Arthur Morris/BIRDS AS ART
February 11th, 2018

A Comparison of the Canon 100-400 II L IS Lens and the Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Lens

Stuff

We had another great morning with the Brown Boobies. We were very careful on the jagged limestone cliffs … Tired of the heat and the bright sun we delayed our afternoon outing till 4:30pm. As I walked to the car it was drizzling. And there were big lovely clouds. We had our best afternoon of the trip as the big chick and her mum were quite cooperative and the pair nearby that had disappeared returned and spent the afternoon deciding which of two nests to build. All three of us were elated as we walked off the beach at 6:38pm.

Big time thanks to Peter Kes who added a Nikon Lens chart under the Lens Chart tab above; both charts were quite helpful in preparing this blog post.

It’s not too late to join me for one of the spoonbill IPTs; both are now almost full. Please e-mail if you would like to learn about the late registration discount.

The Streak

Today makes one hundred ninety-five days in a row with a new educational blog post! This one took about five hours in all to prepare. Plus thousands of hours using the 100-400 II in the field and another hundred or so playing with the 200-500. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections and my continuing insanity willing. I was glad to learn that Gary Meyer sold his Canon EF 500mm f/4L IS USM lens in near-mint condition along with a pair of like-new Series III TCs for the (unbelievable) record low BAA price of $3458.00.



Booking.Com

Several folks on the Spoonbill IPTs used the Booking.Com link below and got great rates and saved a handsome $25.00 in the process. If you too would like to give Booking.Com a shot, click here and to earn a $25 reward on your first booking. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.


nazca-booby-tight-face-shot-_y8a1711-tower-island-genovesa-galapagos-ecuador

This image was created at Darwin Bay, Genovesa (Tower Island) at 10:01 am on Day 2 of the 2015 Galapagos Photo Cruise with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering +1 1/3 stops off the bright white feathers on the bird’s back in hazy sunlight: 1/400 sec. at f/13 in Manual Mode. AWB.

Left Upper Zone AF/AI Servo/Rear Focus AF as framed was active at the moment of exposure (as is always best when hand holding). The AF system chose the AF point three to the left of the center AF point–it was squarely on the bird’s right eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Image #1: Nazca Booby–tight face shot facing

The Canon 100-400 L IS II Lens

In the right hands, this is a superb lens with or without a 1.4X teleconverter.

This image was created on Cayman Brac with the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens and the Nikon AF-S Teleconverter TC-14E III (at 650mm), and the Nikon D850. ISO 800. Matrix metering probably +1/3 stop (as originally framed): 1/500 sec. at f/10 in Manual mode. AWB at 2:45pm on a clear sunny afternoon.

Right d-25/Shutter Button AF was active at the moment of exposure with the selected AF point on the bird’s left eye.

Image #2: Brown Booby, tight face detail of male

The Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Lens

In the right hands, this is a superb lens with or without a 1.4X teleconverter. By comparing today’s two featured images carefully you can see the MFD/magnification advantage of the Canon 1-4 as both images were made just about at the MFD …

Your Favorite?

Which of today’s featured images is the stronger one? Please let us know why you made your choice.

A Comparison of the Canon 100-400mm L IS II Lens and the Nikon 200-500 f/5.6 VR

Weight, Size and Bulk

The Canon 100-400 II at 3.5 lbs. (1.59kg) is imminently more hand holdable for many folks than the Nikon 200-500. The latter tips the scales at 4.6 lbs (or 2.09 kgs). That said, I hand held the 2-5 for two weeks in San Diego without a problem and have done the same on Cayman Brac. And have never thought once about using a tripod (except when doing static subjects in the strong winds on the cliffs at the Brac). By direct comparison, the 200-500 is large and clunky; the 100-400 is relatively small and quite svelte. You can however save a bit of weight by removing the tripod collar with the Wimberley plate attached from the 2-5.

Big Advantage: Canon

IS vs VR

Both image stabilization systems are excellent. Note: for bird photography with the 200-500 I keep the VR set to Sport even when photographing static subjects. This is much the same as my keeping IS Mode 2 set all the time with my Canon lenses.

Advantage: none

Focal Length Range

For bird photography, the 2-5 with its maximum reach of 500mm is the clear winner over the 400mm maximum focal length of the Canon 1-4. That said, there are times with the Nikon 2-5 when I miss the additional 100mm at the wide end.

Advantage: Nikon

Minimum Focusing Distance (MFD)

The thing that I miss most about the Canon 100-400 II is the amazing close focus. With its MFD of 3.2 feet (about .98 meters) the 1-4 is a veritable macro lens. The 2-5 focuses down to a not-too-shabby 7.2 feet (or 2.19 meters), more than twice the MFD of the Canon 100-400 II.

The magnification of the 100-400 II is an incredible 0.31X. The magnification of the 2-5 is only 0.22X. Do note: the magnification of a zoom lens is calculated at the longest focal length at the minimum focusing distance. (And yes, for all the tech heads, I do understand that with the Canon lens you do not get a true 400mm focal length when working at or near the MFD.)

Huge Advantage: Canon

Ergonomics and Functionality

Removing the tripod collar to save weight with the Nikon 200-500 is a snap compared to the pain-in-the-ass chore of having to unscrew the tripod foot (with a Wimberley P-10 plate) attached on the 1-4II. Getting around in the field with the 1-4 on a Black Rapid Curve Breathe strap is child’s play. I like to remove the tripod foot as above but have no problem attaching the screw from the Black Rapid strap to the bottom of the camera body. I am not, however, comfortable doing that with a four and a half pound lens. I tried using the tripod collar and attaching the Black Rapid screw there but I did not like the balance. Thus, the huge problem that I have with the Nikon 2-5 is that there are no strap lugs on the lens as their are on the Canon 400 DO II (that weighs about the same as the 2-5). I need to come up with a way to carry the Nikon 2-5 on my shoulder when I am afield with my about-to-be delivered Nikon 600mm f/4. Or perhaps there is an 80-400 VR in my future …

As far as the various controls are concerned, each lens is laid out similarly and is easy to access and use the various switches.

Advantage: a slight edge to Canon; if the 2-5 had strap lugs, the edge would go to Nikon.

Performance with a 1.4X TC

The Canon 1-4 performs superbly with the 1.4X III TC. At times, it will work just fine for birds in flight. At this stage having limited experience using the 2-5 with the TC for flight, I cannot recommend that combination for flight photography. Autofocus at point blank range is quite satisfactory with the Canon set-up. AF performance with the Nikon 2-5 and the TCE 14-E III is adequate at long and mid-ranges but the speed of initial autofocus acquisition is slowed to a greater degree than with the Canon set-up. At times, the 2-5 paired with the TC-14E III, has a great deal of trouble acquiring focus at close range especially in soft light. The two tricks below have helped me; perhaps they will help you.

  • #1: Move your left hand back on the barrel to the focusing ring so that you can pre-focus manually. Once you acquire focus you can move your left hand back out for better stability.
  • #2: If you are attempting to acquire focus on the head of a gull with a black back (such a western or great black-backed) and the AF system is blind even when you put d-9 right on the bird’s eye, simply lower the lens to the spot where the white head meets the black back and press the shutter button half way to acquire focus. It will always do that with zero problems. When you raise the camera to compose your tight head portrait the system will generally hold focus without a problem.

Most importantly note that with the greater reach of the 2-5 you max out at 700mm while the Canon rig will get you out to 560mm.

Advantage: slight edge to Canon

Sharpness

Both with and without the manufacturer’s matching teleconverters both lenses are to my eyes, exceeding sharp.

Advantage: None

Zoom Power Ratio

Getting from 100mm to 400mm with the Canon 1-4 requires a twist of only about 90 degrees. To get from 200-500 with the Nikon lens – the same 300mm difference — requires nearly twice the rotation, about 170 degrees. This makes the 2-5 much more difficult to work with than the Canon 1-4. I am finally beginning to get the direction of zooming right with the 2-5 but I am anything but confident.

Big Advantage: Canon

Price

A new 100-400 II currently sells for $2049.00 at B&H. The Nikon 2-5 currently sells new at B&H for $1396.95.

Big Advantage: Nikon

Summary

Both the Canon 100-400 II L IS and the Nikon 200-500 f/5.6 VR are superb lenses. In the hands of competent photographers each is capable of creating high quality award winning images. Do understand that knowing where to stand, having good sharpness techniques, knowing your gear, knowing how to make sharp images, knowing how to get a workable exposure, know how to design a pleasing image, and understanding the direction and quality of light, understanding how effects of wind, knowing your subjects, and knowing how to approach birds without scaring them off are — among other factors, far more important than what system or what lens or what camera body you are using … Chew on that for a while 🙂

A Question

Did the results above surprise you? If yes, why?

Help Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

February 10th, 2018

A New Highlight Slider First ACR Strategy

Stuff

We had a very successful morning on Cayman Brac climbing right to the edge of the jagged limestone cliffs for flight photography. The why of that is explained below. We were ready for another fabulous afternoon but the booby with the big chick sat in a bush for two hours and only the male of the pair that had been courting peacefully right nearby the day before was around. He would fly in and land and then take off again in search of his missing mate. Late in the day we got some nice stuff of the big chick and mom as they left the bush and enjoyed the shade that had enveloped their little piece of paradise.

It’s not too late to join us for one of the spoonbill IPTs; there are two spots left on each. Please e-mail if you would like to learn about the late registration discount.

Today makes one hundred ninety-four days in a row with a new educational blog post! This one took less than an hour to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections and my continuing insanity willing. I was glad to learn that Gary Meyer sold his Canon EF 500mm f/4L IS USM lens in near-mint condition along with a pair of like-new Series III TCs for the (unbelievable) record low BAA price of $3458.00.



Booking.Com

Several folks on the Spoonbill IPTs used the Booking.Com link below and got great rates and saved a handsome $25.00 in the process. If you too would like to give Booking.Com a shot, click here and to earn a $25 reward on your first booking. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on my first morning on Cayman Brac with the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens (at 500mm) with the mega mega-pixel Nikon D850. ISO 1000. Matrix metering at about 2 stops as framed: 1/2000 sec. at f/6.3 was a big over-exposure; I should have known better based on the ISO and the lighting conditions. But as was explained yesterday, I was overly reliant on the blinkies (that had somehow been turned off …

Center Group (grp) shutter button AF was active at the moment of exposure. AF micro-adjustment: -1.

Brown Booby braking in flight, cropped from a horizontal original.

Evaluating the Situation

The wind on Cayman Brac is non-stop from the east and almost always strong. In the mornings, we are facing north while looking out over the Caribbean Sea; the sun comes up 90 degree to our right so that that light is paralleling the cliff. Then the sun moves ever-so-slowly behind us to the south. With the birds flying into the wind, I knew immediately that the very best place to be for flight photography was as close to the edge of the cliff as possible. Thus our adventures over the jagged limestone and through the thorn bushes right up to the edge of the Caribbean 150 feet below.

This is the ACR screen capture for today’s featured image.

The RAW Conversion

Th RAW file for today’s featured image was so over-exposed (as detailed in yesterday’s Screwing Up (and then learning a ton) in a Very Challenging Situation on Cayman Brac blog post here) that when I moved the Exposure slider all the way to the left to -5 stops, there were still WHITEs with RGB values of R=255, G=255, B=255. Now that’s overexposed! I have always taught folks that when dealing with hot WHITEs is is always best to start with the Exposure slider. But this image taught me that there is another very effective option: I started with the Highlight slider and went from there. Be sure to click on the screen capture above in order to read the fine print. Do understand that the screen capture is the “after” version, i/e., after moving the sliders.

The Image Optimization

First I cropped to a 3X2 vertical. Then I expanded the canvas and filled it in using John Haedo Content Aware Fill. Then I selected the bird with the Quick Selection Tool, saved the selection, and put it on its own layer. Next I applied my 40/40 Color Efex Pro Detail Extractor/Tonal Contrast recipe to that layer. That worked like a charm by toning down the WHITEs, bringing up the dark tones, and revealing the detail in both. Next I ran NeatImage noise reduction with y = 75 on the bird, and y = 100 on the background (with the bird protected). All of that as detailed in the The Professional Post Processing Guide by Arash Hazeghi and yours truly. That eliminated what I call the small pixel noise from the D-850 (especially from the background).

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II) will teach you an efficient Mac or PC/Photo Mechanic/Photoshop workflow that will make it easy for you to make your images better in Photoshop (rather than worse). That true whether you convert your images in DPP 4 or ACR. See the blog post here to learn lots more and to read a free excerpt.

You can order your copy from the BAA Online Store here, by sending a Paypal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

Your guessed it, everything mentioned above (except for new Highlight slider first strategy) and tons more is covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. While the new e-Guide reflects my Macbook Pro/Photo Mechanic/DPP 4/Photoshop workflow, folks using a PC and/or BreezeBrowser will also benefit greatly by studying the material on DB II. Do note that you will find the RGB Curves Adjustment Color Balancing tutorial only in the new e-guide. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

The two most recent and many of the older MP4 Photoshop Tutorial videos releases go hand and hand with the information in DB II):

  • The Wingtip Repairs MP4 Video here.
  • The MP4 Crow Cleanup Video here.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here.

You can learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here. Yes, I still have many Canon images to work on. 🙂 And you can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair. Folks can learn sophisticated sharpening and (NeatImage) Noise Reduction techniques in the The Professional Post Processing Guide by Arash Hazeghi and yours truly.

Help Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

February 9th, 2018

Screwing Up (and then learning a ton) in a Very Challenging Situation on Cayman Brac

Stuff

All in all we had a great first day on Cayman Brac. Photography was difficult. We traversed jagged limestone cliffs with treacherous footing. It was so windy when I created today’s featured image that I was lucky to get one centered in the frame. The coast ran east/west so getting on perfect sun angle was close to impossible. Photographing the dark brown and gleaming white birds in bright, usually off-angled light was a huge challenge. And most of the nest sites were in sheltered or cluttered locations. But heck, it was only the first day and yet, we all made some great images. The birds, especially the males in breeding plumage, are gorgeous.

As often happens, a major screw-up led to some really good photographs and a ton of learning on my part. I will share some of that with you here today and some more in future blog posts. Exhausted from the previous day’s travel I took a long midday nap. After visiting the cliffs in the morning we visited some beach-nesting boobies with chicks in the afternoon. The beach was paved with small limestone boulders and big chunks of coral but still, the going was easier than it had been in the morning. At the last spot we visited there was a bird with a large chick and a nest-building pair that provided lots of action. Both of these situations were pretty much wide open.

The Streak

Today makes one hundred ninety-three days in a row with a new educational blog post! I started work on this blog post on Thursday afternoon and finished and published it just before 4:45am on Friday. In all, this one took about 75 minutes to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections and my continuing insanity willing.

Canon EF 500mm f/4L IS USM Lens (the “old five”)

Sold Instantly!

Gary Meyer is offering a Canon EF 500mm f/4L IS USM lens in near-mint condition for the really great and lowest ever BAA price of $3458.00. The sale includes the original box, the rear lens cap, the lens trunk, the tough front lens cover, a Canon EF Extender 1.4X III, a Canon EF Extender 2X III (both with the original boxes and pouches and both in mint condition) and insured ground shipping via major courier to US addresses only. Your item will not ship until your check clears unless other arrangements are made.

Please contact Gary via e-mail or by phone or text at 1-612-221-0150 (Central time).

The 500mm f/4 lenses have been the world’s most popular telephoto lenses for birds, nature, wildlife, and sports for many decades. I owned and used and loved my “old five” for many years. If you don’t have the cash for the 500 II and can handle the additional 1 1/2 pounds, then this is your best super-telephoto option. Most everyone can produce sharp images with this lens and a 1.4X TC. Folks with good to excellent sharpness techniques can do the same with a 2X TC. With the new 500 II selling for $8,999 you can save a bundle by grabbing Gary’s nearly perfect lens at a great low price along with two almost brand new Series III TCs! It is the condition of all the gear and the extras that makes this offering special. artie



Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.


Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail. Those questions might deal with systems, camera bodies, accessories, and/or lens choices and decisions.

This image was created on my first morning on Cayman Brac with the hand held Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens (at 500mm) with the mega mega-pixel Nikon D850. ISO 800. Matrix metering at about +1.3 stops off the blue sky: 1/2000 sec. at f/6.3 was a big over-exposure … Learn why below.

D-25 shutter button AF was active at the moment of exposure.

AF micro-adjustment: -1.

Brown Booby, breeding plumage male

Screwing Up (and then learning a ton) in a Very Challenging Situation …

I risked life and limb just to get anywhere near sun angle. Had I moved one more inch to the right to get the sun directly behind me, I would have been in the ocean and on the rocks about 150 feet below. And try as I might, I could not get tall enough to eliminate the few scraggly branches at the bottom of the frame. But still, it was a gorgeous bird.

After my test frame, the image looked very bright on my rear LCD but there were no blinkies. This same situation persisted throughout the morning, but i trusted the blinkies. When I started reviewing my images in Photo Mechanic, I saw tons of blasting blinkies. I was baffled as I had previously set up the camera so that highlight alert was working on the small JPEG in the view with both the luminosity and the three RGB histograms. So I put the card back in the camera and found that blinkies on the small JPEG had been mysteriously turned off. Heck, I do not even know how to turn them off. So, I turned them back on as Krishna Prasad Kotti had previously taught me to do: as long as you have highlight alert turned on, you can turn the blinkies on in the small JPEG as described above by pressing the minus magnify button and then pressing the right arrow. I did that and the blinkies re-appeared. Lots of big blinkies.

Krishna: the only thing done differently was that I added the grip to get to 9fps. Do you have any idea how blinkies on the small JPEG might have gotten turned off? (I forgot to note that they were working during our pre-dawn landscape session so it could not have been the grip …)

In any case, that screw-up enabled me to learn that the D-850 has tremendous dynamic range. With today’s featured image I was easily able to restore the blown highlights by first moving the Exposure slider to the left and then doing the same with the Highlight slider (all in ACR). With my best flight image, the WHITEs were so badly blown that that approach did not work. But I did come up with a new solution, one that I will share with you here soon.

Help Support the Blog

Please help support my (stupendous) efforts here on the blog by remembering to click on the logo link above each time that you shop Amazon. That would be greatly appreciated. There is no problem using your Prime account; just click on the link and log into your Prime account. With love, artie

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.





Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).