February 28th, 2024 What’s Up?
Today is Wednesday 28 February. We are headed out early in search of some more pink/purple/blue earth shadow shots. We are dressing very warmly as the forecast cold weather has arrived. I hope that you too have fun.
With just two slots left on each Homer 2025 trip, I am hoping to sign up two more folks for both trips asap. Details below.
New folks are urged to click on each image to view the larger, sharper high resolution JPEGs.
The Rewards of Good Leadership
Mike Lavigne of Seattle, WA and long-ago multiple IPT vet Chris Loffredo attended the first 2024 Homer Bald Eagle IPT. I was glad to hear from each of them via e-mail yesterday.
From Mike
Hi Artie,
In December, as a raw newbie, when I reached out to you to mentor me, you asked me to trust you. Go with Sony. I did (after almost missing on it). Then you suggested that I do the Morro Bay IPT and if I really wanted to take a big step forward, follow it up with the Homer ITP two weeks later. Also to try and master Photo Mechanic prior to the Morro Bay ITP.
This morning, the day after I got back home, I’m exhausted for sure. But with a big smile on my face.
Today, 70 days after we first touched base, looking in Photo Mechanic at the files I’ve created, it’s hard to believe I how well I did. You have taught me to get sharp pictures, and get them in the frame. Taught me the basics of doing it in manual mode, exposing to the right, filling the frame, getting at the subject eye level, staying on the sun angle, adjusting exposure for different light conditions and different subject situations. You have made me appreciate the Sony Zebra’ process and how it keeps you aware. You have taught me blurs, and how to photograph sunset and dawn color. I’m not yet consistent, and struggle with making quick adjustments, and not always ‘seeing the picture’. But every time I review my daily files, I recognize progress, and learn where I can do better. I feel that if I keep practicing what you have taught me, I’m on a good path with solid fundamentals. And I plan on further Birds As Art IPT adventures.
The Homer ITP was an amazing life experience in a remarkable place. Each session was filled with exceptional opportunities in a world class setting. Your guidance and support along with the boat captain and crew made it easy to make great pictures. Both on the boat and on land. Loved the songbird day, when the seas were too high to sail. I learned so much I can apply at home creating my own set-up. It was great watching and learning from the other ITP participants who all had decades of serious photography experience. it’s not any accident they choose to be there with you. The vibe in the group was tremendous.
Thankyou for all the guidance and friendship. I leaned on you, and you delivered. I’m amazed at how much energy and life force you bring to the process.
love,
Mike Lavigne
From Chris
Artie,
Homer was an unforgettable experience with so many eagle and flight and portrait opportunities, great people and easy logistics. Weather conditions were changing and often unpredictable, but Artie’s plans B, C, & D all resulted in wonderful photo opportunities. I’ve never created so many images in my life nor have I ever deleted so many good photos because I have so many better ones.
My biggest learning was exposing more to the right than I was used too without blowing out the highlights. I learned to read the eagle’s behaviors, about sun angle and backgrounds. The image processing was the icing on the cake.
Stay warm and thanks again for another great experience.
Chris
My Call
There were too many great images in the last blog post. I especially loved the screaming eagle, the cliff image with falling snow, the Pine Grosbeak with the red berries, and the otter in pink. And the other two were not bad either.
Your Call?
Of Today’s five featured images, which are the two weakest?
The First Ever BIRDS AS ART Lens Guide
Use either my Bedfords or B&H affiliate link to purchase your Sony 300mm f/2.8 GM lens and shoot me your receipt via e-mail and request a copy of the first-ever BAA Lens Guide. It will be published sometime in late March as I have a lot more to learn about this amazing new lens.
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This image was created on 25 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens with the Sony FE 1.4x Teleconverter (at 189mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 400: 1/4000 sec. at f/4 (wide-open) in Manual mode. AWB at 4:45:24am on a clear, sunny afternoon.
Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.
Image #1: Bald Eagle in flight/late day sun.
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Blue Sky Bald Eagles
With their gleaming white heads and dark wings and bodies photographing adult Bald Eagles on bright sunny days is a huge challenge. Many folks state that they “it is impossible to control the exposure of their white heads and tails and that they always over-expose them.” The short story is that they have no clue as to how to get the right exposure. It is easy with Sony Zebras and do-able with Nikon, Canon, and others. With those systems, you must make a test exposure, evaluate the histogram,, check for blinkies (those dependent on your camera system and settings), and make any needed changes. Whatever gear you are using, RawDigger study will enable you to fine-tune your results.
The biggest problems with photographing adult Bald Eagles in full sun have to do with dark shadows, uneven lighting, and high contrast. The best way to eliminate the first two problems is to work right on sun angle as I did in Image #1 and, if photographing the bird from below, wait until the bird’s underwings are fully out-stretched and thus evenly lit. The high contrast can be controlled vis careful processing as details in the Digital Basics III Video Series.
Note that though Image #1 is technically perfect and nicely designed, it is basically boring and does not do much for me at all. For the reasons noted above, I am not a fan of full sun for Bald Eagles photography, especially flight photography. I far prefer clouds and overcast. That said, note that with Image #2 I contradict myself. Image #2 was successful due to the fact that I was striving to create something very different. I did the same thing with Images # 3, 4, and 5.
The Sony FE 70-200mm f/2.8 GM OSS II lens is the perfect complement to the 300 f/2.8 for eagle photography in Kachemak Bay. I use it often both with and without the 1.4 teleconverter.
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This image was also created on 25 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 500. 1/4000 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 4:51:41am on a clear, sunny afternoon.
Zone: AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #2: Bald Eagle in flight set against shaded mountainside.
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Listen to the Leader I
When I saw many adult eagles flying in front of the shade mountainside, I called out to the group, “Shoot the sunlit eagles against the dark mountainside. Don’t worry about the exposure; it will be the same as when the birds were flying out in the open — new are exposing properly for the sunlit white. heads.” Nobody listened. But when they saw Image #2, they all wanted to head back to Sadie Cove to try for the shot. The proportion of the shaded mountainside and the sunlit snowy slope was serendipitously perfect.
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This image was also created on 25 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 1000: 1/4000 sec. at f/3.5 (stopped down 2/3 stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be one stop too dark for a variety of reasons. AWB at 6:17:09pm, three minutes before the official time of sunset.
Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.
Image #3: Bald Eagle sunset dive silhouette
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The Wind Direction was Too Good
With the sun setting in the west and a fair breeze from the east when the color materialized, the big problem was that with the birds flying directly at us, their heads were not visible. I got lucky with Image #3. Augustine Volcano is on the horizon just behind the bird.
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This image was created on 26 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 10000! 1/2000 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:51:31 in extremely low light conditions.
Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.
Image #4: Bald Eagles landing on distant spit on a then dark and dismal morning.
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What the Heck
It was very early on a dark, dingy morning. When I saw two eagles breaking to land on a distant spit, I raised the ISO till I got some significant Zebras on the water, figured “what the heck,” and fired off about six frames. Only one had two decent wing positions. Surprisingly, I was quite pleased with the image.
Sony a1 folks need to make sure to be using Tracking: Zone when they wish to create bird-scapes featuring small-in-the-frame, well off-centered birds. Non-tracking Zone will not focus on a subject outside of the zone brackets.
Note: Last week I distributed SONY Alpha a1 Set-up and Info Notes e-Mail I (19 February 2024) to all in the group. If you are in the group and did not receive my latest missive, please shoot me an e-mail. Please remember that if you change your e-mail address that you need to let me know 🙂
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This image was also created on 26 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 1250. 1/3200 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 11:59:36 iafter things brightened up quite a bit.
Tracking: Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.
Image #5: Bald Eagles braking to land in low light conditions.
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Listen to the Leader II
I called the group together and pointed out the ideal spot on the slope where an eagle might land with a somewhat unique background. Most were using a 70-200mm lens so I instructed them to move closer while I moved back with my new 300mm f/2.8. We set the shutter speeds, the apertures, and the ISOs. Then I told the mate exactly where to toss the herring. He did!
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All images from Homer or Kachemak Bay, AK
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No Homer IPT Price Increase!
Despite that fact that the hourly boat fee has been increased by 33%, I have decided not to raise the price of the 2025 Homer IPTs. Note that similar trips with 40% less time on the boat cost $5800!
2025 Homer/Kachemak Bay Bald Eagle IPTs
IPT #1: FRI 14 FEB 2025 through the full day on TUES 18 FEB 2025. Five days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings 2.
IPT #2: WED 19 FEB 2025 through the full day on SUN 23 FEB 2025. Five days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings 2.
Register for both trips to maximize your travel dollars and enjoy a $1000 discount while you are at it. In 2024, three of the five participants did both trips!
This trip features non-stop flight photography as well as many opportunities to create both environmental and point-blank portraits of one of North America’s most sought-after avian subjects: Bald Eagle (Haliaeetus leucocephalus). Other reliable subjects will include Sea Otter, Glaucous-winged and Short-billed (formerly Mew) Gulls.
In addition, we should see Common Murre, Black Guillemot, Pelagic Cormorant, two or three species of loons, and a smattering of ducks including two species of merganser, all three scoters, Common and Barrow’s Goldeneyes, Bufflehead, Harlequin, and Long-tailed Ducks. Close-range photographic chances for these species will require some good luck. Some of these species, especially when in flocks, can, however, often be used effectively when pleasing creating bird-scapes.
If we need to be out early, we will be the first boat out. If the conditions are great, we will stay out. And when there is a chance for sunset silhouettes, we will be in the right spot.
We will be traveling through gorgeous wilderness country; landscape and scenic opportunities abound.
Also featured is a professional leader, often referred to as the world’s most knowledgeable bird photography trip leader and instructor. He is conversant in Canon, Nikon, and Sony. You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer.
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All images from Kachemak Bay in 2022!
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What You Will Learn
You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer.
You will learn to get the right exposure when it is sunny, when it cloudy-bright, when it is cloudy, when it is cloudy-dark, or when it is foggy. Not to mention getting the right exposure when creating silhouettes. You will learn to make pleasing blurs working in manual mode and to create silhouettes working in Shutter Priority mode. Most importantly, you will learn to pick your best flight photographs from tens of thousands of images.
You will enjoy working with the best and most creative boat captain on his sturdy, photography-spacious, seaworthy, open-deck watercraft.
There will be only five photographers (not the usual six), plus the leader.
Small group Photoshop, Image Review, and Image Critiquing sessions.
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All images from Homer or Kachemak Bay, AK
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What’s Included
One four hour or two two-hour boat trips every day (weather permitting), all boat fees and boat-related expenses (excluding tips), ground transportation to and from the dock and back to the hotel each day, in-the-field instruction and guidance, pre-trip gear advice, small group post-processing and image review sessions, and a thank you dinner for all well-behaved participants.
What’s Not Included
Your airfare to and from Homer, AK (via Anchorage), the cost of your room at Land’s End Resort, all personal items, all meals and beverages, and tips for the boat captain and/or the first mate.
Important Note
On great days, the group may wish to photograph for more than four hours. If the total time on the boat exceeds 20 hours for the five-day trips the group will share the additional expense at a rate of $300.00/hour. The leader will pay for the bait.
Some folks may wish to rent their own vehicle to take advantage of local photographic opportunities around Homer. In 2024 those included Moose, Sea Otter, a variety of sea ducks in the harbor, and Great Grey and Short-eared Owl.
Deposit Information
A $3000 non-refundable deposit/trip is required. You may pay your deposit with credit card or by personal check (the latter made out to BIRDS AS ART) and sent via US mail only to Arthur Morris. PO Box 7245. Indian Lake Estates, FL 33855. Your balance, due 90 days before the date of departure, is payable only by check.
In Closing
I have been going to Homer off and on for close to two decades. Every trip has been nothing short of fantastic. Many folks go in mid-March. The earlier you go, the better the chances for snow. The only way to assure that you are on the best of these two trips is to sign up for both of them. If you have any questions, or are good to go for one or both of these great trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
February 24th, 2024 This Just In!
Many multiple IPT veteran Joe Barranco signed up for both Homer 2025 IPTs. Best not to tarry as there are now only two spots left on each IPT. I’d advise you to sign up for both today!
The Sony 300mm f/2.8 GM OSS Lens is a Real Game Changer
I fully expected this lens to be fantastic. It has, however, exceeded all of my expectations. It will quickly become a real game changer. Especially for folks like me who are looking to go lighter and lighter. It is so light that I can handhold it all day long without any strain at all. I used it alone a ton on our first fabulous day with the eagles. I handheld it with the 2X TC for eight hours of songbird photography on Thursday and did quite well. And on Friday, I handheld it for another eight great hours of eagle flight photography.
Expect to see more than a few Sony 400mm f/2.8 and 600m f/4 GM lenses for sale fairly soon. You will be seeing lots more 300mm/f/2.8 images here soon.
The First Ever BIRDS AS ART Lens Guide
Use either my Bedfords or B&H affiliate link to purchase your Sony 300mm f/2.8 GM lens and shoot me your receipt via e-mail and request a copy of the first-ever BAA Lens Guide. It will be published sometime in late March as I have a lot more to learn about this amazing new lens.
Calls
Which is your favorite of today’s five 300mm f/2.8 featured images? Why?
By a small margin, I liked the Sanderling image in the last blog post best because of the lovely flight pose and the soft light. Funny that they are the same reasons that I liked the cormorant shot.
What’s Up?
Day one of the first Homer IPT got off to an incredible start. With cloudy skies and an 18mph southeast wind, we enjoyed pretty much perfect flight photography conditions. Whether we photographed from the boat or landed on one of several productive spits, we were pretty much inundated by incoming eagles. And there was just enough snow cover to illuminate the eagle’s undersides. Multiple IPT veteran Chris Loffredo who had been away too long, summed things up nicely after creating more than 12,000 images during our first session when he said, “I could never have even imagined so many eagles so close. I created more images today than I did on a two week African photo safari.” The rest of the group was beyond thrilled as well.
Our day two sailing was cancelled because of high winds and 10 foot seas so we visited a local feeder set-up and enjoyed a spectacular session with Pine Grosbeaks, Boreal Chickadees, Pine Siskins, Red-breasted Nuthatches, both cross bills!, and a single cooperative Gray Jay.
On Friday we had sun to work with for most of the day. We photographed for more than eight hours and were doing great until folks began running out of memory! When we got back to the harbor, we were greeted by a flock of close to 1000 Rock Sandpipers (along with a single wintering Dunlin). We spent nearly 30 minutes working them as Gabe jockeyed the boat in so close that I was photographing single birds with the 300mm/2X TC! That was a first.
Today is Saturday 24 February 2024. With everyone in the group beyond exhausted with tens of thousands of images to cull and facing a horrible morning forecast — 30 knot winds and 10-foot seas, we are taking the morning off. That despite the fact that the forecast fizzled. Wherever you are and whatever you are doing, have fun.
If you would like to enjoy some incredible, world class photography, do yourself a favor and grab one of the three remaining spots on the two 2025 Homer Bald Eagle IPTs. Better yet, save $1000.00 by signing up for both! It will likely be my last ever Homer trip … They will surely fill soon. Scroll down for the details.
Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
Save 15%!
If you’d like to try out a new lens or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.
I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.
Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout and enter the BIRDSASART15 codeine the Promo Code box at checkout to save 15%.
Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com
B&H
To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.
Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.
Bedfords Simplified
Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.
Bedfords Amazing BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.
Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often stave you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
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This image was created on 21 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 2500. 1/3200 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 11:33:42am on blessedly cloudy morning.
Zone: AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #1: Bald Eagle in flight on final approach
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The Sony 300mm f/2.8 GM Lens, the Sony a-1 Mirrorless Camera, and Homer, AK: a Three-Way Match Made in Heaven
Huge thanks to Sony’s Mark Weir who arranged for a loaner 300mm f/2.8 to coincide with my Homer trip. My copy should be arriving from Bedfords soon after I get back to Florida. And boy, I cannot wait to get my hands on it.
With low light conditions not uncommon in Homer, the 300 f/2.8 might be the perfect lens but for the fact that it is often a bit too long. It is the perfect companion to the Sony FE 70-200mm f/2.8 GM OSS II lens. Both of these lenses performs extraordinarily well with either TC. I used the prime lens alone to create Image #1 and barely fit the whole bird into the frame. It was so tight — but not clipped on either side, that I added a bit of canvas left, right, and above. With the perfect conditions and soft light, I advised the group to strive for images with a strip of beach grass at the bottom of the frame.
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This image was also created on 21 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 3200. 1/2500 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 11:33:41am on blessedly cloudy morning.
Zone: AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #2: Bald Eagle screaming in flight
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Too Long a Lens!
Here, I clipped the eagle’s right wing but wound up loving the result after a crop from our left and below. Images of eagles screaming in flight are quite rare.
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This image was also created on 21 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 3200. 1/2500 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect (ho hum). AWB at 10:59:54am on blessedly cloudy morning.
Zone: AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #3: Bald Eagle flight with dark cliff background and falling snow
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When the snow flurries began, I called out to the group, “Shoot them in flight against the dark wall of the cliff. A fast shutter speed will render the snow as pinpoints.”
I love when I make an image that I had pre-visualized.
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This image was also created on 21 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 3200. 1/2500 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect (ho hum). AWB at 1:59:47am on still blessedly cloudy morning.
Zone: AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #4: Juvenile Bald Eagle in flight
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Don’t Stop Shooting!
With today’s amazing mirrorless camera bodies, do not quit shooting when a bird flies right at you and gets larger and larger in the frame. DSLR AF had very little chance in those situations. Though mirrorless does not nail focus perfectly every time, it succeeds more often than not. And like the bad child when it is good, mirrorless AF can be very, very good with birds flying at you at point blank range. This image is so, so sharp that you can see the blood vessels in the young eagles’ eyes.
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This image was created on 22 February 2024 at Anchor Point, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 2x Teleconverter and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1250. 1/1000 sec. at f/5.6 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect (ho hum). AWB at 9:33:40am on barely sunny morning.
Tracking Expand Spot/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #5: Pine Grosbeak eating Mountain Ash berries
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A Lightweight, Hand-holdable 600mm F/5.6 Lens
Adding the 2X TÇ to the new Sony 300mm f/2.8 lens yields a lightweight 600mm f/5.6 lens with deadly fast and accurate AF. The resulting images are tack sharp and feature the crisp eye-skins that I love. Hand-holding this rig while everyone in the group was on a tripod most of the time enabled me to move quickly to get right on sun angle for the various perches. And that is just what I did to create Image #5.
I have not yet had a chance to use the new lens with the 1.4X TC but I would bet my life that the images will be beyond amazing.
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This image was also created on 23 February 2024 at Kachemak Bay, AK on a Homer Bald Eagle IPT. I used the handheld Sony FE 300mm f/2.8 GM OSS Lens (Sony E) and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 2500. 1/2500 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect (ho hum). AWB at 8:40:17am on dead clear morning.
Tracking: Expand-Spot/AF-C with Animal Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #6: Sea Otter with its wake in pink, pre-dawn reflections.
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Small in the Frame Sea Otter!
After checking out the forecast and consulting with Captain Gabe, we left the dock super-early, crossed Kachemak Bay, and enjoyed the pink/purple/blue skies that you will see the world over in the western sky (opposite the sunrise) on crisp, clear mornings. We had dozens of eagles in the air all around the boat well before the sun was anywhere near coming over the mountains behind us. I kept calling out, “Look for the pink backgrounds!” Someone called out, “There’s a Sea Otter swimming toward us.” It was far from us so I had time to get into Tracking: Zone and switch from Bird-Eye to Animal-Eye AF. I adjusted the exposure by getting lots of Zebras on the pink water and then got lucky when the otter turned its head to the left.
My new workflow transformed the pale, washed out raw file into a colorful, very fine, very subtle, and very different image. Who would have thought that a small in the frame Sea Otter shot would work so well. After the sun came up, we enjoyed some great flight photography. After 1 1/2 hours, another eagle photo tour boat crossed from the spit, albeit quite a bit late — they had missed 90 minutes of wondrous photography.
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All images from Homer or Kachemak Bay, AK
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No Homer IPT Price Increase!
Despite that fact that the hourly boat fee has been increased by 33%, I have decided not to raise the price of the 2025 Homer IPTs. Note that similar trips with 40% less time on the boat cost $5800!
2025 Homer/Kachemak Bay Bald Eagle IPTs
IPT #1: FRI 14 FEB 2025 through the full day on TUES 18 FEB 2025. Five days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings 2.
IPT #2: WED 19 FEB 2025 through the full day on SUN 23 FEB 2025. Five days/20 hours on the boat: $5500.00. Limit 5 photographers/Openings 2.
Register for both trips to maximize your travel dollars and enjoy a $1000 discount while you are at it. In 2024, three of the five participants did both trips!
This trip features non-stop flight photography as well as many opportunities to create both environmental and point-blank portraits of one of North America’s most sought-after avian subjects: Bald Eagle (Haliaeetus leucocephalus). Other reliable subjects will include Sea Otter, Glaucous-winged and Short-billed (formerly Mew) Gulls.
In addition, we should see Common Murre, Black Guillemot, Pelagic Cormorant, two or three species of loons, and a smattering of ducks including two species of merganser, all three scoters, Common and Barrow’s Goldeneyes, Bufflehead, Harlequin, and Long-tailed Ducks. Close-range photographic chances for these species will require some good luck. Some of these species, especially when in flocks, can, however, often be used effectively when pleasing creating bird-scapes.
If we need to be out early, we will be the first boat out. If the conditions are great, we will stay out. And when there is a chance for sunset silhouettes, we will be in the right spot.
We will be traveling through gorgeous wilderness country; landscape and scenic opportunities abound.
Also featured is a professional leader, often referred to as the world’s most knowledgeable bird photography trip leader and instructor. He is conversant in Canon, Nikon, and Sony. You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer.
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All images from Kachemak Bay in 2022!
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What You Will Learn
You will learn practical and creative solutions to everyday photographic problems. You will learn to see the shot, to create dynamic images by fine-tuning your compositions, to best utilize your camera’s AF system, and how to analyze the wind, the sky conditions, and the direction and quality of the light. This is one of the very few trips Homer trips available where you will not be simply put on the birds and told to have fun. You will learn to be a better photographer.
You will learn to get the right exposure when it is sunny, when it cloudy-bright, when it is cloudy, when it is cloudy-dark, or when it is foggy. Not to mention getting the right exposure when creating silhouettes. You will learn to make pleasing blurs working in manual mode and to create silhouettes working in Shutter Priority mode. Most importantly, you will learn to pick your best flight photographs from tens of thousands of images.
You will enjoy working with the best and most creative boat captain on his sturdy, photography-spacious, seaworthy, open-deck watercraft.
There will be only five photographers (not the usual six), plus the leader.
Small group Photoshop, Image Review, and Image Critiquing sessions.
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All images from Homer or Kachemak Bay, AK
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What’s Included
One four hour or two two-hour boat trips every day (weather permitting), all boat fees and boat-related expenses (excluding tips), ground transportation to and from the dock and back to the hotel each day, in-the-field instruction and guidance, pre-trip gear advice, small group post-processing and image review sessions, and a thank you dinner for all well-behaved participants.
What’s Not Included
Your airfare to and from Homer, AK (via Anchorage), the cost of your room at Land’s End Resort, all personal items, all meals and beverages, and tips for the boat captain and/or the first mate.
Important Note
On great days, the group may wish to photograph for more than four hours. If the total time on the boat exceeds 20 hours for the five-day trips the group will share the additional expense at a rate of $300.00/hour. The leader will pay for the bait.
Some folks may wish to rent their own vehicle to take advantage of local photographic opportunities around Homer. In 2024 those included Moose, Sea Otter, a variety of sea ducks in the harbor, and Great Grey and Short-eared Owl.
Deposit Information
A $3000 non-refundable deposit/trip is required. You may pay your deposit with credit card or by personal check (the latter made out to BIRDS AS ART) and sent via US mail only to Arthur Morris. PO Box 7245. Indian Lake Estates, FL 33855. Your balance, due 90 days before the date of departure, is payable only by check.
In Closing
I have been going to Homer off and on for close to two decades. Every trip has been nothing short of fantastic. Many folks go in mid-March. The earlier you go, the better the chances for snow. The only way to assure that you are on the best of these two trips is to sign up for both of them. If you have any questions, or are good to go for one or both of these great trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
February 19th, 2024 What’s Up?
I hit the sack at 7:30pm on Sunday evening.
Today is Monday 19 February 2024. I woke to the alarm at 2:40am after sleeping a handsome 7+ hours. As Jim was kindly driving me to the airport, I began working on this blog post at 4:15am and am hoping to finish it after I check in. I am, of course, headed to Homer, AK, two IPTs, and lots of eagles. Wherever you are and whatever you are doing, enjoy.
Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!
If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.
DeSoto Spring IPT
Sign up for this trip soon to explore the possibility of sharing an AirBnB with multiple IPT veteran Jim Miller and me. Details below.
Save 15%!
If you’d like to try out a new lens or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.
I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.
Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout and enter the BIRDSASART15 codeine the Promo Code box at checkout to save 15%.
Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com
B&H
To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.
Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.
Bedfords Simplified
Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.
Bedfords Amazing BAA Discount Policy
Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.
Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.
Gear Questions and Advice
Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often stave you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.
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This image was created on 28 March 2023 at Fort DeSoto Park in Tierra Verde, FL. Standing at full height, I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800. 1/1250 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 8:11:01am on cloudy morning.
Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #1: the original — Sanderling — non-breeding plumage in flight
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An Alternate Photographic Strategy: Shoot Wide and Crop!
When I used film, I worked very hard at getting as close as possible to my free and wild subjects. And for 24 years with digital, I always tried to maximize the number of pixels on the subject. Heck, my first digital keeper was created at 1200mm. In recent years, however, I have learned that on occasion, shooting wide and cropping is a viable option. Cropping became much more of a reality with the superb images files of the Sony a-1. And the same can be said about other high-end mirrorless bodies.
The Advantages
Shooting wide (often without a teleconverter) offers many advantages:
1- Faster initial focusing acquisition.
2- Greater depth of field.
3- It is easier to keep a rapidly moving subject in the frame.
4- More accurate tracking (due to the wider aperture as a result of not using a TC).
5- Working without a TC allows for faster shutter speeds without having to increase the ISO.
6- The chances of clipping the action are greatly decreased.
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This image was created on 28 March 2023 at Fort DeSoto Park in Tierra Verde, FL. Standing at full height, I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 800. 1/1250 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect (ho hum). AWB at 8:11:01am on cloudy morning.
Tracking: Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #1: Sanderling — non-breeding plumage in flight
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Huge Crops
With sharp properly exposed-to-the-right raw files, relatively huge crops can yield excellent images with lots of detail while retaining image quality. As most shorebird are fast, erratic fliers, working wide is often the way to go.
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This image was created on 18 January 2024 at La Jolla, CA. Standing at full height, I used the handheld Sony FE 400mm f/2.8 GM OSS lens and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 4000. 1/2500 sec. at f/2.8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect (ho hum). AWB at 7:11:05am on cloudy morning.
Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy a high-res version.
Image #2: Brandt’s Cormorant in flight — wings fully down flight pose
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A Big (but actually small) Surprise
I am not sure what led me to press the shutter button in this situation as the bird in the original frame was a speck. Raising the ISO to 4000 for the dark subject as I saw it coming ensured a very good exposure. That, and careful processing led to the creation of a fine-looking image. I love the wings down flight pose and an Average Blur Color Balance adjustment yielded a natural look.
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Click on the composite to view a larger version and be even more impressed.
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by Arash Hazeghi and Arthur Morris
First of all, if you use Nikon or Canon (or Olympus or Fuji) gear, do not be put off by the title. While a portion of the guide deals with the Sony α-1, there is a ton of priceless information, tips, and techniques that can help you become a better flight photographer. No matter what system you are using. If you do not use an α-1, be sure to read down to the bottom to save a few bucks.
Arash Hazeghi and Arthur Morris have created the definitive and most comprehensive ever treatise on photographing birds in flight. With more than sixty years of experience photographing birds, they know what you need to know but have not figured out yet! You will be astounded by the depth of their knowledge and the tips they have to offer. More than six months in the making, the guide contains 229 pages, 24,321 words,97 exceptional and inspirational flight images — each with a legendary, enlightening BIRDS AS ART caption, and 22 screen captures. The guide contains a wealth of useful, practical, and for the most part — never-before-available information.
Purchase
Click here to purchase your copy in the BAA Online Store.
What Everyone Will Learn
We will teach you the basic concepts that you need to master to become a great flight photographer along with the techniques used by the world’s best flight photographers.
You will learn that most any telephoto lens can be perfect for flight photography in a given situation; focal lengths for the images in the book range from 200mm to 1200mm and everywhere in between.
We discuss the merits of various lenses in depth, including and especially comparing the 400mm f/2.8 lenses with the 600mm f/4s.
We guide you in getting your hands on the flight photography lens that will best meet your needs. We offer a variety of handholding and rest position tips and include tips on working with a big lens on a tripod when working with a flight lens that is otherwise too heavy for you.
Both authors offer their thoughts on getting the right exposure when photographing birds in flight. You will learn to get the right exposure on foggy days and even when photographing black birds in white sky conditions.
You will learn the tremendous importance of pre-focusing, of finding the bird in the viewfinder quickly, acquiring focus almost instantly (with tips on doing all three).
You will learn the role of image stabilization in flight photography and the best settings.
Both authors share their thoughts on using the focus range limiter switch. In the same vein, you will learn to use Direct Manual Focus to make your flight photography life easier.
All will learn about the best wing positions and the importance of the background with images of birds in flight. With lots of examples.
You will learn about the best shutter speeds (and the best aperture) to use when photographing flying birds.
You will learn to photograph flight while seated and the many advantages of doing so.
You will learn the best methods of controlling high ISO noise.
All will learn to format their flash cards properly and safely.
You will learn what to do when your AF system is temporarily blinded.
All will learn the huge effect that wind strength and direction has on flight photography and to evaluate the quality and direction of the light on both sunny and cloudy days.
You will learn why it is vitally important to shoot aggressively when photographing birds in flight.
You will learn to carefully observe and evaluate a variety of bird behaviors that may shine light on some excellent opportunities for photographing birds in flight. And about getting into the best position from which to photograph.
You will learn to be a much better flight photographer.
What Sony Folks Will Learn
Exactly how Artie uses Zebras to come up with perfect exposure after perfect exposure.
The fine points and recommended settings for Optical Steady Shot (OSS).
The concept of Auto-Focus (AF) tracking in the α-1.
Everything there is to know about the complex Sony autofocus system.
About all the AF patterns, how to quickly switch them, and about those favored by each author. And why.
The Tracking and Non-tracking AF patterns. When and why Arash uses Non-Tracking Zone. And why Artie uses only two AF patterns.
How to set and use Bird Face-Eye detection for flight photography.
How and why to assign various custom functions to the various programmable buttons on the α-1 body.
The perfect settings for the many, many Menu items that are vitally related to flight photography.
How and why the Sony α-1 uses both contrast and phase detection AF to determine focus (and the benefits thereof).
Which are the best memory cards for the Sony α-1.
To quickly access frequently used menu items.
Non-Sony α-1 Discount
Using the honor system, folks who do not use a Sony α-1 body are invited to click here to save $25.00 on the purchase price of the guide.
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Be sure to click on the composite to view a larger, high-res version. All images from 2023 Fort DeSoto Spring IPTs.
Clockwise from upper left around to center: Snowy Egret in breeding plumage with crest blowing; Osprey striking; Brown Pelican sunrise silhouette; Royal Terns copulating; Marbled Godwit striding; Royal Tern courtship feeding; Snowy Egret hunting; Laughing Gull in breeding plumage along flight; Reddish Egret in flight with killifish.
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Unsolicited via e-mail from Pete Myers
I just spent 4 days in the field in a graduate course in bird photography taught by Artie Morris at Fort DeSoto. After almost 50 years of experience pointing cameras at birds from the Arctic to Tierra del Fuego, New Zealand and beyond, I thought I was good enough. But what I learned from Artie in just four days has taken me to a whole new level. As he aptly puts it, “birds as art,” not simply bird photography. One of those 4 days was the most satisfying I’d ever experienced, anywhere. The IPT left me euphoric about what I’d learned, and frighteningly committed to recreating my portfolio with the techniques and insights he taught me.
Unsolicited via e-mail from IPT veteran Eugen Dolan
Arthur, Thank you very much for your overwhelming infectious enthusiasm that helped get me up on some mornings. Also, your ability to express yourself- and explain in great detail why you like or may not like an image – was very helpful in allowing me to better analyze my images. Eugen
Via e-mail from Jim Miller
I can’t stop thinking about how much fun the DeSoto IPT was, and how much I learned. There were so many things that suddenly made perfect sense after I had been confused for so long. Thank you very much for the wonderful trip, and for being a great teacher. As I worked through the raw files last week, I realized what a fantastic lens the 600 IS is. Thanks for the rental! Maybe someday I will be able to afford one. Some images for critique are attached. Thank you again, Artie. It was really wonderful to be with you and learn from you.
Via e-mail from Lee Sommie
I want to thank you for making the Fort DeSoto IPT; it was a fun and educational experience for me. I truly did not want the adventure to end. I now look through the viewfinder with an artist’s mindset. And the real bonus was making new friends with fellow students. Thank you for sharing your knowledge and enthusiasm for wildlife photography. I had a great time with you and look forward to more adventures on future IPTs.
Via e-mail from Muhammad Arif
I had a great time at Fort De Soto. Thank you for all the instruction, for your help and pointers; my photography has already improved tremendously, and I’ve never made such good bird photos before. I wish I could’ve joined you on Monday and Tuesday morning as well, but work got in the way. It was also nice meeting the folks on the IPT. Thanks again for everything and I hope to join you at a future IPT sometime again.
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Fort DeSoto in spring is rife with tame birds, many in full breeding plumage. Click on the composite to enjoy a larger version.
Clockwise from upper left around to center: Laughing Gull landing on head of Brown Pelican, Laughing Gull in flight, Reddish Egret sunrise silhouette, Great Blue Heron with needlefish, Yellow-crowned Night Heron with ghost crab, Roseate Spoonbill, Sanderling in breeding plumage, and white morph Reddish Egret in glorious breeding plumage.
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The 2024 Spring Fort DeSoto Instructional Photo Tour (IPT)
The Spring Fort DeSoto IPT: Wednesday 8 May through the morning session on SAT 11 May 2023. 3 1/2 Days: $1899.00 includes three working brunches. Limit six photographers. Openings: 5.
Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for terns and gulls, wading birds, and shorebirds in springtime. Though DeSoto can be great any day of the year, spring is my very favorite time to be there as many of the birds will be in full breeding plumage. Simply put, DeSoto is the new Ding Darling. Migrant shorebirds are in abundance, and many are exceedingly tame. We should have great chances on Royal and Sandwich Terns and both white- and dark-morph Reddish Egrets. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two along with some American Oystercatchers. We will enjoy lots of great flight photography, especially with the Brown Pelicans.
Act fast to explore the possibility of sharing an AirBnB with Jim Miller and me. Doing so would greatly reduce the cost of lodging for this great trip.
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Again, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version.
Clockwise from upper left around to center: Laughing Gull in flight, Yellow-crowned Night-Heron, Sandwich Terns copulating, Roseate Spoonbill, Great Egret with reflection, breeding plumage Short-billed Dowitcher, American Oystercatcher, Royal Tern, white morph Reddish Egret, and Snowy Egret in marsh.
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In Addition!
We should also get to photograph a variety of other shorebirds including Black-bellied, Semipalmated, Wilson’s, Snowy, and Piping Plovers, Willet, Dunlin, Short-billed Dowitcher, Marbled Godwit, and most especially, Red Knot. On the May trip, many of the shorebirds will be in their handsome breeding plumages. In spring the T-shaped peninsula and the newly formed sandbar, Outback Key, are literally packed with avian treasures.
With just a bit of luck, we may get to photograph one of Florida’s most desirable species: Roseate Spoonbill. And we will surely get to do some Brown Pelican flight photography. With luck, they will have Laughing Gulls landing on their heads. And though not guaranteed, Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two. I almost forgot to mention — Laughing Gulls in breeding plumage are to die for!
You do NOT need a fast super-telephoto lens to do this trip!
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Yes, Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version.
Clockwise from upper left around to center: breeding plumage Dunlin, dark morph Reddish Egret displaying, Laughing Gull vertical front-end portrait, Laughing Gull with prey item, landing on head of Brown Pelican, breeding plumage Royal Tern displaying, Royal Terns — pre-copulatory stance, Laughing Gulls copulating, Laughing Gull head portrait, breeding plumage Sandwich Tern with fish, and a rare treat, a breeding plumage White-rumped Sandpiper.
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What You Will Learn on a DeSoto IPT
- 1- The basics and fine points of digital exposure; how to get the right exposure every time after making a single test exposure (or before if you are using SONY gear).
- 2- How and why to work in Manual mode (even if you’re scared of it).
- 3- How to approach free and wild birds without disturbing them.
- 4- Lots about bird behavior and how to use that knowledge to help you create better images.
- 5- To age and identify many species of shorebirds including various sandpipers, plovers, dowitchers, and possibly yellowlegs.
- 6- To spot good situations and to choose the best perspective.
- 7- To see, evaluate, and understand the light.
- 8- To design pleasing images by mastering your camera’s AF system.
- 9- And perhaps most importantly, to evaluate wind and sky conditions and understand how they affect bird photography.
- 10- More than you could ever imagine.
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You got it by now! Fort DeSoto in spring is rife with tame birds, most in breeding plumage. Click on the composite to enjoy a larger version.
Clockwise from upper left around to center: Roseate Spoonbill, immature Brown Pelican in flight, the heron/egret hybrid, American Oystercatcher feeding, immature Royal Tern on railing, Great Egret morning silhouette, Black Skimmer in surf, and underside head portrait of Great Blue Heron.
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The Details
Morning sessions will run about two and one-half hours; afternoon sessions about two. There is never a set schedule on an IPT — we adapt to the conditions. On cloudy mornings with the right wind, we may opt to photograph till 11:30 or so and skip the afternoon session. That especially when the afternoon weather is looking iffy. We may opt to visit a great North Tampa rookery if conditions warrant that.
There will be a Photoshop/Image Review session during and after brunch (included) each of the three full days. That will be followed by Instructor Nap Time. This IPT will run with only a single registrant as I do not like disappointing anyone. The best airport is Tampa (TPA). Once you register, you will receive an e-mail with lodging information. Do know that it is always best if IPT folks stay in the same general area (rather than at home or at a friend’s place a good distance away). For folks who register soon, the is an excellent chance that we can share an AirBnb to reduce lodging and meal costs and maximize your learning opportunities.
Folks attending this IPT will be out in the field as early as possible and stay out late to take advantage of sunset colors. Doing so will often present unique photographic opportunities, opportunities that will be missed by those who need their beauty rest and those who need to get home for a proper dinner. I really love it when I am leaving the beach at 9:30am on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving … We will be getting wet.
Your non-refundable $599 deposit is due now. Credit cards are OK for that. You can register by calling Jim or Jennifer during weekday business hours at 863-692-0906 with a credit card in hand. Once you leave a deposit, you will receive an e-mail with your balance statement and instructions for sending your balance check three months before the trip begins. If you wish to pay in full right off the bat, you can make your check out to BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, and clothing and gear advice two months before the trip. Please shoot me an e-mail if you plan to register or if you have any questions.
IPT veterans and couples or friends signing up together may e-mail for discount information. If you have any questions, or are good to go for one of these great trips, please let me know via e-mail or give me a call on my cell phone at 863-221-2372 for more info.
Typos
With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.
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