Arthur Morris/BIRDS AS ART
September 21st, 2024

Longs Lens Lessons From the Worst Morning in Two Weeks

Great News

Once I get my taxes to my accountant, I will be announcing several trips. Note that there is still a single opening on the first Homer Bald Eagle IPT. Click here for details.

Wanted to Buy

If you have a Canon EF 180mm Lens sitting on a shelf doing nothing and would like to get a good price for it, please get in touch via e-mail.

Your Call?

Which of today’s two featured images is your favorite? Why? I have a very clear winner that I will share with you in the next post.

My Calls

Thanks to those who chimed in with their three (or five!) top images in the last post. The winner was the iPhone clouds pano. I liked that one and the flower as well, but my top tree were all birds, here in no particular order:

Image #9: Great Egret juvenile with bill open.
Image #3: Least Sandpiper adult in basic (winter) plumage.
Image #5: White-winged Dove on sand beach!

Right on their heels were Image #4: Sandhill Crane adult calling and Image #10: Stretched wing of Anhinga.

What’s Up?

First off, thanks to Marc Wortsman and Robert Sabine (both of Long Island, NY) for their generous BAA Blog Thank You Gifts.

As noted in the Indian Lake Estates Late Summer Potpourri blog post here, I’ve been enjoying some unexpected fabulous bird photography recently at ILE. In that post, I did not even mention the fabulous morning that I had with bathing Black Vultures on Monday past, 16 September. Three days later, on Thursday the 19th, I had a handsome young Great Egret preening for an hour on The Perch II, finally got some sweet stuff on the young Tricolored Heron that had been avoiding me for two weeks, and was blessed by a bathing Great Blue Heron. Though I fanned on two of the three best chances, it was still a fantastic morning.

Yesterday, on Friday morning, despite seemingly perfect conditions — clear with a NE breeze, I had a comparatively lousy morning. But still was able to create today’s two featured images.

Today is Saturday 21 September 2021. I’ve just about finished my 2023 taxes and am awaiting the return of Chip the accountant from vacation. He should be back in Clearwater any minute. It is dead clear with a gentle breeze from the north so I will, of course, be heading down to the lake at about 7:15am. Whatever you are doing, I hope that you too choose to have fun and to enjoy life.

Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Supporting My Efforts Here

If you enjoy and learn from the blog, are all set for gear, or live overseas, consider leaving a BAA Blog Thank You Gift here.

If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.

In many cases, I can help you save some serious dollars. And/or prevent you from purchasing the wrong gear.

Need a New Laptop?

Need a new laptop for photography? Consider the Apple 16″ MacBook Pro (M3 Max, Space Black).

Key Features

Apple M3 Max 16-Core Chip
128GB Unified RAM | 8TB SSD
16″ 3456 x 2234 Liquid Retina XDR Screen
40-Core GPU | 16-Core Neural Engine
Wi-Fi 6E (802.11ax) | Bluetooth 5.3
Thunderbolt 4 | HDMI | MagSafe 3
SDXC Slot | FaceTime HD 1080p Camera
Backlit Magic Keyboard
Force Touch Trackpad | Touch ID Sensor
macOS

In other words, the bomb. Looking to spend a bit less? Click here and search for Apple MacBook Pro M3. Feel free to e-mail or call (863-221-23720 for laptop advice.

Why Not Buy Your MacBook Pro From Apple?

If you purchase a laptop from Apple and have a problem right off the bat they will fix it for you in a few days or a week after you send it to them. They will not replace it. If you purchase a laptop from B&H and have a problem right out of the box, they will send you a new one no questions asked.

Save 15%!

If you’d like to try out a new lens or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.

I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.

Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout and enter the BIRDSASART15 code in the Promo Code box at checkout to save 15%.

Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com



B&H

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often stave you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 20 September 2024 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1000. 1/500 sec. at f/11 (stopped down one full stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect. AWB at 8:02:16am on sunny morning.

Tracking: (upper left) Zone/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.

Image #1: Bald Eagle perched above old nest tree

Hopeful…

Recently, I’d seen a single eagle once at last year’s (lousy for bird photography) eagle nest, and twice seen a single bird at the old nest tree (above, and great for bird photography). One afternoon I had the two adults on the ground near last year’s nest. But, as usual, they were impossible to approach successfully in my vehicle. I love the Red-bellied Woodpecker nest hole and the inclusion of the pine needles in Image #1. And the early light.

Image #1 Lessons

When Using Your Car as a Blind

1- When you are a good distance from the subject, it is easy to get right on sun angle by moving the car slightly forward or back. I am not sure if it would have been possible to have had the woodpecker nest hole perfectly illuminated (without even the tiny shadow).

2- When working a subject well above you, it is almost always best to stay well back and get to your maximum focal length, 1200mm in this case. That to reduce the angle of inclination, the degree to which you need to point the lens up to get on the subject.

3- Toward that same end, roll the driver’s side window with the BLUBB up as high as possible while still allowing you to get the lens on it.

4- If you have a subject that is not going anywhere, try experimenting with apertures smaller than wide open and see if you can learn anything.

5- In the it-almost-goes-without-saying category:

a- If your long telephoto lens has a Direct Manual Focus (DMF) switch, be sure that it is set to OFF so that you do not accidentally wreck the focus.
b- Turn off the engine.

This image was also created on 20 September 2024 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 3200. 1/2500 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead solid perfect. AWB at 8:02:16am on sunny morning.

Tracking: (upper left) Zone/AF-C with Bird Face/Eye detection enabled performed perfectly even at 1200mm. Be sure to click on the image to enjoy a high-res version.

Black-bellied Whistling Duck after bath

Image #2 Lessons

When Using Your Car as a Blind

1- When you are a good distance from the subject, it is easy to get right on sun angle by moving the car slightly forward or back.

2- When working a subject on the ground, it is almost always best to stay well back and get to your maximum focal length, 1200mm in this case. That to reduce the angle of declination, the degree to which you need to point the lens down to get on the subject.

3- Toward that same end, be sure to roll the driver’s side window down all the way so that the BLUBB rests on the door frame. Simply put, you want to be as low as possible assuming that you could not get out of the vehicle without flushing the bird.

4- Again, in the it-almost-goes-without-saying category:

a- If your long telephoto lens has a Direct Manual Focus (DMF) switch, be sure that it is set to OFF so that you do not accidentally wreck the focus.
b- Turn off the engine.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

September 18th, 2024

Indian Lake Estates Late Summer Potpourri

Your Call?

Be so kind to leave a comment letting us know which three of today’s eleven featured images are your favorites and what you liked about each one.

My Call

Picking only three Pat Fishburne images from the Both 86- and 78-Year Olds Learn on an Extended IPT blog post here was indeed difficult. With some trepidation, here are my three favorites (in no particular order) along with the reasons I liked each of them:

Image #1, the skimmer/tern-scape because I loved the soft light and the way the birds were lined up and spaced.

Image #5, the skimmer orange sunrise flight image because of the sharpness, the spectacular color, and because Pat followed directions carefully and then made her own great image.

Image #6, the adult Common Tern with spearing image because hers was much better than my best despite the fact that I was sitting right next to her!

What’s Up?

If you live in a spot that offers excellent bird photography from October through June, what is the best plan if you’d like to make some excellent images when it is usually hot and humid?

Head out anyway! You cannot make any images sitting in your living room. As I have been since getting back from Long Island, you just might be pleasantly surprised by a variety of cooperative subjects and good situations.

Today is Wednesday 18 September 2024. (Fall starts on Sunday). I headed down to the lake early today on a still morning with the first clear sunrise in the last three weeks. It was amazing to the tune of 1881 as yet un-edited images. I enjoyed still blue water, several ridiculously cooperative Killdeer, a handsome Mottled Duck, and my first good chance in months with a Black-bellied Whistling Duck. I created about 700 Killdeer images but after an hour, I made one really special one. I finished my morning off by working the dependable Black and Turkey Vultures. There are more juvenile TVs than I have ever seen before.

Anywho, whatever you are doing, I hope that you too choose to have fun and to enjoy life.

Please remember to use the B&H links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Supporting My Efforts Here

If you enjoy and learn from the blog, are all set for gear, or live overseas, consider leaving a Thank You gift here.

If you enjoy and learn from the blog, please consider using one of my affiliate links when purchasing new gear. It will never cost you a single penny. To support my effort here, please order from B&H by beginning your search here. Or, click here, to order from Bedfords and enter the discount code BIRDSASART at checkout to receive 3% cash back to your credit card and enjoy free Second-Day Air Fed-Ex shipping. It is always best to write for advice via e-mail.

In many cases, I can help you save some serious dollars. And/or prevent you from purchasing the wrong gear.

This image was created on the morning of 12 September 2024 in my front yard. I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Canon EF 180mm f/3.5L Macro USM lens with the Metabones Canon EF/EF-S Lens to Sony E Mount T Smart Adapter (Fifth Generation) and The One, the Sony a1 Mirrorless Camera body. ISO 2000. The exposure was determined using Zebra technology with ISO on the thumb dial: 1/125 second at f/8 (stopped down two 2/3 stops) in Manual Mode. Shade WB at 9:09:00am in the shade on a cloudy morning.

Manual focus with (RED) focus peaking. Click on the image to enjoy a larger version.

Image #1: Daisy blossom, possibly Englemann’s –picked and Plamped. Thanks to David Policansky for the ID correction.

White Balance Flower Tip

Though you can always change the White Balance after the fact when shooting RAW, I find it best to change the WB to cloudy when photographing flowers on cloudy morning or in the shade. I find it hard to explain why, other than to say that seeing accurate yellows while you are working puts my creative mind at ease.

Why the Canon 180mm Macro Lens?

Over the past few years, you have seen more than a few really fine images made with the rig that I used to create today’s two featured images. I love long focal lengths with their narrow angles of view and sweet backgrounds; the no-longer available Canon 180mm Macro lens is the longest macro lens around. Shoot me an e-mail if you’d like me to help you find a used copy.

This image was created on the afternoon of 12 September 2024 from the end of the pier at ILE.

ISO 64: 1/11236 sec. at f/1.8 iPhone 15+ pano)
Be sure to click on this image to enjoy the wider, high-res version.

Image #2: Cloud/lake pano with the iPhone 15+

Why Cell Phone?

Whenever I am out photographing, I have my iPhone 15+ with me (unless I forgot to bring it). It kills as a wide angle lens, and the ability to create powerful panos is simply astounding. I always take my phone along when I take a sun walk. On Thursday afternoon past, it was hot and hazy and the cloud formations were pretty darned neat.

What can I say? I love photography in any way, shape or form.

This image was created on 13 September 2024. Working from the front seat of my SUV I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 2000. 1/2000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:20:25am on a then faintly sunny morning.

Tracking: Expand Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #3: Least Sandpiper adult in basic (winter) plumage

Sandpiper Aging and ID

You can tell that this is a Least Sandpiper by its yellow legs and its pointed, fine-tipped, slightly decurved bill. The gray feathers of the upperparts (with no orange or rufous tinges) make this bird an adult in basic plumage. I did get to photograph some juvenile and worn juvenile plumage Least Sandpipers for the first time at ILE this September.

Want to learn more as the shorebirds are moving south across North America (and Europe and Asia as well)? Get yourself a copy of my Shorebirds, Beautiful Beachcombers.

This image was created on 13 September 2024. Working from the front seat of my SUV I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 500mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1600. 1/1600 second at f/7.1 (stopped down 1/3-stop) in Manual Mode. AWB at 8:02:11am on a sunny morning. RawDigger showed the exposure to be dead solid perfect.

Tracking: (upper) Zone/AF-C with Bird Face/Eye Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #4: Sandhill Crane adult calling

The Forgotten Lens

Since I got my hands on the 300mm f/2.8, I had quit using the 200-600. I started using it again to test it with the a-1 Firmware Update 2.01. While doing so, I realized that there are many advantages of using a zoom lens that you lose when working with the 300mm f/2.8 with TCs. In addition, you can max out the 200-600 by adding the 1.4X TC if necessary. That puts you at 840mm. With the 300 and the 2X, you are stuck at 600mm as your longest focal length.

This image was created on 14 September 2024. Working from the front seat of my SUV I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/800 sec. at f/9 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:13:19am on a cloudy bright morning.

Tracking: Expand Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #5: White-winged Dove on sand beach!

Beach Surprise

I was shocked to see a White-winged Dove on the sand beach to the left of the pier pretending it was a shorebird. I have had as many as a dozen at one time at my backyard feeder that is not set up for photography. Though the blue lores are brighter in the spring, I was quite happy with this image.

This image was created on 15 September 2024. Standing by the edge of the canal, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 341mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 1600. 1/1600 second at f/7.1 (stopped down 1/3-stop) in Manual Mode. AWB at 8:02:11am on a sunny morning. RawDigger showed the exposure to be dead solid perfect.

Tracking: Expand Spot/AF-C with Bird Face/Eye Detection performed just well enough. Be sure to click on the image to enjoy a high-res version.

Image #6: Lynn and Chad Holleman with a 10lb. 10oz. Largemouth Bass!

Bird-Eye AF?

Bird-eye struggled a bit with acquiring focus with this happy couple image. Why not switch to Human-eye? I recently took “Fave/Eye Subject” off a custom button and added it to My Menu. Why? Too many folks including me were hitting the custom button accidentally. A-1 Group members will be hearing a lot more from me soon.

This image was created on 15 September 2024. Working from the front seat of my SUV I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/500 sec. at f/9 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:27:10am on a cloudy morning.

Tracking: (upper right) Zone/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #7: Great Egret juvenile on The Perch

Wickedly Ridiculous

Reluctant to drive on the wet fields in fear of getting stuck, I decided to create a bird-scape at 1200mm with my car parked on Palmetto Drive. My best estimate of the distance to the bird is about 200 yards. The Sony Focus Distance EXIF is totally screwed up once a teleconverter is added. For this image it shows that I was 764.2 meters (2507 feet)! Not. 200 yards is quite impressive. Nearly 1/2 mile is ridiculous.

This image was created on 15 September 2024. Standing on the sand beach left of the pier, I used the hand held Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 303mm) and The One, the Sony Alpha 1 Mirrorless digital camera. ) The exposure was determined using Zebra technology with ISO on the Thumb Dial. ISO 5000. 1/2500 second at f/6.3 (wide open) in Manual Mode. AWB at 8:53:30am on a cloudy morning. RawDigger showed the exposure to be dead solid perfect.

Tracking: Expand Spot/AF-C with Bird Face/Eye Detection performed just well enough. Be sure to click on the image to enjoy a high-res version.

Image #8: Turkey Vulture — juvenile in flight

Zooming Out for Flight

For this image, zooming out to 303mm saved the day. I rarely use the 300mm f/2.8 alone for flight photography as I almost always add the 1.4X TC to get to 420mm at f/4. Sony a-1 AF performed perfectly on this young Turkey Vulture in flight just to the left of the pier.

This image was created on 16 September 2024. Working from the front seat of my SUV I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1000. 1/1250 sec. at f/9 (stopped down 1/3-stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:09:22am on a sunny morning.

Tracking: Expand Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #9: Great Egret juvenile with bill open

Determination Pays Off Nicely

I had decent chances on several young Great Egrets on Monday morning past. Despite several failed attempts, I kept trying. I got on this one on the grassy field to the right (north) of the pier and shot a long series. The first image I created was the winner. Don’t be a quitter!

This image was created on 17 September 2024. Working from the front seat of my SUV I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1600. 1/640sec. at f/11 (stopped down one full stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:44:37am on a partly sunny morning.

Tracking: Expand Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #10: Stretched wing of Anhinga

Winging It!

I’ve tried for this shot on numerous occasions including several times recently. Tuesday morning’s effort was the best of the lot. Did I reduce the yellow too much?

Note that I went to f/11 in an attempt to cover the depth of field of the slightly curved wing. How did I do?

This image was created on 17 September 2024. Working from the front seat of my SUV I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1600. 1/200 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 8:53:03am on a partly sunny morning.

Tracking: Expand Spot S/AF-C with Bird-Eye/Face Detection performed perfectly. Be sure to click on the image to enjoy a high-res version.

Image #11: Killdeer adult — preening pose

Always Learning

Though passable, this image was not quite as sharp as I have come to expect at 1200mm. So, before I headed out this morning, I took a bottle of LensClens and an old t-shirt with me as I headed out. I stopped in the driveway to clean the contacts. That did the trick. Everything I shot this morning at 1200mm was spot-on with the crispy eye skins that I love.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

September 15th, 2024

Both 86- and 78-Year Olds Learn on an Extended IPT

Pat Fishburne

Pat visited ILE in June for a day of private Sony instruction. She used both my a1 and my a9 iii and decided to go with the a9 iii because of the better autofocus system and the smaller file sizes. You can read the whole story and see two of the great images she made with the 300mm f/2.8/2X TC/a9 iii rig hand held in the

Hard to Believe. A New Record: 86 Years Young!

blog post here.. More proof that you are never too old to switch to Sony.

Your Call?

All are invited to pick their three favorite Pat Fishburne Nickerson Beach images and list them with the best one first. Again, this will be a tough chore. Kind folks will let us know why they made their choices. (Note: all of the image optimizations were done by yours truly, Arthur Morris/BIRDS AS ART.

a9 iii E-mail Set-up and Info Guide

a9 iii E-mail Set-up and Info Guide

For those who think that my comments on the a9 iii are pure hype, know that I recently sold the second of my three a1 bodies.

If you plan on purchasing a Sony a9 III Mirrorless Camera (or anything else for that matter), please remember to use or write for either my Bedfords discount code or my B&H affiliate link. Folks who use one of my two affiliate links to purchase the a9 III will receive my .DAT settings (the complete camera set-up), a Buttons and Dials Guide, and an a9 iii Info Sheet.

For those who did not use my link to purchase their Sony 300mm f/2.8 GM lens, you can order your a copy here for $209.93.

Click on the image to enlarge and to be able to read the fine print.

The BAA Sony 300mm f/2.8 Lens Guide

Impressed by my (or Pat’s) Sony FE 300mm f/2.8 GM OSS Lens (Sony E) images? Use either my Bedfords or B&H affiliate link to purchase your Sony 300mm f/2.8 GM lens and shoot me your receipt via e-mail and request a copy of the first-ever BAA Lens Guide. I thought that it would take only minutes to create this guide, but I was dead wrong. In the process of creating it, I learned a ton about the lens. And even better, I discovered a simple yet potentially fatal flaw that was resulting in sporadically unsharp flight images. The set-up fix is simple. Just be sure to use one of my affiliate links and get the guide for free.

If not, you can purchase a copy here for $209.93. Yes, it never hurts to use my links and it never costs you one penny more. And if you contact me via e-mail before you make a major purchase, I can often save you some money.

What’s Up?

The thumb incision is healed perfectly and the tenderness on the inside of my right ring finger is decreasing slowly but steadily. I’ve been back in the pool the last two days. And I’ve made great progress on my 2023 tax return.

I’ve been photographing a variety of subjects every morning down by the lake with varying degrees of success. I continue to work with my new a-1 body, the one with Firmware 2.01. I’ve learned a ton and will soon be moving to 2.02. The a-1 group will be hearing from me within the next two weeks as preparing three new .DAT file and the Buttons and Dials/My Menu guides will take lots of time and effort.

In the Rating Three Pretty-Close-to-Perfect Images blog post here, Images #1 and #2 tied for first while Image #3, though technically perfect was my third and last choice.

Today is Sunday 15 September 2024 and yes, I will be heading down to the lake soon to see what I see and learn what I can learn. Whatever you are doing, I hope that you too choose to have fun and to enjoy life.

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This image was created on 2 August 2024 by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Standing at full height she used the hand held Sony FE 70-200mm f/2.8 GM OSS II lens with the Sony FE 2x teleconverter (zoomed out to 140mm), and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra with ISO on the Thumb Dial. ISO 5000: 1/1000 sec. at f/5.6 (wide open) in Manual mode. AWB at 6:28:38pm on a very cloudy afternoon.

Tracking: Expand Spot (moved to the lower center) AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Bird-scape: Black Skimmers and Common Terns on the beach
Image courtesy of and copyright Patricia Fishburne

What Pat Learned on the First Afternoon

1- When creating bird-scapes, you always want to focus on the closest bird.

2- When working with very small in the frame subject’s, it is better to move the AF point to the bottom of the frame than to begin with the point in the center and rely on the tracking to hold.

3- She learned to watch the edges when creating bird-scapes.

This image was created on 3 August 2024 by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Seated on dry sand, she used the knee-pod technique with the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 2x teleconverter (zoomed out to 140mm), and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1600: 1/2000 sec. at f/5.6 (wide open) in Manual mode. AWB at 8:39:37am on a sunny morning.

Tracking: Expand Spot AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #2: Black Skimmer chick about one week old
Image courtesy of and copyright Patricia Fishburne

What Pat Learned on the First Morning

1- When you know that you are going to need to crop, use the center AF point as it is generally just a bit more consistent than if you had moved it out of the middle.

2- Sharp a9 iii images can stand up to healthy crops a lot better than most folks assume.

3- It always pays to keep your eye on the head angle.

This image was also created on 5 August by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Seated on dry sand using the knee–pod technique, she used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1600: 1/1600 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 7:09:42pm on a typical — some clouds on the western horizon — late afternoon at Nickerson.

Tracking Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy the high-res version.

Image #3: Black Skimmer adult standing in colony
Image courtesy of and copyright Patricia Fishburne

What Pat Learned on the Second Afternoon

1- Working in Manual mode is best for 90% of bird photography as the background tonalities change as you recompose.

2- Tracking: Zone AF-C is generally best when photographing birds on the ground as it will grab the eye and enable you to recompose while sticking on the eye.

This image was created on 5 August 2024 by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Again seated on dry sand, she used the knee-pod technique with the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 2x teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with Exposure Compensation on the Thumb Dial. Multi-metering +2 stops in Shutter Priority mode. AUTO ISO set ISO 2000: 1/250 sec. at f/5.6 (wide open) in Manual mode. AWB at 6:01:40am early on a very hazy morning.

Tracking: (lower right) Zone AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #4: Adult and young Great Black-backed Gull at sunrise
Image courtesy of and copyright Patricia Fishburne

What Pat Taught artie on the Third Morning

1- I learned that on muted sunrises (and sunsets) that you do not have to get super low at 600mm to include the sun in the frame!

What Pat Learned on the Third Morning

1- In extreme low light conditions with uniformly light toned backgrounds and predawn or cloudy conditions, Shutter Priority with AUTO ISO and Exposure Compensation can be best.

2- Adding two stops of light in such conditions will almost always get you into the ballpark.

3- You can move the Zone AF brackets around the frame (using the Joystick) to render your AF system more efficient.

This image was also created on 5 August 2024 by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Again seated on dry sand, she used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 2x teleconverter (zoomed out to 140mm), and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with Exposure Compensation on the Thumb Dial. Multi-metering +1 stop in Shutter Priority mode. AUTO ISO set ISO 320: 1/2500 sec. at f/5.6 (wide open) in Manual mode. AWB at 6:16:55am on a hazy morning.

Zone AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #5: Black Skimmer backlit in flight against colorful sunrise
Image courtesy of and copyright Patricia Fishburne

What Else Pat Learned on the Third Morning

1- If you are working in Shutter Priority Mode at +2 EC in low light, and the muted sun lights up the sky as it rises, lower the EC to +1 so that you will not overexpose the brightest areas of the sky.

2- A west wind in the morning will be poor for traditional flight photography once the sun breaks through the haze, but it is perfect for creating flight silhouettes if you get some early sky color.

This image was also created on 5 August 2024 by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Seated on dry sand, she used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 2x teleconverter (zoomed out to 140mm), and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 1600: 1/2000 sec. at f/5.6 (wide open) in Manual mode. AWB at 8:39:37am on a sunny morning.

Tracking: Zone AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #6: Common Tern — adult with Atlantic Silversides (spearing) fish for chick
Image courtesy of and copyright Patricia Fishburne

What artie Learned on the Third Morning

1- He learned that he is right when he says, “Relative beginners using today’s great mirrorless gear with their cameras set up properly and just a bit of instruction can — on occasion, make better photos than the seasoned professional sitting right next to them.” Well done, Pat!

What Pat Learned on the Third Morning

1- That using Tracking Zone with the brackets in the center and the bird on the ground can be used to create perfectly designed images by acquiring focus and then re-composing by moving the lens if and as needed. (Note that there is four times as much room from the tip of the bill to the frame edge than there is from the tip of the tail to the frame edge — The Mike DeRosa Rule).

This image was also created on 5 August by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Seated on dry sand using the knee–pod technique, she used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 3200: 1/800 sec. at f/4 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 7:28:04pm on a typical — some clouds on the western horizon — late afternoon at Nickerson.

Tracking Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy the high-res version.

Image #7: American Oystercatcher juvenile preening
Image courtesy of and copyright Patricia Fishburne

What Pat Learned on the Fourth Afternoon

1- Proper head angle is dependent on the pose. (Ten degrees towards is perfect for this image.)

2- If you’ve got a good horse ride it. (On each IPT, we spent many hours photographing the un-banded family of four.)

This image was also created on 5 August by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Seated on dry sand, she used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 3200: 1/250 sec. at f/5.6 (stopped down one stop in error) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead solid perfect. AWB at 7:55:59pm on a typical — some clouds on the western horizon — late afternoon at Nickerson.

Tracking Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy the high-res version.

Image #8: Common Tern — adult with fish for chick on snow fence at sunset
Image courtesy of and copyright Patricia Fishburne

What Else Pat Learned on the Fourth Afternoon

1- That she did not need to be right next to me to create excellent images. (She wandered off by herself to look for a tern on the snow fence, found just what she was looking for, and created a wonderful image all on her own. She was justifiably very proud of herself. As was I of her.)

2- That as long as you employ good sharpness techniques you do not always need to be at 1/2000 or 1/1000 sec. in order to create sharp images.

This image was created on 6 August by 86-year old Pat Fishburne on the second Nickerson Beach Extended IPT. Standing at full height, she used the hand held Sony FE 300mm f/2.8 GM OSS Lens (Sony E) with the Sony FE 1.4x Teleconverter and the ridiculously amazing Sony a9 III Mirrorless Camera. The exposure was determined via Zebra technology with ISO on the Thumb Dial. ISO 3200: 1/3200 sec. at f/4.5 (stopped down 1/3 stop) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be perfect. AWB at 7:47:16am on a cloudy morning.

Zone/AF-C with Bird Face/Eye detection enabled performed to perfection. Be sure to click on the image to enjoy the high-res version.

Image #9: Black Skimmer — adult in flight with fish for chick
Image courtesy of and copyright Patricia Fishburne

What Pat Learned on the Fourth Morning

1- In cloudy conditions you do not have to worry about sun angle as long as there are no shadows. The important thing is to keep the wind somewhere behind you so that the birds are at least angling toward you.

2- In white sky conditions you must expose far to the right to avoid underexposing the subject. especially those with some dark or black feathers.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.