Arthur Morris/BIRDS AS ART
October 27th, 2017

The Daily Work ... And Bucking the Trend with my choice of a favorite Great Egret sunset silhouette.

Stuff

On Thursday morning I got some serious work done on the 5D Mark IV User’s Guide. Then it was off to TJ McKeon’s office in Lake Wales for some Active Release Technique Chiropractic work on my shoulders, hips, and back. Next was a routine visit to Dr. Holmes; my blood work last week came in with my lowest-ever A1C, a three month measure of blood sugar levels: a very excellent 5.0. For the past few days I have been enjoying an overwhelming feeling of mental and physical peace and well-being.

Be sure to read the whole e-mail exchange below as Swamp Thing posed several commonly asked questions and my informative responses contain some good solid advice (and lots of subliminal advertising) based on my thirty-four years behind telephoto lenses. And to think that I started late!

I head over to Fort DeSoto this afternoon to meet a not-so-small group for a weekend of in-the-field instruction BIRDS AS ART style.

Thanks to the many who left comments on yesterday’s Major or Minor Screw-Up by Yours Truly? blog post while answering the question, What do you do with your images??? Click here to chime in if you like.

The Streak

Today makes ninety-two days in a row with a new educational blog post! This one took about 90 minutes to prepare over two days. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections willing.

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

The Daily Work …

I write often that I spend lot of time answering e-mails. Do know that I enjoy doing so. Here is a typical conversation with Mark Malina whose e-mails show up in my Inbox as being from Swamp Thing:

am: Hey Mark, How are things in the swamp??? Thanks for getting in touch; where do you live?
re:

MM: First, I want to say thanks.

am: You are most welcome.

MM: I only discovered your blog a few months ago by chance as I was undertaking an effort to get more serious about wildlife photography (and frankly
had thought little about bird photography specifically). In the last month, I have become increasingly hooked on your incredibly informative and fun posts.

am; Thank you for appreciating the blog 🙂 Like bird photography, the blog is one of the great passions in my life. I put a lot of effort into and get a lot out of it in terms of joy and happiness (not to mention appreciable income).

MM: Of course, seeing the beauty of your bird shots also made me want to take some myself.

am: Thank you kindly. That’s how it happens. Then you are hooked. I did not start photographing till I was 37 and it quickly became the overwhelming passion in my life.

MM: I also recently bought your and Arash’s DPP4 RAW Conversion Guide and will inevitably be purchasing others, which leads to the following question.

am: Thank you and good plan.

MM: Regarding the Art of Bird Photography II, it says on the site somewhere that it comes only as a CD. My current laptop doe not have a CD ROM drive and I don’t have a separate plug-in one. Do you also offer it simply as a downloadable pdf? If so, how do I indicate that when purchasing on-line?

am: Excellent questions. 🙂 You can get a downloadable version by clicking here.

MM: Third, virtually every time I open the blog page, I notice your ever-present statement about folks out of ignorance using the wrong tripod and head.

am: Yes sir. I try to make sure that that invitation is there every day. And yet zillions of folks are still out there using the wrong tripods and the wrong tripod heads with their expensive gear …

MM: I have been wanting to take you up on your offer in that post to answer questions on the topic for a long while but didn’t want to trouble you.

am: No trouble at all; it’s my job.

MM: Now that I am writing you for other reasons, I can ask about those two items. I have a nice older Gitzo carbon fiber tripod and a Gitzo ball head.

am: If I may be frank, ballheads are for landscape photography not for telephoto lenses. And while I have only seen a few of the Gitzo ballheads, they all had two things in common: they are poorly designed and difficult to work with.

MM: I love the tripod, not so much the head. Also, the tripod is a medium-weight model and I suspect you may tell me it’s not solid enough.

am: That plus all Gitzo tripods are all over-priced and under-performing. The leg locks anodize whenever they come within 100 yards of saltwater. Using a Gitzo tripod outside of your living room pretty much voids the lifetime guarantee … And when (not if) your tripod needs repair, you are screwed. Things were bad enough when the distributor handled the service but about three years ago the repair department got farmed out …

MM: I know you always reference the Induro GIT304L Grand Series 3 Stealth Carbon Fiber Tripod and the Mongoose M3.6. Are those pretty much a universal recommendation or is it more situation specific?

am: As for the tripod, it depends on your height. For most folks six foot or under the GIT 304L is pretty much one-size-fits-all; if it is right for you, please use only this link: Induro GIT304L Grand Series 3 Stealth Carbon Fiber Tripod.

If you are about 6 foot tall and like a tall tripod or if you are taller than 6 foot or really tall, the slightly heavier GIT 404XL is best for you. Again, please use this link: Induro GIT404XL Grand Series 4 Stealth Carbon Fiber Tripod. In addition to being taller the 404XL is quite a bit sturdier (and heavier). That is why I use it with a Wimberley head for all of my LensAlign/FocusTune micro-adjusting.

As for the Mongoose M3.6 I have been using mine for more than 12 years with all of my super-telephoto lenses, from both 400 DO lenses, to both 500 lenses, to both 600 lens (all of those often with both the 1.4X and 2X TCs) and even to the 800mm f/5.6L IS. And making consistently sharp images at shutter speeds down to 1/60 second (as long as the bird is still). In addition, it is great for my 100-400 II when I need to be on a tripod. I do still recommend the Wimberley for folks who want just a bit more stiffness in their heads and are using 600mm lenses.

We will are getting one perfect Mongoose m3.6 on Monday. Best to call Jim at 863-692-0906 to ensure getting that one. However, do consider this, we are also going to get a few heads with insignificant blemishes on the frame; they will work perfectly. You can save $50 by specifying that you would like a blemished model one (on phone orders only). I am copying Jim here to make him aware.

MM: Do you use or recommend the Mongoose with the side mount or do you add the Low Mount Arm?

am: I do NOT use or recommend the Low Mount Arm except for folks who cannot hold up their big lens with their left hand and arm for ten seconds while mounting it. And even in those cases I do not like the low mount as it screws up the balance with big glass. But it is is better to use the Low Mount Arm than dropping your lens while mounting it … That said, Denise Ippolito loves the Low Mount Arm with her 600mm f/4L IS II.

MM: I currently use nothing bigger than the original 100-400 but am working up to a purchase of a longer lens (probably the 400 DO II because I really want something I can walk around with easily as I spend a lot of time in the woods and on canoes and such). Any thoughts would be appreciated.

am: The 400 DO II is an amazing and wonderful lens; it is the world’s best super-telephoto for folks who do not like carrying around lenses that weigh more than 5 pounds. My beloved 500 II weighs just over 7 pounds, and the 600 II weighs 8.65 pounds. The great news is that most folks using the 400 DO II can easily learn to make sharp images with both teleconverters, even the 2X III. Many folks have problems when using the 2X III with either the 500mm or the 600mm f/4 lenses.

If you do go for the 400 DO II, please use my B&H affiliate link: it is the best way to thank me for the blog and for the time spent answering e-mails like yours. Web orders only and it will not cost you one penny more.

Here you go: Canon EF 400mm f/4 DO IS II USM Lens.

Please shoot me your B&H receipt(s) via e-mail after you purchase.

thanks and later and love, artie

Image #1: Great Egret sunset silhouette

As seen in the A Loverly Sunset and Making Hue/Saturation/Luminance Adjustments in DPP 4 and ACR (in Photoshop or Lightroom) blog post here, the images above and below were created at Fort DeSoto on the late afternoon of Friday, October 20 with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III and my favorite bird photography camera body, the Canon EOS 5D Mark IV. There, I posted, Which of today’s two featured images is the strongest? Please let us know why you made your choice. I feel that one of the images is far stronger than the other … Stay tuned.

Image #2: Great Egret sunset silhouette, looking back

Your Favorites

The first six folks who commented, Elinor Osborne, Jerry Fenwick, David Policansky, Barrett Pierce, Adam, and Jake Levin, were unanimous in choosing Image #1 as the stronger of the two images. Then Anthony Ardito posted this:

The first image is “classically” the better image, however I like #2, the the “looking back” image, as my favorite. Who knows why, it just appeals to me. Maybe I’ll try to explain … It’s more off center visually than the first because of the turned-back head, and the neck is very straight and parallel to the sides of the photograph. It’s just better for me. I don’t care about the crud in the water, in fact it kind of adds to the picture’s realism. Time out: after a few minutes I got my daughter to look to see which one she liked better, and she said the first. I asked why, and she said because the bird was in the path of the sun. Wow! am I an idiot? Why didn’t I see that first off!

My Clear Favorite

Don’t get me wrong, both of the featured images are very strong photographs, and I said in the original post, I did a much better job of cleaning up the foreground crud in the water in Image #1 than I did in Image #2. For me, the first is much too much of a cliché. The second image, with the head turned back and looking out of the frame is my clear favorite mainly because it is different. But as I have said here before, different is not enough. So why else do I prefer Image #2? With apologies to Anthony’s daughter, I like that the bird is slightly offset from the swath of sunlit water. And I love the tension created by the bird looking back out of the frame. For me it brings in an aura of mystery, why is that bird looking over there?

So, am I right and the six folks in the Image #1 fan club wrong? Not at all. As I said both are strong images and artistic preferences are strictly personal. Here, I am just sharing my thoughts.

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Amazon.com

Those who prefer to support BAA by shopping with Amazon may use the logo link above.

Amazon Canada

Many kind folks from north of the border, eh, have e-mailed stating that they would love to help us out by using one of our affiliate links but that living in Canada and doing so presents numerous problems. Now, they can help us out by using our Amazon Canada affiliate link by starting their searches by clicking here.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

October 26th, 2017

Major or Minor Screw-Up by Yours Truly? What do you do with your images ??? And why I love white skies and soft light for flight.

Stuff

Wednesday was one of those Roseanne Roseannadanna “It’s always something” days. It began when I could not turn off the pool’s underwater lights. I had turned them on for my very late swim on Tuesday. Then several electrical outlets in my office (in the new rooms in the back of the house) went dead. We tried all the circuit breakers in the garage with no luck. Then, just as I was about to dial Fletcher Electric Jim somehow remembered that the electrical panel for the addition were under a large canvas print of a Sandhill Crane with two chicks on the nest. It was the breaker.

Then when I went to work on this partially prepared blog I learned that the server that hosts both my blog and BPM was down. I tried getting in touch with Peter Kes for hours but he had gone to bed early (in Switzerland).

Things are looking better for Thursday as when I awoke both the BAA blog and BPN were back up and running.

I did get a fair amount of work done on the 5D Mark IV User’s Guide and will do more on it today. Still, the woods are lovely, dark and deep.
but I have promises to keep, and miles to go before I sleep. Robert Frost. BTW, it is a chilly 53 degrees here at Indian Lake Estates, FL this morning.

The Streak

Today makes ninety-one days in a row with a new educational blog post! This one took about 90 minutes to prepare over two days. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections willing.

2017 in San Diego was a very good year ….

2018 San Diego 3 1/2-DAY BIRDS AS ART IPT #2: Sunday, JAN 28 thru and including a morning session on Wednesday, JAN 31, 2018: 3 1/2 days: $1699. Limit: 8: Openings: 6

Meet and Greet at 6:30pm on the evening before the IPT begins; Saturday, Jan 27, 2018.

San Diego IPT #2: Shorter and Less Expensive!

I am offering a free morning session on SAT 27 JAN for all who register.

Click here for details.

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created on Sunday morning, October 22 with the Induro GIT304L Grand Series 3 Stealth Carbon Fiber Tripod/Mongoose M3.6-mounted Canon EF 600mm f/4L IS II USM lens and my favorite bird photography camera, the Canon EOS 5D Mark IV. ISO 800. Evaluative metering +2 1/3 stops of the light grey sky: 1/1600 sec. at f/4 in Manual mode. AWB.

The center AF point/AI Servo/Manual selection/Shutter Button AF as originally framed (see below) was active at the moment of exposure. The selected AF point was placed squarely on the leading edge of the base of the bird’s right wing and thus was slightly beyond the plane of the bird’s eye. None-the-less, the image is acceptably sharp. The selected AF point should have been squarely placed on the bird’s face or upper breast (at worst). Chalk it up to the ravages of age 🙂

FocusTune/LensAlign Micro Adjustment: +2.

Brown Pelican, immature braking to land

Major or Minor Screw-Up by Yours Truly?

I thought that I had had a pretty darned good morning last Sunday at Desoto, but when I went to edit my images in Photo Mechanic, I noted the none of the photos that I made with my 600II appeared to be in sharp focus. In fact, they all looked like garbage. I wondered if my 600II had somehow been damaged. I did notice also that all of the image files were RAW + JPEG. I never set RAW plus JPEG: .CR2+jpg in Photo Mechanic, and R+J in DPP 4. That’s when I realized that the AFA settings for my 600 II had disappeared from my #1 5D IV body. That probably courtesy of Canon repairs.

After getting a perfect (but mostly insignificant) +2 with the 600 alone I realized that the lens was sharp and performing perfectly. Next I viewed the images enlarged in DPP 4 and they looked fine and sharp … So, anyhooo, I went back to Photo Mechanic and tried viewing the images smaller by changing the zoom from 1 to 2. I do not quite understand how or why that worked, but presented smaller, the images looked fine and I was able to judge the sharpness as I usually do. If I zoomed in on the image in PM, it was back to garbage time. Small RAW produces junk files as compared to the superb image quality of a sharp 5D IV large RAW file …

As the image above looks great as presented, I consider the Small RAW debacle a minor screw-up at worse. Scroll down to see more on this topic in the What do you do with your images ??? item below.

Notice

Notice with the soft light in the white sky image above that underwing detail of the fully and perfectly outspread wings of the braking pelican is perfectly and evenly lit. On sunny days, 99% of similar images will show at least some unpleasing shadows on the underwings. That is one reason that I love soft light for flight.

This is a DPP 4 Screen Capture showing the full frame original and the selected AF point.

A DPP 4 Show Focus Point Screen Capture

In the DPP 4 Show Focus Point screen capture for today’s featured image we can see that because of declining strength, hand-eye coordination, and fine motor skills, I failed to get the selected AF point on the “bird’s face, neck, or upper breast” (as I always advise). 🙂 If I had nailed this bird with the AF point right between its eyeballs the pelican would have been perfectly framed and I would have eliminated most if not all of the pelican heads at the bottom. That’s why God invented Photoshop. After converting the Small RAW file in DPP 4 I moved the bird in the frame using techniques from APTATS I and then eliminated the extraneous heads using the Patch Tool, Content Aware Fill, and the Clone Stamp Tool. Lastly I sharpened the bird’s face with a Contrast Mask.

What do you do with your images ???

In nature photography today, the income derived from leasing one-time (and other) rights to publish images in books, calendars, and on the web has declined more than 90% as compared to what it was 15 years ago. It has gotten to the point that the potential value of having a large, sharp, high quality image file has dropped to pennies. Over the past decade, the income produced by my favorite two hundred images is negligible at best. At least for BIRDS AS ART, the best images that I produce are used almost exclusively here on the blog where their direct value is pretty much zero. But their indirect value is as advertising. If I were not consistently producing good numbers of excellent images on a weekly basis then fewer folks would be attracted to the blog; my Instructional Photo-Tours would not be nearly as successful as they are (despite the fact that everyone who owns a camera is now running photo tours); the Used Gear page would not be the huge success that it is; the sale of merchandise in the BIRDS AS ART Online Store would be a fraction of what it is today — thanks so much for your patronage there; and the sale of educational books, PDFs, and videos would drop precipitously.

My point is that a good 1200 pixel wide JPEG is far more valuable to me than a 70mb perfectly optimized TIF file. So aside from being what is, the Small RAW file episode did not bother me one bit. In fact, doing The Work on “I shouldn’t have screwed up” would lead to these turnarounds: “I should have screwed up.” How is that more true than the original stressful thought? Because I did screw up. That is the reality. In addition, if I had not “screwed up” you would never have been reading this Small RAW blog post 🙂 Peace of mind is a wonderful thing.

Learn about The Work of Byron Katie here.

So what do you do with your images? Do you really need super-sharp thirty to fifty megabyte RAW files? What is the end product of your photographic efforts? Please feel free to share what you do with your images by leaving a comment below. And do feel free to leave a link to an online gallery of your best work.

with love, artie

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II) will teach you an efficient Mac/Photo Mechanic/Photoshop workflow that will make it easy for you to make your images better in Photoshop (rather than worse). That true whether you convert your images in DPP 4 or ACR. See the blog post here to learn lots more and to read a free excerpt.

You can order your copy from the BAA Online Store here, by sending a Paypal for $40 here, or by calling Jim or Jennifer weekdays at 863-692-0906 with your credit card in hand.

The BIRDS AS ART Current Workflow e-Guide (Digital Basics II)

Everything mentioned above is covered in detail in the BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail. Learn more and check out the free excerpt in the blog post here. The new e-Guide reflects my Macbook Pro/Photo Mechanic/DPP 4/Photoshop workflow. Do note that you will find the RGB Curves Adjustment Color Balancing tutorial only in the new e-guide. Note: folks working on a PC and/or those who do not want to miss anything Photoshop may wish to purchase the original Digital Basics along with DB II while saving $15 by clicking here to buy the DB Bundle.

The two most recent and many of the older MP4 Photoshop Tutorial videos releases go hand and hand with the information in DB II):

  • The Wingtip Repairs MP4 Video here.
  • The MP4 Crow Cleanup Video here.

Folks who learn well by following along rather than by reading can check out the complete collection of MP 4 Photoshop Tutorial Videos by clicking here.

You can learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here. And you can learn advanced Quick Masking and advanced Layer Masking techniques in APTATS I & II. You can save $15 by purchasing the pair. Folks can learn sophisticated sharpening and (NeatImage) Noise Reduction techniques in the The Professional Post Processing Guide by Arash Hazeghi and yours truly.

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Amazon.com

Those who prefer to support BAA by shopping with Amazon may use the logo link above.

Amazon Canada

Many kind folks from north of the border, eh, have e-mailed stating that they would love to help us out by using one of our affiliate links but that living in Canada and doing so presents numerous problems. Now, they can help us out by using our Amazon Canada affiliate link by starting their searches by clicking here.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

October 25th, 2017

Understanding the Color of Light/Part II. Which Light Do You Like Best? And a funny micro-adjusting story ...

Stuff

Late on Monday I micro-adjusted my 600 II naked indoor with the lights: +2.

On Tuesday I micro-adjusted the 600 II with my 1.4X III i TC in the morning: -1, outdoors with the lights (as the distance is too great for indoors even with my bowling alley hallway). Then it got too sunny. In the afternoon it clouded up again so I did the 600 II with my 2X III i TC. That turned out to be a hoot First I screwed up the distance. Then I was getting weird results with the graphs. I finally thought that I had everything perfect but Jen opened the door of the house as she was leaving for home. Her big dog Olivia spotted an Anole and charged after it dislodging the tripod with the LensAligh unit on it; I had to start over from scratch. It turned out to be the best thing that could have happened as I realized that when I was lining up the target in Live View that I was not using the dead centered Flexi-zone single box! Once I fixed that I was done in ten minutes: -10.

I am still looking for a few more folks for San Diego #2. If you are considering this trip and might be interested in adding on a free morning of instruction before the IPT begins please shoot me an e-mail.

Please see yesterday’s blog post if you are interested in joining us at DeSoto this weekend for some cheap instruction.

The Streak

Today makes ninety days in a row with a new educational blog post! This blog post took more than two hours to prepare. With all of my upcoming free time (or not …), the plan right now is to break the current record streak of 480 … Good health and good internet connections willing.

2017 in San Diego was a very good year ….

2018 San Diego 3 1/2-DAY BIRDS AS ART IPT #2: Sunday, JAN 28 thru and including a morning session on Wednesday, JAN 31, 2018: 3 1/2 days: $1699. Limit: 8: Openings: 6

Meet and Greet at 6:30pm on the evening before the IPT begins; Saturday, Jan 27, 2018.

San Diego IPT #2: Shorter and Less Expensive!

I am offering a free morning session on SAT 27 JAN for all who register.

Click here for details.

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

This image was created at 8:25am on the 2017 San Diego IPT with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 360mm) and my favorite bird photography camera, the Canon EOS 5D Mark IV. ISO 400. Evaluative metering probably at zero as famed: 1/2000 sec. at f/6.3 in Manual mode. AWB.

One AF point that was two and one-half rows up from and three columns to the right of the center AF point/AI Servo/Manual selection/Shutter Button AF as framed was active at the moment of exposure. See the DPP 4 screen capture below to see the exact placement of the single (selected) AF point.

FocusTune/LensAlign Micro Adjustment: 0.

Image #1: Western Gull, adult breeding plumage preening

Understanding the Color of Light/Part II

In the Understanding the Color of Light/Part I blog post here, I posted an image of this same bird (see that image just below) that was created about one hour earlier in richer light. Scroll down to understand why the light in the two images looks so different.

Helpful Bird Photography Principles Re-visited and Adapted for Today’s Image…

  • 1- When photographing a preening bird strive to press the shutter button when the bird’s head is square or close to square to the imaging sensor, aka, the back of the camera.
  • 2- When photographing a bird from behind be sure to focus on or very near the head.
  • 3- When working in vertical format with the subject large in the frame it is fine to center the bird both from side to side and from top to bottom.
  • 4- Learn to work competently in Manual mode so that the amount of black or white in the frame at a given moment will not affect the exposure. That involves making an exposure check image, checking or blinkies, and evaluating the histogram to make sure that you have exposed well to the right (with at least some data halfway into the rightmost histogram box).
  • 5- When photographing a bird from behind there is no need to use additional depth of field as long as the distance to the subject provides you will enough depth of field to cover the subject (as with today’s featured image).
  • 6- Working with backgrounds that are separated from the subject and relatively distant while using wide apertures will yield pleasingly out of focus canvases for your avian images.

From Chapter Seven, Designing the Image (page 108), of the original The Art of Bird Photography (Amphoto, NY: 1998)

If the subject is positioned against an uncluttered background or if there is a cluttered background well behind the subject, telephoto lenses 00 with their narrow angles of view — and the shallow depth of field that comes with the use of wide apertures, will produce lovely soft, out-of-focus backgrounds. I’ll take still blue water or well lit green foliage every time.

Shooting wide open (at your lens’ widest aperture heightens this effect; with subject size constant, it is the aperture rather than the length of the lens that determines the depth of field. Large apertures such as f/2.8, f/4, and f/5.6, minimize depth of field and reduce background detail. Conversely, small apertures, such as f/22 and f/11, and even f/11 maximize depth of field and increase background detail.

This is the same bird photographed at 7:39am on the same day in early morning light that is richer in the warm tones than it is in images made later on a clear day (as seen in the image that opens this blog post).

Image #2: Western Gull, adult breeding plumage preening

Which Light Do You Prefer?

Do you prefer the perfectly neutral light (see below) in Image #1, or the warmer, richer light in Image #2? Either way, take a crack at why you prefer one over the other.

Which is the Stronger Image?

Which image do you think is the better photograph? Why?

The DPP 4 Screen Capture for today’s featured image

Understanding the Color of Light/Part II

Note the RGB values for the brightest WHITEs in Image #1, the image made later on in the morning: R=239, G=239, B=239. These values indicate perfectly neutral WHITEs. Compare them to the BGR values for the brightest WHITEs in Image #2: R=240, G = 233, B = 216. Note the high value for RED and the low value for B. Note also that that image was created 45 minutes earlier at 7:39am. On clear mornings not long after sunrise the light is rich in REDs and YELLOWs; much of the BLUE is filtered out as the light travels obliquely a long way through the earth’s atmosphere. The result is what we call “early” or “sweet” light (as opposed to the colder light later on in the day when the sun is much more directly overhead as in Image #1.).

When working with richer (and therefore softer) light, I am more inclined to work a bit off of sun angle if need be. In colder (bluer), stronger light, I will do my very best to stay right on sun angle with the light coming right over the top of my head and my shadow pointed right at the subject.

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Amazon.com

Those who prefer to support BAA by shopping with Amazon may use the logo link above.

Amazon Canada

Many kind folks from north of the border, eh, have e-mailed stating that they would love to help us out by using one of our affiliate links but that living in Canada and doing so presents numerous problems. Now, they can help us out by using our Amazon Canada affiliate link by starting their searches by clicking here.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).