Arthur Morris/BIRDS AS ART
March 28th, 2019

Too-Short Notice Roma, TX, Rio Grande Valley IPT. And Lessons From the Field MP4 Video

What’s Up

The sun finally came out this morning and the baby cranes were great. A couple is coming from Sarasota tomorrow (FRI 29 MAR) for a morning crane session, and blog regular Donnette Largay is coming up to ILE from Palm Beach on Saturday for an afternoon and a following morning instructional session; she needs help with setting up her Canon gear and getting sharp images.

I am still free for Gatorland on Saturday morning if there is a taker. 🙂

Super-Cheap Indian Lake Estate Sandhill Crane Chicks and Colts Sessions/as available

Only through 7 April

Join me at ILE most any but Thursday for the next two weeks to photograph silly tame Sandhill Crane chicks and colts. Best news: there is a third pair on eggs that might be hatching very soon.

Morning Session — 7:30-9:30am: $150.00
Add an hour of image review and Photoshop and brunch: $100.00

Lodging in my home is available most nights. If you are interested, please get in touch via e-mail or call my cell at 863-221-2372. Limit three, likely: 1.

Cheap Gatorland Sessions/as available

Only through 7 April

Join me at Gatorland in March or early April as below — it has been great recently. You will learn a ton. If you are interested, please get in touch via e-mail or call my cell at 863-221-2372. Limit three.

Friday or Saturday Morning Session — 7-10am: $200.00
Saturday Morning Session with a working lunch including image review and Photoshop: $300.00
Saturday Afternoon session — 4pm til closing: $150.
Full day with the working lunch: $450.00.
Sunday morning session 7-10am: $200.00.
Sunday morning session with a working lunch including image review and Photoshop: $300.00

Save $100 by creating your own mini-IPT by combining a Full day Saturday session including a working lunch with a Sunday morning session with a working lunch. Limit: three photographers, likely 1. Only $650 for a ton of learning over two days. As I said, cheap!

Roma, TX

Too-Short Notice Roma, Texas Rio Grande Valley IPT

Roma, Texas Rio Grande Valley IPT. Thursday April 18 – through the full day on Sunday Sunday, April 21, 2019. Meet and greet on the evening of Wednesday April 17 at the Ramirez Ranch. Four full days — 8 photo sessions: $1799. Limit 4 photographers/ Openings 2.

Join me in Roma, TX at a private ranch in the Rio Grande Valley to photograph most of the valley specialties at close range: Green Jay, Hooded Oriole, Long-billed Thrasher, Golden-fronted Woodpecker, Chachalaca, Bronzed Cowbird, Curve-billed Thrasher, Phyrrhuloxia, Crested Caracara, Northern Cardinal, Inca Dove, several species of sparrows likely including Lark, and if we are a bit lucky, Painted Bunting. Migrant warblers are also possible.

Both morning and afternoon blinds are at ground level and each has a new water feature right in front of the blind. Learn to create pleasing feeder set-ups. Midday Photoshop and image review sessions.

Please shoot me an e-mail for info on lodging and meal arrangements. Fly to McAllen, TX (MFE) and rent a decent sized vehicle.

Lessons From the Field/BIRDS AS ART Style is a 1 hour, 15 minute, 314 image,
click and play MP4 video

Lessons From the Field/BIRDS AS ART Style: $10.00

Click here to order or see the Save $10 Bundle offer below.

Lessons From the Field/BIRDS AS ART Style is a 1 hour, 15 minute click and play MP4 video. It is available here in the BAA Online Store, by phone order, or by sending a Paypal for $10.00 to birdsasart@verizon.net. As the file is a large one, be sure to upload it when you have a good internet connection.

The video features 314 of artie’s best images, educational and otherwise. Based on his 35 years of in-the-field experience, it covers all the basics along with many fine points. Are you making mistakes that give you no chance to create a great image? Learning to avoid those and learning to think like a pro will make you a better photographer. If you purchase and study the video, it will surely prove to be the best ten dollars you’ve ever spent on photography.

Included are sections entitled as follows:

  • How do I know what to photograph? Thoughts on Creative Vision.
  • I I had to choose just one, sunny or cloudy, what would I do?
  • When the sun is out, point your shadow at the subject.
  • Silhouettes and backlight.
  • Image design basics.
  • The importance of isolating your subject.
  • The importance of the background.
  • Other elements of composition.
  • On getting low.
  • Going wide for bird-scapes.
  • Creating pleasing blurs.
  • Photographing flowers, trees, and plants.
  • Photographing in bad weather; don’t be a wuss!
  • Photographing in tough conditions; don’t be a wuss!
  • Patterns and details.
  • Photographing birds in flight.
  • Photographing birds in action and bird behavior.
  • Working a subject.
  • The search for Happy Campers.
  • Tackle your bucket list with a vengeance.


e-bookcover

birds as art: The Avian Photography of Arthur Morris/The Top 100:

Save Ten Bucks!

Order the Lessons From the Field MP4 video and add a copy of the birds as art: The Avian Photography of Arthur Morris/The Top 100 (via convenient download — normally sells for $20.00) for an additional 10.00.

Order the bundle for $20.00 by clicking here.

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Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

March 27th, 2019

Too Soft? Too Crunchy? Or Just Right? Plus the Snowy Egret Flight Answer. BAA Image Critiques. And a Great SONY 100-400 OSS Lens Tip

What’s Up?

On a clousy Monday morning past, the brilliant Micheal Tapes (creator of LensAlign MK II & FocusTune) came by with friend Dennis Huff. Despite the overcast weather we had good luck with the smaller-but-growing-fast pair of crane chicks and with the pair of larger colts. Both have become quite dependable. After our session Michael helped me out with what I thought was a strange behavior with FocusTune (on my new MacBook Pro) but turned out to be something fantastic that will make micro-adjusting much easier. That along with a technique change that the equally brilliant Patrick Sparkman came up with. I will be sharing these developments here on the blog soon; they will make micro-adjusting and focus fine-tuning about 80% easier than it had been …

The morning weather here at ILE has not been up to the usual clear and sunny central Florida standards. Five days ago, inspired by the warm, sunny afternoons, I upped my slow swim distance from 3/4 mile to a full mile (88 lengths). I am feeling pretty darned good. I was pleased to learn that blog regular Donnette Largay is coming up to ILE on Saturday for an afternoon and a following morning instructional session; she needs help with setting up her Canon gear and getting sharp images.

Chris at Cypress Computer in beautiful downtown Lake Wales was able to recover the e-mail folder with the contest entries; I should (belatedly for sure) announcing the winners next week.

Despite lots of recent interest I still need three folks for the Galapagos trip. Please shoot me an e-mail to learn about the huge late registration discount on the Galapagos trip.

  • The 2019 Fort DeSoto Spring IPT/THURS 18 APRIL through the morning session on SUNDAY APRIL 21, 2019: 3 1/2 DAYS: $1549. Limit 8/Openings: 1. Meet and greet at 7PM on the evening of WED 17 APRIL. Free morning session on WED 17 APRIL.
  • The New, Expanded 2019 UK Puffins, Gannets, & Red Kites IPT. Thursday June 27 (from EDI) through Tuesday, July 9, 2019 (on the ground; fly home on Wednesday July 10.): $9,999. Limit 5 photographers/Openings: 2. This trip is a definite go.
  • The GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. July 23 to August 6, 2019 on the boat. 13 FULL and two half-days of photography: $14,499. Limit: 13 photographers/Openings: 3. Please e-mail to learn about the huge late registration discount for this trip.



Selling Your Used Photo Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charged a minimum of 20%. Plus assorted fees! Yikes. They went out of business. And e-Bay fees are now up to 13%. The minimum item price here is $500 (or less for a $25 fee). If you are interested please scroll down here or shoot us an e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly — I offer pricing advice to those who agree to the terms — usually sells in no time flat. Over the past year, we have sold many dozens of items. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 100-400, the old 500mm, the EOS-7D and 7D Mark II and the original 400mm DO lens have been dropping steadily. Most recently the price of used Canon 600mm f/L IS II lenses have been dropping like a rock with the introduction of the 600 III. You can always see the current listings by clicking here or on the Used Photo Gear tab on the orange-yellow menu bar near the top of each blog post page.

I was glad to learn recently of the following Used Gear sales:

  • Multiple IPT veteran Morris Herstein sold a Canon 600mm f/4 L IS II USM lens in like-new condition for the incredible BAA record-low price of $6,999.00 (was $7,999.00) in mid-March.
  • Todd Koudelka sold a Canon EF 500 mm f/4L IS II USM lens in excellent to near-mint condition for the BIRDS AS ART record-low price of $6299.00 (was $6499.00) in late March.
  • Bob Beal sold his rarely used, eight month old Nikon AF-S NIKKOR 600mm f/4E FL ED VR lens in like-new condition for the BAA record-low price of $10,500.00 (It was originally listed at $10,796.96.)

Sigma 150-500mm F5-6.3 DG OS HSM Lens (for Canon EF mount)

John Myers is offering a Sigma 150-500mm F5-6.3 DG OS (optical stabilization) HSM Lens (for Canon EF mount) in excellent plus condition (with a smudge on the lens hood) and a Wimberley P-20 plate for the BAA record-low by far price of $399.00. The sale includes the front and back lens covers, the Wimberley P-20 plate (a $58 value), the carrying case, and insured ground shipping via major courier. Your lens will not ship until your check clears unless other arrangements are made.

Please contact John via e-mail or by phone at 419-575-1568 (Eastern time.)

I have seen lots of sharp images made with a variety of Sigma telephoto zoom lenses; John’s lens would be great for someone looking for an inexpensive quality telephoto zoom. artie

BAA Image Critiques

You can have your best images critiqued over the phone with Arthur Morris: 15 images for $100. Online digital galleries are fine. 1500 pixels wide or tall JPEGs are fine. Please call or send a check or a Paypal. You will get an honest, no-holds-barred critique during our phone consultation. If I think it’s great, I will say so and tell you why. It is best to e-mail first to check my upcoming schedule before posting images. Checks made out to “BIRDS AS ART” should be sent to: Arthur Morris/BIRDS AS ART PO Box 7245, Indian Lake Estates, FL 33855. Send the link to your images to me via e-mail.

Via e-Mail from Multiple IPT Veteran David Hollander

Artie, Thanks for the photo critique today. Your views are invaluable. I am not objective about my own pictures, and my friends just say that they’re all swell and provide no useful feedback. I particularly like the specific, actionable suggestions about how the picture could have been taken better and what I can do about the picture now. E.g., “move back, put more space on the right, remove the rock in the lower left, lighten the picture; sun angle is wrong, the bird’s head is facing away and should be facing us; use detail extractor on the face; picture 3 is better than picture 2; picture 1 is awful and should be cut; You should have been higher/lower relative to the subject.” I liked your bluntness about which pictures don’t work, since no one else will tell me. I agree that had more exposure errors than I should have at this stage of my education. On the other hand, a lot of times I knew that I was not in the ideal place for a picture that was taking, but I was not allowed to get into a better place. The restrictions placed by the expedition staff often prevented me from moving to a better location, and in particular, from getting closer or lower. Regards, David

The Snowy Egret Flight Answer

In the Flight Photography is About a Lot More than Sharpness … blog post here, I posted with regards to the Snowy Egret flight image:

High Level Question

You can see here that I was working slightly off sun angle with the sun coming over my left shoulder instead of over the top of my head. Why didn’t I move to my left so that when the bird was in the best zone I would have been right on sun angle?

The Answer

If I had moved one big step to my left and pushed the shutter button at the exact same moment, I would have been working up sun angle but would have, as I like to say, “Been shooting up the birds butt.” I.E., too much from behind the bird. Achieving a decent subject to sensor plane orientation is one of the many reasons that we occasionally want to shoot a bit off of sun angle. That rarely more than 15 degrees.

SONY A9 Getting Started Guide with Video

If you are just getting started with your SONY a9 body and would like to know how to set the menu items that are relevant to bird photography, please send a Paypal for $22.00 to e-mail with SONY Quick Start Guide in the Subject line or at least somewhere in the e-mail. The guide also includes the best Focus Areas to use for photographing birds both in flight and action and at rest. Along with my comments.

Get a Free Copy!

If you have used my B&H or Bedford affiliate link to purchase a SONY a9 or the Sony FE 100-400mm f/4.5-5.6 GM OSS Lens, please shoot me your receipt via e-mail along with a request for your free copy of the SONY Quick Start Guide. Once I confirm that you have used the link correctly you will receive your guide with a link to the video via e-mail.

SONY Stuff

Getting Started Guide Update

If you have a copy of the above-mentioned guide, please insert the words “Expand Flexible Spot or ” right before the words “Flexible Spot (M for medium).”

A Great SONY 100-400 OSS Lens Tip

When IPT veterans Mike Gotthelf and Morris Herstein hired me for an afternoon of SONY instruction and a morning of SONY photography last month, all three of us were having the same problem. Often, when we pressed the shutter button the system would not attempt to focus (none of the AF dots were dancing …) I suggested that zooming slightly in or out would solve the problem but the last thing that you want is to raise your lens and have no AF. I realized that the four AF Hold buttons about halfway out on the lens might be the problem and Patrick Sparkman suggested the same thing. I had convinced myself that that was not the problem until I realized that when I was holding the lens properly that the pad at the base of my left index finger was depressing the AF Hold button on the bottom of the lens …

To solve the problem on the a9 go to the Camera 2 (purple) menu and then scroll to Custom Operation 1 (screen 8/9). The first item there is Custom Key (Shoot.) Then press the center button on the Control (thumb) Wheel and right-click the joystick (or the Control Wheel) to the third sub-screen. The Focus Hold Button will be the last of three items. Highlight that by down-clicking the joystick (or the Control Wheel) and then press the center button on the Control Wheel. The default there is Focus Hold. You do not want that. Now right click the joystick (or the Control Wheel) about a zillion times until you come to Not set. Hit the center button on the Control Wheel and your no AF problems should cease.

And yes, the menus on the SONY bodies are quite complex. 🙂

This image was created at ILE on Monday morning past. I used the hand held Sony FE 100-400mm f/4.5-5.6 GM OSS lens (at 312mm) and the beyond remarkable Sony Alpha a9 Mirrorless Digital Camera. ISO: 4000. Highlight metering to faint Zebras: 1/250 sec. at f/5.6 in Manual mode.

The AF data is currently unavailable.

Image #1. Sandhill Crane two-week old chick looking forlorn

The Monday Morning Session

It was fun shooting with Michael Tapes again and meeting his friend Dennis. The chicks were so tame that Dennis went from his 500 PF to the 300 PF! With the image above I tried to create a mood that reflected the weather. First I converted the ARW (RAW) file in Capture One. The image optimizations were done in Photoshop CC 2019. I did a bit of foreground grass clean-up using the Patch Tool, Content Aware Fill, and the Spot Healing Brush. Notice that I did not use the Clone Stamp Tool except to Divide and Conquer. All (that plus tons and tons more) as detailed in The BIRDS AS ART Current Workflow e-Guide (Digital Basics II).

This is the same image with additional changes in Photoshop CC 2019.

Image #2. Sandhill Crane two-week old chick looking forlorn

The Second Version

I finally got around to purchasing the current version of NIK filters and installing it on my new machine. For Image #2 I selected the bird and applied a bit of NIK Color EFEX Pro Detail Extractor and Tonal Contrast to the bird only. Then I ran NeatImage noise reduction on the background only.

Your Thoughts

  • Which version do you prefer?
  • Is the look of Image #1 too soft?
  • Is Image #2 too crunchy?
  • In terms of softness or crunchiness is either one just right?
  • Do you see a color cast? If so, which color?

Help Support the Blog

Please help support my efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

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Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

March 25th, 2019

Flight Photography is About a Lot More than Sharpness ...

What’s Up?

On Saturday I went to Gatorland to work with Ron M. Owen, a preacher now living in Orlando. He was born in Winter Haven, FL, just up the road form Lake Wales. In short, Gatorland was pretty lousy and working with Ron was pretty wonderful. Many of the easy and accessible Great Egrets had relocated. There was a single killer breeding plumage Snowy Egret but it stayed buried in a bush. There were some decent but difficult chances with tiny chicks: Snowy Egret and Great Egret/ But Murphy’s law of Nests was in full effect: every nest had just one stick too many the ruined the shot. Our best chances were with a single Snowy Egret who flew back and forth across the moat to gather nesting material. That gave a a great chance to discuss bright white exposures and to practice our flight photography skills.

On all IPTs and In-the-Field Sessions folks are invited to send five images for my short critique. He sent five along with this note via e-mail:

Artie, I’ve attached 5 images. The cormorant is a boring shot, but the sky was what it was. After I got home, I realized the ‘clumpy’ white flowers and the bare stick/branches sticking up all around the birds ruined any shots of the displaying egret. I welcome your thoughts/comments/criticism. As I said in my text, I really enjoyed the time with you, and hope for another chance coming up. All the best. ron

Last week I met a lady photographer down by the lake at ILE. Her name is Kathy Chaffins and she is from Kentucky visiting family.I gave her a card and suggested that she visit the blog. She did and saw the offering for Sandhill Chicks and Colts Instructional sessions. We met on Sunday morning. Kathy was using one of the Tamron SP 150-600mm f/5-6.3 Di VC USD G2 for Canon with a 7D Mark II. She knew how to move the AF points but did not know when or why to move them to improve the image design. She did not know that you could set Orientation Linked AF Point in the camera menu to Separate AF Pts: Area+pts so that the camera would remember the different settings when you turn the camera to vertical or back to horizontal.

She usually worked in Av or Tv mode but did not have a good grasp of getting the right exposure. She did not realize that when working in manual mode you could use the analog scale on the right side of the 7D II to determine the exposure compensation (EC). Her camera had blinkies turned off. She needed lots of help and proved to be a bright and eager student. First we fixed all of her menu items. We set center Surround for horizontal and upper center surround for vertical. Then we got her working in Manual mode noting the values on the analog scale, checking the histogram and for blinks, and moving the AF point around the frame.

While making sure that her gear was working properly I got to handle her rig and noted that it was quite heavy and that AF was quite sluggish. I suggested that she consider getting her hands on a Canon EF 100-400mm f/4.5-5.6L IS II USM lens either new or used via the BAA Used Gear Page.

After our sessions she said that she was worried that I would be teaching over her head but was thrilled with everything that she learned and thanked me for the lessons. On Monday she e-mailed:

I really enjoyed our session yesterday and am looking forward to utilizing your suggestions. Next year when we come back maybe we can schedule another session. I will keep in touch. Kathy

IPT Updates

I was glad to learn recently that Dan Tishman will be joining six others on the DeSoto IPT — that leaves one slot open. And #3 just signed up for the UK trip; that leaves only two openings on what will be an amazing trip, and will likely be my last trip and likely the last Dunbar gannet boats trips — Gordon is getting old. 🙂

Despite lots of recent interest I still need three folks for the Galapagos trip. Please shoot me an e-mail to learn about the huge late registration discount on the Galapagos trip.

  • The 2019 Fort DeSoto Spring IPT/THURS 18 APRIL through the morning session on SUNDAY APRIL 21, 2019: 3 1/2 DAYS: $1549. Limit 8/Openings: 1. Meet and greet at 7PM on the evening of WED 17 APRIL. Free morning session on WED 17 APRIL.
  • The New, Expanded 2019 UK Puffins, Gannets, & Red Kites IPT. Thursday June 27 (from EDI) through Tuesday, July 9, 2019 (on the ground; fly home on Wednesday July 10.): $9,999. Limit 5 photographers/Openings: 2. This trip is a definite go.
  • The GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. July 23 to August 6, 2019 on the boat. 13 FULL and two half-days of photography: $14,499. Limit: 13 photographers/Openings: 3. Please e-mail to learn about the huge late registration discount for this trip.



Super-Cheap Indian Lake Estate Sandhill Crane Chicks and Colts Sessions

Join me at ILE most any but Thursday for the next two weeks to photograph silly tame Sandhill Crane chicks and colts. Best news: there is a third pair on eggs that might be hatching very soon.

Morning Session — 7:30-9:30am: $150.00
Add an hour of image review and Photoshop and brunch: $100.00

Lodging in my home is available most nights. If you are interested, please get in touch via e-mail or call my cell at 863-221-2372. Limit three, likely: 1.

Cheap Gatorland Sessions

Join me at Gatorland in March or early April as below — it was great both days last weekend. You will learn a ton. Including the simple trick that enabled me to create today’s featured image while nobody else could … Really.

If you are interested, please get in touch via e-mail or call my cell at 863-221-2372. Limit three.

Friday or Saturday Morning Session — 7-10am: $200.00
Saturday Morning Session with a working lunch including image review and Photoshop: $300.00
Saturday Afternoon session — 4pm til closing: $150.
Full day with the working lunch: $450.00.
Sunday morning session 7-10am: $200.00.
Sunday morning session with a working lunch including image review and Photoshop: $300.00

Save $100 by creating your own mini-IPT by combining a Full day Saturday session including a working lunch with a Sunday morning session with a working lunch. Limit: three photographers, likely 1. Only $650 for a ton of learning over two days. As I said, cheap!

BIRDS AS ART

BIRDS AS ART is registered in the U.S. Patent and Trademark Office.

Money Saving Reminder

If you need a hot photo item that is out of stock at B&H, would enjoy free overnight shipping, and would like a $50 discount on your first purchase, click here to order and enter the coupon code BIRDSASART at checkout. If you are looking to strike a deal on Canon or Nikon gear (including the big telephotos) or on a multiple item order, contact Steve Elkins via e-mail or on his cell at (479) 381-2592 (Eastern time) and be sure to mention your BIRDSASART coupon code and use it for your online order. Steve currently has several D850s in stock along with a Nikon 600mm f/4 VR. He is taking pre-orders for the new Nikon 500 P and the Nikon Z6 mirrorless camera body.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created at Gatorland on Saturday, March 13, 2019. I used the hand held Sony FE 100-400mm f/4.5-5.6 GM OSS lens (at 400mm) and the beyond remarkable Sony Alpha a9 Mirrorless Digital Camera. ISO: 400. Highlight metering with faint Zebras: 1/2500 sec. at f/5 in Manual mode. AWB at 9:27am. The RAW file was converted in Capture One and optimized in Photoshop.

Click on the image to see a larger version. Center Zone AF.

Snowy Egret in post-breeding plumage with twig for nest

Flight Photography is About a Lot More than Sharpness …

We stayed with the bird pictured above for more than an hour as it flew from right to left angling away from us (no good), grabbed a twig, and flew back right at us across the moat. Ron send me his best one; it was very nice. He made it with the old Canon 300mm f/4L IS lens, an old close focusing favorite of mine. (A few used ones have sold on the BAA Used Gear Page. Amazingly, it is still being manufactured: Canon EF 300mm f/4L IS USM Lens.

SONY autofocus absolutely killed. I have no clue as to how it focused on the eye every time without fail. Even when there was a stick blocking the bird’s face. We had many, many chances to make the shot. With the fast frame rate of the a9 I made about 80 photos, all sharp. But I kept only two …

Flight photography is, however, about a lot more than sharpness. So why did I delete 78 sharp flight images? Here, in no particular order, are the reasons.

  • 1-I panned too slowly so that the bird was too far to my right in the frame.
  • 2-I was too greedy and clipped a wingtip here and there.
  • 3-There bird was holding a large stick that blocked our view of the its face and eye.
  • 4-I shot too soon so that the bird was well off sun angle.
  • 5-I shot too late and the bird was either past sun angle or already in the nest bush.
  • 6-The positions were poor with one wing sticking right at the camera.
  • 7-There were distracting reflections of palm trees in the backgrounds.

I will be sharing lots more on wing positions in future blog posts. See the Flight Poses and Wings Positions: Part I of Many blog post here.

High Level Question

You can see here that I was working slightly off sun angle with the sun coming over my left shoulder instead of over the top of my head. Why didn’t I move to my left so that when the bird was in the best zone I would have been right on sun angle?

Images and card design copyright: Arthur Morris/BIRDS AS ART. All of the images on this card were created on the 2018 UK Puffins and Gannets IPT

The New, Expanded 2019 UK Puffins and Gannets IPT. Seahouses, Bempton Cliffs, and the Dunbar, Scotland Gannet boat to Bass Rock! Thursday June 27 (from EDI) through Tuesday, July 9, 2019 (on the ground; fly home on Wednesday July 10.): $9,999. Limit 5 photographers/openings 2.

Join me in the UK in late June and early July 2019 to photograph Atlantic Puffin, Common Murre, Razorbill, Shag, and Northern Gannet, Red Kite, and more both in flight and at close range. We will also have great chances with Arctic and Sandwich Terns, both with chicks of all sizes; Black-headed, Lesser-Black-backed, and Herring Gulls, many of those chasing puffins with fish; Black-legged Kittiwake with chicks; plus Grey Seal. There will be tons of great flight photography. As on all IPTs, if you pay attention, you will learn a ton, especially about sky conditions and the relationship between light angle and wind direction and their effects on flight photography.

Why go all the way to Machias Seal Island off the coast of Maine, endure a two-hour boat ride, and have to photograph Atlantic Puffins from a cramped blind usually in bright sun (and well off sun angle) when you can hop a red-eye flight from Newark, NJ and be in Edinburgh, Scotland early the next morning. First we drive down to Bridlington for easy access to Bempton Cliffs where our primary targets will be Northern Gannet in flight. We will also get to photograph Razorbill, Northern Fulmar, Herring Gull, and Black-legged Kittiwake. While in Bridlington we will spend one afternoon visiting a Red Kite feeding station that should provide lots of flight photography action.

While in Bridlington we will staying at the Lobster Pot by Marston’s Inn, just fifteen minutes from Bempton Cliffs. After 3 1/2 days of photography at there, we drive down to Seahouses in Northumberland to the two lodges that will be our home base for a week. After a short boat ride each day we will have hundreds of puffins posing at close range all day, every day — usually in ideal cloudy-bright conditions. While we are in Seahouses we will do six puffin/seabird trips, all weather permitting of course; last year we did not miss a single landing. In five years we have averaged losing less than one half day per year to bad weather. We land at Staple Island in the mornings and then sail over to Inner Farnes for our afternoon sessions. In addition, we may enjoy a session or two photographing nesting Black-legged Kittiwakes at eye level from a rocky beach in Seahouses.

In Seahouses, we stay 7 nights in gorgeous, modern, upscale lodges with Wi-fi. They are beyond lovely with large living areas and lots of open space for the informal image sharing and Photoshop sessions. The bedrooms are decent-sized. Each lodge has one double bedroom and two twin bedrooms. (See the single supplement info below.) At the lodges we cook our own breakfasts each morning and prepare our own lunches to be brought on the six puffin boat trips. For dinners we will alternate cooking in the lodges with fine dining at several excellent local restaurants. We stay two nights at the Marston’s Inn in Dunbar. We will enjoy a fine-dining Thank You dinner at the Dunbar Hotel on the Tuesday evening before we fly home.

On the morning of Monday, July 8, 2019, the plan is to sleep late, pack, and head up to Dunbar Harbor, Scotland for lunch and an afternoon gannet boat chumming trip: flight photography until you cannot lift your camera. The next morning, Tuesday July 9, we will enjoy our second gannet boat chumming trip (both weather permitting). On both trips we will enjoy great views of the huge gannetry at Bass Rock. Included will be two nights lodging at the Pine Martin by Marston’s Inn in Dunbar. Very early on the morning of Wednesday, July 10, we will drive up to Edinburgh Airport so that everyone can make their flights home. No moaning please. You will need a flight that leaves at 8:30am or later. Not too much later is generally best. Note: this trip needs a minimum of four photographers to run.

Images and card design copyright: Arthur Morris/BIRDS AS ART. All images were created on the 2017 UK Puffins and Gannets IPT

The Details

This IPT is all-inclusive except for your airfare and alcoholic beverages. All ground transportation, lodging costs, meals, your National Trust membership, and all boat, entry, and landing fees are included. Weather permitting, we will enjoy three and one-half days (at least six sessions in all) at Bempton Cliffs, an afternoon with the Red Kites, six full days on the puffin boats, one amazing afternoon gannet chumming trip, and one spectacular morning gannet chumming trip. The trip cannot be finalized until I have at least six deposits as we will be renting a lovely 15-passenger bus with our private professional driver who happens to be my web-master, Peter Kes, who is also a skilled photographer and my co-leader 🙂

IPT Details

If you are good to go sharing a room–couples of course are more than welcome, heck, we actually need two couples — please send your non-refundable $2,000/person deposit check now to save a spot. Please be sure to check your schedule carefully before committing to the trip and see the travel insurance info below. Your balance will be due on February 28, 2019. Please make your check out to “Arthur Morris” and send it to Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855.

Please shoot me an e-mail if you are good to go or if you have any questions.

Single Supplement Info

Single supplement rooms in Bridlington and Dunbar are available for those who register early. The cost of the single supplement for those six nights is $600.00. Single supplement rooms at the lodge may be available on a limited basis but only if the trip does not fill with ten photographers. The single supplement fee for those seven nights is $700. If you would like your own room in Bridlington and Dunbar, please request it when making your deposit and include payment in full for the single supplement with your deposit: $2,600.00. The single supplement deposits are non-refundable as I will need to make the reservations well in advance.

Travel Insurance

Travel insurance for big international trips is highly recommended as we never know what life has in store for us. I strongly recommend that you purchase quality insurance. Travel Insurance Services offers a variety of plans and options. Included with the Elite Option or available as an upgrade to the Basic & Plus Options you can also purchase Cancel for Any Reason Coverage that expands the list of reasons for your canceling to include things such as sudden work or family obligation and even a simple change of mind. My family and I use and depend on the great policies offered by TIS whenever we travel. You can learn more here: Travel Insurance Services. Do note that many plans require that you purchase your travel insurance within 14 days of our cashing your deposit check or running your credit card. Whenever purchasing travel insurance, be sure to read the fine print carefully even when dealing with reputable firms like TSI.

I truly hope that you can join me on this exciting venture.

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