.7 or +2 stops of EC. Both of those exposures worked out quite well. Live and learn with RawDigger. I am pretty sure that at least nine out of ten folks would have underexposed this one …

Click on the image to enjoy a larger version.

Image #3: An unsharpened 100% crop of Image #2: Green Lynx Spider

The Unsharpened 100% Crop

The incredible sharpness and detail here are the result of the combination of a7r iv image quality, perfect technique, and a bit of luck — the latter in the form of the absolutely totally still conditions as a slight breeze came and went … This was the sharpest image of a fairly short series.

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Typos

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August 9th, 2020

My #1 Sunny Day Bird Photography Tip ... Get my drift?

What’s Up?

After my morning photo session I watched lots of golf, swam, did my bursts and Stairmaster, and ate too much sweet stuff. The afternoon temperature on the pool deck was 104 F. The pool is now a delightful 80 degrees.

The forecast for this morning — Sunday 9 AUGUST 2020 — is for gorgeous, still, and sunny. Since it did not rain at all yesterday, I will head back down to the lake. I did find a third large colt with the adults yesterday; I was not sure where it came from …

I completed the first draft of the RawDigger e-Guide and sent a few copies out to be reviewed. When I get back from shooting this morning, I will be creating an ILE 2020 JULY folder, doing a third edit, and watching the rest of the PGA Championship. I am rooting for Brooks Koepka but Dustin Johnson will be hard to beat if he plays as well as he did yesterday. The public course, Harding Park in San Francisco is — as it should be — very difficult.

This image was created on the morning of 8 AUGUST 2020 at Indian Lake Estates. Walking with the cranes on the North Field, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body. ISO 500. Exposure determined by Zebras with ISO on the rear wheel: 1/640 sec. at f/6.3 in Manual mode; the exposure was confirmed as perfect by RawDigger. AWB at 7:25:39am on a sunny morning.

Upper Zone AF-C was active at the moment of exposure and performed superbly; the system selected an AF point on the base of the bird’s chin right on the same plane as its eye.

Image #1: Sandhill Crane adult looking back over shoulder

The Situation

There have been about a dozen cranes preening and feeding in the North Field each morning. Recently, I have spent lots of time photographing them from my vehicle with the Levered Clamp FlexShooter Pro/Induro/GIT 204-mounted SONY 600mm f/4 GM lens with the a7r iv and either teleconverter. On Saturday, on a whim, I grabbed the 200-600 with an a9 ii, took a walk, and had lots of fun.

This image was also and obviously created on the morning of 8 AUGUST 2020 at Indian Lake Estates. Walking with the cranes on the North Field, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 284mm) and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body. ISO 500. Exposure determined by Zebras with ISO on the rear wheel: 1/640 sec. at f/6.3 in Manual mode; the exposure was confirmed as perfect by RawDigger. AWB at 7:26:41am on a sunny morning.

Upper Zone AF-C was active at the moment of exposure and performed superbly.

Image #2: Point your shadow at the bird …

My #1 Sunny Day Bird Photography Tip … Get my drift?

Hope so. But for the occasional strongly backlit image, ninety-nine point nine percent of bird photographs taken ten or more degrees off sun angle on a sunny day are insta-deletes. If you think that you have a good image in that .1%, shoot me a 1200 pixel on-the-long-side jpeg via e-mail for a free critique.

Image Critiques

Have your best images critiqued over the phone with Arthur Morris: Ten images for $100. Online digital galleries are best. 1400 pixel on-the-long-side sharpened JPEGs are best. Please call 863-221-2372 to pay via credit card or send a PayPal to birdsasart@verizon.net and include your e-mail address and the words Image Critique. Copy me via e-mail. You can shoot me a link to your photos or send them attached in a single e-mail.

You will get an honest but gentle, no-holds-barred critique during our phone consultation. If I think it’s great, I will say so and tell you why …

August 8th, 2020

August 18th Webinar: Bird Photography Tips Part II

What’s Up?

On Friday morning I did not dare to drive the fields down by the lake because on Thursday afternoon it rained torrentially for about four hours …

I drove the side streets looking for wildflowers but pickings were slim. First I photographed the purple berries of the appropriately named American Beautyberry (Callicarpa americana). Next I returned to the spot where the pretty low-growing yellow flowers had been mown. Several had new blosssoms and I found a second yellow flower species growing nearby. I photographed both and am working on the IDs.

This morning — Saturday 8 AUG 2020 I will try for birds as it did not rain at all yesterday and the fields dry up pretty quickly. I will try not to get stuck in the mud …

Bird Photography Tips Part II Webinar with Alan Murphy

To register for Alan’s August 18th webinar, click here or on the image above. Alan’s abililty to create surreally perfect set-ups and attract birds into photographic range is remarkable … I will be there and am looking forward to it with anticipation as I am in the process of turning my living room into a bird photography blind!

Those who register are requested to enter “BAA Blog” in the How did you hear about this webinar? box.

Alan Murphy

Alan is an award-winning photographer with numerous publications, a Nikon Professional Service Member, a Wimberley Professional Service Member, and the author of several e-books and educational videos. He enjoys traveling the country, speaking at festivals and photo clubs. Alan and his wife, Kim, raised their children in the Houston area, travel domestically and abroad, enjoy nature and their rescue dogs.