Arthur Morris/BIRDS AS ART

What’s Up?

Saturday morning was totally cloudy and bleak. I went down to the lake, set up the R5/RF 100-500 rig for in-camera HDRs, and hoped to get at least one bird flying toward me. And that is exactly what I got: one bird flying toward me. (All the rest were flying away.) I was quite happy with the quite-funky result and will be sharing that image with you here on Tuesday.

I was glad to learn this morning that Chuck Carlson sold four of his five listed Canon items within hours and that he has an interested buyer for his 5D Mark iv. Folks who listen to my pricing advice usually sell their stuff quickly. (This just in: he sold the 5D iv on Sunday morning.)

I got a tremendous amount of work down on both the BAA Canon R5/R6 AF e-Guide and on the BAA Canon EOS R5 Camera User’s e-Guide and plan on doing more of the same today before watching the Super Bowl. Though I have great respect for Tom Brady, I simply cannot fathom a Tampa Bay victory. I’ve got the Chiefs over the Bucs 45 to 28. Patrick Mahomes simply has too many weapons. Or not!

With the continuing grey skies, there was not sunset last night. At 3:30am today it was pouring rain. The thunder was booming. And the lightning was flashing. The forecast for today — Sunday 7 February 2021, is for more of the same. I will likely head down to the lake for a bit at some point when it’s nor pouring just to see what’s up. As it has been warming up nicely for past two days, I am planning on a swim (hopefully between lightning bolts).

Have a great day and — if you partake — enjoy the game. This post took about two hours to prepare and makes forty-nine days in a row with a new one.

If you would like to read some solid COID-19 information, please click on the link to shoot me an e-mail to request the link. Doing so might change or save your life.

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The RawDigger e-Guide

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide in July 2020! At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three head-to-toe re-writes of the guide.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

Canon R5/R6 AF e-Guide Info

So far, 103 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 33 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed your Bedford receipt or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least another month to finish.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. If the stuff is on sale (as it usually is), you save 15% off of the sale price! To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

This image was created on 5 February 2021 down by the lake at ILE. Working away from my vehicle, I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined via test image/histogram evaluation: 1/2500 sec. at f/7.1 (wide open) in Manual (M) mode. RawDigger showed to be a slight over-exposure. (In retrospect, an EC of +2 would have been perfect.) AWB at 8:24am on a mostly sunny morning. The R5 AI Servo AF Method used to create this image performed perfectly and will be detailed in both the BAA Canon R5/R6 AF e-Guide (the last update is in progress) and in the BAA Canon EOS R5 Camera User’s e-Guide (in progress). I wrote those sections yesterday afternoon. Image #1: Black Vulture landing

Wind and Sun Together

In the recent Wind-Against-Sun Flight blog post here, we saw what happens when the wind is blowing straight at the sun. With today’s featured image, we see what happens when both the wind and the sun are behind you.

As you may remember, I created more than 600 flight images in less than an hour on this great morning. As virtually every image was sharp on the eye, the images with the best wing positions became the keepers. I kept 74 on the first edit.

Do remember that if you are trying to create silhouettes, wind-against-sun conditions are best so that the birds are flying at you with the sun/color behind them.

R5 AF Method for Flight Photography Breakthrough

Recently I (finally) had two very good flight photography opportunities with the R5/RF 100-500 rig. And I learned a ton. I have finally found an AF Method for flight that I have confidence in. What I have learned will be detailed in both the BAA Canon R5/R6 AF e-Guide (the last update is in progress) and in the BAA Canon EOS R5 Camera User’s e-Guide (in progress). I am sure that I will finish the AF e-Guide update this week and likely have the full guide finished within two weeks. The work on both is painstaking.

Image #1A: The RawDigger Adapted (pink) Histogram for the Black Vulture landing image

The RawDigger Adapted (pink) Histogram

I have finally figured out how to consistently make very good to excellent to perfect exposures with the Canon R5. Unfortunately, without Zebras for stills, this involves making and evaluating a test exposure for each situation. The details on what I have come up with will be detailed in the in the BAA Canon EOS R5 Camera User’s e-Guide (in progress). In fact, I wrote that section last night.

In the RawDigger e-Guide, Patrick and I teach you how to set up and evaluate the Adapted (pink) Histogram. The adapted histogram was completely Patrick’s creation, and works with raw files from pretty much any digital camera now in use. It greatly simplifies all things RawDigger. In the guide you will learn why the exposure for this raw file (actually the raw file brightness), is 100% dead-solid perfect. You will also learn why we distinguish exposure from raw file brightness …

Image #1B: The Topaz Sharpen AI scene capture for the Black Vulture landingimage

Topaz Sharpen AI Tip

When applying Sharpen AI (or DeNoise for that matter), I advise doing so on a separate layer. If some of the changes look funky, you can add a Regular Layer Mask and paint away what you don’t like. If you wish to keep some of the effect, painting with a reduced opacity brush works well. If something looks totally overdone, you can simply reduce the opacity of the layer (to taste).

As you can see by clicking on the screen capture above to enlarge it, Sharpen AI on Stabilize looked perfect on the plug-in screen when viewed at 100%. When I got back in Photoshop, I click-drew a box around the vulture’s head to enlarge it and toggled the eyeball for the AI Sharpen layer on and off. It was easy to see that AI Sharpen had over-done it. I reduced the opacity of that layer to 50% and was quite happy with the result. At times, we are smarter than the AI (artificial intelligence).

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

Image Worthiness Question

Would you have kept today’s featured image or deleted it? Why?

What’s Up?

I did get down to the lake on Thursday morning and pushed the shutter button a few times. There was nothing memorable, but I did learn a bunch and came up with a few more things I need to figure out. Pretty much par for the course … Sunset looked fairly promising last night. I went down but with the wind with just a hint of west in it had most of the birds landing away from me. The eagle flew by early on and flushed about 100 wading birds from the roost but they never quite made it into the color and landed well to my left. All in all it was great getting out after two days of photo-inactivity.

As predicted, I skipped my swim because of the extreme cold. It is ten degrees warmer here this morning, and the forecast for today — Friday 5 February 2021, is for clear skies with south winds turning to the SW at about 9am. I may set out the road-kill cafe for the vultures. I am hoping that the heater/chiller does its work and gets the pool near 80 degrees so that I can do my swim this afternoon.

I did get a ton of work done yesterday on both the Canon R5/R6 AF e-Guide and on the Canon EOS R5 Camera User’s e-Guide as well. And I plan to do the same today.

This blog past makes forty-seven days in a row with a new blog post. This one took about two hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Levered-Clamp FlexShooter Pro News

We now have two dozen (make that 23) Levered-Clamp FlexShooter Pro heads in stock. The ballhead that acts like (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter Pro head — taken the world of nature photography by storm. And it’s all on the level too!

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

Price Drops

Canon EOS-1DX Mark III professional digital camera body

Price Reduced $200 on 4 FEB 2021

Used Gear Page regular Don Busby is offering a Canon EOS-1DX Mark III dSLR in like-new condition with less than 10,000 shutter actuations for a very low $5299.00 (was $5499.00). The sale includes the original box and everything that came in it including the 64gb CF Express Card, the CFexpress reader, and an extra battery. Also included is insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Don via e-mail

The Canon 1Dx bodies have been solid performers under challenging conditions for many years. The autofocus performance of the 1Dx and 1Dx MkII had been lacking as compared to Nikon or lately Sony (A9) especially when it comes down to dynamic focusing using the whole sensor array or specific zones. on the 1DX Mark II, the Automatic AF area selection never did a great job of acquiring and tracking the subject; thus, that mode was pretty much useless for photographing birds in flight. Single-point AF or AF Expand (4 or 9 points) with the tracking sensitivity set at -2 often produced good results for me with flying birds, but the fact that you were limited as far as image design always bothered me. Nikon’s dynamic focusing and Sony’s tracking capabilities provided extra compositional flexibility. As a result, many bird photographers decided to leave Canon and switch to Nikon or a Sony a9 series body. I decided to stay the course with Canon for two reasons: my collection of great Canon lenses, and the fact that the development of sensor and AF technology is like an arms race: one day Nikon is ahead, the next day Canon is ahead. I was lucky enough to get the new Canon 1Dx MkIII camera body from Steve Elkins just in time for my trip to Alaska to photograph the bald eagles. It was the perfect place to test the improved AF capabilities of the new Canon flagship body, the EOS-1D X Mark III DSLR with CFexpress Card and Reader.

The 1Dx MkIII is a hybrid camera with an Optical Viewfinder (OVF) and Live-View shooting making it a mirrorless camera at the same time that it is a rugged dSLR. There are a ton of other great new features, but I focused primarily on testing the new enhanced AF system. I was especially interested to see if the new dynamic 191-point Automatic AF selection and the AF zones would perform better than the previous versions of the 1Dx. The conclusion is that even under difficult circumstances — the first two days with heavy winds and heavy snow) — the camera had no issue focusing on the subject and keep tracking it with the Automatic AF selection mode. I used the center point to acquire focus and as soon as it locked the focus on the bird, it did a great job keeping multiple AF points on the subject and tracking it through the frame and through the snowflakes. The same applied for the Zones — smaller AF areas with multiple AF points active. Even with busy backgrounds, the AF stayed locked on the subject. The AF modes have been reduced to 4 compared to 5 in the previous 1Dx models. I primarily used Mode 2 (Continue to Track Subjects, Ignoring Possible Obstacles) and Mode 4 (For Subjects That Accelerate or Decelerate Quickly) but was not able to see a significant difference between the modes. Even with trying the “Deep Learning” Automatic setting (Tracking Automatically Adapts to Subject Movement) I did not notice a significant difference. They all performed really well. The conclusion is that Canon has produced a camera that is now on-par or even better than its competitors with respect to AF performance. Although I did not test the mirrorless capabilities yet, other tests show that this function is also equal to or better than the Sony A9 performance, the only difference is that you can not use the OVF in mirrorless-mode with the 1DX III and have to use the display on the back of the camera (the rear monitor) instead. Due to the fact you have to keep the camera away from your eye, this is somewhat awkward for photographing birds in flight. I am very happy with the AF performance as compared to the previous Canon models and am looking forward to testing it further on Florida birds this coming spring. Clemens van der Werf

The 1DX III sells new right now for $6,499.00. Grab Don’s almost new body, save a $1000.00, and get an extra battery to boot! I remember how thrilled Clemens was with his then brand-new 1DX III in Homer. You can see some of his eagle images made with the 1DX iii in the Field-testing the New Canon EOS-1DX Mark III at Homer: World-Class Nature Photographer Clemens Van der Werf Shares the Skinny on Canon’s New Flagship Camera Body post here. artie

Sony Alpha a9 Mirrorless Digital Camera Body

Price Reduced $200 on 4 FEB 2021

Craig Mossey is offering a SONY A9 body in excellent condition with 4304 shutter actuations for $1998.00 (was $2,198.00). The sale includes the original box, one, battery, the battery charger, the USB wall plug and charging cord, the original documentation, the front body cap, the strap, and insured FEDEX ground shipping to lower US addresses only. Your item will not ship until your payment clears (Zelle, PayPal or check) unless other arrangements are made.

Please contact Craig via e-mail or by phone at 1-561.447.2911 Eastern time zone.

I was sold on SONY five minutes after trying my SONY a9 on the incoming Brandt’s Cormorants at La Jolla, CA. The AF system is identical to the AF system on the more expensive a9 ii that costs $4,498.00. The a9 ii body is about 1/8 inch thicker than the a9 ii. If you do not have large hands, or if you like the feel of a smaller body, you will love the a9. And if you like the feel of $1,200.00 in your pocket — the a9 sells for $3,398.00 — get in touch with Craig ASAP. artie

Sony Alpha a7r IV Mirrorless Digital Camera Body

Price Reduced $200 on 5 FEB 2021

Craig Mossey is offering a SONY a7r iv in near-mint condition with 3049 shutter actuations for the BAA record-low price of $2198.00 (was $2398.00). The sale includes the original box, one battery, the battery charger, the USB wall plug and charging cord, the original documentation, the front cap, the camera strap, and insured FEDEX ground shipping to lower US addresses only.

Please contact Craig via e-mail or by phone at 1-561.447.2911 Eastern time zone.

For the past two years you have seen the incredible detail in my a7r IV images made with a variety of SONY lenses and both teleconverters. I’ve typically used my 7r IV for about 50% of my bird photography and my a9 II in pure flight situations. As the 7r IV sells new right now for $3498.00, you can save a cool $1100.00 by grabbing Craig’s practically new a7r iv. Though this 61-MP body is especially attractive to landscape and macro photographers, it is great for birds as well as you can pretty much crop to your heart’s content. artie

Canon R5/R6 AF e-Guide Info

So far, 96 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 33 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed your Bedford receipt or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least another month to finish.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

Image #1: tight crop of the Brown Pelican landing in wind-against-sun conditions image

The Unfortunate Bill-foot Merge

As I went after the image that I wanted, I tried to get one with the bill centered between the feet. But this was as good as I could do. So I decided to try the new Photoshop Bill-Shifter Tool (Keyboard shortcut = BS). As you can see by scrolling down to Image #1A, it worked perfectly. All with just one click. Don’t forget to use the BS keyboard shortcut!

This image was created on 2 February 2021 at Black Point Drive, Merritt Island NWR. Working away from my vehicle, I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. Evaluative metering +2 1/3 stops. Auto ISO set ISO 2000: 1/2000 sec. at f/7.1 (wide open) in Shutter Priority-AE (Tv) mode. RawDigger showed to be a slight over-exposure. (In retrospect, an EC of +2 would have been perfect.) AWB at 8:07am on a mostly sunny morning. Face (Back?) Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below. Image #1A: Brown Pelican landing in wind-against-sun conditions

The Optimized Image

After converting the raw file in Capture One, I rought the image into Photoshop and executed a relatively small crop with the Delete Cropped Pixels box checked (to make less work for Topaz DeNoise AI). Next was a layer of DeNoise on Auto. Then I centered the bill with one click via BS and played around a bit with the color and contrast.

Wind-Against-Sun Flight

Regular readers know that wind-against-sun conditions make bird photography difficult. And that goes double for flight photography. At Merritt Island on my last morning, the wind was brisk from the NW while the sun was in the southeast, making for classic wind-against-sun conditions. As a result, most birds were flying and facing and landing — as here — away from me. When I saw this pelican struggling to land atop the somewhat flimsy mangroves, I saw the opportunity to go for the back flight-shot with the wings fully spread and the bird’s feet hanging down.

Remember that the sun was behind me and the wind was in my face when I created this image. When all you have are lemons, making lemonade (or soup from a stone) is always a good option.

Image #1B: Brown Pelican landing in wind-against-sun conditions

Tracking Plus “Back” Detection AF with the R5

I continue to experiment with Face Detection + Tracking/AI Servo AF (and also with Zone AF), for flight photography with the R5. Yesterday, while working on the update of the Canon R5/R6 AF e-Guide, here. — in part — is what I wrote in the section on what happens when the system cannot see a face or an eye to detect:

If there is no detectable face or eye in the frame when you half-press the shutter button, the system will focus on what it thinks is the subject. It generally does that quite well (as long as there is some contrast).

Note the large red AF box on the left side of the pelican’s back. I would not want it anywhere else and the image was sharp where it needed to be.

BS Questions

If you have a question on any of the BS in today’s blog post, please leave it as a comment below.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

Your Favorite?

Please take a moment to let us know which of today’s four featured images is your favorite, and why you chose it. Comparative comments are also welcome.

What’s Up?

Yesterday was a rare NPD, a no photography day. (Sorry — I love TLAs.) Thanks to help from top Canon tech rep and long-time friend Rudy Winston, I got a ton of work done on the BAA EOS R5 Camera User’s e-Guide. I was struggling with how to set up my viewfinder and rear monitor viewing options. Thanks to Rudy, I now have that down pat. I can say that it is a really tricky process …

I will be calling Rudy this morning in hopes of clearing another hurdle, this one having to do with getting to Auto ISO.

I did get in the pool yesterday despite the brisk, cold NW wind. The pool is still a relatively warm 82 degrees; I was fine. Until I got out! I am up to 54 slow lengths (with 88 to the mile).

It is clear and cold again here this morning — Wednesday 3 February 2021, but not as windy as it was yesterday. If the winds die down, I many get out for sunset.

This blog past makes forty-five days in a row with a new blog post. This one took about three hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

Levered-Clamp FlexShooter Pro News

We now have two dozen (make that 23) Levered-Clamp FlexShooter Pro heads in stock. The ballhead that acts like (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter head — taken the world of nature photography by storm. And it’s all on the level too!

Canon R5/R6 AF e-Guide Info

So far, 92 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 33 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed your Bedford receipt or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least another month to finish.

RawDigger e-Guide pre-publication version

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide some time in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three head-to-toe re-writes of the guide.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 100mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 250. Exposure not very well) determined via the in-viewfinder histogram. Evaluative metering +1 stop: 1/60 sec. at f/4.5 (wide open) in Shutter Priority (Tv) mode. RawDigger showed this as about 1/2-stop under-exposed. AWB at 7:06am (pre-dawn) with some big clouds in the east. . Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below. Image #1: Blue-winged Teal/Shorebird Cloud-scape

RF 100-500 Versatility

The ability to zoom out from 500mm to as wide as 100mm can come in very handy when creating bird-scapes with attractive skies. All of today’s featured images were created on the morning that I was in Single Shooting drive mode making one image at a time when I thought that I was creating from five to 15 images each time I pressed the shutter button. Despite have limited choices while editing, I did OK.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. Working away from my SUV, I used the Induro GIT 404L/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, Sony FE 1.4x teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 125. The exposure was (not very well) determined by Zebras with Exposure Compensation on the rear wheel. Multi-metering +1.7 stops: 1/15 sec. at f/5.6 (wide open) in Shutter Priority (Tv) mode. RawDigger showed that +2.7 stops EC would have been perfect … AWB at 7:08am. Center Zone AF-C was active at the moment of exposure and performed to perfection. Click the image to see a larger version. Image #2: Dunlin flock flight surreal blur

Two-Gun Morris

After I got my R5 set up reasonably well (but far from perfect …), I worked each sunrise with the SONY 600 GM/1.4XTC/a9 ii rig mounted on the Induro GIT 404L/Levered-clamp FlexShooter Pro and the Canon RF 100-500/R5 on my shoulder via a Black Rapid Curve Breathe Strap.

By reading the EXIF data above carefully, you will note that in the soft pre-dawn or cloudy morning light, I prefer to work in Shutter Priority mode with Auto ISO with both my SONY and Canon gear. And I did the same when I used Nikon. Doing so makes it easy get from a bulrush shutter speed to a fast-enough-for sharp shutter speed in no time at all. Understand that you still need to set the EC correctly (and quickly) to come up with a perfect exposure. I failed to do that with Image #1 concerned about toasting the large area of white sky with mixed dark clouds …

The surreal look to this image was because I failed to pan well with the flock. In this case, it turned out to be a big plus.

A Guide to Pleasing Blurs

Learn everything there is to know about creating pleasingly blurred images in A Guide to Pleasing Blurs by Denise Ippolito and yours truly. This 20,585 word, 271 page PDF is illustrated with 144 different, exciting, and artistic images. The guide covers the basics of creating pleasingly blurred images, the factors that influence the degree of blurring, the use of filters in creating pleasing blurs, and a great variety of both in-the-field and Photoshop techniques that can be used to create pleasingly blurred images.

Artie and Denise teach you many different ways to move your lens during the exposure to create a variety of pleasingly blurred images of flowers and trees and water and landscapes. They will teach you to recognize situations where subject movement can be used to your advantage to create pan blurs, wind blurs, and moving water blurs. They will teach you to create zoom-blurs both in the field and during post-processing. Artie shares the techniques that he has used and developed for making blurred images of flocks of geese in flight at his beloved Bosque del Apache and Denise shares her flower blur magic as well as a variety of creative Photoshop techniques that she has developed.

With the advent of digital capture creating blurred images has become a great and inexpensive way to go out with your camera and have fun. And while many folks think that making successful blurred images is the result of being a sloppy photographer, nothing could be further from the truth. In “A Guide to Pleasing Blurs” Artie and Denise will help you to unleash your creative self.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 472mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined via the in-viewfinder histogram and highlight alert evaluation confirmed as perfect by RawDigger: 1/1000 sec. at f/7.1 (wide open) in Manual mode. AWB at 7:32am on a morning with lots of clouds in the east. Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below. Image #3: Tricolored Heron BW silhouette

Thinking Clean, Bold, and Graphic!

At the time this image was created, the sun was trying to break through the clouds. That put some color in the water. But rather than try to juice up the color, I went in the other direction. See below to learn what I did.

Image #3A: Capture One screen capture for the Tricolored Heron BW silhouette image

Creating B&W Silhouettes during the raw conversion

First — working in Capture One — I clicked the Exposure warning to On. Then, working with the Levels Too, I grabbed the dark-tone slider and moved it to the right until the entire bird showed as under-exposed. Then I grabbed the highlight slider and move it to the left until the water showed as completely over-exposed. Then I converted the raw file to a TIF and opened it in Photoshop. I cleaned up a few specks in the water and I was done.

Note: you can do pretty much the same thing in any raw converter, or, in Photoshop after the fact.

Image #3B: RawDigger Screen Capture for the Tricolored Heron BW silhouette image

The RawDigger Adapted “pink” Histogram

In the RawDigger e-guide you will learn exactly why this exposure is 100% dead-sold perfect. The RawDigger Adapted “pink” Histogram makes it easy to quickly and accurately evaluate the exposure or brightness for raw files for virtually all digital camera bodies now in use. And we teach you not to be tricked by specular highlights; note the rosy pink OvExp warnings where the sun caught the ripples in the water.

This image was created on 31 January 2021 at Black Point Drive, Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 100mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined via the in-viewfinder histogram and highlight alert evaluation. RawDigger showed a massive over-exposure that was just what I wanted (see the screen capture below): 1/640 sec. at f/7.8 (stopped down 1/3-stop) in Manual mode. AWB at 8:54am on a cloudy morning that was just beginning to clear. Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well. Click on the image to see a larger version. Image #4: Grey morning feeding aggregation

A Quick Drive-Around

After the pewter sunrise the birds disappeared. So when the sun broke through, I packed up and did a loop around Black Point. I stopped at the popular pond on the left and had some great chances with a young spoonbill and several Little Blue Herons, all at fairly close range and all beautifully lit by golden sunlight and set against a background of the lead-grey skies now in the west and reflected in the still water. Very sweet. I continued around as it clouded over and got back to my sunrise spot. In the channel to my right about 500 wading birds were packed in like sardines in a can, taking part in a huge feeding spree. I tried for a bit but things were so tight and there were so many birds that I deleted all of the images. (There were not that many as I did not realize that I was in Single Shooting until after I got home.)

When many of the birds in the channel made their way out onto the flats I saw the opportunity for a nice bird-scape so I moved to my left and went back to 100mm.

Image #4A: RawDigger Screen Capture for the Grey morning feeding aggregatione image

The RawDigger Adapted “pink” Histogram

Ok, so we have 8,793,000 over-exposed pixels comprising almost 50% of the pixels in the image, yet for me, this was the perfect exposure. Why? I wanted to properly expose for the darker toned birds (mostly Tricolored Herons) and the mangroves in the background. That to reduce the noise in the dark tones. This fairly common occurrence is detailed in the RawDigger e-Guide. Note: Patrick Sparkman, the junior author, prefers not push this type of image as far to the right as I do.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

What’s Up?

A large cloud on the eastern horizon on Sunday morning eliminated any chance of sunrise color. And there was little ground fog. Those conditions turned out to be a blessing. Everything was slightly backlit with the sun in front of me (albeit behind the big dark cloud). As dozens of wading birds flew in, it turned into what I call a “pewter” situation: the world became a beautiful matrix of semi-silhouetted wading birds in various shades of silver and lead-grey.

As you will learn below, my success that morning was limited due to a mind-set. My mind-set. 🙁

Working with the R5 for the first time in nearly a month was very frustrating. It is a complex camera body with complex menus. I spent several hours beforehand going through and setting the various menus. I used the R5 e-Guide (in progress) to help me along the way. Despite that, I found that I was unable to have the camera do what should have been the relatively simple thing that I wanted it to do. The new e-Guide will be much better for it. I will be working on it in earnest from Wednesday on.

BTW, the phrase “Hell in a handbasket” might have evolved during the California gold rush of 1848. Miners were lowered by hand in baskets down mining shafts to set dynamite. If there was a problem or if they did not get out quick enough, it was referred to as going to Hell in a handbasket.

Today is Monday 1 February (where did January go???) 2021. The forecast for my last morning at the refuge in Titusville is calling for very cloudy with the wind from the west. (It did rain last night.) The possibility for another pewter morning exists as long as it is fairly still early on … Whenever you have a morning with west or northwest winds, you should be praying for clouds to avoid the dreaded wind-against-sun conditions.

This blog past makes forty-three days in a row with a new blog post. This one took more than two hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past year or more at the bottom of the page.

Nikon 500mm f/5.6 VR PF Lens

Skilled photographer, BPN Avian Forum super-moderator, and also my good friend, Arash Hazeghi is offering a Nikon 500mm f/5.6 VR PF lens in like-new condition for $3299.00. The lens has worn a LensCoat since day one and there are no cosmetic or functional issues. USA model purchased new from B&H with 5-year coverage (receipt provided upon request). The sale includes the real-tree camo LensCoat (a $100 value), the soft case, the original box and everything that came in it, and insured Fed-Ex ground shipping US lower-48 states. Arash accepts PayPal (+4%), a check, or a money transfer. Your new lens will not ship until payment clears unless other arrangements are made. Local pick up s available in the SF Bay Area.

Please contact Arash via e-mail

When I used Nikon, I loved, loved, loved my 500 PF. I felt that it was the best lens that Nikon made. It is light in weight and easily hand-holdable and does great with the TC-14E. The best part: it kills for birds in flight! artie

Canon R5/R6 AF e-Guide Info

So far, 89 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 33 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed your Bedford receipt or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least another month to finish.

RawDigger e-Guide pre-publication version

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide some time in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three head-to-toe re-writes of the guide.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 31 January 2021 on a small bridge near Merritt Island NWR. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 500. Exposure determined by experience and luck and confirmed as perfect by RawDigger: 1/500 sec. at f/10 (stopped down one stop) in Manual mode. AWB at 10:09am on a cloudy bright morning. Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below. Click on the image to see a larger version. Image #1: Wood Stork head portrait

The Situation

On the way home from a good morning session, I explored around the new bridge and saw this Wood Stork standing on a railing next to a fisherman on a very small bridge. By the time I parked and grabbed the RF 100-500 the bird had jumped off the railing to explore the bait bucket. I herded him back up onto the railing, got really close, and fired off a few frames (or so I thought …) I was totally shocked when the bird flew off to a nearby park.

The Major Screw-up!

When I glanced at the folder for the morning session, today’s featured image caught my eye. But I knew that I had fired a burst. Where were the “others?” Above in the folder, I saw a single flight shot of an incoming Great Egret. I knew that I had fired off 15 frames of that bird. But there was only one. Despite having used the 100-500 for most of the morning, I was shocked to see that I only had 93 R5 images. I thought, heck, I could take 93 images with three presses of the shutter button. While I was dozing during INT (Instructor Nap-time), I realized what I had done.

First off, remember that from the get-go, I hated the fact that when using the Electronic Shutter you cannot set up the R5 to make a soft click-sound when the shutter fires (as you can do with the SONY bodies). It is difficult to tell when the camera is firing … (Yes — I know that a small box flashes around the frame edge of the viewfinder shutter fires but concentrating or even noticing that takes your mind away from the image you are trying to design.) Anyhoo, I went to the car, grabbed the R5, and figured out how to access the Drive Mode settings. I accessed it with the Q button. I scrolled to Drive Mode and confirmed what I had thought: Single Shooting was highlighted in a yellow frame. I had been taking one frame at a time all morning when I thought that I was creating a series of 5 to 15 or more images. BTW, Single Shooting was just to the right of High Speed Continuous +. Oops!

One thing that might have alerted me to Single Shooting was that when I hit Playback and turned the large rear wheel, I would not see the sequence that I had just created. I saw only one and the camera jumped to another series of images (or so I thought). My mind — which never even considered that I was using Single Frame Advance, dismissed that by thinking that I had inadvertently set “10-frame Image Jump” in the Playback Menu. Duh!

On the way to the refuge on Sunday afternoon (with the camera now set correctly to High Speed Continuous +), I found the Laughing and Ring-billed Gulls on the causeway going nuts. I pulled over and fired off a quick 427 flight shots. In about five minutes. I experimented with both Face Detection + Tracking and Zone AF. I will probably not get to edit that folder (and several others) until Wednesday. The fact is that I learned a ton more about the R5.

If you have ever done anything half as dumb as that and you are willing to share, please leave a comment.

Image #1A: DPP 4 screen capture for the Wood Stork head portrait image

DPP 4 Screen Capture

Canon’s Face Detection plus Tracking is great for tight work. As detailed in the R5/R6 AF guide, this AF method reverts to an AF box when it cannot track the bird’s eye. In other cases it reverts to a Zone-type AF with many AF points activated. Here it detected the eye and locked onto a spot just in front of and slightly below it. (Note the position of the faint red square in the screen capture.) What often happens with the R5 (and with all other mirrorless and dSLR bodies and systems as well), is that the AF point is not exactly or anywhere near where you want it, but the images turn out to be razor-sharp on the eye (just as this one is). Get used to it.

Image #1B: RawDigger Screen Capture for the Wood Stork head portrait image

The RawDigger Adapted “pink” Histogram

In the RawDigger e-guide you will learn exactly why this exposure is 100% dead-sold perfect. The RawDigger Adapted “pink” Histogram makes it easy to quickly and accurately evaluate the exposure or brightness for raw files for virtually all digital camera bodies now in use.

Image #1B: RawDigger Screen Capture for the Wood Stork head portrait image

The RawDigger Adapted “pink” Histogram Magnified

Above I have magnified the view in RAwDigger so that you can see that the 116 over-exposed pixels (out of 45,000,000) are almost all in the specular highlight in the eye.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

Please Note

This blog post was published early on Saturday 30 January 2021. Then, for the first time ever, it un-published … I have no idea why, but I re-published it on Saturday afternoon. So if you are confused, so am I.

What’s Up?

I enjoyed a short session on Friday morning at ILE with a gentle north wind with just a bit of west in it. My best images were head and shoulder portraits of a Turkey Vulture sitting on a chainlink fence (unseen in the images) with a nice blue water/lake background. You do not need as much of a look-back head turn with north winds as you do with northwest winds (as below). I hustled to get packed up for the drive over to Titusville and even skipped my swim 🙁 I arrived at my AirBnB in Titusville just before 3:00pm, got settled in, and headed to Black Point Wildlife Drive at Merritt Island NWR before four. The drive around the back roads and the Tour Loop drive proper brought back many memories. When my late-wife Elaine and I moved to Florida in the summer of 1994 we lived in Deltona (near her late-folks, Dave and Dora Goldstein). Dave lived to 86 and Dora to 91. Ironically, Elaine was gone before they were at age 50. From Deltona it was just about an hour to the refuge via SR 46 going through Mims.

Merritt is always a tough place to shoot in part because you are almost always well above the birds. And in part because the road is very winding so getting on sun angle is pure luck. My afternoon drive-around began looking hopeless with a strong north-east wind. But as I was on the long straight road leading to the Cruickshank Trail, there were a few nice spots with still blue water and lots of Blue-winged Teal. Out of the car, I worked them hard, along with some Pied-Billed Grebes, Reddish Egrets, a few Greater Yellowlegs, and a single Tricolored Heron. I am looking forward to sunrise and my morning session.

If you wish to join me this afternoon or any time on Sunday, call my on my cell today at 863-221-2372 and leave a message if I do not pick up.

Today is Saturday 30 January 2021. The forecast for Titusville is for partly cloudy skies with a very gentle breeze from the NW turning NE and then east before ten am.

This post took about three hours to prepare and makes forty-one days in a row with a new one. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The Status of My Canon Gear

I will try my very best to finish setting up my new R5 this afternoon. I have been using the R5/R6 AF e-Guide and what I have written on the BAA EOS R5 Camera user’s Guide as — you guessed it — a guide. While doing so, I made a few changes to each of those documents. I hope to do some flight photography with the R5/RF 100-500 this weekend. The R5/R6 AF e-Guide will be updated some time during February. All those who have it will receive the free update. The AF guide will then be incorporated into the R5 Camera User’s Guide (in progress). This guide will be the most-expensive-ever BAA Camera User’s Guide. Except for those who have used my affiliate links to purchase their Canon mirrorless gear.

Billy Joel

As regular readers know, I have been a long-time (measured in many decades) fan of Billy Joel. With my new SUV I got a year’s worth of Serius Radio and recently found the Billy Joel channel (105). I listened to hit on the way to Titusville on Friday afternoon. I just love listening to Billy talk about his youth, the music that influenced him back then, and about his own music. Along of course with tons of great music.

I saw Billy in concert (with Elton John) with my beloved late wife Elaine for the first time in Orlando on August 21, 1994. That was one day short of three months before she would die of breast cancer). I remember the doctor telling us that she should not attend the concert “because there would be too many people there and she might get sick.” That was minutes after we learned from that same doctor that she was toast. She looked him in the eye and said, “I’m going.”

The concert — at the Citrus Bowl, was postponed several hours by the most violent the most violent thunderstorm I have ever seen in Florida. “Do you want to go home?” I asked a drenched Elaine as we milled about the Stadium. “I’m staying.” Elton John was the star of the first half of the concert (as Billy Joel barely was on stage). But Billy Joel dominated the second half in all ways, at one time climbing atop his piano. By 1:00am, even the staunchest Elton John fans agreed that Billy had won the night by miles.

The encore took place just after 2:00am. Apparently I was not the only one moved by this concert. I found an article by Hillary Geronemus that appeared in the Orlando Sun-Sentinel on 26 AUGUST 1994. She wrote: To bring the concert to a close, John made his final entrance and joined Joel at the pianos where they played Bitch is Back, You May Be Right, A Hard Day’s Night, Candle in the Wind, and finally, what else, Piano Man.

Because of the thunderstorm and the long delay, about half of the original 65,000 folks had long-departed by the time the concert drew to a close. Anyhoo, there we are with Bill Joel and Elton John doing Piano Man a cappella. Until the audience took over. The sound was so sweet that I remember sitting there with tears streaming down my face thinking, This is what it will be like when Elaine gets to heaven. The concert was one of the top ten days of what has been a rich and rewarding life.

While working on finishing this blog post early on Saturday morning, I came across this on YouTube:

Billy Joel & Guests – Piano Man (Gershwin Prize – November 19, 2014)

Billy Joel performs “Piano Man” with Kevin Spacey, Boyz II Men, Natalie Maines, Josh Groban, Gavin DeGraw, Tony Bennett, LeAnn Rimes and Michael Feinstein during the ceremony where he was honored with the Library of Congress Gershwin Prize for Popular Song on November 19, 2014 at DAR Constitution Hall in Washington, D.C.

You can enjoy this amazing video here.

Airbnb

For the past three years I have been staying extensively at AirBnBs from coast to coast. Join Airbnb and become part of a community that connects global travelers with local hosts across the world. Find a place to stay and discover things to do. Airbnb lists more than 4.5 million homes across 200 countries; you’ll find spacious, affordable options for every occasion. With Airbnb you will travel with confidence as reviews from past guests help you find the right fit. Once you do, their secure messaging makes it easy to coordinate with your host. And Airbnb support teams are available 24/7.

Yikes. I almost forgot the best part: Airbnb rates average as much as half of even the least expensive chain hotels and motels.I always opt for a place for myself with easy parking, a kitchen, and great WiFi. If you would like to save $40 on your first booking sign up by using this link: Airbnb. Airbnb does charge clean-up and service fees that make short stays less attractive bargains than longer stays.

Those who prefer to stay in a motel or hotel are invited to use the Booking.com link below to save $25.00.

Booking.Com

Several folks on the UK IPT used the Booking.Com link below for their Edinburgh hotels, got great rates, and saved a handsome $25.00 in the process. Of course, it also works great for US travel. If you too would like to give Booking.Com a shot, click here and to earn a $25 reward on your first booking. Thanks to the many who have already tried and used this great service.

$51.00 via Electronic Download. You can order yours here. The RawDigger e-Guide with Two Videos

The RawDigger e-Guide with Two Videos

by Arthur Morris with Patrick Sparkman

The RawDigger e-Guide was created only for serious photographers who wish to get the absolute most out of their raw files.

Patrick and I began work on the guide some time in July 2020. At first we struggled. We asked questions. We learned about Max-G values. We puzzled as to why the Max G values for different cameras were different. IPT veteran Bart Deamer asked lots of questions that we could not answer. We got help from RawDigger creator Iliah Borg. We learned. In December, Patrick came up with an Adapted Histogram that allows us to evaluate the exposures and raw file brightness for all images created with all digital camera bodies from the last two decades. What we learned each time prompted three head-to-toe re-writes of the guide.

The point of the guide is to teach you to truly expose to the mega-Expose-to-the-Right so that you will minimize noise, maximize image quality, best utilize your camera’s dynamic range, and attain the highest possible level of shadow detail in your RAW files in every situation. In addition, your properly exposed RAW files will contain more tonal information and feature the smoothest possible transitions between tones. And your optimized images will feature rich, accurate color.

We teach you why the GREEN channel is almost always the first to over-expose. We save you money by advising you which version of RawDigger you need. We teach you how to interpret the Max G values for your Canon, Nikon, and SONY camera bodies. It is very likely that the Shock-your-World section will shock you. And lastly — thanks to the technical and practical brilliance of Patrick Sparkman — we teach you a simple way to quickly and easily evaluate your exposures and raw file brightness using an Adapted RawDigger histogram.

The flower video takes you through a session where artie edits a folder of images in Capture One while checking the exposures and Max-G values in RawDigger. The Adapted Histogram video examines a series of recent images with the pink histograms and covers lots of fine points including and especially how to deal with specular highlights. The directions for setting up the Adapted Histogram are in the text.

If we priced this guide based on how much effort we put into it, it would sell it for $999.00. But as this guide will be purchased only by a limited number of serious photographers, we have priced it at $51.00. You can order yours here in the BAA Online Store.

This image was created on 28 January 2021 at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the Induro GIT 204/Levered-clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, Sony FE 1.4x teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 800. Exposure determined by Zebras with ISO on the rear dial: 1/2500 sec. at f/5.6 in Manual mode. The exposure was confirmed as dead-solid perfect by RawDigger. AWB at 9:02am on sunny morning. Tracking Expand Flexible Spot AF-C was active at the moment of exposure and performed to perfection. Click the image to see a larger version. Image #1: Adult Osprey on the North Field

The Look-back Head Turn

With the wind from the northwest and the sun in the southeast, the bird was pretty much facing away. Fortunately, this bird was quite tame and a bit curious. Had he not turned his head toward me to check out the vehicle, I would never have pressed the shutter button. In the trade, we call this the look-back head turn. Without it, perched wind-against sun images would rarely work (as the bird would be looking directly away from you …) . The combination of the NW wind and the head turn fluffed up the head feathers rather nicely.

Perspective Question

Why did I pull the car up slightly past sun-angle?

ISO 800. Exposure determined by Zebras with ISO on the rear dial. This one is Auto-bracketed at zero:: 1/2500 sec. at f/5.6 in Manual mode. The exposure was confirmed as dead-solid perfect by RawDigger. Click on the screen capture view a larger version. Image #1A: Adult Osprey on the North Field

Auto-bracketing with Digital

When using film, I was always opposed to using auto-bracketing, mainly because it was too expensive. In addition, when you did AEB (auto exposure bracket), it seemed that the best action always matched up with the worst of the three exposures. And with digital, I long felt the same way. But once I began evaluating my exposures with RawDigger, I often turned to auto-bracketing when photographing static subjects both to speed up the learning curve and to test my progress. With the incredibly fast frame-rates, it is relatively easy to create three near-identical images of a subject that is not moving.

Today’s featured image was auto-bracketed around 1/3 stop. Note: I always set up my cameras to bracket in third-stops and set the bracketing order to 0, -1/3, +1/3, so that the exposure that I think will be best is always the first one in the sequence. As your exposures get better and better, two of the three in an AEB sequence will often be fine. And at times, times all three will be useable (with one of the three save-able).

In the RawDigger e-Guide you will learn how to set up the Adapted “pink” Histogram and why Image #1A is the perfect exposure.

When You Can Do This Consistently, You Will Know That You Have Exposure Down Pat!

Once you begin using RawDigger you may wish to try some AEB yourself. When you get to the point where the first image in an AEB sequence is the best exposure, you will know that you have exposure down pat. And you can give yourself a pat on the back as I did after evaluating today’s AEB sequence in RawDigger.

ISO 800. Exposure determined by Zebras with ISO on the rear dial. This one is Auto-bracketed -1/3-stop: 1/2500 sec. at f/5.6 in Manual mode. The exposure was confirmed as dead-solid perfect by RawDigger. Click on the screen capture view a larger version. Image #1B: Adult Osprey on the North Field (1/3-stop darker and slightly under-exposed)

One-third stop Too Dark

In the RawDigger e-Guide you will learn how to set up the Adapted “pink” Histogram. And you will learn why Image #1B is 1/3-stop too dark. (Most will be able to figure that out simply by enlarging the screen capture and comparing the G channel histograms.)

ISO 800. Exposure determined by Zebras with ISO on the rear dial. This one is Auto-bracketed +1/3-stop: 1/2500 sec. at f/5.6 in Manual mode. The exposure was confirmed as dead-solid perfect by RawDigger. Click on the screen capture view a larger version. Image #1C: Adult Osprey on the North Field (1/3-stop lighter and slightly over-exposed)

One-third-stop Too Light

Again, in the RawDigger e-Guide, you will learn how to set up the Adapted “pink” Histogram. And you will learn why Image #1C is 1/3-stop too light. The small patch of rosy-red exposure warning on the Osprey’s neck show areas of true over-exposure. Note also the right end of the G channel histogram. In the guide we suggest several ways to save images that feature small areas of over-exposure.

Everyone who purchased a pre-publication copy of the RawDigger e-Guide should have received the final version along with links to the Flower Exposure video and the Adapted “pink” Histogram video yesterday. If you did not receive that mail, please LMK via e-mail.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

Merritt Island NWR In-the-Vehicle Instruction

I will be heading over to Merritt Island NWR on Friday and staying the weekend. Black Point Drive has had lots of Roseate Spoonbills and feeding sprees near the road recently. When I lived in Deltona, I visited often so I know the place well. I have a great little-known sunrise location there.

If you would like to meet me for a day or two or three of In-the-Vehicle Instruction, please e-mail immediately so that we can discuss the rates (inexpensive) and a schedule. 500 or 600mm lenses are preferred. Most of our photography will be from my vehicle. The weather for the weekend is looking good. I need to know in advance so that I can set up my car so that you can photograph from the back seat. I can only take one. Shared lodging (with your own bedroom) in my AirBnB home (FRI, SAT, and SUN nights) is available. If a private IPT sounds as if it might be something that you would enjoy, do get in touch quickly. Or call my cell at 863-221-2372. I will sign up the first to get in touch for a single session or two. Mornings will begin very early.

What’s Up?

I ran down to the lake at the last minute and did pretty well. I just looked at the images and did get a few decent ones. I thought that I was shooting at 1200mm, but the 2X TC had been in the fanny pouch of my sweatshirt. I was working at 840mm the whole time. I didn’t realize that until I headed home.

I was glad to learn yesterday that Bill Schneider sold his like-new SONY a7r iv for $2598.00 within an hour of it being listed. There is another nice a7r iv along with Bill’s like-new a9 ii on the The BAA Used Gear Page.

I was thrilled with the response to my plea for PDF help last night. Within two hours of posting, I had two perfect copies of the RawDigger e-Guide with all the links working. Thanks to the many who responded, especially to IPT veterans Bart Deamer and Muhammad Arif. They were, respectively, the first and second to the finish line.

Today is the last day that you will be able to save $10 on this guide. (See below to order by PayPal.)The guide will be in the store later today (at $51.00) and will be featured in tomorrow’s blog post on learning to create perfect, mega-Exposed-to-the-Right raw files on a consistent basis.

Today is Friday 29 January 2021. The forecast for this morning is for clear skies with gentle north winds. I will head down to the lake for a short morning session as I have lots to do getting ready to make the three-hour drive to Titusville this afternoon.

This post took more than 2 1/2 hours to prepare and makes forty days in a row with a new one. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The Status of My Canon Gear

I began setting up my very own R5 yesterday using the R5/R6 AF e-Guide and what I have written on the BAA EOS R5 Camera user’s Guide as a — you guessed it — guide. While doing so, I made a few changes to each of those documents. I hope to do some flight photograph. with the R5/RF 100-500 this weekend at Merritt Island. The R5 Camera User’s Guide will be the most-expensive-ever Camera User’s Guide. Except for those who have used my affiliate links to purchase their Canon mirrorless gear.

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long!

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

134 sold to rave reviews. The SONY e-Guide by Patrick Sparkman and Arthur Morris

The Sony Camera User’s e-Guide (and Videos)

Click here to purchase the guide with one Camera Set-up Video. Be sure to e-mail us by clicking here to specify your camera body so that we can send you a link for the correct video.

Click here to purchase the guide with two Camera Set-up Videos. Be sure to e-mail us by clicking here to specify your two camera bodies so that we can send you links for the correct videos.

Click here to learn more about the SONY e-Guide.

Folks who have used my B&H affiliate links or purchased their SONY gear are invited to e-mail for discount information.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created at Indian Lake Estates, FL on 26 January 2021. Lying down on the ground, I used the handheld Sony FE 100-400mm f/4.5-5.6 GM OSS lens (at 400mm) and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body. Exposure was determined by Zebras with ISO on the rear dial. ISO 2000: 1/500 sec. at f/7.1 (stopped down 2/3-stop) in Manual mode was shown to be prefect in RawDigger. AWB at 9:39am in the shade (thus the high ISO). Tracking Flexible Spot M AF-C was active at the moment of exposure an performed perfectly. Image #1: Peninsular Cooter (Pseudemys peninsular)/head portrait

My New Lady Friend

On my second visit of the morning to the vulture tree last Tuesday — the eclectic morning of photography, I noticed a large turtle on the right side of Banyan Drive, a street with views of the lake that runs parallel to the lakeshore. I pulled over onto the grass to investigate, and saw quickly that she was completing the job of covering the eggs she had just laid. Though she seemed very tame, I began with the 600GM lens at 840mm. Those images were terrible. So I went back to my SUV and switched out the big lens for the smaller, lighter, closer-focusing 100-400. First I tried sitting but those images were terrible. So I got doe flat on my belly, supported the rigs with my elbows as a bipod, and went to work. The now-distant BKGR was much, much better.

Big turtles like this are normally very shy. If you approach them closely, they will pull their heads into their shells and not come out for a week. But this large creature — I estimated her to be at least 16 inches long and about five or six pounds. (When she finished, she had started to cross the road to head for the lake. So I picked her up and walked her a ways toward the lake to make sure that she would not become turtle soup …)

After momma turtles lay their eggs, they make their way back to the lake. If any of their offspring survive — predation by raccoons, armadillos, and opossums is very high, especially in populated areas — momma turtle will never see her kids again. And it is pretty likely that I will never see my new lady friend again either. It was great spending an hour with her.

Thanks Matthew!

The breadth of knowledge and skills of the folks who visit the blog regularly no longer amazes me. Nor does their willingness to share so freely. Huge thanks to Matthew Milnes not only for helping me identify the big lady turtle, but for sharing his extensive knowledge of turtle natural history with me. Matt, married with two little one — 3 and 6 years old, lives in Milledgeville, GA where he is a biology professor at Georgia College. He grew up in Clearwater, Florida (not far from Fort DeSoto) and has spent his career studying the physiology of reptiles.

Years ago, he took a few trips to places like Merritt Island NWR and the Outer Banks. From those outings morphed a desire to photograph wading birds, waterfowl, and shorebirds. In a typical year he’d make two or three coastal trips to photograph birds to places somewhat connected to his job. He does, however, have lots of chances to photographing snakes, lizards, frogs, and salamanders.

From Matt I learned that this individual was nesting very early and that the rates of embryonic development in reptiles are temperature-dependent. There is, therefore, usually a broad range of incubation periods. I learned that the range of incubation time for this species is from 60-150 days — about 60 days would be for eggs laid in the summer, and probably close to 150 days for eggs laid in December. And I learned that some hatchlings of this species are known to overwinter in the nest if they hatch in late fall! Based on his prior experience incubating turtle eggs, the time of year, and my location, Matt would guesstimate that the eggs would hatch in 3-4 months.

Quasi-Macro (Handholding) Tips

• 1- First off, handholding gives you much greater freedom in getting into the best position and choosing the perfect perspective than working on a tripod.
• 2- When lying down, making sure that your image is square-to-the-world is a challenge. It is easy to get skewed and wind up as much as five degrees off level. By turning on and paying attention to the in-viewfinder level (if your camera has one), you avoid having to rotate and crop in post-processing.
• 3- It is imperative that you keep your rig perfectly still by whatever means (in this case, the elbow bipod). Be sure also, to set your IS/OSS switch to mode 1.

Click on the image to enjoy a larger version. Image #1A: An unsharpened 100% crop of the Peninsular Cooter head portrait

The Eye of the Turtle

Like the Canon 100-500, the SONY 100-400 is fantastic for close work with tame subjects. As with the Canon 100-400 II, the magnification with the SONY 100-400 (at 400mm) is actually greater than the magnification of the RF 100-500 at 500mm. That is possible because is focuses proportionately closer. In any case, the incredible sharpness of the eye in today’s featured image is due to several factors:

• 1- By getting on the ground and using my elbows as a bipod, I was able to keep the rig completely still.
• 2- I remembered to set the OSS (Optical Stabilization System) switch to Mode 1, best for static subjects.
• 3- The sharpness of the SONY 100-400 optics.
• 4- I stopped down 2/3-stop for just a bit of extra d-o-f (depth-of-field). Doing this when working at point-blank-range is always a good plan.

The Image Optimization and Clean-up

After converting the raw file in Capture One, I brought it into Photoshop and applied a layer of Topaz DeNoise Low Light on Auto. Because I had mega-Exposed-to-the-Right, background noise was minimal. For the image clean-up I used my usual cadre of clean-up techniques and tools: Divide and Conquer– with help from the Clone Stamp Tool, the Patch Tool, Content-Aware Fill, and several small transformed Quick Masks often refined by a Regular Layer Mask.

Note that the bit of posterization in the background is the result of the creation of the Animated GIF. It is not present in the master file or in the JPEG above (Image #1).

Feel free to leave a comment revealing your thoughts on the image clean-up.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II). You can order your copy from the BAA Online Store here, by sending a PayPal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand. Be sure to specify Digital Basics II.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

The clean-up techniques mentioned above and many dozen additional Photoshop tips and techniques (with the exception of Capture One RAW Conversions) — along with all of my personalized Keyboard Shortcuts — are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my MacBook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here. Note: all of the videos are now priced at an amazingly low $5.00 each.

You can learn how and why I used to convert all of my Canon digital RAW files in DPP 4 in the DPP 4 RAW Conversion Guide here. More recently, I became proficient at converting my Nikon RAW (NEF) files in Adobe Camera Raw. About two years ago I began converting my Nikon and Sony RAW files in Capture One Pro 12 and continue to do so today (along with my R5 images).

To purchase Capture One, please use this link. Then you can learn more about Capture One in the Capture One Pro 12 Simplified MP4 Video here. The next step would be to get a copy of Arash Hazeghi’s “The Nikon Photographers’ Guide to Phase One Capture One Pro e-Guide” in the blog post here.

You can learn advanced Quick Masking and Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

Merritt Island NWR In-the-Vehicle Instruction

I will be heading over to Merritt Island NWR on Friday and staying the weekend. Black Point Drive has had lots of Roseate Spoonbills and feeding sprees near the road recently. When I lived in Deltona ,I visited often, so I know the place well. I have a great little-known sunrise location there.

If you would like to meet me for a day or two or three of In-the-Vehicle Instruction, please e-mail immediately so that we can discuss the rates (inexpensive) and a schedule. 500 or 600mm lenses are preferred. Most of our photography will be from my vehicle. The weather for the weekend is looking good. I need to know in advance so that I can set up my car so that you can photograph from the back seat. I can only take one. Shared lodging (with your own bedroom) in my AirBnB home (FRI, SAT, and SUN nights) is available. If a private IPT sounds as if it might be something that you would enjoy, do get in touch quickly. Or call my cell at 863-221-2372. I will sign up the first to get in touch for a single session or two. Mornings will begin very early.

What’s Up?

I have another few hours work on the RawDigger Guide. I should have it complete and in the BAA Online Store by Thursday. I did make it out at sunset on Wednesday and took a few not-too-good images. After seeing yesterday’s exciting blog post, many folks ordered their Sony Alpha a1 bodies from B&H or Bedfords using the BAA affiliate links or discount code. Huge thanks to all of those folks, each of whom who will be enjoying a free copy of the BAA Sony Alpha a1 Camera User’s Guide before we know it.

Today is Thursday 28 January 2021. A cold front is coming through tonight; this morning is supposed to be sunny with NW winds. Knowing that that is a very bad forecast for morning bird photography, I will go down to the lake for a bit. I began setting up my Canon R5 this afternoon so that I can do some flight photography along Black Point Drive this weekend. 🙂

I was pleased to learn of the sale of Tom Mast’s Canon EF 300mm f2.8L IS II USM lens in like-new condition for a very low $3399.00 the first day it was listed earlier this month. If you have been wanting to get into SONY mirrorless but cannot afford the new Alpha a1, there are three great low-priced options for you below.

This blog past makes thirty-nine days in a row with a new blog post. This one took about 2 1/2 hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

New Listings

Sony Alpha a7r IV Mirrorless Digital Camera Body

Sold in one hour!

BAA-friend and multiple IPT veteran William Schneider is offering a Sony a7r IV Mirrorless Digital camera body in like-new condition for the very low price of $2598.00. The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. As a favor to Bill, I will throw in a copy of The Sony Camera User’s e-Guide and One Camera Set-up Video (a $100.00 value). Your new camera will not ship until payment clears unless other arrangements are made.

Please contact Bill via e-mail or by phone (or text) at 1-262-269-8628 (Eastern time zone).

For the past two years you have seen the incredible detail in my a7r IV images made with a variety of SONY lenses and both teleconverters. I’ve typically used my 7r IV for about 50% of my bird photography and my a9 II in pure flight situations. As the 7r IV sells new right now for $3498.00, you can save a cool $900.00 by grabbing Bill’s pretty much new a7r iv. Though this 61-MP body is especially attractive to landscape and macro photographers, it is great for birds as well as you can pretty much crop to your heart’s content. artie

Sony Alpha a9 ii Mirrorless Digital Camera Body

BAA-friend and multiple IPT veteran William Schneider is offering a Sony a9 ii Mirrorless Digital camera body in like-new condition for the very low price of $3498.00. The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. As a favor to Bill, I will throw in a copy of The Sony Camera User’s e-Guide and One Camera Set-up Video (a $100.00 value). Your new camera will not ship until payment clears unless other arrangements are made.

Please contact Bill via e-mail or by phone (or text) at 1-262-269-8628 (Eastern time zone).

From the moment I tracked that first incoming Brandt’s Cormorant, I knew that SONY a9 series bodies featured the world’ best AF. I upgraded to the a9 ii as soon as it was released for the slightly larger body size. I currently own two of them. A new a9 ii sells for $4,498.00. You can save a very nice $1000 by grabbing Bill’s pretty much new a9 ii. Not to mention that the new Sony A1 sells for $6498.00 … artie

Sony Alpha a7r IV Mirrorless Digital Camera Body

BAA Record-Low Price — Reduced $100 28 JAN 2021

Arthur Morris is offering a Sony a7r IV Mirrorless Digital camera body in excellent-plus condition for the BAA record-low price of $2398.00 (was $2498.00). Many might call this one near mint, but I like to be conservative when selling my own gear. The body has only 38,497 shutter actuations on it. The sale includes the original box and everything that came in it and insured UPS ground shipping to lower-48 US addresses. In addition, I will throw in a copy of The Sony Camera User’s e-Guide and One Camera Set-up Video (a $100.00 value). Your new camera will not ship until payment clears unless other arrangements are made. PayPal +4% will guarantee same day shipping.

Please contact artie via e-mail or by phone (or text) at 1-863-221-2372 (Eastern time zone).

For the past two years you have seen the incredible detail in my a7r IV images made with a variety of SONY lenses and both teleconverters. I’ve typically used my 7r IV for about 50% of my bird photography and my a9 II in pure flight situations. As the 7r IV sells new right now for $3498.00, you can save a very cool $1100.00 by grabbing my slightly used a7r iv. Though this 61-MP body is especially attractive to landscape and macro photographers, it is great for birds as well as you can pretty much crop to your heart’s content. artie

The Status of My Canon Gear

With the RawDigger e-Guide nearly complete, I am looking forward to setting up my very own R5 today and getting back to using it with the RF 100-500 (and on occasion, with the RF 1.4X teleconverter). That will enable me to get back to work on the BAA Canon EOS R5 Camera User’s Guide. It will be the most-expensive-ever Camera User’s Guide. Except for those who have used my affiliate links to purchase their Canon mirrorless gear.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link and then entering the ARTHUR15 code at checkout can e-mail to request a short Getting Started with Topaz e-Guide. Please include a copy of your Topaz receipt that shows the discount. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was also created on 20 JAN 2021 down by the lake at ILE. Again, I used the Induro GIT 404L/Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). AUTO ISO set 1000. Multi-metering +1.7 stops: 1/1600 sec. at f/8 (wide open) in Shutter Priority (Tv or S) mode. AWB at 6:47pm right at sunset with some haze on the southwestern horizon. Bottom Center Zone AF-C got very lucky, in part by design … Click on the image to enjoy a larger version. Image #1: Cattle Egret landing above reeds at evening roost

In the Two Sunset Family Jewels. Was Luck the Residue of Design? blog post here, I love both images equally. If I had to enter one of the two in a contest it would be a hard choice only if expanding canvas was permitted …

Like me, BAA-friend Bryan Holliday had good things to say about the image with the bird on the “wrong side” of the frame:

Hey Artie! I like the bird on the wrong side in the second image. I think it works because the open space behind the bird shows where it came from and we see it is flying down into the lower left reeds. It tells a story.

The reason I like the image above is that the bird on the left (“wrong”) side of the frame is that the composition is balanced nicely by the red streaks in the water on the right side of the frame.

This image was created on 22 JAN 2021 down by the lake at ILE. I used the Induro GIT 404L/Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). AUTO ISO set 100. Multi-metering -3 stops: 1/6400 sec. at f/22 (stopped down 3 stops) in Shutter Priority (Tv or S) mode. AWB at 6:44pm. Flexible Spot (S) One-Shot AF! Click on the image to enjoy a larger version. Image #2: Osprey in setting sun

Nobody Took a Stab at This One

In the same blog post, I wrote:

Why did I go to One-Shot AF here???

As noted here recently, when you are pointing your lens at super-bright highlights, most AF systems are blinded by the contrast. I tried my own advice by trying to focus manually and rely on Focus Peaking. But there were so many Zebras that I could not see a thing. So I turned the Zebras off but the sun behind the Osprey was so bright that I still could not see the Focus Peaking. Thinking fast, I reached up and switched from AF-C to One-Shot. Then I focused on the spot where the perch intersected the bottom of the sun. Bingo!

I love the problem solving that is often required in bird, wildlife, and nature photography. If you do not know everything, it almost feels better to work out a solution right on the spot in the field.

This image was created on 22 January 2021 while working away from my SUV at the Vulture Tree in the South Field at Indian Lake Estates. I used the Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, Sony FE 1.4x teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1250: 1/3200 sec. at f/5.6 (wide open) in Manual mode. AWB at 9:22am on a sunny morning. Center Zone AF-C was active at the moment of exposure and sharp focus was achieved. Click the image to see a larger version. Image #3: Black Vulture braking to land

Another Unanswered Question

In another recent blog post, I wrote:

Why would a southeast wind have been better for this image than the south wind?

Answer: if the wind had been from the southeast (rather than from the south), the bird would have been angling more toward me. There would have been a good chance that the shadow on the far wing would have been eliminated.

This image was also created on 22 JAN 2021 down by the lake at ILE. Again, I used the Induro GIT 404L/Induro GIT 404L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital camera body). AUTO ISO set 2000. Multi-metering +2 stops: 1/2000 sec. at f/8 (wide open) in Shutter Priority (Tv or S) mode. AWB at 6:48pm. Tracking Expand Flexible Spot AF-C performed perfectly (even though the active AF point was on the sky). Click on the image to enjoy a larger version. Image #4: Osprey taking flight just after sunset

The Optical Collusion …

In a recent blog post, I wrote:

I stayed on the Osprey after the sun set and upped my EC to +2 stops. (See more on that below …) IAC, this is the question of the day: is the Osprey flying away from us or toward us? Be careful as these can be very tricky.

The comments were very interesting. The folks who thought that the bird was flying toward us, gave all sorts of definitive reasons. Those in the other camp just said, “The bird is flying away.” The results were about 4 to 4.

Image #4A: The lighted TIF for Osprey flying away

Whaddaya Think Now?

I’d say that the bird was flying away. And I was there. The wind was from the west. Optical illusions like this are fairly common when you are creating silhouettes. I posted a similar one of a crane a few years back. It too was headed away, but it looked as if it were flying right at us.

What’s Up?

Monday morning began with the discovery of an eagle pair re-building — and copulating in — an old Osprey nest in a pine tree down by the lake. When it cleared, I enjoyed another great vulture flight session with the SONY 600 GM and the a9ii (on a tripod, of course). It has been so warm here for the past few days that the pool was up to 86 degrees yesterday! Swimming has been a pleasure. I am now doing 52 slow lengths a day (with 88 to a mile).

I am almost finished going through the copy edits/proofreads of the RawDigger e-guide. Special thanks to BPN-friend Paul Burdett (from Down-Under), IPT veteran Bart Deamer, and long-time blog-friend Dane Johnson for their efforts. The amazing thing that happens when several folks proofread the same document is that for the most part, everyone finds different errors. Overlaps — where two or more folks point out the same problem, are rare. Today I have one more edit to do. After that, I need to add some promotional information and links. Then I will be done. I expect to have the final version in the BIRDS AS ART Online Store available for purchase by Thursday the latest.

Sunset last night was decent but not spectacular as the wind was from the southwest. I tried an alternate location and learned a bit. For years I thought that mornings were always best here at ILE and recently learned that I was wrong. And the best thing about the sunset session is that I head down to the lake at 5:30pm and get home just after six.

Opinions on the optical illusion Osprey question were widely divided with most folks feeling that the bird is absolutely 100% taking off toward us … Others explain why it is obviously flying away. Answer on Thursday.

The forecast for today, Tuesday 26 January 2021, is for partly-cloudy skies early becoming sunny with a gentle southwest breeze. I will be headed down to the lake early to see what I can do.

This blog past makes thirty-seven days in a row with a new blog post. This one took about two hours to prepare. Please remember …

The Status of My Canon Gear

With the RawDigger e-Guide nearly complete, I am looking forward to setting up my very own R5 and getting back to using it with the RF 100-500 (and on occasion, with the RF 1.4X teleconverter). That will enable me to get back to work on the BAA Canon EOS R5 Camera User’s Guide. It will be the most-expensive-ever Camera User’s Guide. Except for those who have used my affiliate links to purchase their Canon mirrorless gear …

Well, at least the battery is already charged. 🙂

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

Levered-Clamp & FlexShooter Pro News

We have zero Levered-Clamp FlexShooter Pro heads in stock. Two dozen are being shipped from Hungary tomorrow. Best to place your order now to be assured of getting one from our next shipment.

We do have FlexShooter Pro heads in stock; B&H does not … The ballhead that acts like (but is much lighter than) a gimbal-head, and that serves all purposes, has — as I predicted when I first used a FlexShooter head — taken the world of nature photography by storm. And it’s all on the level too!

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long!

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

Canon R5/R6 AF e-Guide Info

So far, 85 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 30 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least a month to finish.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon EOS R5 Camera User’s e-Guide

As regular readers know, I am working on a complete Canon R5 Camera User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … With a small discount, of course.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 1 January 2021 at down by the Vulture Tree at Indian Lake Estates. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens (at 500mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 1250. Exposure determined by experience and luck and confirmed as perfect by RawDigger: 1/2500 sec. at f/7.1 (wide open) in Manual mode. AWB at 9:25am on a cloudy bright sunny morning. Face Detection + Tracking/AI Servo AF was active at the moment of exposure and performed well; see the DPP 4 screen capture below. Click on the image to see a larger version. Image #1: Turkey Vulture in rocking flight

R5 Crops

At 45MP, sharp R5 raw (CR.3) files hold up nicely to significant crops. When I mentioned cropping in an online chat with BPN-friend/R5 user Brian Sump, he eventually responded, At the end of the day, though, I guess that all I care about is, “Does the image look great?”

I would have to agree.

Here is an important point: if you crop to 50% of the width and the height of an image, you have cropped away 75% (not half) of the original pixels.

Image #1A: DPP 4 screen capture for Turkey Vulture in rocking flight

DPP 4 Screen Capture

Lots of top Canon mirrorless bird photographers like to use Face Detection plus Tracking as their go-to AF method for birds in flight. As I did here. As detailed in the R5/R6 AF guide, this AF method reverts to an AF box when it cannot track the bird’s eye. In other cases it reverts to a Zone-type AF with many AF points activated. And it often tracks all over the place. We will be exploring this latter occurrence with both systems in a blog post soon.

Please remember that I have not done a ton of flight photography with the R5/RF 100-500 in part because I have been unwilling — and in some cases — unable to travel. Can you say Bosque? Can you say San Diego? As things stand for me right now, for flight photography I do not have confidence in Face Detection plus Tracking, and I do not have confidence in Large Zone: Horizontal either. The next chance that I get, I will try Zone AF, the one large box in the center with the dancing AF points …

Image #1B: Topaz Sharpen AI on the vulture’s head

The Topaz AI One-Two Punch!

After converting the raw file in Capture One, I ran Topaz DeNoise AI on the entire image. It cleaned up the noise in the sky and in the dark tones of the vulture beautifully. Then I selected the bird’s head with the Quick Selection Tool (W), put that on a layer, and brought the layer only into Topaz Sharpen AI. In the Comparison View, I clicked on Auto and saw the Stabilize was best. I ran it at full strength. Once it was back in Photoshop, however, I zoomed in to 100% and clicked the eyeball for the Sharpen AI layer on and off. The sharpening was obviously much too strong. I reduced the Opacity of that layer to 50% and the sharpened head looked a whole lot better.

With almost all of my SONY and Canon mirrorless flight images, I do some Eye Doctor work by darkening the pupil using Tim Grey Dodge and Burn (as detailed in ABP II). Darkening the pupil gives images an added jolt of apparent sharpness.

Image #1C: the RawDigger Adapted Histogram for the Osprey taking flight just after sunset image

The RawDigger Adapted Histogram

Click on the image to enlarge it and note the rosy-red Ov-Exp warnings on some of the feather vanes and the bill tip. Note also the 1742 OvExp G pixels along with the 14 OvExp R pixels and the 9 OvExp B pixels. The OvExp R and B pixels are insignificant. In the RawDigger e-guide we teach you how to deal with images like this. We explain why the raw file brightness in this image is pretty much perfect and how to deal with the small areas of over-exposure. Remember that 1742 pixels out of 45,000,000 works out to 0.00% ever-exposed …

In the guide, you will — of course — learn how to set up the Adapted Histogram and use it to evaluate the exposures and raw file brightness for files from pretty much every dSLR and Mirrorless camera body in use today. It performs perfectly with my Canon CR.2 image files from 2001 and with all of my Nikon NEF files as well. Like me, you will probably find that you were severely under-exposing everything, especially overall light-toned images that were created in low light. And as we have seen recently, with silhouettes created against richly-colored skies. Like the Topaz AI stuff RawDigger has been a game-changer for me.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

What’s Up?

Saturday was a foggy, hazy, lazy, rather warm grey day in Central Florida. I went out briefly in the morning and then relaxed for the rest of the day. No bursts. No walks. No swim.

For the first time in recent memory, I finished this blog post the day before it was posted. The weather forecast for what is now Sunday 23 January 2021 is for mostly cloudy with a chances of sprinkles and light northeast winds.

The plan is that I will create the RawDigger Adapted Histogram video on Sunday morning.

This blog past makes thirty-five days in a row with a new blog post. It took more than two hours to prepare. Please remember …

Please Remember

With income from IPTs now at zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

Canon EOS-1DX Mark III professional digital camera body

Used Gear Page regular Don Busby is offering a Canon EOS-1DX Mark III dSLR in like-new condition with less than 10,000 shutter actuations for a very low $5499.00. The sale includes the original box and everything that came in it including the 64gb CF Express Card, the CFexpress reader, and an extra battery. Also included is insured ground shipping via major courier to lower-48 US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Don via e-mail

The Canon 1Dx bodies have been solid performers under challenging conditions for many years. The autofocus performance of the 1Dx and 1Dx MkII had been lacking as compared to Nikon or lately Sony (A9) especially when it comes down to dynamic focusing using the whole sensor array or specific zones. on the 1DX Mark II, the Automatic AF area selection never did a great job of acquiring and tracking the subject; thus, that mode was pretty much useless for photographing birds in flight. Single-point AF or AF Expand (4 or 9 points) with the tracking sensitivity set at -2 often produced good results for me with flying birds, but the fact that you were limited as far as image design always bothered me. Nikon’s dynamic focusing and Sony’s tracking capabilities provided extra compositional flexibility. As a result, many bird photographers decided to leave Canon and switch to Nikon or a Sony a9 series body. I decided to stay the course with Canon for two reasons: my collection of great Canon lenses, and the fact that the development of sensor and AF technology is like an arms race: one day Nikon is ahead, the next day Canon is ahead. I was lucky enough to get the new Canon 1Dx MkIII camera body from Steve Elkins just in time for my trip to Alaska to photograph the bald eagles. It was the perfect place to test the improved AF capabilities of the new Canon flagship body, the EOS-1D X Mark III DSLR with CFexpress Card and Reader.

The 1Dx MkIII is a hybrid camera with an Optical Viewfinder (OVF) and Live-View shooting making it a mirrorless camera at the same time that it is a rugged dSLR. There are a ton of other great new features, but I focused primarily on testing the new enhanced AF system. I was especially interested to see if the new dynamic 191-point Automatic AF selection and the AF zones would perform better than the previous versions of the 1Dx. The conclusion is that even under difficult circumstances — the first two days with heavy winds and heavy snow) — the camera had no issue focusing on the subject and keep tracking it with the Automatic AF selection mode. I used the center point to acquire focus and as soon as it locked the focus on the bird, it did a great job keeping multiple AF points on the subject and tracking it through the frame and through the snowflakes. The same applied for the Zones — smaller AF areas with multiple AF points active. Even with busy backgrounds, the AF stayed locked on the subject. The AF modes have been reduced to 4 compared to 5 in the previous 1Dx models. I primarily used Mode 2 (Continue to Track Subjects, Ignoring Possible Obstacles) and Mode 4 (For Subjects That Accelerate or Decelerate Quickly) but was not able to see a significant difference between the modes. Even with trying the “Deep Learning” Automatic setting (Tracking Automatically Adapts to Subject Movement) I did not notice a significant difference. They all performed really well. The conclusion is that Canon has produced a camera that is now on-par or even better than its competitors with respect to AF performance. Although I did not test the mirrorless capabilities yet, other tests show that this function is also equal to or better than the Sony A9 performance, the only difference is that you can not use the OVF in mirrorless-mode with the 1DX III and have to use the display on the back of the camera (the rear monitor) instead. Due to the fact you have to keep the camera away from your eye, this is somewhat awkward for photographing birds in flight. I am very happy with the AF performance as compared to the previous Canon models and am looking forward to testing it further on Florida birds this coming spring. Clemens van der Werf

The 1DX III sells new right now for $6,499.00. Grab Don’s almost new body, save a $1000.00, and get an extra battery to boot! I remember how thrilled Clemens was with his then brand-new 1DX III in Homer. You can see some of his eagle images made with the 1DX iii in the Field-testing the New Canon EOS-1DX Mark III at Homer: World-Class Nature Photographer Clemens Van der Werf Shares the Skinny on Canon’s New Flagship Camera Body post here. artie

Levered-Clamp FlexShooter Pro

We have just one Induro GIT 404L/Levered-Clamp FlexShooter Pro in stock. Two dozen are being shipped from Hungary this coming Tuesday. The ballhead that acts like a (but is much lighter than) a gimbal-head, and serves all purposes, is — as I predicted when I first used a FlexShooter — indeed taking the world of nature photography over by storm. And it’s all on the level too!

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long …

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

134 sold to rave reviews. The SONY e-Guide by Patrick Sparkman and Arthur Morris

The Sony Camera User’s e-Guide (and Videos)

Click here to purchase the guide with one Camera Set-up Video. Be sure to e-mail us by clicking here to specify your camera body so that we can send you a link for the correct video.

Click here to purchase the guide with two Camera Set-up Videos. Be sure to e-mail us by clicking here to specify your two camera bodies so that we can send you links for the correct videos.

Click here to learn more about the SONY e-Guide.

Folks who have used my B&H affiliate links or purchased their SONY gear are invited to e-mail for discount information.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

This image was created on 22 January 2021 while working away from my SUV at the Vulture Tree in the South Field at Indian Lake Estates. I used the Induro GIT 304L/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, Sony FE 1.4x teleconverter, and the blazingly fast AF King, the Sony Alpha a9 II Mirrorless Digital Camera Body. ISO 1250: 1/3200 sec. at f/5.6 (wide open) in Manual mode. AWB at 9:22am on a sunny morning. Center Zone AF-C was active at the moment of exposure and sharp focus was achieved. Click the image to see a larger version. Image #1: Black Vulture braking to land

Give Me Eight Good Minutes

The first of 37 flight keeper images was created at 9:14am. The last, today’s featured image above, was created just eight minutes later. The wind was from the south at first, but switched to southwest about halfway through the session or I would have had a lot more good ones. I was a bit too close and a bit too old with slow reflexes and not the greatest hand-eye coordination or fine motor skills, so I clipped a lot of wings and heads. But I sure had fun.

And as I have been saying here repeatedly, If my life depended on making one sharp flight image, I would want a SONY a9 ii in my hands …

Wind Direction Question

Why would a southeast wind have been better for this image than the south wind?

Image #1A: Topaz Sharpen AI on the vulture’s head

The Topaz AI One-Two Punch!

Before adding canvas above, right, and below using the Crop Tool/Content-Aware Fill method, I ran the whole image through Topaz DeNoise AI. It cleaned up the noise in the sky and in the dark tones of the vulture beautifully. Then I selected the bird’s head with the Quick Selection Tool (W), put that on a layer, and brought the layer only into Topaz Sharpen AI. In the Comparison View, I clicked on Auto and saw the Stabilize was best. I reduced the Sharpness setting by one-third from 48 to 32.

Despite the fact that I am trying to use faster shutter speeds for flight, the fact that Stabilize is almost always the best mode chosen by Auto in Topaz Sharpen AI shows two things:

• 1- My panning skills even on a tripod are less than ideal.
• 2- I need to strive for Shutter speeds even faster than 1/3200 second.

Click on the image to view a larger version and to be able to read the fine print. Image #1B: RawDigger Screen Capture Composite

RawDigger Screen Capture Composite

First note the 191 OvExp G (GREEN) pixels. Next check out the 800% view in the upper right corner. All of the over-exposed pixels can be seen as rosy-red OvExp warnings in the specular highlight in the vulture’s eye. The GREEN channel histogram pegged against the 16000 line indicates that same degree of over-exposure. In the RawDigger e-Guide we teach you that this is a perfect exposure. By mega-Exposing-to-the-Right we are opening up the dark tones of the bird as much as possible and attaining the highest possible level of shadow detail in every situation.

Click on the image to view a larger version and to be able to read the fine print. Image #1C: Black Vulture Liquified

Creative (?) Fun With the Liquify Tool

Amazingly, I dreamed of creatively messing around with this image last night. First I tried Twirl (Filter > Distort> Twirl), but that was totally unsuccessful. Next I tried the Liquify Tool (Filter > Liquify). I played around a bit — often taking a step back (Command + Z) when I didn’t like what I had done — and wound up saving two different versions. Image #1C was my favorite. Like I or hate it, I’d love to hear from you.

If you are a high-end Photoshop user, you will find a great Adobe Liquify Tool tutorial here.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.

What’s Up?

I had my teeth cleaned at 7am yesterday and was done by 7:22am. Jim drove me to Lakeland where my first morning stop had zero American White Pelicans. In previous years there had always been dozens of the huge, beautiful, easy-to-approach pelicans resting on the bulkheads around the lake … Things were better at my back-up morning lake with lots of Lesser Scaup and a few Ring-necked drakes as well. I used my SONY 200-600 with the a9 ii while my brand new Canon rig remains in the product boxes on the dining room table …

We stopped at Mickey D’s for breakfast and headed back to Lake Wales for my appointment with TJ. I arrived about 15 minutes early only to learn that I was 24 hours and 15 minutes early. My appointment was for the next day, Friday 🙁

Jim and I headed down to the lake at about 1pm and we erected the largest, tallest-ever perch. It has a rather pointed top and I am wondering if the birds will take to it …

There was some nice sunset color on Thursday evening but with the wind from the west the birds coming to roost were landing away from me so I never even set up my lens. I did get some great sunset stuff on Wednesday evening and will share two of those along with my new sunrise/sunset exposure methodology with you there.

After posting this:

The exposures are very tough when you work in manual mode as you need to avoid over-exposure when the bird or birds are set against the brightest areas of the sky, those right next to the setting sun. But as the birds get away from those brightly colored skies, away from the sun or the spot where it just set, you will wind up with too-dark raw files.

If you can think of a solution to this problem, please, please pretty please leave a comment. And please be specific. What exposure mode? What Exposure Compensation?

in yesterday’s blog post here, I was surprised that nobody took a crack at a better way to work exposure-wise when dealing with richly-colored skies at sunrise or sunset.

This blog past makes thirty-three days in a row with a new blog post. This one took about 2 hours to prepare. Please remember …

Levered-Clamp FlexShooter Pro

We have just one Induro GIT 404L/Levered-Clamp FlexShooter Pro in stock. Two dozen are being shipped from Hungary on Tuesday. The ballhead that acts like a gimbal and serves all purposes, is indeed taking the world of nature photography over by storm. And it’s all on the level too!

Please Remember

With income from IPTs approaching zero, please, if you enjoy and learn from the blog, remember to use one of my two affiliate programs when purchasing new gear. Doing so just might make it possible for me to avoid having to try to get a job as a Walmart greeter and will not cost you a single penny more. And if you use Bedfords and remember to enter the BIRDSASART code at checkout, you will save 3% on every order and enjoy free second-day air shipping. In these crazy times — I am out at least forty to sixty thousand dollars so far due to COVID 19 (with lots more to come) — remembering to use my B&H link or to shop at Bedfords will help me out a ton and be greatly appreciated. Overseas folks who cannot order from the US because of import fees, duties, and taxes can always help out by clicking here if they see fit.

RawDigger e-Guide pre-publication version

RawDigger e-Guide and Video Advance Copy Still Available — but not for long …

Save $10 Now

The RawDigger e-Guide and Video is almost finished. It will sell for $51.00. If you are anxious to get started with RawDigger, learn to mega-Expose to the Right, and wind up with the highest quality image files, you can save $10.00 and have a chance to review a recently updated pre-publication version of the guide by sending a PayPal for $41.00 to birdsasart@verizon.net with the words RawDigger e-Guide and Video Pre-publication Copy cut and pasted into the Subject line. The recent delay is the result of my recent conversations with Iliah Borg, the brains behind RawDigger. It is very likely that the Shock-your-World section will shock you.

In the new guide, we teach you why the GREEN channel is almost always the first to over-expose. We teach you how to interpret the Max G values. And most recently, we teach you a simple way to evaluate your exposures using an adapted RawDigger histogram. And tons more, of course. I am planning on having the completed RawDigger e-Guide ready for sale by this coming Wednesday. Folks who saved $10.00 by pre-ordering will of course receive a link to the final PDF.

The BAA Used Gear Page

The Used Gear page continues to be very active. The BAA Used Gear Page is the place to sell your used photographic equipment. We will help you to get your gear sold quickly for 20 to 60% or more than what the big guys are offering … Doubt me? Check out the Recent Sales list for the past eleven months at the bottom of the page.

Canon R5/R6 AF e-Guide Info

So far, 70 folks have sent PayPals for their copy of the Canon R5/R6 AF e-Guide. And 28 who used my affiliate links to purchase their R5 have e-mailed for and received their free copy of the guide. If you e-mailed or sent a PayPal and did not receive your guide, please LMK immediately via e-mail.

Feedback has been overwhelmingly positive so far. Three folks wrote stating that they had a better way of setting up AF on their R5s. When I wrote back explaining why they were in error, two of them back-tracked. One stubborn guy is still doing it his way — less efficiently. Be sure to scroll down to read about my plans for a Canon R5/R6 User’s e-Guide. Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide immediately as the R5/R6 User’s Guide will take at least a month to finish.

BAA Canon R5/R6 Autofocus e-Guide

BAA Canon R5/R6 Autofocus e-Guide

Twenty-one pages. 3,452 words. 28-DPP4 screen captures showing the R5’s vaunted AF system in action. Note: the AF system of the R5 is identical to the AF system of the R6.

You will learn:

1- The two most useful AF Methods for general bird photography and for birds in flight.

2- How to set up your R5/R6 AF Menus.

3- What boxes to check (and un-check) under Limit AF Methods.

4- How to change the AF Method quickly, easily, and efficiently. Note: the default way of doing this is clunky, cumbersome, and inefficient at best. One person replied that this tip alone was worth the price of admission.

5- The only setting that should be used for Initial Servo AF pt for Face Detection + Tracking.

I you are currently using multiple back buttons either for general bird photography or for birds in flight, what you learn in this guide will change your life. For the better.

Here are the first three paragraphs of this e-Guide:

From the moment I learned about the new Canon mirrorless bodies, I read about using two or three back-buttons to focus using different AF methods. The word on the street said that the way to go for birds in flight was to use one button to acquire focus with Zone AF or with Large Zone: Horizontal AF and then switch to another button to activate Face Detection + Tracking AF and then use the shutter button to make an image. My immediate thought was, “This is insanity! There has got to be a better way.” In short, there is a far superior way to set up AF on your R5 or R6.

The default method of switching AF Methods with the R5/R6 bodies is cumbersome at best. It involves first pressing the grid button (my name) on the upper right back of the camera and then pressing the hard-to-access M-Fn button to toggle through the AF Methods. This method is so bad that it will not be mentioned again in this guide.

The guide is free to all who have ordered an R5 or an R6 using my B&H affiliate link or from Steve Elkins/Bedfords using the BIRDSASART coupon code at checkout. Please send your receipt to me via e-mail. It will take me a few days to a week to verify the B&H purchases. Bedfords folks should expect their free e-Guides fairly quickly.

To purchase your copy of the e-Guide, please click here or send a PayPal for $25.00 to birdsasart@verizon.net and be sure to include the words R5/R6 AF Guide in your PayPal e-mail.

Everyone who gets the guide will receive a free update no later than the first week in February.

Canon R5/R6 User’s e-Guide

As regular readers know, I am working on a complete Canon R5/R6 User’s e-Guide. This will require a lot of research, a lot of time, and a lot of effort. I am hoping to have it complete by mid- to late February. As always, folks who use the BAA affiliate links to purchase their Canon gear will receive a substantial discount.

Understand that the info in the BAA Canon R5/R6 Autofocus e-Guide is so important that I opted to publish the AF guide right off the bat to help folks get started with their new camera bodies. I may soon offer a pre-publication version of the User’s e-Guide … At a discount, of course.

Great Topaz News!

Folks who use the BAA Topaz link to purchase Sharpen AI, DeNoise AI, or the Utility Bundle (or any other Topaz plugins) will receive a 15% discount by entering the ARTHUR15 code at checkout. To get the discount you must use my link and you must enter the discount code. Be sure to start with this link.

Topaz Stuff

As I said just a while back and have said often many times before, I should have listened sooner. If you, like me, are new to the Topaz party, please use this link to purchase. Right now I can wholeheartedly recommend both Topaz Sharpen AI and Topaz DeNoise AI. Though I have not yet worked with JPEGtoRAW AI or Gigapixel AI, I have installed both of these plug-ins and look forward to trying them on some I-Phone 11 images fairly soon. If you are thinking like me, consider the Utility Bundle that includes all four plug-ins mentioned above at a money-saving price.

Again, those who purchase Sharpen AI or DeNoise AI using my link, can e-mail to request a short Getting Started with Topaz e-Guide. I had a bit of trouble getting the two plug-ins installed and having them appear in the Photoshop Filter Menu. In addition, I will explain how to best learn about the two plug-ins by applying them on a Layer (in Photoshop).

New and Better Bedfords Discount Policy!

You can now save 3% on all of your Bedfords photo gear purchases by entering the BIRDSASART coupon code at checkout. Your discount will be applied to your pre-tax total. In addition, by using the code you will get 2nd day air shipping via Fed Ex.

Grab a Nikon AF-S Teleconverter TC-14E III and save $14.99. Purchase a Canon EOS R5 and your discount will be $116.97. Purchase a Sony FE 600mm f/4 GM OSS lens and save a remarkable $389.94! Your Bedford’s purchase no longer needs to be greater than $1,000.00 for you to receive a discount. The more you spend, the more you save.

Money Saving Reminder

Many have learned that if you need a hot photo item that is out of stock at B&H and would enjoy free overnight shipping, your best bet is to click here, place an order with Bedfords, and enter the coupon code BIRDSASART at checkout. If an item is out of stock, contact Steve Elkins via e-mail or on his cell phone at (479) 381-2592 (Central time). Be sure to mention the BIRDSASART coupon code and use it for your online order to save 3% and enjoy free 2nd-day air shipping. Steve has been great at getting folks the hot items that are out of stock at B&H and everywhere else. The wait lists at the big stores can be a year or longer for the hard to get items. Steve will surely get you your gear long before that. For the past year, he has been helping BAA Blog folks get their hands on items like the SONY a9 ii, the SONY 200-600 G OSS lens, the Canon EOS R5, the Canon RF 100-500mm lens, and the Nikon 500mm PF. Steve is personable, helpful, and eager to please.

Gear Questions and Advice

Too many folks attending BAA IPTs (remember those?) and dozens of photographers whom I see in the field and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on 29 December 2020 at Lakeland, FL. I used the handheld Canon RF 100-500mm f/4.5-7.1L IS USM lens with the Canon Extender RF 1.4x (at 700mm) and the highly touted 45MP Canon EOS R5 Mirrorless Digital camera body. ISO 800. Exposure determined by experience and luck and confirmed as perfect by RawDigger: 1/800 sec. at f/14 (stopped down one full stop from f/10 which is wide open at 500mm) in Manual mode. AWB at 7:51am on sunny morning. Face detection + Tracking/AI Servo AF was active at the moment of exposure and performed perfectly as seen below. Click the image to see a larger version. Image #1: American Coot head portrait

Canon EOS R5 Crop-ability

It goes without saying that sharp R5 images can stand up to healthy crops. I have not done the math with today’s featured image, Image #1 above, but would estimate that about 50% of the original pixels were cropped away. I did that in part to eliminate the yellow, out-of-focus grasses in the lower right corner. While the image quality and sharpness held up well to the large crop, I improved that by running the image through Topaz Gigapixel AI at 2X. Image quality improved as the file size doubled.

How to use Topaz Gigapixel AI

I convert both my SONY and Canon images in Capture One and bring the TIFs into Photoshop. First I crop with Delete Cropped Pixels. Next, I run Topaz DeNoise AI (as I did with today’s featured image as seen below). Then I do my clean-up work and make any other Photoshop adjustments. Then I save the image with the prefix “For Giga.” Finally, I open Gigapixel and drag the saved image into the GP window, select 2X, and hit “Save Image.” After rendering — it takes a few minutes — the image is saved to the folder from which it was opened. Then I return to Photo Mechanic and delete the converted TIF and the “For Giga” file to save space. I open the Gigapixeled image in Photoshop, rename it, and create a 1200px JPEG for the blog via an action in Photoshop.

I have had great success in up-rezzing large crops and with cell phone images as well. The up-rezzed images are not only larger, but they are sharper as well.

Why f/14?

It is important to stop down when working close to the minimum focusing distances of a lens where depth-of-field is razor-thin at best.

Image #1A: DPP 4 screen capture for American Coot head portrait

The DPP 4 Screen Capture

“Edit Image” mode in DPP 4 shows the active AF point or points as long as you have the AF Points box under Preview checked. You can toggle AF points on and off using the Command + J keyboard shortcut. I always leave the box checked. Command I toggles the EXIF information box on an off. Note here that Face detection + Tracking/AI Servo AF worked perfectly with this image. Note also that the DPP 4 histogram pales in comparison to the RawDigger adapted histogram (as seen below for this image), especially at the highlight end.

Image #1B: RawDigger screen capture for American Coot head portrait

The RawDigger Adapted Histogram for Today’s Featured Image

In the nearly completed RawDigger e-Guide, you will learn what causes the tiny over-exposed tiny spikes at the highlight end of the histogram in all three color channels. You will — of course — learn how to set up the Adapted Histogram and use it to evaluate the exposures and raw file brightness for files from pretty much every dSLR and Mirrorless camera body in use today. It performs perfectly with my Canon CR.2 files from 2001, and with all of my Nikon NEF files as well. Like me, you will probably find that you were severely under-exposing everything, especially overall light-toned images that were created in low light. RawDigger has been a game-changer for me.

Image #1C: Topaz DeNoise AI screen capture for American Coot head portrait

Topaz DeNoise AI Continues to Amaze

As WHITEs require one stop less light to be properly exposed than middle-tones do, the blue water background is one stop under-exposed despite the perfect exposure for the image overall. Why is that? Because we always need to expose as far to the right as possible while maintaining highlight detail.

Note that a clean coot’s bill is about as white as white can be. Having exposed perfectly to the right, as noted above, the blue water background is at least one full stop under-exposed. Thus the noise. Of note for R5 user’s is the hint of color noise visible in the before image on the left. I have yet to see any color noise in a SONY image no matter the exposure. IAC, Topaz DeNoise cleaned it up beautifully and thus would seem to be a mandatory part of the workflow for all Canon R5 user’s.

Oh, BTW, this is an absolutely dead-solid perfect exposure.

Image #1D: American Coot head portrait fine detail

You Want Detail?

It is a given that sharp R5 files are incredibly detailed. With the large crop of the original image followed by Gigapixel AI at 2X, the fine detail here should please just about anyone. Note also that whenever you add a teleconverter sharpness is decreased by about 14% …

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors.