Arthur Morris/BIRDS AS ART
December 20th, 2023

Sony 70-200mm II/a-1 (no teleconverter!) Rocks La Jolla

What’s Up?

I will be heading up to Long Island on the Auto Train on 22 July and heading back to Florida on 21 August. I will be announcing two Nickerson Beach IPTs and one Jamaica Bay shorebird IPT soon. It has been sunny, cold, and windy in the mornings here so I have not gotten down to the lake recently.

There is an only one spot left on the first Homer IPT. Please e-mail for late-registration discount e-mail. Homer #2 is sold out.

Today is Wednesday 20 December 2023. Jim will be distributing Digital Basics III/Volume I/#3 this afternoon. Details on Volume I/#3 in the next blog post. Wherever you are and whatever you choose to do, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

B&H Simplified

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

B&H

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

This image was created on 12 December 2022 on a San Diego Instructional Photo-Tour at La Jolla, CA. I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens (at 70mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 1600: 1/125 sec. at f/2.8 (wide open) in Manual mode. AWB at 6:42:14am long before the sun came over the hill.

Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #1: Brown Pelicans and gulls on cliff in pre-dawn light —

The Sony 70-200mm GM II Lens Alone in La Jolla

Somewhat surprisingly, the handheld Sony FE 70-200mm f/2.8 GM OSS II lens alone (without a teleconverter) is deadly and versatile in San Diego in winter. On the San Diego IPTs, we arrive very early to take advantage of the pink/purple/blue pre-dawn light. In any system, the 70-200mm lenses are hugely popular among nature photographers for creating scenics and bird-scapes. This one was created at the wide end, 70mm.

Image #1A: This is an un-sharpened 100% crop of the Brown Pelicans and gulls on cliff in pre-dawn light image

Sharpness and Depth of Field

Both sharpness and depth of field are incredible in the un-sharpened 100% screen capture above. The sharpness must be credited to the high quality of the lens and good handhlding technique.

Your Call #1

Note that every bird in the frame has been rendered in sharp focus. What two factors resulted in the remarkably deep depth of field at f/2.8?

This image was created on 11 January 2023 on a San Diego Instructional Photo-Tour at La Jolla, CA. I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens (at 180mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 1600: 1/2500 sec. at f/2.8 (wide open) in Manual mode. AWB at 9:08:09am in the shade on a cloudy morning.

Tracking: Zone AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #2: Brown Pelican — in flight — cliff background

70-200mm for Flight?

Imagine having to zoom out from 200mm when photographing a Brown Pelican in flight. Many would ask, How did you happen to have a 70-200mm lens in your hand at just the right time? I did not just happen. When photographing birds, you need to keep your eyes open and moving. Bird behavior is often repetitive. When I saw pelicans flying into the narrow cove and landing, I ran up to my rental car, switched the 400mm f/2.8 for the 70-200mm f/2.8, got into position, and went to work. It was simply a matter of using the right tool for the job. Join me on an IPT to learn to see the shot, to evaluate a great variety of bird photography situations.

This image was created on 5 January 2023 on a San Diego Instructional Photo-Tour at La Jolla, CA. I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens (at 200mm) and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with ISO on the Thumb Dial. ISO 1250: 1/640 sec. at f/2.8 (wide open) in Manual mode. AWB at 7:22:31am in the shade on a cloudy dark morning.

Tracking: Zone AF/C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a high-res version.

Image #3: Brown Pelican — Pacific race resting on shelf

Different Perspectives, Different Backgrounds

By moving around and checking things out, you can offer find new and different perspectives. Find the spot where you are looking down at the rocky beach and you can enjoy creating a great variety of images. When I made Image #3, I was standing at exact same spot as when I made Image #2. It pays to prospect! Join me on a San Diego IPT to learn all of my secret spots.

Your Call?

Which version do you like, the Before or the After? Why?

San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.

The 2024 San Diego Brown Pelicans (and more!) IPTs

San Diego IPT #1: 4 1/2 DAYS: TUES 23 JAN thru the morning session on SAT 27 JAN 2024: $2699.00. Deposit: $699.00. Limit: 6/Openings 4.

San Diego IPT #2: 3 1/2 DAYS: WED 31 JAN thru the morning session on SAT 3 FEB 2024: $2149.00. Limit: 6 photographers

Please e-mail for information on personalized pre- and post-IPT morning sessions.

Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (nesting) and Double-crested Cormorants; breeding plumage Wood and Ring-necked Ducks; other duck species possible including Lesser Scaup, Redhead, Northern Shoveler and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heermann’s, all in full breeding plumage; shorebirds including Marbled Godwit, Willet, Sanderling and Black-bellied Plover; many others are possible including Least, Western, and Spotted Sandpiper, Whimbrel, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seals and California Sea Lions (both depending on the current regulations and restrictions). And as you can see by studying the IPT cards, there are some nice bird-scape and landscape opportunities as well. Not to mention a ton of excellent flight photography opportunities and instruction.

I discovered some really neat new spots on my 2022/23 visit. As a result, the first and second IPTs may include an afternoon or two of landscape photography.

Please note: where permitted and on occasion, ducks and gulls may be attracted (or re-located) with offerings of grains or healthy bread.

San Diego offers a wealth of very attractive natural history subjects, including and especially the Pacific race of California Brown Pelican. With annual visits spanning more than four decades, I have lots of photographic experience there … Click on the composite to enjoy a larger version.

Learning Exposure, Whether You Like It Or Not

Whether you like it or not, we will be beating the subject of exposure like a dead horse. In every new situation, you will hear my thoughts on exposure along with my thoughts on both Nikon and Canon histograms and SONY Zebras. Whether you like it or not, you will learn to work in manual mode so that you can get the right exposure every time (as long as a bird gives you ten seconds with the light constant). Or two seconds with SONY zebras … And you will learn what to do when the light is changing constantly. What you learn about exposure will be one of the great takeaways on every IPT.

Though the pelicans will be the stars of the show on this IPT, there will be many other handsome and captivating subjects in wonderful settings. Click on the composite to enjoy a larger version.

It Ain’t Just Pelicans

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning, there is usually some excellent flight photography, at times with 70-200mm lenses! And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You will be guided as to how to make the best of those opportunities. Depending on the weather, the local conditions, and the tides, there are a variety of other fabulous photo chances available in and around San Diego. Each IPT will include one or two duck sessions.


san-diego-card-neesie

Did I mention that there are lots of great birds and natural history subjects in San Diego in winter? Click on the composite to enjoy a larger version.

The San Diego Details

These IPTs will include four or five 3-hour morning photo sessions, three or four 1 1/2-hour afternoon photo sessions, and three or four working brunches that will include image review and Photoshop sessions. On rare cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip that afternoon shoot. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will be on your own as well. In the extremely unlikely event that Goldfish Point is closed due to local ordinance (or whimsy) — that has never happened in the past fifty years, I will of course do my very best to maximize our photographic opportunities.

Deposit Info

A $699 deposit is required to hold your slot for one of the 2024 San Diego IPT. You can send a check (made out to “BIRDS AS ART”) to us here: BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855, or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, is due three months before the trip.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

December 18th, 2023

LensRentals.com and a Dramatic Lake-scape (with how-to)

A Long Story — My Sony 600mm f/4 Repairs

In mid-August of this year, I discovered that I could not remove the drop-in filter on my Sony 600mm f/4. It should be cleaned every few weeks. So, with some trepidation, I sent the lens to Sony repair in LA in late August. Other than the stuck filter, the lens had been working perfectly. I was pleased to note that Sony picked up the round-trip, overnight Fed Ex shipping charges as part of my Sony Pro Support membership ($100.00/year).

In early September they told me that the filter was stuck because “of sand getting into the unit.” Understandable. Perhaps. They stated that they had cleaned the entire lens as it was “full of sand.” That was surely understandable. Two weeks later I received another e-mail: they had discovered a problem with the AF system and needed a part that was out of stock. Several weeks after that, they told me that the part had come in, but when they began the repair, they discovered that they needed another part that was of course out of stock. At that point I decided to grab a loaner from LensRentals.com. While I love the 400mm f/2.8, there are times when I need and depend on the 600, especially at Sebastian Inlet.

On October 23, I got an e-mail stating that the lens would be returned to me in perfect working condition. I returned the loaner before checking the lens. The first time that I attached an a-1 to the 600, it was obvious that the lens was inoperable. The camera could not read the lens; all I saw in the EVF was “f-” instead of the aperture.

So, I contacted Sony, returned the lens to them, and grabbed another loaner from LensRentals.com. I immediately got an e-mail asking if I had taken the lens to the beach as it was again “full of sand.” I wrote back stating that I had not taken the lens into the field and that sand they had found must have been left over from the first “cleaning.”

The next e-mail said that the unit needed a new motherboard that was, of course, out of stock. On November 22, just about three months to the day that I sent it in, I got my lens back. As shown here, it worked perfectly.

The great news out of all this was that each of the 600mm f/4 GM lens that I got from LensRentals.com were in like-new condition and performed perfectly. After the total repair screw up, the second loaner was at my home the next day! I was very impressed.

ddc 728w

Save 15%!

If you’d like to try out a new lens, or if you need a lens for a specific trip or project (or for an IPT), LensRentals.com is the only way to go. To save 15%, simply click on the logo link above, arrange for your rental, and type in BIRDSASART15. If you type the gear you are looking for in the search box, it will pop right up. LensRentals.com offers affordable insurance. You can decline it, opt for LensCap: Damage Only, or select LensCap: Damage & Theft. Then hit PROCEED TO CHECKOUT. After you enter all of your info but before completing your order, be sure to scroll down to Promo Code box and enter the BIRDSASART15 code to save 15%.

I checked on renting a Sony FE 70-200mm f/2.8 GM OSS II lens for a week. The cost is only $122.00. LensCap: Damage Only coverage can be added for a very low $18.00. Going with LensCap: Damage & Theft would be $27.00. The shipping charge varies. They offer an interesting program called Lensrentals HD. By signing up for this shipping discount program ($99.00/year), you’ll get free Standard Shipping on all the orders you place.

Renting a Sony 600mm f/4 GM OSS lens for a week will cost you $536.00. The two coverage options come in at $76.00 or $114.00. Less your 15% discount when you enter the BIRDSASART15 code into the Promo Code box at checkout.

Remember, to save the 15% on your rental you must start your search by clicking on the logo above, or on this link: LensRentals.com

LensRentals.com

LensRentals.com is the largest online rental provider for photography, videography, and lighting equipment, and accessories in the United States. Headquartered in Memphis, Tennessee, with a satellite office in Nashville, Lensrentals ships gear to customers in all 50 states and also provides in-person pickups and returns to local customers.

Founded in 2006 by Roger Cicala as a way to expand his own gear collection and share his photographic knowledge, Lensrentals.com has grown from a one-man operation in a spare bedroom to a company with nearly 100 employees, dozens of experienced photo and video technicians, an in-house repair department, and the best customer service representatives in the industry. Roger continues to provide guidance and expertise to photographers of all experience levels and is considered an industry authority on lens quality and testing, as shown by his work evaluating NASA satellite lenses.

LensRentals.com serves hundreds of thousands of photographers and videographers annually, while always maintaining the values of their founder – share the best available equipment at its optimum quality, and educate and provide support to their customers to ensure they can achieve their goals regardless of experience level. They carry camera bodies and lenses in every format from every major manufacturer, and all the audio, lighting and support accessories needed to cover any kind of shoot, from a family holiday card to a commercial advertising job. All equipment purchased is sold within two years so customers are assured that their stock is always in like-new condition.

What makes LensRentals.com different from other rental houses is their staff of trained photo and video professionals with a commitment to excellence, quality, and customer support! Every piece of gear is cleaned and inspected optically and physically to guarantee that orders arrive on-time with compatible, working equipment.

Your Call?

As for today’s featured Victory at Sea image, do you like it or hate it? Why?

Catching Up on My Calls

In the Striving for Different. And Blessed at Indian Lake Estates blog post here, the spectacular dorsal flight shot of the Boat-tailed Grackle, Image #4, would have been my favorite had the bird’s head been turned slightly toward us rather than slightly away. (The other image with a less-than-ideal head angle was Image #2, the Black Vulture on ground with it wings raised.) My first two picks were the Sandhill Crane photos, Image #4 –Sandhill Crane with dried grasses in bill, Image #7 (for its simplicity), and the Sandhill Crane gaining altitude just after taking flight (for the perfect wings fully down flight pose and the image design).

In the Alan Goodwin — Super-telephoto Lens/a-1 Beginner blog post here, most folks went for the Image #4, the White Ibis in the breaking wave, and for Image #5, the dancing Reddish Egret. So did I — the ibis for the breaking wave, and the dancing reddish for the whimsical flight pose and the soft light. That said, all of the other images were quite excellent, especially the Reddish Egret flight shot, Image #6.

This image was created on 17 December 2023 on the pier at Indian Lake Estates. While standing at full height, I used the handheld Sony FE 70-200mm f/2.8 GM OSS II lens with the Sony FE 2x teleconverter (zoomed out to 144mm), and The One, the Sony Alpha 1 Mirrorless Digital Camera.. The exposure was determined via Zebras with Exposure Compensation (EC) on the Thumb Dial. Multi-metering -1.7 stops in Shutter Priority mode. AUTO ISO set ISO 100: 1/1000 sec. at f/25 (stopped down 4 1/3 stops) AWB at 9:36:13am on a then bright sunny morning.

Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection enabled performed just fine. Click on the image to enjoy a high-res version.

Image #1: The Bering Sea in Winter? Not!

Lake Walk-in-Water

Lake Weohyakapka, commonly known as Lake Walk-in-Water, is a 7,528-acre lake located in Polk County, FL, south of State Route 60, about 10 miles east of Lake Wales. The name is derived from the Creek language. I have spent many a serene, tranquil mornings down by the lake — the still blue water is to die for. I took a walk on the pier on Sunday morning as the sun poked in and out. The wind was whistling at about 25 mph from the Southwest. Rarely seen whitecaps were on the lake.

I was walking with the peashooter rig (70-200 II/2X TC/a-1), but there were no birds to photograph. As I headed back to shore, I saw a shot of the strongly backlit breaking waves. Working in Shutter Priority mode, I set the shutter speed to 1/1000 second. I over-exposed the first series because the glare of the sun on the brilliantly lit water made it difficult to judge the level of Zebras. So, I decreased the EC to -1.7 stops. After the fact, RawDigger showed that the raw file exposure was dead-solid perfect.

How-to Photograph Blinding Highlights

Shooting into the super-bright reflections of the sun off the water will always require some degree of underexposure. You can work either in Manual or Shutter Priority mode. These situations are so bright that you will always want to use a fast shutter speed and a low ISO.

Aperture Question

Why did I wind up at f/25? (Hint: check out the ISO.)

Your Call?

Like it or hate it? Why?

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

December 16th, 2023

Nanci Griffith, Julie Gold, and a Stuck Osprey

What’s Up?

On Thursday, I took a day off from swimming. I came across a tame adult Osprey that let me approach in my vehicle to within 15 feet. Image and story below after the music. (Tip: if you click on the Watch On > YouTube button the video will play in a new window and you can listen in the background while reading the blog.) On Friday, I took a day off from photography. In this post, I share some really good music with you. If Southbound Train or the wonderfully inspiring article by Julie Gold below does not garner a few tears, you might want to see about getting a heart transplant.

Today is Saturday 16 December 2023. The forecasts is for cloudy skies with the very strong northeast winds continuing. I will likely be heading down to the lake each weekend morning, probably with the 400mm f/2.8. Wherever you are and whatever you choose to do, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

B&H Simplified

To ensure that I get credit for your B&H purchases, you can always click here. The tracking is invisible but greatly appreciated. And, you can use your PayBoo card. You must use the website to order. B&H will reopen on Fri April 14. Thanking me for the past 4000 educational blog posts could not be any easier and will not cost you one penny. Please shoot me your B&H receipt for major purchases.

Bedfords Simplified

Click here to start your search. Choose standard shipping, and when you get to the payment page, enter BIRDSASART in the discount code box and hit apply. You will be upgraded to free second day air Fed-Ex and receive 3% cash back on your credit card once your stuff ships. Either is greatly appreciated by yours truly.

B&H

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

Bedfords Amazing BAA Discount Policy

Folks who have fallen in love with Bedfords can now use the BIRDSASART coupon code at checkout to enjoy a post-purchase, 3% off-statement credit (excluding taxes and shipping charges) on orders paid with a credit card. The 3% credit will be refunded to the card you used for your purchase. Be sure, also, to check the box for free shipping to enjoy free Second Day Air Fed-Ex. This offer does not apply to purchases of Classes, Gift Cards, prior purchases.

Visit the Bedfords website here, shoot Steve Elkins an e-mail, or text him on his cell phone at (479) 381-2592.

Important Note

As an Amazon Associate, I earn a small percentage when you purchase from Amazon after using any of the Amazon links on the blog (including the logo-link on the right side of each blog post page). My affiliate link works fine with Amazon Prime and using it will not cost you a single cent. Huge thanks, BTW 🙂



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of photographers whom I see in the field and on BPN, are — out of ignorance — using the wrong gear, especially when it comes to tripods and more especially, tripod heads. And the same is true in spades when ordering new camera bodies or lenses. My advice will often save you some serious money and may help you avoid making a seriously bad choice. Please know that I am always glad to answer your gear questions via e-mail. If you are desperate, you can try me on my cell at 863-221-2372. Please leave a message and shoot me a text if I do not pick up.

Southbound Train

Years ago my younger daughter Alissa gave me a Nanci Griffith CD for my birthday. I listened to Flyer often and fell in love with several of the tracks. My very favorite is Southbound Train. Griffith’s voice has been described as “gorgeously graceful and distinctive, simply spellbinding.” To that I would add, “hauntingly beautiful.”

For many years after my wife Elaine’s death (of breast cancer in 1994), I felt a lot like the lady on the Southbound Train (even though our losses might have been different). The lyrics are pure poetry. And of course, heartrending.

Nanci Griffith died in the summer of 2021 of undisclosed causes. There is a wonderful article about her here on The Irish Times website. It is entitled “Nanci Griffith’s Irish hit, cancer history and ‘really dysfunctional’ family” and was written by Adam Sweeting.

Written by Julie Gold

I’m sitting on a southbound train
Staring at the sky
I’m thinking of my childhood
And I’m trying not to cry
While a stranger sleeps against me
And it feels like I’m his wife
The towns and cities flutter past
Like the pages of my life

My heart is on the baggage rack
It’s heavy as can be
I wish that I could find someone
Who would carry it for me
Just to pay it some attention
And to handle it with care
Because it has been dropped and
Is in need of some repair

Some things I know
Some things I guess
Some things I wish I could learn
To express
Like the way that I feel
As I stare at the sky
And I remember your voice
And the sound of goodbye

Nanci Griffith and Julie Gold

While YouTube surfing on Thursday evening, I came across the video above. Much as I did when I found John Prine, I asked, “Who is Julie Gold?” Julie Gold is an American singer-songwriter best known for her musical composition “From a Distance,” which became a huge hit for Bette Midler and won a Grammy Award for Song of the Year in 1991. Additional searching brought me to the moving article here (and below) on the Performing Songwriter website.

The story behind the Grammy-award winning “From A Distance” and the miracles a song can bring, as told by the writer, Julie Gold.

In 1978, at the age of 22, I came to New York in pursuit of my dream of being a songwriter. And while dreams are essential, they don’t pay the rent. For years, I worked various temp jobs while gigging at night and sending songs out whenever possible. I demonstrated vacuum cleaners, Mr. Coffees, and toaster ovens. I worked the flea markets, as a proofreader, for a dentist, and at a venetian blinds factory.

It was a struggle. No health benefits. No money for recreational purposes. Desperation. Self doubt. Fear. We all know what that’s like. But, all the while, I clung to my dream like a life preserver. I knew why I was born, and no one could discourage me from reaching my mountaintop. I was willing to die trying. Honest, I was. I finally gave in to taking a full-time job as a secretary at HBO in 1984. It was a smart move. Ah, the magic of a steady paycheck. In my spare time and evening hours, I was of course still gigging, writing songs and dreaming my big dream. Now, however, I didn’t have that horrible daily struggle of keeping my head above water financially.

In 1985, just before my 30th birthday, my parents sent me the piano I grew up playing. I had just served as a juror on an emotionally trying case, my brother had just married, and I was questioning my life to date, wondering what my future could possibly hold. I took the day off work to be home when my piano arrived, and I remember how it glistened in the sun as the movers lowered it off the truck. My piano. My truest love and friend. My confidante. Back together again after all these years.

It came into my little, one room apartment and fit just where I hoped it would. The movers told me that it had been on the truck for 24 hours, so I had to give it a chance to settle. They said I couldn’t play it for a full day. So there we were in the same room, unable to make music. I remember hugging it and polishing it. Then I went to bed. My bed was a high loft bed, and I looked down on my piano all night to make sure it was really there. The next day I sat down and “From a Distance” just poured out of me. On one hand, it took me two hours to write. On the other hand, it took me 30 years. Pick whichever hand makes you happy. I love them both.

I sent “From a Distance” around to all my contacts. As usual, most did not even reply. Those who did found fault with my song. My friend and fellow songwriter Christine Lavin loved it and requested copies to send around to her friends and contacts. Within two weeks, my scratchy demo was getting radio play thanks to Christine. Then I came home one day to a flashing message on my answering machine. There was a gentle, unknown voice identifying herself as Nanci Griffith. Christine had sent her the song, she loved it, and was asking to record it. Nanci recorded “From a Distance” on her first album for MCA. I remember sitting at The Bottom Line the first time I saw her perform it live and observing her audience sing along. That’s when I realized that my life would never be the same.

Nanci sang that song all over the world, and I was still very much a secretary. She would call me at work from Belfast and tell me how the song was affecting people around the world. She took me out on the road with her several times, just so I could play the piano as she sang that one song. What incredible moments we shared. Me, away from my day job and in the spotlight with a beloved world-class talent. Me, getting love and honor from total strangers all because of one little song. Me, basking in the light of my life-long dream.

On June 16, 1988, I played Carnegie Hall with Nanci. All my relatives came up from Philadelphia to share the miracle. Most of them, including my mother, are immigrants. In many ways, I am their American Dream. What an amazing dream it is. As I write this, I can’t even believe it’s true. But it is. It really is.

Even with all this glory, however, I was still a secretary. I still lived in one little dark room. I still barely made enough money to survive. Believe it or not, I was depressed and despondent. I remember crying on the phone to both my parents (who, incidentally, were never anything short of supportive, encouraging and fully loving with regard to my dream). On this occasion, I remember my desperation and how they tried to console me with a stereo pep talk. It didn’t work. Finally, they asked what they do to help me feel better. For the first and only time in my life, I asked them to please pay my rent for six months. They agreed, and July 7, 1989 was my last day of work at HBO. I walked down Sixth Avenue, crying all the way. Free at last.

They were the best six months of my life. Finally a musician full-time. I made my hours. I wrote my songs. I called. I mailed. I pitched. I played. I prayed. I sent songs to every singer in the world. I walked tall. I felt good. I received my first royalty check from Nanci’s foreign performances of “From a Distance,” and that bought me another six months of freedom.

During this time, I received a call from Marc Shaiman, who identified himself as Bette Midler’s musical director. She was making a new record, and, in their search for songs, they called Stephen Holden at the New York Times for suggestions. Stephen told Marc about “From a Distance,” Marc called me, I sent the scratchy demo, and Bette recorded it.

People seemed to love it, and I won a Grammy for Song of the Year in 1991. Here I was still living in one dark room, no money, uncertain of my future, and yet my song was on the radio and I had won a Grammy. If that isn’t a dream come true, what is?

I am now 55. I live in a beautiful condo with air, light and a view of my beloved New York, the city of dreams. I earn my living as a songwriter. I have hugged Burt Bacharach. I have dined with Lamont Dozier. I have met Paul McCartney. I have chatted with Carole Bayer Sager. I have laughed with Cyndi Lauper. I have heard “From a Distance” in many languages. I have felt it in Braille. I have heard it on music boxes and in elevators. I have read it on greeting cards and in children’s books. And it has been played for astronauts in space. It is nothing short of a miracle, and I am never anything but amazed and grateful that the miracle happened to me.

My Comments

Roger Tory Peterson first field guide, A Field Guide to the Birds, was rejected by more thirty publishers before he convinced Houghton Mifflin to go with it. They had modest hopes for the new title, publishing 2,000 copies in its first print run. It famously sold out in one week. Since then, various editions have sold more than 7 million copies, one of the bestselling nature books of all time. I have a copy of the fourth edition of Eastern Birds, signed by Roger with a red Flair pen as was his style. It was a gift from my good friend and great photographer Anita North.

Many of Gold’s comments should strike a chord with anyone struggling to reach a goal, especially nature photographers. Paraphrasing a bit:

“In 1994, at the age of 47, I retired from teaching elementary school in New York City in pursuit of my dream of being a full time professional nature photographer. And while dreams are essential, they don’t pay the rent.”

I am often asked, ‘How long did it take to make that photo?’ I always reply, “Either 1/1000 of a second or 47 years, depending on how you look at it.”

“I sent my images around to all my contacts. As usual, most did not even reply. Those who did, found fault with the photos.”

None-the-less, I stayed the course, even after losing my beloved Elaine in 1994. The result? I have had a wonderfully blessed life doing what I love and teaching others to do the same.

This image was created on 14 December 2023 down by the lake near my home at Indian Lake Estates, FL. Working from the driver’s seat of my SUV, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1600. 1/400 sec. at f/10 (stopped down 2/3-stop) in Manual mode. When evaluated in RawDigger, the raw file exposure was determined to be dead-solid perfect. AWB at 8:59:52am on a cloudy morning.

Tracking: Expand Spot/AF-C with Bird Face/Eye detection enabled performed perfectly (even at 1200mm). Be sure to click on the image to enjoy a high-res version.

Image #1: Osprey — head portrait of adult on grass

Very Strange Behavior

Turning left, I spotted what I thought might have been a large bird on the ground some distance down Banyan Drive. As I got closer, I saw that it was an adult Osprey. As it is much more efficient to shoot out of the driver’s side than the passenger’s side, I drove past the bird at about five miles per hour without slowing down in hopes of not scaring it off. I went a good ways down the block, made a u-turn, put the BLUBB on the window frame, made sure that the Direct Manual Focus switched was set to off, and placed and balanced the 1200mm rig on the BLUBB.

I drove into position very slowly and was surprised that the bird did not fly away as they almost always do even when I approach only to a far greater distance. I was even able to change my position at will for slightly better perspectives and to get even closer.

Over a span of about 12 minutes, I created more than 400 head shots and realized that though the bird appeared healthy, there must be something wrong with it. As the bird turned a bit, the riddle of the too-tame Osprey was solved; a treble hook from a yellow, 5″ fishing lure, a diving swimmer, was embedded in what looked like the back of its left foot. Poor guy.

I know that it has been notoriously difficult to get help for injured wild birds in Central Florida so I came up with a plan. I grabbed a heavy blanket from the back seat. If the bird did not fly, I would throw the blanket over it, pick it up safely, and bring it home to grab a pair of pliers and remove the hook.

The bird, however, had other plans. As soon as I opened the car door, it flew without a problem to the top of a nearby telephone pole. If I see it again, I will get in touch with the bird rescue folks at the Audubon Center for Birds of Prey in Maitland.

The Image Optimization

Huge thanks to Steve Kaluski of Bird Photographer’s.Net who first turned me on to the new Remove Tool in Photoshop. It made cleaning the bill in today’s featured image incredibly easy. I used the new Luminance Targeted Adjustment Tool (L-TAT) along with Tim Grey Dodge and Burn to lighten the Osprey’s yellow iris. The difference is huge and brought the image to life. You can learn all about may current digital workflow in the Digital Basics III Video Series.

The Digital Basics III Video Series

The Digital Basics III Video Series

I realized about a year ago that my digital workflow had changed significantly and was toying with the idea of writing a Digital Basics III. More recently, I have learned and begun working with two great new Photoshop Tools, the Remove Tool and the Luminance Targeted Adjustment Tool. The former is like a smarter Spot Healing Brush Tool on steroids and the latter is a huge step up from the fabulous Color Mixer Tool. During that same time frame, I came up with a new and improved 2-step noise reduction technique. I still use Divide and Conquer, Quick Masks, Layer Masks, an expanded array of personalized keyboard shortcuts, and tons of other stuff from both versions of Digital Basics.

As soon as I realized that I did not want to take on another large writing project, I realized that by creating a series of videos I could much more easily share all the details of my current digital workflow and much more easily incorporate additional new tips, techniques, and tools as I went. And so, The Digital Basics III Video Series was born. You can check out Volume I/#1 here and Volume I/#2 here.

You might opt to purchase single videos or to subscribe to Volume I and save $26 by ordering the first five videos in one fell swoop. You can purchase the five videos in Volume I by clicking here. The videos will be most valuable for folks using the latest version of Photoshop (2024) or Lightroom along with Topaz DeNoise AI and Topaz Sharpen AI. I will be working on Volume I/#3 this weekend.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.