Arthur Morris/BIRDS AS ART
February 6th, 2018

My Younger Sister's Death. Canon AF for Flight. Dealing with Fog. And Vignetting Lessons.

Stuff

I got an absolute ton of work done yesterday. First I unpacked the huge box of Canon gear that I sent home from San Diego via Fed-Ex ground. Then I searched and sorted through old e-mails, figured out who should get what, and compiled a detailed list in Excel. Jen came by on Sunday night to assemble the checks that were deposited on Monday. And Jim helped a ton by finding the original product boxes, lens cover, chargers, lens trunks and cases, and other related items. Then he began packing up each item. He shipped the items that were paid for via credit card.

In the afternoon I arranged all of my January images into two folders, PHX to transfer and San Diego 2018 to Transfer. That done I did my second edit of each of those folders. I wound up deleting nearly 1,000 of the remaining Phoenix images and 3,000 of the remaining San Diego images. The final tallies: 126 keepers from my nine days in Phoenix and 602 from three weeks of photography in San Diego.

I enjoyed a cold 1/2 mile plus swim late in the day.

I was glad to learn that IPT veteran and dear friend Patrick Sparkman sold the last item listed in his recent Canon fire sale blog post, the Canon EF 16-35mm f/4L IS USM lens in like-new condition for $699 three days after it was listed.

There are still two openings on the spoonbill IPT. Click here for complete info. If anyone would like to join me shooting spoonbills for 1 1/2 days, February 19 (full day) and February 20 (morning session only), please get in touch via e-mail.

Tomorrow I fly to Miami, Grand Cayman, and Cayman Brac for a week of photographing the nesting Brown Boobies. Today I pack 🙂

Arna Lee Morris

I learned yesterday of the death of my younger sister Arna Lee Morris at age 63. Arna was a sweet kid and like my Mom, was always looking to help others. She was not, however, capable of taking care of herself. When my parents moved from Brooklyn to San Diego in 1969, Arna was not happy about losing all of her high school friends. She rebelled by turning to drugs and drinking and other illicit behaviors. She wound up marrying three guys named Richard. Richard the First and Richard the Third were really bad folks. Richard the Second was the best of the lot; when he left Arna to live with his mother in Oregon he stole Arna’s beloved new Toyota truck …

After each divorce Arna would show up at my parents’ house in San Diego with a stack of medical and car bills. Each time my parents took her in and paid all of her debts. Arna had long been diagnosed as bi-polar and after Richard III gave her some hallucinogenic drugs she was found several times wandering around in the desert near her home naked. That marriage ended when Richard III dropped Arna off at a public restroom in Pacific Beach and called my Mom to tell her that Arna was “lost.” She was found in a men’s room praying to a bottle of urine and taken to rehab. Once again my parents took her in. They built an extra room on the house for Arna. Arna worked part time at Jack Murphy stadium doing accounting in the catering department.

Several weeks before the death of my beloved second wife, the late Elaine Belsky Morris in 1994, my Mom called me and said that Arna wanted to come to Florida to help Elaine die. My first thought was “Why would I want my loose cannon sister to come to Florida at such a stressful time?” I relented and Arna was amazing, a saint. She knew how to support Elaine when she was standing and she was helpful and supportive to me. I could never thank her enough for those amazing two weeks.

After my Dad’s death in 2001, Mom and Arna moved back east. My Mom bought a condo in Holbrook where she lived until her death in March of 2017. By this time, Arna had become morbidly obese. I remember trying to encourage her to lose weight, to eat healthy, and to exercise. All for naught. Arna had her first stroke while my Mom was still alive. Again I offered advice and told her that I would pay for consulting sessions with Dr. Cliff Oliver and would pay for the supplements that would help her recover. Arna celebrated that first stroke by gaining 30 pounds in a month and going back to drinking lots of wine.

After my Mom died Arna had another more serious stroke. My older sister Ilene sold her home and moved into my Mom’s house with Arna with her husband David. Then Arna had a third stroke. She wound up in a rehab home. When she arrived she was able to get around on a walker. We all encouraged her to get out of bed as much as possible, to do as many of the daily activities as possible, and to tackle her rehab with a vengeance. Arna pretty much stayed in bed and often skipped her rehab sessions because she was tired. He condition worsened as expected. Two nights ago my daughter Alissa Facetimed me while visiting Arna. She showed me on her phone to Arna who said out loud in a fairly strong voice, “Arthur, my brother, I love you.” Alissa and Ilene were amazed as that was the first time she had spoken audibly in a week.

The next night the nursing home called saying that they needed to bring Arna to the hospital. Ilene told them that there were papers in place that prevented that. She and Alissa went to visit in the pouring rain and realized that the end was near. Arna died the next morning as Ilene was on her way. Simply put, Arna died from being obese.

I did The Work on Arna many months ago: “Arna should listen to me. Arna should accept my offers of help. Arna should lose weight and exercise.” The Work helped me find peace with what was going on. Arna was on the path that she had chosen. And thus, I am at peace with Arna’s passing. Part of The Work is learning not to be so judgmental. Above, I was simply stating the facts of Arna’s life.

My sister Ilene and her family and her extended family will miss Arna. As will my two daughters and their families. And I will miss her too. She was a good egg.

The Streak

Today makes one hundred ninety days in a row with a new educational blog post! This one took about three hours to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections and my continuing insanity willing.



Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on Day three of the first San Diego IPT — the morning of Wednesday, January 17 at La Jolla, CA. I used the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 286mm) and the blazingly fast Canon EOS-1D X Mark II. ISO 1000. Evaluative metering +3 stops off the foggy sky: 1/1250 sec. at f/5.6 in Manual mode. AWB at 8:48 am on a very foggy morning.

LensAlign/FocusTune micro-adjustment: extrapolated to -3.

AI Servo/Shutter button AF as originally framed. The AF information including and especially the AF Area selection mode for this image is classified.

Please click on the image to enjoy a larger, inexplicably sharper version.

Brown Pelican, Pacific race, breeding plumage in flight

Ironic …

I find it somewhat ironic that just before I tried the Nikon gear and switched I figured out the very best way to maximize AF performance with my 5D IV and my 1DX III bodies … More on that very soon.

The Optimized Image

Plus three off the sky was a perfect exposure as the WHITEs on the neck came in at R=240, G= 241, B=242 so I converted the image straight up in DPP 4. Since I have not done any Canon RAW conversions in a while, I forgot to enter my 1DX Mark III ISO 1000 recipe … That resulted in a ton of vignetting when I ran Dehaze (as seen below) and led to some neat lessons for you and for me. As below. When I went back and re-converted the image in DPP 4 and applied 1DX Mark III ISO 1000 recipe, the vignetting was completely eliminated by the Lens Correction settings.

Photo Mechanic Screen Capture for Brown Pelican, Pacific race, breeding plumage in flight

Photo Mechanic Screen Capture

Above we can see the foggy original before the crop. Note that even though there seems to be some room on the right side of the histogram, increasing the exposure would have left the WHITEs on the neck too bright. A simple Levels Adjustment in Photoshop improved the image quite a bit and eliminated most of the foggy look.

Brown Pelican, Pacific race, breeding plumage in flight

The Camera RAW Filter

As noted here previously and as detailed in the Current Workflow e-Guide, you can run the Camera RAW Filter on TIFF files in Photoshop by hitting Filter > Camera RAW Filter. To totally eliminate the foggy look, I clicked on the Effects tab (the fx symbol, third from the end of the row) and applied Dehaze at +30 to boost the colors (as seen above). Since I forgot to apply my 1DX MarK II ISO 1000 recipe, this resulted in big-time vignetting …

Brown Pelican, Pacific race, breeding plumage in flight

Eliminating the Vignetting

I first moved the amount slider to +30 to eliminate the vignetting and then, for the first time ever, decided to mess around with the three sliders below. Moving the Midpoint to the left to 20, the Roundness slider to the right to +100, and feather slider to the right to 90 helped smooth things out nicely. Remember that if I had not forgotten to apply my 1DX II ISO 1000 recipe during the RAW conversion in DPP 4 that all of this extra work would not have been necessary. That is just one of the reasons that I love DPP 4 for my Canon images. Note, however, that I learned a ton as a result of my screw-up.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II) will teach you an efficient Mac or PC/Photo Mechanic/Photoshop workflow that will make it easy for you to make your images better in Photoshop (rather than worse). That true whether you convert your images in DPP 4 or ACR. See the blog post here to learn lots more and to read a free excerpt.

You can order your copy from the BAA Online Store here, by sending a Paypal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

Your guessed it, everything mentioned above (except for the Roundness and Feather sliders on the Effects tab) and tons more is covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my Macbook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Do note that you will find the RGB Curves Adjustment Color Balancing tutorial only in the new e-guide. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

The two most recent and many of the older MP4 Photoshop Tutorial videos releases go hand and hand with the information in DB II):

  • The Wingtip Repairs MP4 Video here.
  • The MP4 Crow Cleanup Video here.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here.

You can learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here. Yes, I still have many Canon images to work on. 🙂 And you can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair. Folks can learn sophisticated sharpening and (NeatImage) Noise Reduction techniques in the The Professional Post Processing Guide by Arash Hazeghi and yours truly.

Help Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

February 5th, 2018

My Nikon Exposure Confusion and the Huge Lesson for Everyone (that explains how I came up with perfect exposures even though I was being a dumb-ass). And an ACR HSL/Grayscale Tip.

Stuff

On Sunday morning I micro-adjusted my two Nikon bodies with the 200-500. I used my LensAlign Mark II set-up. Once that is done both Nikon bodies do the grunt work automatically by comparing the Live View focus with the phase detection AF that we use most of the time. This results in a savings of literally hours of work. To confirm my results I went to FocusTune and ran an AFC test that did just that. There will be a free tutorial on micro-adjusting the D5 and the D-850 coming soon. Right after lunch I micro-adjusted my 24-120mm. I was hoping that it would cloud up later in the afternoon and it did just that so I was able to head outside, set up my lighting gear and the LensAlign Mark II target, and adjust both bodies with the NIKON TCE 14 at 700mm. I will relive the whole experience in a coming blog post.

I enjoyed a cold 1/2 mile plus swim late in the day.

I was glad to learn very recently of the following:

IPT veteran and dear friend Patrick Sparkman sold his Canon EF 600mm f/4L IS II USM lens in near-excellent condition for $8800, his Canon EF 24-70mm f/2.8L II USM lens in like-new condition for $1250, his Canon TS-E 24mm f/3.5L II Tilt-Shift lens in like-new condition for $1250, two 1.4X II and two 2X III TCs in excellent condition for $285 each, and two Canon EOS 5D Mark IV DSLR camera bodies in excellent to like-new condition, each for $2550. All within two days of being listed.
Gerald Barrack sold his Canon EOS 5D Mark III digital camera body (with extras) in excellent to near-mint condition for $1,200.00 in mid-January.
Steve Ellis sold a his AF-S NIKKOR 80-400mm f/4.5-5.6 G ED VR lens in near-mint condition for $1499 in mid-January.

There are two openings on the spoonbill IPT. Click here for complete info. If anyone would like to join me shooting spoonbills for 1 1/2 days, February 19 (full day) and February 20 (morning session only), please get in touch via e-mail.

Today I unpack the big box that I sent from San Diego and will get started on getting my fire sale gear to the proper buyers once their checks have cleared.

The Streak

Today makes one hundred eighty-nine days in a row with a new educational blog post! This one took about two hours to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections and my continuing insanity willing.

Canon EF 500mm f/4L IS USM Lens (the “old five”) with extras!

Price reduced $100 on 4 FEB 2018.

Greg Morris is offering a Canon EF 500mm f/4L IS USM lens in very good plus condition for $3600 (was $3700). The lens was cleaned and checked by Canon in December 2017 and the lens mount was replaced. The sale includes a Canon Extender EF 1.4X II, a Canon Extender EF 2X II (both in like new condition with caps and pouches), the rear lens cap, the lens trunk, the leather front lens cover, and insured ground shipping via major courier to US addresses only.

Your item will not ship until your check clears unless other arrangements are made.

Please contact Greg via or e-mail by phone at 1-580-678-5929 (Central time).

The 500mm f/4 lenses have been the world’s most popular telephoto lenses for birds, nature, wildlife, and sports for many decades. I owned and used and loved my “old five” for many years. If you don’t have the cash for the 500 II and can handle the additional 1 1/2 pounds, then this is your best super-telephoto option. Most everyone can produce sharp images with this lens and a 1.4X TC. Folks with good to excellent sharpness techniques can do the same with a 2X TC. With the new 500 II selling for $8,999 you can save a neat $5299.00 by grabbing Greg’s lens (plus the two TCs!) artie

ps: The Series II TCs work perfectly well with the older super telephoto lenses; the series III TCs are best when working with the newer Series II lenses.



Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on the afternoon of January 26 on the 2nd San Diego IPT with the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens (at 480mm) and the mega mega-pixel Nikon D850 DSLR.. ISO 400. Matrix metering: 1/1200 sec. at f/6.3 in Manual mode was about zero EC as framed. AWB at 3:40pm in late afternoon light.

d-9/Shutter Button AF with the AF points on the pelican’s face. Click on the image to enjoy a larger version.

Brown Pelican, Pacific race, resting

My Nikon Exposure Confusion

Good Nikon Exposure Questions Left in Blog Post Comments

Jeff Friedhoffer

In the Trying to Explain … blog post here, blog regular Jeff Friedhoffer wrote on January 30, 2018 at 12:21 pm:

Artie, As usual a beautiful picture. Have a question about the picture captions. Why are you now writing “Matrix metering probably -1/3 stop as framed: 1/2500 sec. at f/6.3 in Manual mode”? The word “probably” did not occur in captions of Canon pix. What is the significance of “probably” is this context.

Thanks, Jeff

David Policansky

IPT veteran and blog regular David Policansky commented (in part) on the Scratching Perfection blog post here):

February 1, 2018 at 12:54 pm.

I do have a question, though. Since you’ve been using your new Nikon (gear), the words “about” and “probably” show up in your descriptions of the exposures you use. I don’t remember that you ever used those words when you were shooting Canon. Can you explain? David

The EXIF for today’s featured image

Please click on the image so that you can read the fine print.

The EXIF for Today’s Featured Image

Note in the EXIF for today’s featured image that the +1.7 EC that I had been using that morning to create some pleasing blurs in S mode (Tv in Canon), was still in effect even though I was in Manual mode. Nikon folks need to get in the habit of setting the EC back to zero when switching from any automatic exposure mode back to Manual mode. Read more below. And learn.

My Promised Response

There are several reasons that I am not quite yet spot-on when commenting on the exposure compensations used to create my Nikon images. But there is a huge lesson at the end for everyone …

  • 1-Matrix metering and exposure compensations (ECs) with Nikon are all new to me. Since I work in Manual mode about 90% of the time, and since Nikon (like Canon) does not show the actual EC in the EXIF, my exposure comments for now need to include the words “probably” or “about.” Things are slightly different with Nikon’s Matrix metering than with Canon’s evaluative metering and I am still learning the fine points.
  • 2- With Nikon though my increments for everything exposure are set to 1/3 stop, the analogue scale reads in 1/6 stops. The analogue scale on the D5 show +/- three stops. On the D-850 the scale only shows +/- two stops. The latter is one of many things not to like about Nikon … More coming soon.
  • 3- I did not realize at first that if you set an EC when working in an automatic mode that the Nikon bodies will apply that left-over EC when you are working in Manual mode! Canon does not work that way. Prior to creating this image I had been working in S (shutter priority with Nikon, Tv with Canon) and had set the EC to +1.7. So when I created today’s featured image I was confused by the fact that the analogue scale showed something close to -2 stops EC. With Canon I would have been somewhere close to zero EC. Why did I need close to -2 stops? Because I had to counteract the effect of the left over +1.7 EC … Once I realized that after the fact with this image, I realized that the same thing had been happening for days because I was often shooting high ISO flight in S mode in the pre-dawn with +1 EC set.

    Note: I have long stated that by enabling either EC or Auto ISO when working in Manual mode that the photographer gives up all the control that comes with working in Manual mode. I hate it 🙂

Over time as I become more familiar with Matrix metering and remember to put the EX back to zero, I will become as familiar with my new system as I was with my Canon gear and will be able to include more specific EC comments in the educational captions that accompany posted images.

The Huge Lesson for Everyone

At this point you should be asking, “How in the world did artie consistently come up with perfect exposures when he did not realize that the forgotten +1.7 or +1 ECs were affecting his exposures when he was working in Manual mode?”

The answer is a simple one: I determined my exposures by looking at the histogram and the blinkies … Just as I have been teaching everyone here to do for years. I will have lots more to say on the subject of comparing Nikon histograms with Canon histograms in future blog posts.

An ACR HSL/Grayscale Screen Capture

ACR HSL/Grayscale Tip

As I was exposing to prevent over-exposing the WHITEs (by checking the histogram and checking for blinkies) the BLUEs in today’s featured image were much too dark. To lighten only the BLUEs I went to the HSL/Grayscale tab during the RAW conversion in ACR, clicked on the Luminance tab, and moved the slider to +100.

Help Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

February 4th, 2018

My Current Nikon D5 & D-850 Thoughts ...

Stuff

I got a lot accomplished on Saturday though I am not sure what. I did swim more than a half mile on Friday and Saturday in a fairly cold pool. On Sunday I will be micro-adjusting my Nikon gear and continue working on the Gatorland and DeSoto IPT announcements. On Friday, I sent out the advance Master Class info to those who requested it. It looks as if three of the eight slots are spoken for. Please shoot me an e-mail if you are interested.

There are two openings on the spoonbill IPT. Click here for complete info. If anyone would like to join me shooting spoonbills for 1 1/2 days, February 19 (full day) and February 20 (morning session only), please get in touch via e-mail.

Thanks to the many who commented on yesterday’s Ethigul Questions blog post. I spent more than an hour responding to comments there. I have decided that I will no longer be feeding bread to ducks or gulls but in the future will bait some photographic subjects with more suitable food choices. You might say that that post opened up a big can of worms, or a big loaf of bread …

The Streak

Today makes one hundred eighty-eight days in a row with a new educational blog post! This one took about 45 minutes to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections and my continuing insanity willing.



Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on January 20 at La Jolla, CA with the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens (at 500mm) and the blazingly fast professional digital camera body, the Nikon D5 DSLR camera body with dual XQD slots). ISO 800. Matrix metering probably +1 stop: 1/2500 sec. at f/5.6 in Manual mode. Cloudy WB at 8:25am on a cloudy morning.

Center Group (grp)/Shutter Button AF. Click on the image to enjoy a larger version.

Brown Pelican, Pacific race landing

Nikon D5 or D-850?

Thanks to Ivan Kuraev for this e-mail:

Hi Artie, It’s been fun reading some of your impressions of your new Nikon gear. Now that you’ve had a week or two with both bodies, how do you feel the AF performance compares between the D5 and D850? Do you find yourself getting as many keepers with the D850, or is the D5 a noticeable cut above? Ivan

I had the D5 first and shot with it until I got my D-850. Those first few days were great fun. I was blown away by the ability of the AF to lock onto subjects flying against backgrounds other than sky and stay locked on effortlessly. And almost all of the images were sharp on the eye no matter where I had the center grp AF points. As with today’s image. How did it get the eyes sharp when the four Group AF points were on the ocean. When I got the D-850 we had fewer pelican flight chances. And though I had the battery grip then, I did not have the hard to find BL-5 battery door to get up to 9 fps. The image files of the D-850 are far superior to those of the D5.

Comparing AF on the two bodies is hard to do because of the difference in frame rate. The 12 fps of the D5 gives me supreme confidence when photographing birds in flight. I was often able to frame the subject and create some 10-15 frame sequences with the birds in the frame and sharp on the eye. With the slower 7 fps of the D-850 I have been unable to do that. Thus, the flight images with the D5 are a bit sharper overall than those made with the D-850. How much of that is because of my somewhat lack of confidence in the D-850, how much is due to the difference in frame rate, and how much might be due to slight differences in the AF systems? I do not know.

Once I got my hands on the D-850 I used it a lot more than I used the D5, captivated by those high quality image files and my desire to learn more about the camera. I was able to get a BL-5 battery door last week so the next time I use my D-850 it will be at 8 fps. I am bringing both bodies on my Cayman Brac trip and should have lots of flight action with the Brown Boobies. I will use both bodies for flight photography and will try to get a better handle on things.

Note: the image of the landing adult gull featured in the Splash Landing blog post here was created with the D-850. It was quite popular and some folks commented on the amazing sharpness. In fact, however, sharp focus on the eye was just a bit off. The Eye Doctor work that I did made the image look super sharp. (I lightened the iris, darkened the pupil, and sharpened the eye and face with a Contrast Mask. See more on that stuff below.

Right now I am leaning towards keeping the D5 though I will have the option to return it as a loaner when I get back from Cayman Brac; time will tell …

The ACR Screen Capture for Today’s Featured Image

Do click on the image so that you can read the fine print.

The ACR Screen Capture for Today’s Featured Image

Above is the The ACR screen capture for today’s featured image after I made my adjustments. Note that in most case I am fine going with higher RGB values for the WHITEs with Nikon than I did with Canon. And note that the four center group AF points were nowhere near the bird at the moment of exposure. But that the image is super-sharp on the bird’s eyes.

The bird was a bit dark before the adjustments. I brought the converted image into Photoshop and executed the crop to center the bird in the frame. Then I selected the bird with the Quick Selection Tool, put that on a layer, and applied my NIK Color Efex Pro 30/30 recipe. As usual, I lightened the irises and blackened the pupils using Tim Grey Dodge and Burn and selectively applied a Contrast Mask to the face and the bill.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II) will teach you an efficient Mac or PC/Photo Mechanic/Photoshop workflow that will make it easy for you to make your images better in Photoshop (rather than worse). That true whether you convert your images in DPP 4 or ACR. See the blog post here to learn lots more and to read a free excerpt.

You can order your copy from the BAA Online Store here, by sending a Paypal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

Your guessed it, everything mentioned above including making ACR conversions (and tons more) is covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my Macbook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Do note that you will find the RGB Curves Adjustment Color Balancing tutorial only in the new e-guide. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

The two most recent and many of the older MP4 Photoshop Tutorial videos releases go hand and hand with the information in DB II):

  • The Wingtip Repairs MP4 Video here.
  • The MP4 Crow Cleanup Video here.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here.

You can learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here. Yes, I still have many Canon images to work on. 🙂 And you can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair. Folks can learn sophisticated sharpening and (NeatImage) Noise Reduction techniques in the The Professional Post Processing Guide by Arash Hazeghi and yours truly.

Help Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).