Arthur Morris/BIRDS AS ART

Why Do a9 iii Images Look So Good at Only 24.6 Megapixels?

From Day One with the a9 iii, I have been trying to figure out why the quality of a9 iii images (24.6 megapixels) looks so good when compared to the quality of a-1 images (50.1 megapixels). See item 8 in the What You Gain feature below.

Your Call?

Please be so kind as to let everyone know which of today’s two featured images is the strongest. And be sure to let us know why you made your choice. I have a clear favorite and would be very interested in the thoughts of others. I will share my pick and my reasons in the next blog post.

What’s Up?

When I headed down to the lake at ILE on Thursday morning, I knew almost immediately that I should have gotten up early and headed back to Stick Marsh as there were clear skies and a fairly brisk wind from the NE that soon switched to the East.

On Friday morning, Jim and I again headed early to Stick Marsh. It was clear and there was a gentle breeze from the SE and it turned out to be the least productive of my three 2024 visits. That said, I still enjoyed lots of good chances, made some really fine images, and — of course — missed some as well 🙂

Today is Saturday 16 March 2024. Though the forecast is not good — partly cloudy with a breeze from the SW switching to West. I will head down to the lake in an effort to learn more about my a9 iii. Wherever you are and whatever you wind up doing, I hope that you have a great day.

If you plan on purchasing a Sony a9 III Mirrorless Camera (or anything else for that matter), please remember to use or write for either my Bedfords discount code or my B&H affiliate link. As above, folks who use one of my two affiliate links to purchase the a9 III will receive my .DAT settings (the complete camera set-up) along with a Buttons and Dials Guide.

If you would like to enjoy some incredible world class photography and photographic instruction, do yourself a favor and grab one of the three remaining spots on the two 2025 Homer Bald Eagle IPTs. Better yet, save $1000.00 by signing up for both! It will almost surely be my last ever Homer trip … Both trips will surely fill soon. See the details along with all IPT info on the recently updated page here.

Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Save 15%!

If you’d like to try out a new lens or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.

I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.

Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout and enter the BIRDSASART15 code in the Promo Code box at checkout to save 15%.

Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com

B&H

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail m and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often stave you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created at Stick Marsh on 12 March 2024. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800: 1/4000 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 8:05:41am on sunny morning. Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Image #1: Roseate Spoonbill in flight with nesting material

Stick Marsh Hot!

As we drove over in the dark, a thought crossed my mind: do I really need any more images of spoonbills in flight? After the bird in Image #1 took off from my left and flew right at us, those thoughts disappeared; I was beyond stoked! With virtually non-stop action and sweet light, Tuesday past was tied for my best ever morning with the spoonbills at Stick Marsh. When Jim and I left at 9:00am there were still lots of birds flying in.

Tip

On pretty much every IPT, I tell folks: “Keep your eyes moving — left, right, left, right, and occasionally even behind you. Doing that habitually paid off in spades with the image above.”

Sony a9 iii Plusses and Minuses

As you read my thoughts below, please remember that new toys are almost always shinier.

Minuses

1- When comparing the a9 iii to the vaunted a-1, the obvious negative is the file size. a9 iii raw files weigh in at 24.6MP, a1 files are 50.1MP. Theoretically at least, and practically — to some degree, a-1 files can stand up to larger crops than a9 111 files. In addition, a-1 images can be printed larger.

2- You need more Delkin Devices 160GB BLACK CFexpress Type A Memory Cards.

What You Gain

When comparing the a9 iii to the vaunted a-1, there are lots of plusses for the a9 iii:

1: The ridiculously fast frame rate (120 fps) of the a9 iii will give you four times as many flight and action poses as the a-1 (30 fps). For me, that is the single largest advantage with the a9 iii. And there is no getting around it. More is better. As far as picking your keepers from many thousands of images, Photo Mechanic saves the day. That said, using the a9 iii requires a different approach to culling a folder. Picking my keepers from more than 9000 images from 8 March took only 20 minutes.

2- The a9 iii chassis is larger than the a-1 body. It is much easier to handhold than the a-1. And the difference when wearing gloves is huge.

3- The ergonomics of the a9 iii grip is greatly improved — the size of the knurled ridge in front of the shutter button has been reduced. In addition, the shutter button has been re-positioned slightly. Thus, it is far more comfortable to hold.

4- The a9 iii offers a multi-angle touchscreen LCD screen that will allow folks to work off the rear screen while shooting verticals! It will take me a while to get used the new two-way tilting screen.

5- With the smaller file size, image optimization times are reduced significantly. All noise reduction operations take about less than half the time they do with the larger a-1 files.

6- Though the jury is still out, a9 iii autofocus may be slightly better than a-1 AF.

7- Incredibly, in view of its wider profile, the a9 iii is two ounces lighter (1.6 pounds with battery and card) than the a-1.

8- The a9 iii’s sensor does not have an anti-aliasing (Low-Pass) filter. That likely accounts for the fact that a-9 iii raw files appear sharper and a bit more detailed right out of camera than a-1 files. In addition, that somewhat lessens the a-1’s 25.5MP file size advantage.

Some might be surprised that the a9 iii’s pre-capture feature is not near the top of (or even on) my list above. While I have a lot more to learn about a9 iii pre-capture, I can already state with certainty that pre-capture will be more useful when working on a tripod than when handholding and that, more importantly, it will be most useful to folks with strength, stamina, and super-fast reflexes. The latter does not include me in any way, shape, or form.

Please note: In the same vein, there are lots of a9 iii videos out there extolling the virtues of this fast, new camera body for bird photography. Before you believe one word that most of these folks are saying, take a look at the images. In short, virtually all of them are very poor at best: tiny in the frame, flying away, well off light angle, and more.

Folks who use one of my two affiliate links to purchase their a9 iii will not only get my complete a9 iii setup (with notes) as below, but they will learn my developing thoughts on the best pre-capture settings.

Deal of a Lifetime

Folks who use one of my two affiliate links to purchase their a9 iii bodies will receive the complete camera setup by way of a CAMSET.dat file with detailed instructions on how to load my settings onto their a9 iii. Along with everything that I know and have learned about this amazing 120 fps camera body. That same CAMSET01.dat file along with the other info will be available to others (those who did not use one of my affiliate links) for a very fair $209.93. Shoot me an e-mail to learn how I came up with that price. If you think it is too high, use one of my affiliate links (it does not cost you one penny) to purchase an a9 iii or figure out the camera on your own.

Sony 300mm f/2.8 GM Lenses

Huge thanks to “Seattle” Mike Lavigne, Paul Sher, Keith Kennedy, Pamela Vitale, Monte Brown, Anita North, Richard Curtain, and Dane Johnson for using one of my two affiliate links to purchase their very own “game changer.” Each will be receiving a copy of the first-ever BAA Lens Guide around the end of this month. If you used one of my links to purchase your Sony 300mm f/2.8 lens and you are not on the list, please shoot me an e-mail and include a copy of your B&H or Bedfords invoice.

The Stick Marsh Site Guide Subscription Service

if you have been hankering for some incoming spoonbill action but have not been, you will surely want to sign up for the Site Guide Subscription Service. You will receive all back issues, most importantly Stick Marsh Site Guide e-Mail #1 that includes specific directions to the site, a map of the rookery area with specific instructions and wind, weather, and where-to-be advice.

There are lots of photographers at Stick Marsh most days. Many are skilled at handholding 500 and 600mm f/4 telephotos lenses. But with all due respect, none of them can come anywhere near me when it comes to analyzing the photo opps at a given location. With the exception of a very nice and very helpful man I met, Fred Vaughn, every single photographer got to their favorite spot and never moved. As always, Fred and I moved around a lot and enjoyed different chances all day long. I will be sending the 2024 update very soon.

To sign up for the Stick Marsh Site Guide Subscription Service, call Jim in the office weekday afternoons at 863-692-0906 with your credit card in hand or send a PayPal for the $100.00 to us at birdsasart@verizon.net. Please be sure to include the words Stick Marsh with your PayPal.

I fully understand that you can go to Google Maps, find Stick Marsh, visit, and likely make some good or even great images. You might think, I can do fine just without artie’s advice. But you will do a whole lot better with it. I was aghast yesterday listening to folks sharing their exposure settings with glee — in the soft early low light, all were two or more full stops to dark, and praising AUTO ISO (that can never work when the background tonality is changing often as is the case at Stick Marsh).

If you would like to schedule an In-the-Field session any time soon, get in touch via e-mail.

This image was created at Stick Marsh on Tuesday 12 March 2024. I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS Lens with the Sony FE 2x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1250 1/2500 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect (ho hum). AWB at 8:41:29am on a sunny morning. Trading: Expand spot/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Image #2: Roseate Spoonbill wrestling with nesting material

The a9 iii at 1200mm!

The a9 iii performs beautifully on the 600 with either TC, including and especially the 2X teleconverter. And as with any rig, the 120 fps frame rate is addictive. And productive. If you are photographing birds, it seems to me that choosing one of the slower frame rates would be a big mistake.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

(Old Dogs Children and) Watermelon Wine
Song by Tom T. Hall

“How old do you think I am?”, he said
I said, “Well, I didn’t know”
He said, “I turned 65 about 11 months ago”
I was sittin’ in Miami pourin’ blended whiskey down
When this old gray Black gentleman was cleanin’ up the lounge
There wasn’t anyone around ‘cept this old man and me
The guy who ran the bar was watchin’ “Ironsides” on TV
Uninvited, he sat down and opened up his mind
On old dogs and children, and watermelon wine
“Ever had a drink of watermelon wine?”, he asked
He told me all about it, though I didn’t answer back
“Ain’t but three things in this world that’s worth a solitary dime
But old dogs and children, and watermelon wine”
He said, “Women think about they-selves, when menfolk ain’t around
And friends are hard to find when they discover that you’re down”
He said, “I tried it all when I was young and in my natural prime
Now it’s old dogs and children and watermelon wine”
“Old dogs care about you even when you make mistakes
God bless little children while they’re still too young to hate”
When he moved away, I found my pen and copied down that line
‘Bout old dogs and children, and watermelon wine
I had to catch a plane up to Atlanta that next day
As I left for my room, I saw him pickin’ up my change
That night I dreamed in peaceful sleep of shady summertime
Of old dogs and children and watermelon wine.

What’s Up?

Since the forecast for Sunday morning was lousy — a NW wind with clearing skies, I opted to head down to the lake on Saturday afternoon to play with my new toys. The eagles that have been nesting down by the lake for the last two or three years moved to a new nest tree further to the south along Banyan Drive. The new nest tree is so cluttered that I consider the nest un-photographable. That despite that there are two large chicks that should be fledging in a few weeks.

For the past few days, I have been seeing a pair of Ospreys hanging around the old, more gorgeous than ever, wide open nest tree. I was pleased to see the one of them perched above to the nest and the other one sitting in it. If they do nest this year, the situation might offer some great chances. With some light clouds forming in the southwest, I saw the possibility of making some nice silhouettes. So, for the first time ever, I put the Sony a9 iii on the 600 f/4 and added the 2X TC. Working off the BLUBB, I had a ton of fun and learned a lot more about the a9 iii. I made one huge change in the camera that made shooting with it much more practical. If you use one of my affiliate links to purchase your a9 iii, you are invited to shoot me your receipt via e-mail. After it checks out, I will send you my a9 iii CAMSET.DAT file, instructions on how to load my settings on your a9 iii, a complete Buttons and Dials guide, and additional brief comments. Lucky you!

Today is Monday 11 March 2024. I am hoping to head down to the lake again with the a9 iii, the 300mm f/2.8, the 600mm f/4, and both TCs. Wherever you are and whatever you are doing, I hope that you are having fun too.

If you plan on purchasing a Sony a9 III Mirrorless Camera (or anything else for that matter), please remember to use or write for either my Bedfords discount code or my B&H affiliate link. As above, folks who use one of my two affiliate links to purchase the a9 III will receive my .DAT settings (the complete camera set-up) along with a Buttons and Dials Guide.

If you would like to enjoy some incredible world class photography and photographic instruction, do yourself a favor and grab one of the two remaining spots on each of the two 2025 Homer Bald Eagle IPTs. Better yet, save $1000.00 by signing up for both! It will be my last ever Homer trip … Both trips will surely fill soon. Scroll down for the details.

Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Save 15%!

If you’d like to try out a new lens or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.

I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.

Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout and enter the BIRDSASART15 codeine the Promo Code box at checkout to save 15%.

Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com

B&H

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often stave you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created at Stick Marsh on 8 March 2024. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 2500: 1/3200 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 7:17:342am on an overcast morning. Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Image #1: Roseate Spoonbill “clapping” in flight

From the Video

I included this image from the Spoonbill Movies video to show you how sweet high ISO a9 iii images made in low light and properly exposed to the right can look. I cropped and expanded the canvas and played God by rearranging the elements of the image design. The “clapping” pose was untouched. You can see the original frame at the 3:23 mark of the video.

If you would like to join me tomorrow Tuesday 12 March, for some spoonbill action and a morning In-the-Field Session, stop what you are doing and shoot me an e-mail or try me on my cell at 863-221-2372. The weather is looking good.

This image was created on 9 March 2024 down by the lake near my home at Indian Lake Estates, FL. I used the BLUBB-supported Sony FE 600mm f/4 GM OSS Lens with the Sony FE 2x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 320: 1/3200 sec. at f/13 (stopped down 1 1/3 stops) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect (ho hum). AWB at 5:47:34pm on partly sunny afternoon. Upper left Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Image #2: Osprey perched above old Bald Eagle nest

I had not previously seen the possibility of creating late afternoon silhouettes at the old eagle nest. But when I drove by it an hour before sunset, the possibility jumped right out at me. I hung a quick U-turn, grabbed the BLUBB, the 600, the 2X, and the a9 iii. A breeze form the NW made things difficult but the birds let me off the hook on occasion.

As it turned out, initial focusing acquisition at 1200mm with the a9 iii is noticeably faster than with the a-1.

Not to mention that the 120 fps frame rate is totally addictive. Or that the resulting images are incredibly sharp. As I was pointing the lens in the vicinity of the sun I had tons of light and was able to stop down while maintaining a very low ISO. Though the sky looked a very light silver, I knew that there would be lots of gold in the raw file. Though a1 images will surely allow for larger crops, a9 iii image quality is proving to be a non-issue.

This image was also created on 9 March 2024 down by the lake near my home at Indian Lake Estates, FL. I used the BLUBB-supported Sony FE 600mm f/4 GM OSS Lens with the Sony FE 2x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 640: 1/4000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be perfect (ho hum). AWB at 5:55:22pm on partly sunny afternoon. Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Image #3: Osprey hovering above mate at the old Bald Eagle nest

New Pre-Capture Settings

Drastically changing my pre-capture settings made editing Sunday evening’s 1978 images a breeze. I keep only seven raw files. Image #3 was made when the male jumped down and hovered above the female. Though I was too tight to fit both birds in the frame, I fired off about 700 images in just a few seconds.

Folks who use my links to purchase their a9 iii bodies will learn everything that I know and have learned about the amazing new a9 iii. My CAMSET01.dat file along with the other info will be available to others (those who did not use one of my affiliate links) for a very fair $209.93. Shoot me an e-mail to learn how I came up with that price. If you think it is too high, use one of my affiliate links (it does not cost you one penny) or figure out the camera on your own.

This image was also created on 9 March 2024 down lake near my home at Indian Lake Estates, FL. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 2x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 5000: 1/2500 sec. at f/5.6 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 6:08:53pm on then mostly cloudy afternoon. Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version. Image #4: Osprey in flight

Nothing Great

Image #4 is not really anything special aside from the fact that the file looks darned good for an ISO 5000 image and that it was created with an easily hand-holdable 600mm f/5.6 lens.

The First Ever BIRDS AS ART Lens Guide

Impressed by my Sony FE 300mm f/2.8 GM OSS Lens (Sony E) images from the last three posts? Use either my Bedfords or B&H affiliate link to purchase your Sony 300mm f/2.8 GM lens and shoot me your receipt via e-mail and request a copy of the first-ever BAA Lens Guide. This short guide will be published sometime in late March as I have a lot more to learn about this amazing new lens.

Be sure to click on the composite to view a larger, high-res version. All images from 2023 Fort DeSoto Spring IPTs. Clockwise from upper left around to center: Snowy Egret in breeding plumage with crest blowing; Osprey striking; Brown Pelican sunrise silhouette; Royal Terns copulating; Marbled Godwit striding; Royal Tern courtship feeding; Snowy Egret hunting; Laughing Gull in breeding plumage along flight; Reddish Egret in flight with killifish.

Unsolicited via e-mail from Pete Myers

I just spent 4 days in the field in a graduate course in bird photography taught by Artie Morris at Fort DeSoto. After almost 50 years of experience pointing cameras at birds from the Arctic to Tierra del Fuego, New Zealand and beyond, I thought I was good enough. But what I learned from Artie in just four days has taken me to a whole new level. As he aptly puts it, “birds as art,” not simply bird photography. One of those 4 days was the most satisfying I’d ever experienced, anywhere. The IPT left me euphoric about what I’d learned, and frighteningly committed to recreating my portfolio with the techniques and insights he taught me.

Unsolicited via e-mail from IPT veteran Eugen Dolan

Arthur, Thank you very much for your overwhelming infectious enthusiasm that helped get me up on some mornings. Also, your ability to express yourself- and explain in great detail why you like or may not like an image – was very helpful in allowing me to better analyze my images. Eugen

Via e-mail from Jim Miller

I can’t stop thinking about how much fun the DeSoto IPT was, and how much I learned. There were so many things that suddenly made perfect sense after I had been confused for so long. Thank you very much for the wonderful trip, and for being a great teacher. As I worked through the raw files last week, I realized what a fantastic lens the 600 IS is. Thanks for the rental! Maybe someday I will be able to afford one. Some images for critique are attached. Thank you again, Artie. It was really wonderful to be with you and learn from you.

Via e-mail from Lee Sommie

I want to thank you for making the Fort DeSoto IPT; it was a fun and educational experience for me. I truly did not want the adventure to end. I now look through the viewfinder with an artist’s mindset. And the real bonus was making new friends with fellow students. Thank you for sharing your knowledge and enthusiasm for wildlife photography. I had a great time with you and look forward to more adventures on future IPTs.

Via e-mail from Muhammad Arif

I had a great time at Fort De Soto. Thank you for all the instruction, for your help and pointers; my photography has already improved tremendously, and I’ve never made such good bird photos before. I wish I could’ve joined you on Monday and Tuesday morning as well, but work got in the way. It was also nice meeting the folks on the IPT. Thanks again for everything and I hope to join you at a future IPT sometime again.

Fort DeSoto in spring is rife with tame birds, many in full breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: Laughing Gull landing on head of Brown Pelican, Laughing Gull in flight, Reddish Egret sunrise silhouette, Great Blue Heron with needlefish, Yellow-crowned Night Heron with ghost crab, Roseate Spoonbill, Sanderling in breeding plumage, and white morph Reddish Egret in glorious breeding plumage.

The 2024 Spring Fort DeSoto Instructional Photo Tour (IPT)

The Spring Fort DeSoto IPT: Wednesday 8 May through the morning session on SAT 11 May 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers. Openings: 5.

Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for terns and gulls, wading birds, and shorebirds in springtime. Though DeSoto can be great any day of the year, spring is my very favorite time to be there as many of the birds will be in full breeding plumage. Simply put, DeSoto is the new Ding Darling. Migrant shorebirds are in abundance, and many are exceedingly tame. We should have great chances on Royal and Sandwich Terns and both white- and dark-morph Reddish Egrets. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two along with some American Oystercatchers. We will enjoy lots of great flight photography, especially with the Brown Pelicans.

Act fast to explore the possibility of sharing an AirBnB with Jim Miller and me. Doing so would greatly reduce the cost of lodging for this great trip.

Again, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: Laughing Gull in flight, Yellow-crowned Night-Heron, Sandwich Terns copulating, Roseate Spoonbill, Great Egret with reflection, breeding plumage Short-billed Dowitcher, American Oystercatcher, Royal Tern, white morph Reddish Egret, and Snowy Egret in marsh.

In Addition!

We should also get to photograph a variety of other shorebirds including Black-bellied, Semipalmated, Wilson’s, Snowy, and Piping Plovers, Willet, Dunlin, Short-billed Dowitcher, Marbled Godwit, and most especially, Red Knot. On the May trip, many of the shorebirds will be in their handsome breeding plumages. In spring the T-shaped peninsula and the newly formed sandbar, Outback Key, are literally packed with avian treasures.

With just a bit of luck, we may get to photograph one of Florida’s most desirable species: Roseate Spoonbill. And we will surely get to do some Brown Pelican flight photography. With luck, they will have Laughing Gulls landing on their heads. And though not guaranteed, Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two. I almost forgot to mention — Laughing Gulls in breeding plumage are to die for!

You do NOT need a fast super-telephoto lens to do this trip!

Yes, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: breeding plumage Dunlin, dark morph Reddish Egret displaying, Laughing Gull vertical front-end portrait, Laughing Gull with prey item, landing on head of Brown Pelican, breeding plumage Royal Tern displaying, Royal Terns — pre-copulatory stance, Laughing Gulls copulating, Laughing Gull head portrait, breeding plumage Sandwich Tern with fish, and a rare treat, a breeding plumage White-rumped Sandpiper.

What You Will Learn on a DeSoto IPT

• 1- The basics and fine points of digital exposure; how to get the right exposure every time after making a single test exposure (or before if you are using SONY gear).
• 2- How and why to work in Manual mode (even if you’re scared of it).
• 3- How to approach free and wild birds without disturbing them.
• 4- Lots about bird behavior and how to use that knowledge to help you create better images.
• 5- To age and identify many species of shorebirds including various sandpipers, plovers, dowitchers, and possibly yellowlegs.
• 6- To spot good situations and to choose the best perspective.
• 7- To see, evaluate, and understand the light.
• 8- To design pleasing images by mastering your camera’s AF system.
• 9- And perhaps most importantly, to evaluate wind and sky conditions and understand how they affect bird photography.
• 10- More than you could ever imagine.

You got it by now! Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version. Clockwise from upper left around to center: Roseate Spoonbill, immature Brown Pelican in flight, the heron/egret hybrid, American Oystercatcher feeding, immature Royal Tern on railing, Great Egret morning silhouette, Black Skimmer in surf, and underside head portrait of Great Blue Heron.

The Details

Morning sessions will run about two and one-half hours; afternoon sessions about two. There is never a set schedule on an IPT — we adapt to the conditions. On cloudy mornings with the right wind, we may opt to photograph till 11:30 or so and skip the afternoon session. That especially when the afternoon weather is looking iffy. We may opt to visit a great North Tampa rookery if conditions warrant that.

There will be a Photoshop/Image Review session during and after brunch (included) each of the three full days. That will be followed by Instructor Nap Time. This IPT will run with only a single registrant as I do not like disappointing anyone. The best airport is Tampa (TPA). Once you register, you will receive an e-mail with lodging information. Do know that it is always best if IPT folks stay in the same general area (rather than at home or at a friend’s place a good distance away). For folks who register soon, the is an excellent chance that we can share an AirBnb to reduce lodging and meal costs and maximize your learning opportunities.

Folks attending this IPT will be out in the field as early as possible and stay out late to take advantage of sunset colors. Doing so will often present unique photographic opportunities, opportunities that will be missed by those who need their beauty rest and those who need to get home for a proper dinner. I really love it when I am leaving the beach at 9:30am on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving … We will be getting wet.

Your non-refundable $599 deposit is due now. Credit cards are OK for that. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand. Once you leave a deposit, you will receive an e-mail with your balance statement and instructions for sending your balance check three months before the trip begins. If you wish to pay in full right off the bat, you can make your check out to BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, and clothing and gear advice two months before the trip. Please shoot me an e-mail if you plan to register or if you have any questions.

IPT veterans and couples or friends signing up together may e-mail for discount information. If you have any questions, or are good to go for one of these great trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372 for more info.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.