Arthur Morris/BIRDS AS ART
October 24th, 2017

First LA/FT e-Guide Rave Review. Fun in the Dark with Digital. And Starry Night, an image that made me gasp ...

Stuff

On Monday I began re-micro-adjusting my 600 II with both my 1.4X III i and my 2X III i teleconverters. I am not sure how but my AFA values disappeared both from my #1 5D Mark IV and from my Excel file 🙂 In addition, I answered lots of e-mails, prepared this blog post, and swam twice totaling one mile.

The LensAlign/FocusTune Micro-Adjusting Tutorial e-Guide

If you missed the announcement of the The LensAlign/FocusTune Micro-Adjusting Tutorial e-Guide, click here.

Below are ome MA/FT e-Guide follow-ups.

Via e-mail from Richard Gollar:

First off I want to say thank you for the great detailed guide you did on Focus Tune. I tried it a year ago when I purchased it and could never get it to work. After going thru you guide and following along carefully it worked perfectly. Before, I didn’t have all the settings in the camera right but after reading your guide and doing it step by step it worked great. To be honest with you Focus Tune should be including this guide away with each sale!

I attached my final adjustment could you look at it and tell me if you think its dialed in close enough. The only thing I really need to get now is the lighting you suggest because outdoors the lighting was variable but it worked with no problem. One important thing I did learn from the guide was that I had been working too close. Now I set everything up, take one shot, load it into Focus Tune, and verify the distance is right before I go through all the steps. FocusTune gave me consistent values every time I ran it. That was great. Before I had been using FoCal and could never get consistent results; they were different each time. Thanks again for the tutorial.I will be recommending LensAlign/FocusTune to my photography friends only if they plan on buying your guide because with out it, I do not think they will be able to figure it out.

Best, Richard

A Note on the MA/FT Lighting

LED Light Panel for Micro-adjusting

I use the Fancierstudio 500 LED light Panel With Dimmer Switch Led Video lighting Led Lite Panel by Fancierstudio VL500 for all of my micro-adjusting. Even when working outdoors. As is stated clearly in the guide, many factors including the quality and strength of the light will affect AFA settings; using this daylight balanced LED light will ensure your getting consistent and accurate results.

The Streak

Today makes eighty-nine days in a row with a new educational blog post! This blog post took less than an hour to prepare. With all of my upcoming free time (or not…), the plan right now is to break the current record streak of exactly four hundred eighty … Good health and good internet connections willing.,

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

Very Recent Fort DeSoto Images

From bottom left clockwise back to center: Great Egret, blasting sunrise highlights; Black Skimmer, winter plumage in pre-dawn light; Roseate Spoonbill foraging; Brown Pelican, juvenile landing; hybrid heron X egret; American Oystercatcher feeding; Royal Tern, worn juvenile; Great Blue Heron from below.

Cheap Weekend Fort DeSoto In-the-Field Instruction

Saturday, October 28, 2017: Morning session — 6:45am for 3 1/2 hours: $149. Add lunch, image review, and Photoshop session: $249 (total).

Saturday, October 28, 2017: Afternoon session — 4:00pm for 3 1/2 hours: $99.

Saturday October 28, 2017, both sessions including lunch: $329.

Sunday, October 29, 2017: Morning session — 6:45am for 3 1/2 hours: $149.

Learn to see the great situations, get the right exposure every time (even when photographing into the blasting highlights!), to approach free and wild (and often tame!) birds, and to design pleasing images. Learn the location of my new Fort DeSoto hotspot and my favorite sunset spot. To register call Jim or Jen at 863-692-0906.

Canon lens rentals are available on a limited basis. Cheap but great instruction.

This image was created at Fort DeSoto in the pitch dark of early morning on Saturday, October 27 with the Induro GIT304L Grand Series 3 Stealth Carbon Fiber Tripod/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 100mm), and my favorite pier photography camera body, the Canon EOS 5D Mark IV. ISO 400. Evaluative metering ??? 2 1/2 seconds at f/22 in Av mode. WB: 5500.

I used my still flower technique: Live View (for mirror lock) and 2-second timer. Flexi-Sone Single rear focus AF. I selected a point 1/3 of the way out onto the pier. LensAlign/FocusTune micro-adjustment: zero (extrapolated). Please click on the image to see the spectacular larger version.

Pier at night, Fort DeSoto Park, Pinellas County, FL

Why Stand Around Doing Nothing When It Is Too Dark To Shoot?

Because the park roads were going to be closed from 7am to 9am (9:30am as it turned out) I arrived at DeSoto way early at about 6:30. Rather than stand around doing nothing I decided to experiment. I began by mounting the lens foot with a Wimberley P-10 plate on it. When I am hand holding I remove it to save a bit of weight. Then I grabbed the tripod and went to work. I started by framing too tight so I zoomed out to 100mm and got more of the near-end of the pier. Then it was a matter of experimenting with both the apertures and the White Balance. When I was going through the images in Photo Mechanic I gasped when this one opened up to full frame. From the color to the blurred waves to the amazing starbursts atop each light pole everything was beyond perfect.

Starburst Aperture Basics

Some lenses, in some lighting conditions, may produce starbursts of pinpoint (or larger as here) light sources if you choose an aperture of f/22 or smaller. I would caution you to beware of diffraction at tiny apertures if I knew what it was and had ever seen it … But alas, I have not.

Exposure Question

What exposure compensation do you think that I set to come up with the perfect exposure?

Technique Question

Why were both Live View and the 2-second timer both unnecessary precautions?

The Image Optimization

After converting the RAW file pretty much straight up in DPP 4 the image optimization too was fairly straightforward. I used the Patch Tool, the Clone Stamp Tool, and some Content Aware Fill to eliminate some specular highlights, some unwanted reflections,n and about a half dozen early-arriving fishermen.

To learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide, click here. You can learn everything about my workflow and exactly how I optimize my images in The BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail.

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Amazon.com

Those who prefer to support BAA by shopping with Amazon may use the logo link above.

Amazon Canada

Many kind folks from north of the border, eh, have e-mailed stating that they would love to help us out by using one of our affiliate links but that living in Canada and doing so presents numerous problems. Now, they can help us out by using our Amazon Canada affiliate link by starting their searches by clicking here.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

October 23rd, 2017

A Loverly Sunset and Making Hue/Saturation/Luminance Adjustments in DPP 4 and ACR (in Photoshop or Lightroom)

Stuff

I enjoyed an excellent cloudy Sunday morning on my my recent Fort DeSoto busman’s holiday, left early, and made it home for all the NFL games and my 48 length swim. Today I will be working on some BPN stuff and getting back to work on the 5D Mark IV User’s Guide. Lots more tomorrow on the The LensAlign/FocusTune Micro-Adjusting Tutorial e-Guide.

For Billy Joel/Beatles Fans

Want goose pimples, and maybe a few tears of joy and happiness? Click here to learn the backstory of Paul McCartney making it to Billy Joel’s Last Play at Shea concert at the last minute.

The Streak

Today makes eighty-eight days in a row with a new educational blog post! This blog post took less than an hour to prepare. With all of my upcoming free time (or not…), the plan right now is to break the current record streak of (I think) four hundred eighty something … Good health and good internet connections willing.,

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

The LensAlign/FocusTune Micro-Adjusting Tutorial e-Guide

If you missed the announcement of the The LensAlign/FocusTune Micro-Adjusting Tutorial e-Guide, click here.

Very Recent Fort DeSoto Images

From bottom left clockwise back to center: Great Egret, blasting sunrise highlights; Black Skimmer, winter plumage in pre-dawn light; Roseate Spoonbill foraging; Brown Pelican, juvenile landing; hybrid heron X egret; American Oystercatcher feeding; Royal Tern, worn juvenile; Great Blue Heron from below.

Cheap Weekend Fort DeSoto In-the-Field Instruction

Saturday, October 28, 2017: Morning session — 6:45am for 3 1/2 hours: $149. Add lunch, image review, and Photoshop session: $249 (total).

Saturday, October 28, 2017: Afternoon session — 4:00pm for 3 1/2 hours: $99.

Saturday October 28, 2017, both sessions including lunch: $329.

Sunday, October 29, 2017: Morning session — 6:45am for 3 1/2 hours: $149.

Learn to see the great situations, get the right exposure every time (even when photographing into the blasting highlights!), to approach free and wild (and often tame!) birds, and to design pleasing images. Learn the location of my new Fort DeSoto hotspot and my favorite sunset spot. To register call Jim or Jen at 863-692-0906.

Canon lens rentals are available on a limited basis. Cheap but great instruction.

This image was created at Fort DeSoto on the late afternoon of Friday, October 20 with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 401mm), and my favorite bird photography camera body, the Canon EOS 5D Mark IV. ISO 200. Evaluative metering -3 stops: 1/8000 sec. at f/7.1 in Manual mode. WB: K8000.

LensAlign/FocusTune micro-adjustment: -1.

Upper Large Zone AF/AI Servo/Shutter Button AF was active at the moment of exposure. The system selected a single AF point two rows up from the center AF point that caught the edge of the bird’s upper breast (as originally framed).

Image #1: Great Egret sunset silhouette

The Silhouette Situation

As I pulled into my favorite and secret sunset spot at DeSoto I was thrilled to see a Great Egret fishing in the still water in an opening between the mangroves. I drove past the bird, hung a quick U-ie, and re-positioned my SUV. I did an exposure check, went darker, and framed up a lovely image. Just as I went to push the shutter button after acquiring focus, the battery died. All of my spares were in the back of the car so I backed up behind the mangroves to avoid scaring the bird, got a fresh battery, drove back to the opening, and got back to work. After a bit I felt that the bird was tame enough for me to get out of the vehicle and enjoy some additional freedom. I was right. My two favorites, shared with you here today, were made while I was on foot. Note again how effective Upper Large Zone can be for verticals.

DPP 4 Adjust image colors tab

A Rarely Used DPP 4 Tab

It is not often that I open the Adjust image colors tab in DPP 4. The problem was that brightest WHITE highlights in the swath behind the bird’s head and neck were all at 255, 255, 255. This is not a deal breaker in situations like this but I wanted to see if I could tone them down a bit. First I dragged the Color fine tune dot a bit toward BLUE but that did not help much. Nor did moving the Highlight slider to -2. So I tried the rarely used Adjust image colors tab; it took quite a bit of experimenting. The key move was to move the YELLOW saturation slider to -2.1. This really muted the colors. Though I am not sure why, this moved the RED histogram well to the left and away from the highlight axis. Once I did that I was able to boost the saturation in the REDs and ORANGEs and still keep the RED histogram just off of the axis. Success.

I copied the DPP 4 recipe from Image #1, pasted it into Image #2, and executed the second RAW conversion. Learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here

Doing it in ACR

Folks using ACR (either in Photoshop or Lightroom) can make the same adjustments during (best) or after a RAW conversion. Click on the fourth tab from the left to open HSL/greyscale. The layout is a bit different as there are tabs for Hue, Saturation, and Luminance with the sliders for all the colors below.

This image was created at Fort DeSoto on the late afternoon of Friday, October 20 with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 437mm), and my favorite bird photography camera body, the Canon EOS 5D Mark IV. ISO 200. Evaluative metering -2 1/3 stops: 1/8000 sec. at f/8 in Manual mode. WB: K8000.

LensAlign/FocusTune micro-adjustment: -1.

Upper Large Zone AF/AI Servo/Shutter Button AF was active at the moment of exposure. The system selected a single AF point that was two rows up ad two to the left of the center AF point that was squarely on the bird’s torso (as originally framed).

Image #2: Great Egret sunset silhouette, looking back

Both Image Optimizations

With each image, I spent a lot of time cleaning up the crud and specular highlights in the foreground. To cover my tracks, I first applied a 55 pixel Gaussian blur to the whole image and added an Inverse (Black or Hide-all) Layer Mask. Then I painted in the effect (B, D) in the top half of the image with a soft 100% opacity brush. Last I painted in half the effect (B, D) on the bottom half of the image with a soft 50% opacity brush. I did a much better job with the foreground in Image #1 than I did in Image #2. You can learn everything about my workflow and exactly how I optimize my images in The BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail.

The Stronger Image?

Which of today’s two featured images is the strongest? Please let us know why you made your choice. I feel that one of the images is far stronger than the other … Stay tuned.

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Amazon.com

Those who prefer to support BAA by shopping with Amazon may use the logo link above.

Amazon Canada

Many kind folks from north of the border, eh, have e-mailed stating that they would love to help us out by using one of our affiliate links but that living in Canada and doing so presents numerous problems. Now, they can help us out by using our Amazon Canada affiliate link by starting their searches by clicking here.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).

October 22nd, 2017

The Best Skimmer Image, and The Exposure Answer ...

Stuff

Friday afternoon was wind against sun so I went out late and found some excellent backlit and silhouette situations. The east wind persisted on Saturday morning when IPT veteran Winn Krafton joined me in the pre-dawn darkness. After a very nice sunrise we had some good chances with flying pelicans, Common and Sandwich Terns, Snowy Egret, and Ruddy Turnstone. See some of the exciting keepers from those two sessions here.

The Streak

Today makes eighty-seven days in a row with a new educational blog post! This blog post took less than an hour to prepare. With all of my upcoming free time (or not…), the plan right now is to break the current record streak of (I think) four hundred eighty something … Good health and good internet connections willing.

Booking.Com

Booking.Com came through for me twice again recently with both the DeSoto Fall IPT and next July’s UK Puffins, Gannets, and Bempton Pre-trip room reservations. And all the rates were great. If you’d like to give Booking.Com a shot, click here and you will earn a $25 reward. Thanks to the many who have already tried and used this great service.



Gear Questions and Advice

Too many folks attending BAA IPTs and dozens of folks whom I see in the field, and on BPN, are–out of ignorance–using the wrong gear especially when it comes to tripods and more especially, tripod heads… Please know that I am always glad to answer your gear questions via e-mail.

All four of these images were created on the early morning of Sunday, October 15 well before the sun came onto the birds. I used the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and my favorite skimmer photography camera, the Canon EOS 5D Mark IV. The ISOs ranged from 800 to 1250. All at Evaluative metering +2 stops: 1/320 sec. at f/6.3 (except for the last image at f/7.1) in Tv mode. AWB. ‘s

One AF point to the right of the center AF point/AI Servo/Expand/Shutter Button AF was active at the moment of exposure. The selected AF point fell somewhere on the bird face below the eye in each image. Please click on the image to enlarge it.

FocusTune/LensAlign Micro Adjustment: -5.

Black Skimmer at water’s edge (four ways)

Following Up; My Best Skimmer …

In the Black Skimmer Editing Practice blog post here, I posted two items:

Item #1: Black Skimmer Editing Practice

Click on the composite above to view the images larger. Which is the strongest image? Why? Which is the weakest image? Why? What do you think of the two images with the breaking wave included?

For those not blessed with eagle eyes here are the file numbers from left to right, top row first, then the bottom row.

  • _P3A3247 (at 7:50am)
  • _P3A3248 (five seconds after 3247)
  • _P3A3256 (40 seconds after 3248)
  • _P3A3270 (4 1/2 minutes after 3256)

My Favorite Skimmer Image

For the most part I do not like breaking waves in images of single birds along the shore. I will admit that 3247 is stronger than 3256, but I kept those two only for educational purposes. That left me with 3248 and 3270 with the latter image being the clear winner. Why? The bird is larger in the frame and super sharp. Ans I like the bubbles left over from a breaking wave near the bird’s feet. You can see my optimized version below.

Item #2: High Level Exposure Question

Considering that the exposure compensation for each image was +2 stops, why is _P3A3270 considerably brighter than _P3A3256? Please note that it has nothing to do with the fact that the light has increased; remember that I was in an automatic exposure mode, Tv …

The Exposure Answer

This was actually a very basic question and I was surprised that nobody came up with the right answer. For 3270, I had gotten closer to the bird and as a result the bird is larger in the frame. With more dark (feathers) in the frame, the meter opened up. Thus the lighter background. This principle goes all the way back to the crude exposure diagrams in the chapter on Exposure in the original The Art of Bird Photography. A second factor might have been that the light have gotten a bit stronger; that possibly brought the following principle into play: in soft light situations the meter begins to get smarter when the light begins to get brighter …

This image was created on the early morning of Sunday, October 15 with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 371mm) and my favorite pelicans in flight photography camera, the Canon EOS 5D Mark IV. ISO 800. Evaluative metering +2 stops: 1/320 sec. at f/6.3 in Tv mode. AWB.

Center AF point/AI Servo/Expand/Shutter Button AF was active at the moment of exposure. As originally framed, the selected AF point fell on the bird’s face just behind and below the eye (as seen in the DPP 4 screen capture below). Please click on the image to enlarge it.

FocusTune/LensAlign Micro Adjustment: -4 (extrapolated).

Black Skimmer, winter adult on the edge of the surf

Be sure to click on the image to see the larger version and the excellent sharpness.

My Favorite Optimized

Both Jake Levin and Greg agreed that 3270 was their favorite. Keith Swinndell liked 3247 best because the wave framed rather than cut the top of the bird’s head as it does in 3256.

The only two things of note during the otherwise straightforward image optimization was the RGB Curves Color Balance adjustment that did more to brighten the image than to correct any color casts and a bit of Gaussian Blur to the near shoreline. (I applied it to the whole image on a layer, added and Inverse (Black or Hide-all) Layer Mask, and then painted the effect in as needed. Learn exactly how I optimize my images in The BIRDS AS ART Current Workflow e-Guide (Digital Basics II), an instructional PDF that is sent via e-mail.

The DPP 4 Screen Capture for today’s featured image

The DPP 4 Screen Capture for today’s featured image

Note the perfect placement of the selected AF point. Note the excellent exposure. Note the almost perfect RGB values for the brightest WHITEs: 237, 237, 233. Lastly, note that I moved the Color fine tune dot away from BLUE to reduce the BLUE color cast. Learn how and why I and other discerning Canon shooters convert nearly all of their Canon digital RAW files in DPP 4 using Canon Digital Photo Professional in the DPP 4 RAW conversion Guide here

If In Doubt …

If in doubt about using the BAA B&H affiliate link correctly, you can always start your search by clicking here. Please note that the tracking is invisible. Web orders only. Please, however, remember to shoot me your receipt via e-mail.






Please Remember to use my Affiliate Links and to Visit the New BAA Online Store 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the New BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod head, Wimberley lens plates, Delkin flash cards and accessories, and LensCoat stuff.

As always, we sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And please remember that I am always glad to answer your gear questions via e-mail.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above, and for everything else in the new store, we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and those who will be visiting the New BIRDS AS ART Online Store as well.

Amazon.com

Those who prefer to support BAA by shopping with Amazon may use the logo link above.

Amazon Canada

Many kind folks from north of the border, eh, have e-mailed stating that they would love to help us out by using one of our affiliate links but that living in Canada and doing so presents numerous problems. Now, they can help us out by using our Amazon Canada affiliate link by starting their searches by clicking here.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack.

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right :).