Arthur Morris/BIRDS AS ART

My Call

My very favorite David Pugsley image was the American Avocet for its graceful elegance, the soft light, and the low-perspective intimacy.

Your Call?

Which of today’s two featured caracara image do you like best? Be so kind as to leave a comment and let us know why you made your choice.

What’s Up?

Today is Tuesday 17 October 2023. DeSoto is so good that I will be leaving at 4:30am this morning for another busman’s holiday, driving back on Thursday afternoon. If you would like to join me on Tuesday afternoon — the weather looks perfect, or for Wednesday morning or afternoon for an In-the-Field session, shoot me an e-mail or call or text me on my cell at at 863-221-2372. First-timer David Hawkins is joining me on Thursday morning.

A pair of Crested Caracaras raised two handsome young in an. un-photographable nest in a tall cabbage palm in the North Field at Indian Lake Estates last spring. The four of them, all relatively tame, can be seen most mornings foraging in that same field. When I have a free morning with soft light and a wind with an easterly component, I will put out some road kill and try for some incoming flight.

Fort DeSoto #3 Late Registration Discount Info

Shoot me an e-mail if you would like late registration discount information for the third DeSoto Fall IPT.

Clockwise from the upper left back around to center: Osprey gaining altitude after missed strike; school of mullet under attack from below; Wood Stork with Southern Whiting; Osprey with Menhaden; Wood Stork with small lobster; Royal Tern with large baitfish; Osprey with Menhaden; juvenile Osprey directly overhead “t-shot”; Osprey taking flight with freshly caught Mullet.

Sebastian Inlet In-the-Field Sessions

Join me for 3 hours of morning or afternoon In-the-Field Instruction at Sebastian Inlet for only $300.00/session (or $550 for a full day with two sessions). The main target will be fishing Ospreys hunting for a variety of migrating saltwater fish that visit the inlet each fall. Back-up subjects include fishing gulls, terns, and Brown Pelicans, Wood Stork, a variety of herons and egrets, shorebirds in the afternoon, sunrise cloud-scapes, and the occasional sea turtle or manatee.

October Dates: 21, 22, 24-29, 2023.
November Dates: 6-10, 2023.

Please get in touch via e-mail or call or text me on my cell at at 863-221-2372 to book one or more sessions. Get-well-soon to Jim Miller who had to cancel this weekend at Sebastian.

This image was created on 15 October 2023 at Indian Lake Estates, FL. Working from the driver’s seat of my X5, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 2500. 1/1000 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect. AWB at 7:39:32am as the sun was breaking through the clouds. Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a larger, sharper, high-res version. Image #1: Crested Caracara adult pausing while foraging for bugs

Long Lens Perspective and the Angle of Declination

There are times when adding a 2X teleconverter (TC) to a long lens is the best move even if you could easily have gotten a lot closer physically. One such example is when you are using your car as a blind and thus, cannot get any lower. I had actually moved my vehicle farther from the bird twice when creating Image #1.

Imagine if I had gotten out of the car with a 400mm lens and was able to walk right up to the bird until it filled about 1/2 the frame (as in Image #1). I would be so close that I would need to have pointed the lens down about 45°. Working from the lowered, driver’s-side window at 1200mm, the lens would have been pointed down only about 10° from the horizontal. When working birds that are lower than you are, the smaller angle of declination, the more intimate your images will be. That is why it looks as if I were close to the ground when photographing the caracara in the first image.

The converse is equally true. When photographing birds above you, the lower the angle of inclination — the number of degrees you need to point your lens up at the subject, the more intimate your images will look.

This image was created on 15 October 2023 at Indian Lake Estates, FL. Working from the driver’s seat of my X5, I used the BLUBB-supported Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 1250. 1/800 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead-solid perfect. AWB at 7:44:34am on partly sunny morning. . Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy a larger, sharper, high-res version. Image #2: Crested Caracara — young bird posing

BLUBB Tip!

This is surely a very fine point, but if you want to make sharp images with your long lens when working on a beanbag, it would be best to pay attention. If your big lens offers Direct Manual Focus (DMF) (most do), and you are working on the world’s best beanbag, the BLUBB (or another inferior bean bag), be sure to move the DMF switch to OFF. If you leave it ON, you can throw off the focus whenever you level the lens or when you recompose. For most shooting, you will want to set the DMF switch to ON so that you can manually prefocus should your AF system become temporarily blind.

Depth of Field Question

Both images were made at the same aperture, f/8, wide open. How do you explain the fact that the background in Image #2 is completely smooth and creamy while much of the background in the first image is relatively sharp and detailed?

All images from SEPT/OCT/NOV at Fort DeSoto. Click on the image to enjoy a larger, sharper high-resolution version. Clockwise from upper left to center: Piping Plover flapping after bath, juvenile Laughing Gull with feather, American Oystercatcher with sea urchins, Willet foraging in surf, American White Pelican juvenile swimming, skimmer/tern/shorebird blast-off blur, American White Pelican in flight, Black-bellied Plover stealing lugworm from Marbled Godwit, Roseate Spoonbill staring.

The Fall 2023 Fort DeSoto Instructional Photo-Tours

Fall 2023 Fort DeSoto Instructional Photo-Tour #3

3 1/2 Days: Tuesday 31 October through the morning session on Friday 3 November 2023. $1899.00 includes three working lunches. Limit six photographers.

Fall 2023 Fort DeSoto Instructional Photo-Tour #4

3 1/2 Days: Tuesday 14 November through the morning session on Friday 17 November 2023. $1899.00 includes three working lunches. Limit six photographers/Openings: three.

Fall Bird Photography at Fort DeSoto

Fort DeSoto, located just south of St. Petersburg, FL, is a mecca for migrant shorebirds, terns, and gulls in fall. There they join hundreds of egrets, herons, and night-herons that winter on the T-shaped peninsula. With any luck at all, we should get to photograph one of Florida’s most desirable shorebird species: Marbled Godwit. Black-bellied Plover and Willet are easy, American Oystercatcher is pretty much guaranteed. Great Egret, Snowy Egret, Great Blue Heron, Tricolored Heron, and White Ibis are easy as well and we will almost surely come up with a tame Yellow-crowned Night-Heron or two. And there should be some quality Brown Pelican flight photography. In addition, Royal, Sandwich, Forster’s, and Caspian Terns will likely provide us with some good flight opportunities as well. Though not guaranteed, Roseate Spoonbill and Wood Stork might well be expected. And we will be on the lookout for a migrant passerine fallout in the event of a thunderstorm or two.

On this IPT, all will learn the basics and fine points of digital exposure. Nikon and Canon folks will learn to get the right exposure every time after making a single test exposure, and SONY folks will learn to use Zebras so that they can be sure of making excellent exposures before pressing the shutter button. Everyone will learn how to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to choose the best perspective, to see and understand the light, and to design pleasing images by mastering your camera’s AF system. Most importantly, you will surely learn to evaluate wind and sky conditions and understand how they affect bird photography. And you will learn how and why to work in Manual mode (even if you’re scared of it). The best news is that you will be able to take everything you learn home with you so that you will be a better photographer wherever and whenever you photograph.

The Details

There will be a Photoshop/image review session during or after lunch (included) each full day. That will be followed by Instructor Nap Time.

These IPTs will run with only a single registrant (though that is not guaranteed). The best airport is Tampa (TPA). Once you register, you will receive an e-mail with Gulfport AirBnB/VRBO information. If you register soon and would like to share an AirBnB with me, shoot me an e-mail. Other possibilities including taking a cab to and from the airport to our AirBnB and riding with me for $50/day. This saves you both gas and the cost of a rental car.

A $600 deposit is due when you sign up and is payable by credit card. Balances must be paid by check one month before the trip. Your deposit is non-refundable unless the IPT sells out with six folks, so please check your plans carefully before committing. You can register by calling Jim during weekday business hours at 863-692-0906 with a credit card in hand, or by sending a check as follows: make the check out to: BIRDS AS ART and send it via US mail here: BIRDS AS ART, PO BOX 7245, Indian Lake Estates, FL 33855. You will receive a confirmation e-mail with detailed instructions, clothing, and gear advice. Please shoot me an e-mail if you plan to register or if you have any questions on lodging.

Up Early, Stay Out Late!

Obviously, folks attending an IPT will be out in the field early and stay late to take advantage of the sweetest light and sunrise and sunset colors (when possible). The good news is that the days are relatively short in early fall. I really love it when I am leaving the beach on a sunny morning after a great session just as a carful or two of well-rested photographers are arriving. On cloudy days, we may — at the leader’s discretion, stay out in the morning for a long session and skip the afternoon session. To ensure early starts, breakfasts will be your responsibility. And so that we can get some sleep, dinners will sometimes be on your own as well.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

What’s Up?

I was glad that my MacBook Pro M1 sold almost immediately after being listed yesterday. Soon after that, three more folks who wanted it got in touch. Yikes — with the 8tb SSHD, I priced it too low!

Today is Friday 13 October 2023. I will be working on the program that I will be doing on the 23rd of this month for the Delaware Photographic Society. Wherever you are an whatever you are doing, I hope that you too have a great day.

Please remember to use the B&H and Amazon links that are found on most blog pages and to use the BIRDSASART discount code at checkout when purchasing your new gear from Bedfords to get 3% back on your credit card and enjoy free second-day air FedEx. Please, also, consider joining a BAA IPT. You will be amazed at how much you will learn!

You can find some great photo accessories (and necessities, like surf booties!) on Amazon by clicking on the Stuff tab on the orange/yellow menu bar above. On a related note, it would be extremely helpful if blog-folks who, like me, spend too much money on Amazon, would get in the habit of clicking on the Amazon logo link on the right side of each blog post when they shop online. As you might expect, doing so will not cost you a single penny, but would be appreciated tremendously by yours truly. And doing so works seamlessly with your Amazon Prime account.

If an item — a Delkin flash card, or a tripod head — for example, that is available from B&H and/or Bedfords, is also available in the BAA Online Store, it would be great, and greatly appreciated, if you would opt to purchase from us. We will match any price. Please remember also to use my B&H affiliate links or to earn 3% cash back at Bedfords by using the BIRDSASART discount code at checkout for your major gear purchases. Doing either often earns you free guides and/or discounts. And always earns my great appreciation.

Thinking of a 2024 Homer IPT?

If you have been dreaming of attending one or both of the 2024 Homer IPTs, please shoot me an e-mail; I will do my very best to get you there with a large discount.

My Thoughts

In the Franklin Flats blog post, I preferred the intentionally blurred deadfall image because of its dreamy look. And yes, the few remaining eagles were visible as blurry blobs in Image #2. f/9 was needed to avoid over-exposure as I had already set the lowest possible ISO.

Kudos to David Policansky and Joel Eade for getting that one right.

Joel Eade. October 12, 2023 at 5:54am.

f/9 was needed to get a proper exposure at 1/15 sec because you were already at the lowest iso setting available.

Arthur Morris/BIRDS AS ART. October 12, 2023 at 7:13am.

Hey Joel, Excellent explanation on the f/9. There must be some learning going on here as the last time I asked that same question nobody had a clue.

with love, artie

Clockwise from the upper left back around to center: Osprey gaining altitude after missed strike; school of mullet under attack from below; Wood Stork with Southern Whiting; Osprey with Menhaden; Wood Stork with small lobster; Royal Tern with large baitfish; Osprey with Menhaden; juvenile Osprey directly overhead “t-shot”; Osprey taking flight with freshly caught Mullet.

Sebastian Inlet In-the-Field Sessions

Join me for 3 hours of morning or afternoon In-the-Field Instruction at Sebastian Inlet for only $300.00/session (or $500 for a full day with two sessions). The main target will be fishing Ospreys hunting for a variety of migrating saltwater fish that visit the inlet each fall. Back-up subjects include fishing gulls, terns, and Brown Pelicans, Wood Stork, a variety of herons and egrets, shorebirds in the afternoon, sunrise cloud-scapes, and the occasional sea turtle or manatee.

October Dates: 21, 22, 24-29, 2023.
November Dates: 6-10, 2023.

Please get in touch via e-mail to book one or more sessions.

This image was created on 26 October 2019. Standing at full height, I used the Robus RC-5558 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens with the Sony FE 1.4x Teleconverter, and the Sony a9 II (now replaced by The One, the Sony Alpha 1 Mirrorless Digital Camera.. ISO 800: 1/2500 second at f/6.3 (stopped down 1/3-stop) in Manual mode. This image was created before I began learning from RawDigger; the raw file was 1 2/3-stops too dark! AWB at 9:26:28am on a cloudy morning. Center Zone/AF-C performed perfectly. Be sure to click on the image to enjoy the larger, sharper, high-res version. Image #1: Osprey with a freshly-caught Menhaden (bunker)

Lenses for Fishing Osprey at Sebastian Inlet

A variety of lenses can be used successfully to photograph the fishing Ospreys at Sebastian Inlet. I’ve used the 600mm f/4 on a tripod a lot, often with the 1.4x TC. When a bird flies directly overhead, a shorter handheld lens can be perfect. A 200-600 or 100-500mm lens is often a great choice, especially on sunny days. Folks using a Levered-Clamp FlexShooter Pro have the option of quickly un-mounting a big tripod-mounted lens and handholding it when a bird flies directly overhead.

At times, 80- or 100-400mm lenses can be ideal.

More recently, I have begun using the handheld 400mm f/2.8 lens, again, often with the 1.4X TC. Handholding is often a huge advantage when the birds are either very close or overhead.

Click on the composite to view a larger version and be even more impressed. The Art & Science of Photographing Birds in Flight with the Sony α-1 e-Book/PDF link sent via e-mail: $150.00

The Art & Science of Photographing Birds in Flight with the Sony α-1

by Arash Hazeghi and Arthur Morris

First of all, if you use Nikon or Canon (or Olympus or Fuji) gear, do not be put off by the title. While a portion of the guide deals with the Sony α-1, there is a ton of priceless information, tips, and techniques that can help you become a better flight photographer. No matter what system you are using. If you don not use an α-1, be sure to read down to the bottom to save a few bucks.

Arash Hazeghi and Arthur Morris have created the definitive and most comprehensive ever treatise on photographing birds in flight. With more than sixty years of experience photographing birds, they know what you need to know but have not figured out yet! You will be astounded by the depth of their knowledge and the tips they have to offer. More than six months in the making, the guide contains 229 pages, 24,321 words,97 exceptional and inspirational flight images — each with a legendary, enlightening BIRDS AS ART caption, and 22 screen captures. The guide contains a wealth of useful, practical, and for the most part — never-before-available information.

Purchase

Click here to purchase your copy in the BAA Online Store.

What Everyone Will Learn

We will teach you the basic concepts that you need to master to become a great flight photographer along with the techniques used by the world’s best flight photographers.

You will learn that most any telephoto lens can be perfect for flight photography in a given situation; focal lengths for the images in the book range from 200mm to 1200mm and everywhere in between.

We discuss the merits of various lenses in depth, including and especially comparing the 400mm f/2.8 lenses with the 600mm f/4s.

We guide you in getting your hands on the flight photography lens that will best meet your needs. We offer a variety of handholding and rest position tips and include tips on working with a big lens on a tripod when working with a flight lens that is otherwise too heavy for you.

Both authors offer their thoughts on getting the right exposure when photographing birds in flight. You will learn to get the right exposure on foggy days and even when photographing black birds in white sky conditions.

You will learn the tremendous importance of pre-focusing, of finding the bird in the viewfinder quickly, acquiring focus almost instantly (with tips on doing all three).

You will learn the role of image stabilization in flight photography and the best settings.

Both authors share their thoughts on using the focus range limiter switch. In the same vein, you will learn to use Direct Manual Focus to make your flight photography life easier.

All will learn about the best wing positions and the importance of the background with images of birds in flight. With lots of examples.

You will learn about the best shutter speeds (and the best aperture) to use when photographing flying birds.

You will learn to photograph flight while seated and the many advantages of doing so.

You will learn the best methods of controlling high ISO noise.

All will learn to properly and safely format their flash cards.

You will learn what to do when your AF system is temporarily blinded.

All will learn the huge effect that wind strength and direction has on flight photography and to evaluate the quality and direction of the light on both sunny and cloudy days.

You will learn why it is vitally important to shoot aggressively when photographing birds in flight.

You will learn to carefully observe and evaluate a variety of bird behaviors that may shine light on some excellent opportunities for photographing birds in flight. And about getting into the best position from which to photograph.

You will learn to be a much better flight photographer.

What Sony Folks Will Learn

Exactly how Artie uses Zebras to come up with perfect exposure after perfect exposure.

The fine points and recommended settings for Optical Steady Shot (OSS).

The concept of Auto-Focus (AF) tracking in the α-1.

Everything there is to know about the complex Sony autofocus system.

About all the AF patterns, how to quickly switch them, and about those favored by each author. And why.

The Tracking and Non-tracking AF patterns. When and why Arash uses Non-Tracking Zone. And why Artie uses only two AF patterns.

How to set and use Bird Face-Eye detection for flight photography.

How and why to assign various custom functions to the various programmable buttons on the α-1 body.

The perfect settings for the many, many Menu items that are vitally related to flight photography.

How and why the Sony α-1 uses both contrast and phase detection AF to determine focus (and the benefits thereof).

Which are the best memory cards for the Sony α-1.

To quickly access frequently used menu items.

Non-Sony α-1 Discount

Using the honor system, folks who do not use a Sony α-1 body are invited to click here to save $25.00 on the purchase price of the guide.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding