Arthur Morris/BIRDS AS ART
December 20th, 2017

New BLUBB Tip/#1: Sharpness, it should have been so obvious ... And a Laughing Vulture at 1/60 sec. at 1200mm!

Stuff

The 5D Mark IV User’s Guide is pretty much complete. I still have two sticky issues to deal with, and I need to review several edits. If you are entitled to a free copy and would like to review the 12/19 draft, please see the free 5D Mark IV User’s Guide offer below the 5D IV banner.

It has gotten so warm here that the past few mornings have been mega-foggy. On Tuesday an Osprey landed like an apparition out of the fog on a very tall skinny perch that had previously harbored only grackles. I photographed that bird and little else. Last night featured another lovely sunset but no birds were on any of the perches.

At 12:30, I swam my slow 3/4 mile in a positively toasty pool: 78 degrees. After lunch Jim drove me up to Winter Haven for my second SynVisc injection. It was much less painful than the first one. One more to go. They seem to be helping.

Click on the logo-link above for great holiday savings!
$300 off on the Canon 100-400 II!

Facebook

If you have sent me a FB friends request that has gone unrequited, it is because I am up to the 5,000 limit on my personal FB page. You are invited to click here and then Like and Follow the identical content. 🙂

The Streak

Today makes one hundred forty-five days in a row with a new educational blog post! This one took about two hours to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections willing.

Click here for Amazing 5D Mark IV Bundles and Deals

Here is the best news: those who have used a BAA B&H affiliate link to purchase a 5D Mark IV (or other items totaling $3200 or more) are invited to send us a copy of their B&H receipt via e-mail and receive a free copy of the guide. If you would like to review the document before it is published, please send your receipt now. This offer is also valid for future purchases.

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.


This image was created down by the lake near my home at Indian Lake Estates, FL on the morning of Sunday, December 17, 2017. I used the BLUBB-supported Canon EF 600mm f/4L IS II USM lens, the Canon Extender EF 2X III, and my favorite vulture photography camera body, the Canon EOS 5D Mark IV. ISO 1600. Evaluative metering plus about one stop as framed: 1/60 sec. at f/10 in Manual mode. AWB. 7:54am on a foggy morning.

LensAlign/FocusTune micro-adjustment: -10.

One row up from the center AF point/AI Servo/Expand/Shutter Button AF was active at the moment of exposure. The selected AF point was placed on the gape just below and in front of (but on the same plane as) the vulture’s eye. Click on the image to enjoy a larger version.

Black Vulture laughing

The Situation

It was a very foggy morning, perfect for working on getting the right exposure and perfect for working with some higher ISOs. Shooting so much lately from my Sequoia recently, I have been working on refining my techniques with the BLUBB in an effort to create consistently sharp images. What I have discovered recently is that it is possible to increase your percentage of very sharp images even when working at very slow shutter speeds even with long effective focal lengths: how does “sharp at 1/60 sec. at 1200mm” sound to you? So what’s the trick? It is not enough to simply pound a curve into the top of my large, custom-designed by me beanbag, then place the lens atop the BLUBB, put some pressure on the lens barrel or the hood (usually from above), and start making images. If I think that the bird might fly, I will often do just that and make three or four quick images in succession. With a bit of luck, I might get one or two acceptably sharp ones.

If the subject, however, is very much at peace with your presence, you can try this: when you look through the viewfinder and adjust the framing, move the lens on the BLUBB move the beanbag slightly and snuggle it down a bit, striving to achieve perfect balance along with perfect framing. In other words, if you take both hands off the lens, the image should stay perfectly framed. If you are able to achieve perfect balance along with the perfect framing, it is a simple matter of grabbing the camera body with your right index finger on the shutter button and using your left hand to steady the lens as you usually would. Where I put my left hand depends is largely a matter of what feels right and on how high (if at all) the window has been raised. Sometimes I hold gently onto the small knob that tightens the lens hood and sometimes I hold gently onto the lens barrel behind the focusing ring. I use the word “gently” here because your left hand is simply damping any potential vibration; if you have done things perfectly the subject will remain properly framed when you let go with both hand, just as if you were on a tripod. You always want AI Servo AF to be active at the moment of exposure when using this technique.

This technique seems so simple and so intuitive and makes so much sense that I marvel at how I never thought of it before. I have always done something similar, but in a much sloppier fashion. With the new technique, I am getting a much higher percentage of very sharp images in similar difficult situations. With its unique design, the BLUBB is the only large beanbag that will work with Balance and Frame technique. Beware of cheaper inferior solutions. 🙂

For Don M.

In a comment on the blog post here, Don M. asked a question about subject movement and shutter speeds. Many folks think that if the subject is moving at all you need a fairly high shutter speed, something like 1/500 sec. at a very minimum. But folks fail to realize that when a bird is moving, yawning for example, like the bird in today’s featured image, or preening, like the bird in the RBGU Tight Preening Head Shots post that Don was referring too, that there are times when the subjects are either holding still or moving very, very slowly. Slow enough so that a sharp image is possible even at very slow shutter speeds. Just as in today’s featured image. As I said to Don in my reply, I’d rather gamble a bit than go to two stops more ISO …

What was I thinking when the bird yawned? Push the shutter button; it ain’t gonna cost you anything. Maybe I am finally learning.

The EXIF for today’s featured image

Click on the screen capture above to read the fine print.

No Kidding?

No kidding. Many who know me know that I am prone to exaggerate at times. But 1/60 sec. at 1200mm is — as you can see by checking the EXIF above — an absolute fact. As I have stated here for years folks with excellent sharpness techniques should be able to create consistently sharp images at 1000 and 1200mm at shutter speeds as slow as 1/60 sec. Once I drop below that threshold I am dead in the water.

So what’s the best way to improve your sharpness techniques? Sign up for an IPT asap. 🙂

NeatImage Noise Reduction

I applied a fast and dirty layer of NeatImage noise reduction to completely eliminate the remaining luminance noise. By “fast and dirty” I mean that I applied the noise reduction in one step to the bird and the background (as opposed to selecting the bird, applying less noise reduction, and applying more noise reduction to the background). I opted to do it in one step because the dark tones on the bird were noisier than the background. For starters, you can learn more about NeatImage in the blog post here and in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. The highly advanced NeatImage techniques are covered in detail in the The Professional Post Processing Guide by Arash Hazeghi and yours truly.

2017 in San Diego was a very good year ….

2018 San Diego 3 1/2-DAY BIRDS AS ART IPT #2: Sunday, JAN 28 thru and including the morning session on Wednesday, JAN 31, 2018 and a free morning session on Saturday, JAN 27: 3 1/2 days (+1/2 free day!): $1699. Limit: 8: Openings: 4.

Meet and Greet at 6:30pm on the evening before the IPT begins; Saturday, Jan 27, 2018.

San Diego IPT #2: Shorter and Less Expensive!

Join me in San Diego near the end of January to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (usually nesting and displaying) and Double-crested Cormorants; breeding plumage Ring-necked Duck; other duck species possible including Lesser Scaup, Redhead, Wood Duck and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heerman’s, all in full breeding plumage; shorebirds including Marbled Godwit, Whimbrel, Willet, Sanderling and Black-bellied Plover; many others possible including Least, Western, and Spotted Sandpiper, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seal (depending on the current regulations) and California Sea Lion; and Bird of Paradise flowers. And as you can see by studying the two IPT cards there are some nice bird-scape and landscape opportunities as well. Please note: formerly dependable, both Wood Duck and Marbled Godwit have been declining at their usual locations for the past two years …


san-diego-card-neesie

San Diego offers a wealth of very attractive natural history subjects. With annual visits spanning more than three decades I have lot of experience there….

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there, is usually some excellent flight photography. And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You can do most of your photography with an 80- or 100-400 lens …

Did I mention that there are wealth of great birds and natural history subjects in San Diego in winter?


san-diego-card-b

Though the pelicans will be the stars of the show on this IPT there will be many other handsome and captivating subjects in wonderful settings.

The San Diego Details

This IPT will include four 3 1/2 hour morning photo sessions, three 2 1/2 hour afternoon photo sessions, three lunches, and after-lunch image review and Photoshop sessions. To ensure early starts, breakfasts will be your responsibility. Dinners are on your own so that we can get some sleep.

A $599 non-refundable deposit is required to hold your slot for this IPT. You can send a check (made out to “Arthur Morris) to us at BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. Or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance is payable only by check. Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. with love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

December 19th, 2017

Surviving Many Mistakes. 3X2 or 1:1 Osprey Taking Flight?

Stuff

As is becoming a habit I went down to the lake twice on Monday. In the morning I created some nice foggy tree images, some (lousy) too-slow-a-shutter-speed Black Vulture flight images, and, once the sun came out, some pretty bad Turkey Vulture atop a too-tall dead cabbage palm stump images. In the afternoon I had my teeth cleaned by the wonderful Dee Dee at Dr. Reddick’s office. Mazel tov to her as she just celebrated 25 years there. I go every three months so that she never has too much work to do!

The 5D Mark IV guide is nearly complete. I finished the internal page references and have nearly finished the gallery. Several folks who purchased their 5D Mark IV bodies received their unfinished drafts and are sending me their revisions. I will be finishing the gallery and working on correcting typos and un-clarities today and for the next few days as well.

I was glad to learn that the sale of Joel William’s Fujifilm XF 56 f/1.2 R lens in like-new condition for $549 is pending, as is the sale of IPT veteran Carolyn Peterson’s Canon EOS 5D Mark III camera body in excellent condition for $1399. Joel’s Fujifilm XT-2 is still available at a great price; see the Used Gear page here and scroll down for that and lots of other great Fujifilm lenses.

I was thrilled to learn that first-timers Bart and Ditty Deamer signed up for San Diego #2. They make four with several others interested.

Today I head up to Winter Haven for the second of the series of three SynVisc injections in my bone-on-bone left knee. It got up to 80 degrees late on Monday and the pool was up to almost 77 degrees when I swam my slow half-mile plus at 1pm.

Click on the logo-link above for great holiday savings!
$300 off on the Canon 100-400 II!

Facebook

If you have sent me a FB friends request that has gone unrequited, it is because I am up to the 5,000 limit on my personal FB page. You are invited to click here and then Like and Follow the identical content. 🙂

The Streak

Today makes one hundred forty-four days in a row with a new educational blog post! This one took about two hours to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections willing.

Click here for Amazing 5D Mark IV Bundles and Deals

Here is the best news: those who have used a BAA B&H affiliate link to purchase a 5D Mark IV (or other items totaling $3200 or more) are invited to send us a copy of their B&H receipt via e-mail and received a free copy of the guide. If you would like to review the document before it is published, please send your receipt now. This offer is valid for future purchases.

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.


The DPP 4 Screen Capture right (out of camera …)

The DPP 4 Screen Capture (right out of camera …)

The DPP 4 screen capture for today’s featured image shows the significant underexposure. By “right out of camera,” I mean before loading my 5D Mark recipe and before making any adjustments to the Brightness or the Shadow slider. Because the big underexposure increases noise, I used my 5D IV IS0 1600 recipe rather than my ISO 800. recipe. See below to learn how and why I screwed up not only the exposure but lots more … Note that there is no visible data anywhere near the fifth histogram box.

This image was created down by the lake near my home at Indian Lake Estates, FL on the morning of December 4, 2017. I used the Induro GIT304L Grand Series 3 Stealth Carbon Fiber Tripod/Mongoose M3.6-mounted Canon EF 600mm f/4L IS II USM lens, the Canon Extender EF 2X III, and my favorite Osprey photography camera body, the Canon EOS 5D Mark IV. ISO 800. I was in a hurry and guessed at the exposure: 1/1600 sec. at f/10 in Manual mode was not a very good guess. 🙂 AWB. 7:53am on a clear morning.

LensAlign/FocusTune micro-adjustment: -10.

Three AF points to the left and one row up from the center AF point/AI Servo/Expand/Shutter Button AF was active at the moment of exposure. The selected AF point was placed squarely and correctly on the Osprey’s eye.

Image #1: Osprey take-off, the full frame optimized version

The Situation

When I drove down to the lake I saw an Osprey on the perch from a good ways off. And got excited. I parked on the edge of the big field behind some decent-sized bushes on the edge of the lake so as not to disturb the bird. I set up my tripod and grabbed the 600 II with the 2X III TC in place. While still pretty much out of sight I pointed my lens at the sky and set the exposure manually to about +1 off the sky. With the soft, warm, early morning light I should have gone with +2 off the sky … That was mistake #1.

The first Osprey that I had on the perch had been a relatively tame bird. We easily made our way along a path through the bushes to get closer to the bird which had stayed put and been comfortable with our presence. I assumed that the bird was the same one that I had photographed right after we had set up The Perch — see here and here. That was mistake #2.

Because of my incorrect assumption, I was much too aggressive when approaching the bird. I acted pretty much as if I were walking down the aisle of the supermarket in somewhat of a hurry. That was mistake #3. When I saw that the bird was nervous, I quickly planted my tripod and picked my AF point. He had been facing to my right. As there was literally no wind, I could not have known that the bird would fly off the perch to my left and wind up on the wrong side of the original frame (as seen in the screen capture that opened this blog post).

My fourth mistake was not setting up vertically; in the next frame at least 1/3 of the bird’s fully-raised wings were cut off by the upper frame-edge. The bird’s feet were still on the perch … Had I been set up for a vertical I would have created a very special (though still under-exposed) image.

Not the same bird!

The first clue that the Osprey on The Perch was not the same bird as I had photographed previously was the fact that it flew off so quickly. The proof was in (or actually not in) the bird’s left eye. The first Osprey that I photographed had two very distinctive black flecks in the iris of its left eye, one at 8 o’clock, one at 11 o’clock. The yellow iris of the bird in today’s featured image was completely clear …

The next time I will not assume anything and be a lot more careful.

Image #2: Osprey take-off, the optimized version cropped to a square (for presentation)

Dealing With the Underexposure

In DPP 4 I increased the Brightness by one full stop, moved the Highlight slider to -1, moved the Shadow slider to +2, and moved the Color fine-tune dot well away from RED to somewhat counteract the very rich, warm, early morning light. For Image #1 I used the techniques detailed in APTATS II to move the bird from one side of the frame to the other. After I had saved the optimized version in the original 3X2 proportion, I decided to create a perfectly square version — Image #2.

The Question of the Day

Do you prefer the 3X2 version (Image #1) or the 1:1 square version (Image #2)? Be sure to let us know why.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II) will teach you an efficient Mac or PC/Photo Mechanic/Photoshop workflow that will make it easy for you to make your images better in Photoshop (rather than worse). That true whether you convert your images in DPP 4 or ACR. See the blog post here to learn lots more and to read a free excerpt.

You can order your copy from the BAA Online Store here, by sending a Paypal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

The few things mentioned above (and tons more) are covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. The new e-Guide reflects my Macbook Pro/Photo Mechanic/DPP 4/Photoshop workflow. Do note that you will find the RGB Curves Adjustment Color Balancing tutorial only in the new e-guide. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

The two most recent and many of the older MP4 Photoshop Tutorial videos releases go hand and hand with the information in DB II):

  • The Wingtip Repairs MP4 Video here.
  • The MP4 Crow Cleanup Video here.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here.

You can learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here. And you can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair. Folks can learn sophisticated sharpening and (NeatImage) Noise Reduction techniques in the The Professional Post Processing Guide by Arash Hazeghi and yours truly.

Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. with love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

December 18th, 2017

Tern/Gull Pile Photography Tips/Part II: Tight and Static (and Fluffy). And the Most Amazing Ever Canon Used Gear Listings with shock-the-world record-low prices for a 1DX II a 600 II, an 11-24mm, a 24-105 II, and lots more!

Stuff

I’ve been having fun getting down to the lake in the morning for about an hour or so and then again just before sunset. Yesterday was the same. Just head portraits of Black Vultures in the am, and another smashing sunset in the evening, the fourth in a row. Unlike Saturday, I had some birds on the perches. I am hoping for a sunset silhouette Osprey on The Perch one of these days. With the warming trend continuing, the pool was up to 76 degrees; I am back to swimming my easy 3/4 mile (66 lengths) every day.

I am effectively finished with the 5D Mark IV Guide with just a bit of mopping up to do; I still need to finalize a very few the internal reference page numbers and add the gallery. On Sunday I started and finished the Cheat Sheet, a tight summary of all the important camera menu settings. See the info below the B&H 5D IV logo link to learn how to get a free copy.

I was glad to learn yesterday that the sale of Joel William’s Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR lens in like-new condition for $1199 in nearly finalized. His XT-2 is still available; see the Used Gear page here and scroll down for that and lots of great Fujifilm lenses.

Right now two folks are signed up for San Diego #2 with three more interested; San Diego #1 has been sold out for some time. IPT #2 represents an amazing opportunity to enjoy some great bird photography with the spectacular breeding plumage Pacific race of Brown Pelican and to learn from possibly the finest bird photography teacher to ever walk on the planet (he said with all modesty …) This IPT is the first to offer a free morning session the day before the IPT starts. I hope that you can join me.

Click on the logo-link above for great holiday savings!
$300 off on the Canon 100-400 II!

Facebook

If you have sent me a FB friends request that has gone unrequited, it is because I am up to the 5,000 limit on my personal FB page. You are invited to click here and then Like and Follow the identical content. 🙂

The Streak

Today makes one hundred forty-three days in a row with a new educational blog post! With Mike Rust’s extensive Used Canon gear listings, this one took about six hours to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections willing.

Click on the logo-link above
for Amazing 5D Mark IV Bundles and Deals

Here is the best news: those who have used a BAA B&H affiliate link to purchase a 5D Mark IV (or other items totaling $3200 or more) are invited to send us a copy of their B&H receipt via e-mail and received a free copy of the guide. If you would like to review the document before it is published, please send your receipt now. This offer is valid for future purchases.

Recent Used Gear Sales!

After a two month lull, the Used Photo Gear page has been on fire for the past two months.

  • Joel Williams sold a Fujifilm XF 1.4x TC WR teleconverter in like-new condition for $299 in mid-December, 2017.
  • Mike Newman sold a Canon EF 600 F4/L USM IS II USA lens in like-new condition for the record-low BAA price of 9,398.00 within two days of listing it in early December.
  • Steve Cashell sold his Canon EF 800mm f/5.6L IS USM lens in near-mint condition for a very low $7898 in mid-November.
  • In late November Mansoor Assadi sold his Canon EOS-1DX Mark II professional digital camera body in like-new condition for a BAA record-low $3998 and his Canon EOS-1D Mark IV professional digital camera body in excellent condition for a very low and fair $999.
  • Mansoor Assadi sold his Canon EOS 5D Mark III digital camera body in excellent condition for a very low $1299 in early November.
  • Robert Blanke sold his Canon EOS-1DX Mark II professional digital camera body in like-new condition for the BAA record-low/shock the world price of $3999 an hour after it was listed.
  • IPT veteran Duncan Douglas sold his Canon EF 500mm f/4L IS USM Super Telephoto Lens (the “old five”) in early November for #3699.
  • Chesley Swann sold a Canon EF 100-400 f/4.5-5.6L IS Zoom Lens (the original 1-4) in excellent condition for the very low price of $529 in mid-November.
  • Mike Lawie sold his Canon EOS 7D Mark II body in near-mint condition for the BAA record-low price of $923 and his Canon EF 24-105mm f/4L IS USM zoom lens in excellent condition also for a BAA record-low price: $448. Both in mid-November.
  • Gary Wade sold his Canon EF 400mm f/2.8L IS II USM Lens in near-mint condition for the record-low BAA price of $7449 in mid-November.
  • Multiple IPT veteran Shelly Goldstein sold his Canon EF 500mm f/4L IS USM Super Telephoto Lens (the “old five”) in excellent condition for the $3899 a week after it was listed.
  • Peter Noyes sold his Nikon D-810 Digital SLR Camera Body in excellent condition for $1499 two hours after it was listed.
  • Multiple IPT veteran Shelly Goldstein sold his Canon EF 600mm f/4L IS II USM Super Telephoto lens in like-new condition for $9,399 in early November before it was even listed …

Canon EOS-1DX Mark II

BAA Record-Low, Shock-the-world priced
Sale possibly pending

Mike Rust is offering a Canon EOS-1DX Mark II professional digital camera body in like-new condition for a BAA record-low, shock-the-world price of $3997.00. The sale includes the front body cap, the strap, the manuals & CDs, a SanDisk Extreme Pro C-Fast 2.0 card 64 gb, a SanDisk Extreme ProCompactFlash 32gb card, the CFAST reader that came with the body, and insured ground shipping via major courier. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

The 1DX Mark II is Canon’s rugged, blazingly fast professional digital camera body. It features an amazing AF system and high quality image files with great dynamic range. It is the choice of Arash Hazeghi, one of the world’s premier birds in flight photographers. artie

Canon 600mm f/4L IS II USM Lens

BAA Record-Low, Shock-the-world priced

Mike Rust is also offering a Canon 600mm f/4L IS II ISM lens in near-mint condition with two tiny nicks on the lens hood for a BAA record-low, shock-the-world price of $9396.00 The sale includes the the lens trunk, the lens strap, the padded fabric front lens cover, the rear lens cap, a Camo Lens Coat (an $89.99 value), a Wimberley P-50 plate (a $55 value), and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

Sale pending

The 600 II is the state of the art super-telephoto for birds, nature, wildlife, and sports. If I can get it to a location, it is my go-to weapon. It is fast and sharp and deadly alone or with either TC. With a new one going for $11,499, you can save a cool $xxxx by grabbing Mike’s lens right now. artie

Canon 400mm f/4 IS II DO USM Lens

Sale possibly pending

Mike Rust is also offering a Canon 400mm f/4 IS II DO USM lens in like-new condition for the amazing low price of $5999.00. The sale includes the the lens trunk, the lens strap, the padded fabric front lens cover, the rear lens cap, and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

I own the 400 DO II and find a way to take it on most trips. I take it to Scotland and Nickerson Beach and San Diego. It has served as my big gun in the Galapagos and on Southern Ocean (the Falklands and South Georgia) trips. It is a killer for flight with or without the 1.4X III TC. And really skilled folks have had amazing success hand holding it with the 2X III TC for flight and for action. With this lens in high demand and new ones selling for $6899, MIke’s lens is a great buy that will save you a smooth 900 bucks!. artie artie

Canon EF 24-105mm f/4L IS II USM Lens

First-ever BAA listing for this item!
Sale pending

Mike Rust is also offering a Canon EF 24-105mm f/4L IS II USM lens in like-new condition for the very fair, very low price of $699.00. The sale includes the lens hood, the suede lens pouch, the front and rear lens caps, the original box, and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

I rarely make a trip or head out to the beach without my 24-105 in my Xtra-hand vest. Whenever I leave this versatile B-roll lens behind, I wind up regretting it. I use it for bird-scapes, photographer-scapes, landscapes, mini macro scenes like bird feathers, dead birds, and nests with eggs — the latter only when and if the nest can be photographed without jeopardizing it, and just about anything else that catches my eye. While I am nowhere near as good as Denise Ippolito with this lens, I have made lots of good and saleable images with mine, the older version. Mike’s lens, the newer version, sells new for $1,099.00 artie

Canon EF 11-24mm f/4L USM Lens

Sale pending

Mike Rust is also offering a Canon EF 11-24mm f/4L USM lens in like-new condition for $1799.00. The sale includes the lens hood, the suede lens pouch, the front and rear lens caps, the original box, and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

I own and use this truly versatile, astoundingly sharp super wide angle zoom; it is perfect for scenic, landscape, and architectural photography. The 11-24 currently sells new for $2,699.00; save a cool $900.00 by grabbing Mike’s copy. artie

Canon Series III Teleconverters

1.4X sold

Mike Rust is also offering two Canon Extender EF 2X III (teleconverters) and one Canon Extender EF 1.4X III (teleconverter) for $349.00 each. Each TC is in like-new condition. Each sale includes the front and rear caps, the suede pouches and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

As regular readers know I use my teleconverters more than any other photographer. They are so important to what I do that I on big trips I travel with two 2X TCs and three 1.4s. artie

Wimberley V2 Tripod Head with extras

Sale pending

Mike Rust is also offering a Wimberley V2 Tripod Head in excellent condition with extras for $399. The sale includes a LensCoat Camo Head Cover, a neoprene LensCoat Gimbal Pouch (a $25 value), and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Mike via e-mail or by phone at 1-360-420-1274 (Pacific time).

Many folks choose and use the Wimberley V2 Tripod Head for their super-telephoto lenses. I use mine for ultimate stability when micro-adjusting. artie

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those might include system, camera body, accessory, and lens choices and decisions.


This image was created at Fort DeSoto on December 4, 2017 with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 560mm), and my favorite tern photography camera body, the Canon EOS 5D Mark IV. ISO 800. Evaluative metering +2 1/3 stops off the gray sky worked out to about +1 2/3 stops as framed: 1/1000 sec. at f/9 in Manual mode. AWB. 11:20am on a cloudy bright day.

LensAlign/FocusTune micro-adjustment: -2.

Upper Large Zone/AI Servo/Shutter button AF was active at the moment of exposure. The system selected two AF points that fell on the very back of the tern’s neck.

Royal Tern, winter plumage — front end vertical portrait

Tern/Gull Pile Photography Tips/Part II: Tight and Static (and Fluffy)

About the Tern/Gull Pile Photography Tips/Part I: Flight blog post here, several folks said that it might have been the most educational BAA blog post ever. That is saying a lot. But I am not sure that I agree. 🙂 Today, I offer a bit more on photographing gulls and terns at the beach, especially at beaches in Florida where the birds are often silly-tame, and especially at Fort DeSoto (where I hope to be doing two IPTs this spring). The basic strategy for getting close to the tern/gull flock to create tight portraits is the same as for getting close for the purpose of flight photography so a good deal of advice from the first Tern/Gull pile blog post is adapted below for today’s blog post.

Tern/Gull Pile Photography Tips: Part II

1-Understand what a good situation is. On a sunny day that means that both the wind and the sun should be at your back. On a cloudy day the wind needs to be at your back, and if the light shows any direction at all, it should also be at your back (or close to it). Do understand that when conditions are bad that making a single good image will be much more difficult.

2-Hand holding when you wish to create clean, tight, and graphic portraits of gulls and terns at the beach with an intermediate telephoto lens allows more freedom of movement and choice of perspective as you look for the good slots, opening between the birds where you can enjoy a clean line-of-sight to your chosen subject. Learning to do that is half the battle; it usually means moving slowly from side to side while on your butt.

3-Approach the birds low and slow. At popular beaches like DeSoto the terns and gulls are often quite tame and thus quite approachable. Remember to keep the wind behind you to some degree so that the birds are facing you or square to your position (as in today’s featured image) or somewhat angled towards you.

4-When striving to create clean, tight, and graphic portraits of gulls and terns at the beach with an intermediate telephoto lens your 1.4X teleconverter belongs on your lens. More reach gives you more isolating power.

5-Get as close as you can without causing any of the birds to move away from you.

6-Understand that the folks walking on the beach and disturbing your flock of birds are the #1 reason that the birds are so tame. And if folks walk right along the shoreline and flush the whole flock that can actually be a huge plus if you are hoping to do flight photography. Why? Nine times out of ten the birds will return to the very spot that they just left giving you multiple chances to photograph the incoming birds. And the same is true if you are trying to create tight head portraits. One thing that I forgot to mention in the initial blog post on this subject is that if the flock re-lands elsewhere on the same beach you should do the same!

7-If you are trying to create images of birds at rest and you see an oblivious person or an oblivious couple walking right at your flock and you would like to try to deflect them, here is the best strategy: wave gently at them and call out, “Good morning.” If they slow down or stop and are looking at you, motion them around your position by pointing and asking, “Can you please walk around us?” This is a far better strategy than screaming “Stop you a-holes! You are gonna scare our birds.” Sometimes it works and sometimes it doesn’t. If it does not work and they scare the whole flock, practice loving what is and just say “Good morning.” And then get ready for some good flight photography.

8-For the loveliest backgrounds, get flat down on the beach with your lens. Support the lens barrel with your left hand and do your best to keep it out of the sand. As almost always, getting low moves the effective background farther from the subject and as with today’s featured image, your backgrounds will be very pleasingly out of focus. In addition the usually distracting effects of shells and pebbles on the beach are reduced.

Summing Up

Get low. Move slowly. Add your 1.4X TC. Find a clear slot to your subject. And then get down flat on the ground. That is exactly what I did to create today’s featured image.

Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. with love, artie


san-diego-card-neesie

San Diego offers a wealth of very attractive natural history subjects. With annual visits spanning more than three decades I have lot of experience there….

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography. And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You can do most of your photography with an 80- or 100-400 lens …

Did I mention that there are wealth of great birds and natural history subjects in San Diego in winter?


san-diego-card-b

Though the pelicans will be the stars of the show on this IPT there will be many other handsome and captivating subjects in wonderful settings.

The San Diego Details

This IPT will include four 3 1/2 hour morning photo sessions, three 2 1/2 hour afternoon photo sessions, three lunches, and after-lunch image review and Photoshop sessions. To ensure early starts, breakfasts will be your responsibility. Dinners are on your own so that we can get some sleep.

A $599 non-refundable deposit is required to hold your slot for this IPT. You can send a check (made out to “Arthur Morris) to us at BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. Or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance is payable only by check. Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

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Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).