Arthur Morris/BIRDS AS ART
January 1st, 2020

Dark, Still, and Green. Riding SONY Zebras to Exposure Success. And the SONY Zebras Exposure Guide Short Video

Have a Great 2020!

Right-hand man Jim Litzenberg, daughter/BAA accountant Jennifer Morris, and I wish you and yours a happy, healthy and satisfying 2020 filled with lots of great opportunities and images.

Forewarned is Forearmed …

I will have a comprehensive SONY Camera Body User’s Guide ready by the end of January. It will priced oppressively. That means that it will be outrageously expensive. Folks who purchased their gear using my B&H affiliate links or through Steve Elkins at Bedford Camera will receive a very generous discount. The size of the discount will be dependent on what you bought. As regular readers know, I put a tremendous amount of work into the blog and using the BAA Online Store and/or my affiliate links is the very best way to thank me and is greatly appreciated. In addition, using the links often earns you free guides and videos or substantial discounts.

San Diego IPT Late Registration Discount

I am offering a $400 late registration discount on the San. Diego IPT. Please e-mail if you would like to join us.

IPT Updates

Do check out the San Diego Gallery here and the Galapgos Gallery here.

  • The 2020 San Diego 4 1/2-DAY BIRDS AS ART Instructional Photo-Tour (IPT) WED JAN 8, 2020 thru and including the morning session on SUN JAN 12: 4 1/2 days: $2099.(Limit: 8/Openings: 5)
  • The GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Archipelago Photographic Experience. August 17-31, 2021 on the boat. 13 FULL and two half-days of photography: $14,999.00.
  • You can see complete IPT details here.

BIRDS AS ART

BIRDS AS ART is registered in the U.S. Patent and Trademark Office.

Money Saving Reminder

If you need a hot photo item that is out of stock at B&H, would enjoy free overnight shipping, and would like a $50 discount on your first purchase over $1000.00, click here to order and enter the coupon code BIRDSASART at checkout. If you are looking to strike a deal on Canon or Nikon gear (including the big telephotos) or on a multiple item order, contact Steve Elkins via e-mail or on his cell at (479) 381-2592 (Eastern time) and be sure to mention your BIRDSASART coupon code and use it for your online order. Steve has been great at getting folks the hot items that are out of stock at B&H. Those include the SONY a7r IV, the SONY 200-600, the SONY 600mm f/4 GM, and the Nikon 500mm PF. Steve is eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was also created on December 28, 2019 at Fort DeSoto Park, Tierra Verde, FL. For this one I used the Induro GIT 304/FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body. ISO 800. Exposure determined by Zebras with ISO on the rear dial: 1/640 sec. at f/4 in Manual mode was about -2/3 stops on the analog scale. AWB at 8:03am on a cloudy morning.

Upper Center Zone Continuous/tracking AF was active at the moment of exposure. I selected an AF point placed precisely on the bird’s eye. With large in the frame subjects like this, Animal Eye Tracking works very well even though it is not supposed to work on birds. But heck, an eye is an eye.

Great Blue Heron in dark mangrove reflections

Dark, Still, and Green

As mentioned here previously, on my second morning with private client Harry Lerner, we enjoyed some great photography. We had one each of the following wading bird species feeding on shrimp and small baitfish: Great Blue Heron, Great Egret, Snowy Egret, Tricolored Heron, Little Blue, Heron, and Yellow-crowned Night-Heron. Not having a huge feeding spree going on made it easy to isolate single birds. The wind, about 10mph from the northeast, was strong enough to ruffle the water’s surface, but for the fact that we were in the lee of the mangroves. Thus, we were able to utilize the beautiful dark, still, green reflections as nearly perfect backgrounds. All in all, it was pretty close to being a perfect situation.

An In-the-Field Image Design Question …

I had already lengthened the GIT 304L legs to the max to allow for them sinking into the soft mud. Why did I pull the tripod legs in significantly and then re-plant the tripod right when planning the execution of this image?

Riding SONY Zebras to Exposure Success …

There are several steps to setting up your high-end SONY mirrorless camera body so that you can come up with a very-close-to-perfect exposure quickly and easily (with just a little practice). Patrick Sparkman developed this technique and kindly taught it to me. As far as we know, nobody except the few folks I have taught in the field, are using this technique. Among those are multiple IPT veteran Jim Miller and more recently, Harry Lerner.

First, you need to set ISO to the Control Wheel, next change an important setting for the Control Wheel/Right Button, and set turn Zebra Display to On. Last and most importantly you need to set the Zebra level correctly so that once you detect faint Zebras you will be confident that you have set the perfect exposure manually. All of the above assuming Multi metering.

After setting up Harry’s camera on Thursday evening past, here is what I told him in at DeSoto on Friday morning:

1-Choose and set your shutter speed and aperture. When hand holding the 200-600, Harry went with 1/500 second to ensure getting sharp images and with either f/6.7 or f/7.1. With the 600 f/4 on the tripod, Harry opted to stay with 1/500 second and go with an aperture of f/4 or f/4.5. As it got brighter he raised his shutter speed to 1/1000 second. In each case, I went with about half of those shutter speeds. At times, I was too slow to freeze the action when the birds struck …

2-Once you have chosen your shutter speed and aperture you simply raise the ISO by turning the Control Wheel clockwise until you see the Zebras (gently flashing black and white stripes) in the viewfinder. Then dial back the ISO until you see only faint Zebras on the brightest highlights. At times, faint Zebras will create RAW files with some blinkies that are almost always easily recovered during the RAW conversion. If you raise your lens, see Zebras everywhere, and cannot even see the subject simply lower the ISO until the Zebras disappear. At times, you may wish to raise the shutter speed instead.

As you learn and practice this system, you can decide if you want to go with faint Zebras or reduce the ISO one additional click (1/3 stop) and go with no Zebras. You may opt to treat sunny situations a bit differently than low light situations … With today’s GBH image, I raised the ISO until I saw faint Zebras on the white on the top of the bird’s head and went with that exposure. And we actually did the exact same thing with the Great Egrets as the top of their heads always has the brightest WHITEs. Note: there will be situations when you are photographing birds with dark tones against very light backgrounds (like the sky or water) on cloudy days where you will want significant Zebras (and thus blinkies) on the. background (but not on the subject).

The SONY Zebras Exposure Guide Short Video

This morning, I will create a short video showing exactly how to make the needed Menu changes as detailed in #1 and #2 above. The price of this short video will be $30 except as noted below. To order your copy, please send a Paypal to us at birdsasart@verizon.net for $30. Please state that the payment is for the SONY Zebras Exposure Guide Short Video.

Alternatively, you can place a phone order for the SONY Zebras Exposure Guide by calling Jim at 863-692-0906 MON to THURS and most FRI mornings.

Folks who have purchased a SONY lens and/or a SONY body using either my B&H affiliate links or from Steve Elkins at Bedfords will enjoy a $20 discount. If you qualify, please shoot me an e-mail so that I can confirm your discount.

Folks who have purchased the SONY 600mm f/4 GM lens using my links will receive the file for free. If you qualify. for a free copy, please shoot me an e-mail so that I can confirm your discount.

After I confirm your discount, you can either call Jim or send us a Paypal (as above).

If In Doubt …

If you are in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.



Please Remember to use my Affiliate Links and to Visit the BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog or Bedfords, for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would, of course, appreciate your using our B&H affiliate links or Bedfords for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

December 31st, 2019

Walt Anderson Gone and Forewarned is Forearmed ...

Forewarned is Forearmed …

I will have a comprehensive SONY Camera Body User’s Guide ready by the end of January. It will be priced oppressively. That means that it will be outrageously expensive. Folks who purchased their gear using my B&H affiliate links or through Steve Elkins at Bedford Camera will receive a very generous discount. The size of the discount will be dependent on what you bought. As regular readers know, I put a tremendous amount of work into the blog and using the BAA Online Store and/or my affiliate links is the very best way to thank me and is greatly appreciated. In addition, using the links often earns you free guides and videos or substantial discounts.

Walt Anderson Gone

I learned last week of the passing of photographer Walt Anderson, a long-time friend. Walt was friendly, soft-spoken, and easy going. He was the inventor/creator of the Visual Echos Flash Extender (aka the Better Beamer). In addition, he created the Panning Ground Pod.

Walt was a former member of Riverwoods Nature Photographic Society. He was well-known throughout CACCA (Chicago Area Camera Clubs Association) and CAPS (Chicago Area Photography School both for the educational programs that he presented and his Better Beamer. He was often seen at various events with his wife Carol at his side. Walt was an award-winning photographer/inventor specializing in wildlife, landscapes and Americana subjects. In addition to being published in both books and calendars by Capstone Press, Compass International, The Creative Company, Everyday Learning, and Chicago Wilderness and Outdoor Photographer magazines, he sold prints at art shows, conducted tours and workshops in North America, and taught photography classes at the Morton Arboretum in Lisle, IL.

Inspired by Larry West at an early 1990s workshop, Walt began exploring the capabilities of the. then-new TTL flash units that were being introduced at the time. He founded Visual Echoes Inc. to produce and market his products including the Flash X-tender™ (also marketed under the name “Better Beamer”). He received widespread recognition for the Better Beamer which is distributed worldwide. (I’m proud to add that BIRDS AS ART was the very first distributor of the Better Beamer.) He has shared tips and techniques on the use of flash with his Sunshine in your Pocket program for many conventions and clubs.

My Favorite Walt Anderson Story

I had a group at Bosque. Things were pretty good in the pre-dawn. Once the sun cracked the horizon I said, “OK, we are out of here” as I was anxious to get to the crane pools (there were two at the time). Walt said, “I am gonna stay for a while longer.” I said, “Once the sun is up, you will not make anything great.”

At lunch that day Walt showed me one of my all-time favorite Bosque images. It featured gorgeous backlit geese in gorgeous backlit yellow grasses with tons of wonderful texture … Live and learn. ps: he did not use flash 🙂

A Clarification

My response to an e-mail from Bill Hill who kindly used my links to purchase a SONY 200-600 and an. a9 II:

BH: What is “Center Zone C (tracking)?

AM: When I write tracking with a lower case “t” I am referring to “C” with the C standing for continuous tracking AF. That as opposed AF-S (for single or One-Shot) AF.

From now on I will try to remember to write stuff like this: Center Zone (C: continuous tracking) AF.

When I start talking about the various Tracking AF Modes, I will always use an upper case “T” to avoid confusion.

ps: thanks for the excellent question as I did not realize that I might be confusing folks …

with love, a

December 30th, 2019

Cloudy-bright Skies Plus SONY 200-600 Plus SONY a9 II Equals Great Flight Photography. The Good and the Bad ...

What’s Up?

Private client Harry Lerner and I enjoyed a second great morning session on Saturday past at DeSoto. In the same small bay that we had worked on Friday morning conditions were even better. We had a nice collection of handsome wading birds but this time they were feeding and catching shrimp in lovely, still, dark-green water in the lee of a stand of mangroves. It was a great situation for Harry to practice his newly learn SONY Zebra exposure skills. He was nailing everything.

Best of all Harry taught me something new. At his urging and with his instruction I tried Flexible Spot (L) with tracking and did quite well. Thanks also to. Josh Anon. for pointing me in that direction. I will have a lot more to say about Flexible Spot (L) with tracking in future posts. In addition, I have a lot more to learn about the other AF tracking modes …

I am already thinking about packing for my flight to San Diego on Friday.

Please take a moment to let us know which of today’s featured images is the stronger of the two and why you made your choice. Feel free also to comment on positives and the negatives of each image.

San Diego IPT Late Registration Discount

I am offering a $400 late registration discount on the San. Diego IPT. Please e-mail if you would like to join us.

IPT Updates

Do check out the San Diego Gallery here and the Galapgos Gallery here.

  • The 2020 San Diego 4 1/2-DAY BIRDS AS ART Instructional Photo-Tour (IPT) WED JAN 8, 2020 thru and including the morning session on SUN JAN 12: 4 1/2 days: $2099.(Limit: 8/Openings: 5)
  • The GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Archipelago Photographic Experience. August 17-31, 2021 on the boat. 13 FULL and two half-days of photography: $14,999.00.
  • You can see complete IPT details here.

BIRDS AS ART

BIRDS AS ART is registered in the U.S. Patent and Trademark Office.

Money Saving Reminder

If you need a hot photo item that is out of stock at B&H, would enjoy free overnight shipping, and would like a $50 discount on your first purchase over $1000.00, click here to order and enter the coupon code BIRDSASART at checkout. If you are looking to strike a deal on Canon or Nikon gear (including the big telephotos) or on a multiple item order, contact Steve Elkins via e-mail or on his cell at (479) 381-2592 (Eastern time) and be sure to mention your BIRDSASART coupon code and use it for your online order. Steve has been great at getting folks the hot items that are out of stock at B&H. Those include the SONY a7r IV, the SONY 200-600, the SONY 600mm f/4 GM, and the Nikon 500mm PF. Steve is eager to please.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on December 27, 2019 at Fort DeSoto Park, Tierra Verde, FL. I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) with the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body. ISO 2,500. Exposure determined by Zebras: 1/2000 sec. at f/6.3 in Manual mode. AWB at 8:43am on a cloudy-bright morning.

Center Zone C (tracking) AF worked perfectly by getting sharp focus on the bird’s eye.
Click on the image to see a larger version.

Image #1: Willet landing

Cloudy-bright Skies Plus SONY 200-600 Plus SONY a9 II Equals Great Flight Photography: The Good

The SONY 2-6/a9II combination makes a great walk-around lens for bird photography. No tripod, no hassles. Keep the 1.4X TC in your pocket for additional reach if needed. If you encounter some good flight photography situations, you are in the driver’s seat. If I had to choose between the Nikon 500 PF with either a gripped D-850 or a D5, I would choose the SONY rig. Why? More consistently accurate AF and the 100mm of additional reach is a huge advantage. Why on the latter? Because the size of the subject in the frame is proportionate to the square of the focal lengths. In this case, 5 squared is 25 and 6 squared is 36. So the size of the bird in the frame in images made at 600mm will be greater than the size of the bird in the frame made at 500mm (assuming the same distance, of course) by a factor of 36 to 25 (1.44 times larger). The bird will be 44% (11/25) larger in the frame than the 20% that many would think when going from 500 to 600. (100/500 = 20%).

An additional advantage that the 200-600 and all zoom lenses have over all fixed focal length lenses, is that you can zoom out for better framing when needed. This holds true for both static bird photography and flight (and action) photography but is actually more important for the latter applications as human zooming is easy when photographing a static bird but pretty much impossible when you need to make the photo now!

Why Cloudy Bright for Flight?

I have long been a huge fan of cloudy-bright skies for photographing birds in flight as all shadows are eliminated and you can create images that reveal superb underwing detail (as in Image #1). Both are extremely difficult to do in sunny conditions except in the rare instances where you can press the shutter button when the bird in flight is precisely on sun angle. And even then shadows are likely except when the wing position if full upstroke.

This image was also created on December 27, 2019 at Fort DeSoto Park, Tierra Verde, FL. Again, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) with the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body. ISO 2,500. Exposure determined by Zebras: 1/2000 sec. at f/6.3 in Manual mode. AWB at 8:44am on a cloudy-bright morning.

Center Bottom Zone C (tracking) AF worked perfectly by getting sharp focus on the bird’s eye.
Click on the image to see a larger version.

Image #2: Osprey — eye-level fly-by

The Bad …

After the five-plus-hour morning session with Harry on Friday past, my left shoulder hurt a bit. Remember that that is the shoulder that I damaged when I fell in my home about 2 1/2 years ago. It has healed quite well but at about 6 1/2 pounds with the hood on and lens foot removed, handholding the rig for extended periods of time might cause some joint-stress for some folks (like me). Others might not be able to hand hold this rig for flight even for short sessions.

Working off a tripod will eliminate 100% of stress on the left shoulder and will help you to create sharper images. It is, however, almost always a lot easier to shoot flight with lenses that can comfortably be hand held than with tripod-mounted lenses. And hand holding is a lot more fun than having to drag a tripod around.

If I had had the rig on the tripod while photographing static subjects it is likely that I would not have been prepared for the two great flight photography opportunities that arose quickly less than two minutes apart …

The last negative is that at f/6.3 the 2-6 is a bit slower than we would like. But too make it a constant f/5.6 would have made the lens a bit heavier …

If In Doubt …

If you are in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.



Please Remember to use my Affiliate Links and to Visit the BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog or Bedfords, for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would, of course, appreciate your using our B&H affiliate links or Bedfords for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).