What’s Up?
I enjoyed my last morning of photography at La Jolla for at least a few days with old friend Aidan Briggs, a fine young bird photographer who has co-led two Morro Bay IPTs with me. Mazel tov to Aiden who will be graduating from UC Santa Barbara this June with a major in aquatic biology. He would like to become a professional nature photographer.
My green light laser surgery is scheduled for 9:05am today, Thursday, March 24, 2016. I have complete confidence in Dr. Parsons while at the same time realizing that there are always risks with any type of surgery and that there are no guarantees. But as they say at the start of each UFC fight, “It’s time!”
Elegant Tern Blog Post Update
In yesterday’s blog post here, I left this comment early on Thursday morning:
Clarifying things a bit:
Several folks hit on one of the two things that bother me: the bird should have been placed just a bit more forward in the frame as the tail is a bit too tight to the right frame edge.
Nobody has come close to identifying the second thing about the image that bugs me, the one that I could not control. Many are grasping for straws. Answer on Friday. a
The Streak
Todayβs blog post marks 139 days in a row with a new educational blog post. As always–and folks have been doing a really great job recently–please remember to use our B&H links for your major gear purchases. For best results use one of our many product-specific links; after clicking on one of those you can continue shopping with all subsequent purchases invisibly tracked to BAA. Your doing so is always greatly appreciated. Please remember: web orders only. Please remember that if you are shopping for items that we carry in the BAA Online Store (as noted in red at the close of this post below) that we would appreciate your business π
IPT Updates
Learn to improve your bird and nature photography with the best instructor on the planet; join a BIRDS AS ART Instructional Photo-Tour. Learn more and see the schedule here.
This image was created at La Jolla, CA with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 188mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 1600. Evaluative metering at about -1/3 stop: 1/1250 sec. at f/5.6. Daylight WB. Center AF point (Manual selection)/AI Servo Shutter button AF as originally framed was active at the moment of exposure (as is always best when hand holding). This was a small crop from below and from our right. The selected AF point was on the base of the bird’s left wing. Image #1: Backlit Brown Pelican in flightYour browser does not support iFrame. |
The Situation
It was cold and windy. Worse than that, it was wind against sun at 25mph from the west. There were mixed clouds and sun making getting the right exposure a challenge. There were no birds on the main cliffs.
How do you get into the creative zone?
How do you get into the creative zone? Simple. Make a conscious effort to get out of your comfort zone. My comfort zone is working right down sun angle. But I am always aware that a bad wind for traditional flight photography is a good wind for backlit flight photography. For those, a dark background is pretty much a necessity. And I knew just the right spots for the conditions. Needless to say, I was the only one there.
I made one of my very best ever pelican in flight images but just barely clipped a primary feather or two. I will share that one with you here as part of this series.
Noise?
This ISO 1600 5DS R image was noise reduced in NeatImage using the techniques in Arash Hazeghi’s new guide. The background is virtually noise-free and the bird is pretty clean too. Are you seeing any noise anywhere?
This image was created at La Jolla, CA with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens (at 400mm) and the amazing mega mega-pixel Canon EOS 5DS R. ISO 400. Evaluative metering at about +1 stop off the white water alone: 1/1000 sec. at f/8 was about 1/2 stop under-exposed. Daylight WB. Center AF point/AI Servo Expand/Shutter button AF as originally framed was active at the moment of exposure (as is always best when hand holding). This one too was a small crop from below and from our right. Though neither the selected AF point nor any of the assist points were on the bird the image is tack sharp. Image #2: Brandt’s Cormorant leaving the scene…Your browser does not support iFrame. |
What do you do when nothing’s happening?
So just what can you do to get out of your funk when conditions are terrible and nothing seems to be happening? Take a walk to a different spot. When I did that I noticed the cormorants taking flight over the breaking surf. It took me a while to recognize the situation and most of the birds had flown out to sea by the time I made this one decent image. It is something that I might be able to re-create on a day with high surf conditions.
This image was created at La Jolla, CA with the Induro GIT 304L/Mongoose M3.6-mounted Canon EF 500mm f/4L IS II USM lens, the Canon Extender EF 2X III, and the Canon EOS 5DS R. ISO 400: 1/400 sec. at f/9. AWB. Center AF point (by necessity)/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure. This image is full frame. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Sidelit Brandt’s Cormorant displayingYour browser does not support iFrame. |
Look all around and keep your eyes and your mind open
I made my way back into my comfort zone: long lens with the 2X III TC working right down light angle doing head portraits of a displaying Brandt’s Cormorant. By force of habit I am always looking left and right and even behind me. On one swing of my head I noticed another displaying bird well off light angle; it was about 30 degrees to my right. While most of the bird was in shadow, its azure gular sac was spotlit and the head angle was such that it was beuatifully lit. I moved only a foot to my right and created a quite dramatic sidelit image, a rarity for me.
Note that this image was created at 10:47am in full sun.
Getting the Right The Exposure
Working down sun angle on the same subject I was perfect at 1/640 sec. at f/9. Without giving it much thought I simply slowed the shutter speed two clicks from 1/640 to 1/400 sec. Why? I was far off sun angle.
Which is the Strongest Image?
Please leave a comment and let us know which image you feel is the strongest, and why. In this race, I have a very clear favorite.
Summing Up
Conditions were so bad that I thought originally that I would be back at Patrick and Robin’s house by 8:30am. Working. I wound up not leaving until a bit after 11 when it was blue sky sunny. I thought that I had done pretty well and though I did not create a lot of images, only about 400 in all, I kept 54 and loved many of those. You will be getting to see a good number of them and learning a ton more in the coming weeks.
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Typos
In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right π