Arthur Morris/BIRDS AS ART
February 3rd, 2016

Growing as a Photographer: Learning to Do a Formal Image Critique

What’s Up?

Tuesday was an artie holiday: no swim, no ice bath, no exercises. Jim and I left for Melbourne at 2pm and met some of the camera club’s boys and girls for an early dinner.

Patrick Sparkman’s 70-300 sold on day two for the full asking price. He’s hot.

The program at the Camera Club of Brevard was received tremendously well. With 175 folks in attendance the place was packed and I was right on my game. I judged a club contest with “Shadows” as the theme. There were lots of excellent images and folks loved my critiques of some of the images, even the winners.

I started off with lots of stories to set the scene for “A Bird Photographers Story” and then got into a smooth and easy flow as the audience joined me on my various trips to great places. Along with more than a few educational tidbits. All of my standard jokes got the expected laughs and I came up with quite a few new good ones. The folks met my two wonderful daughters and their kids and got to know me a bit as well. All in all it was a great night.


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B&H

B&H contributed generously as the primary SDNHM exhibition sponsor. Thank them (and me for the blog) by clicking on the logo link above to shop.


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This image was created at La Jolla, CA the day after the IPT ended by BPN member Adhika Lie with the hand held Tamron SP 150-600mm f/5-6.3 Di VC USD Lens for Nikon (at 500mm) and the Nikon D750. ISO 2000. Center-weighted average metering -2/3 stop: 1/500 sec. at f/6.3.

Image courtesy of and copyright 2016 Adhika Lie.

Learning to Do a Formal Image Critique

I have run into lots of folks who state plainly, “I do not know how to do a critique.” Or, “I am not qualified to do an image critique.” I always beg to differ.

After looking at an image, simply ask yourself, “What do I like about this image? “What do I not like?” Begin your critique with either or both. It is usually best to start with at least one good point, even if an image is basically terrible. State what you like and what you don’t like and why.” Then study the image design and consider the plusses and minuses. Let the photographer know how they might have improved the image design either in the field by pointing the lens a bit differently or in post processing by suggesting a different crop. Let folks know why you think that a change in perspective might have been better: “If you had moved left and gotten a bit higher….”

Is there anything in the image that you find distracting? State it and suggest a possible solution either in the field or at the computer.

Now move on to some of the technical aspects of the photo. How is the sharpness? The exposure? The image quality?

Here are three important things to realize about critiquing.

1: Typing “Great shot!” is not a critique. If you really love an image, simply state that but let folks know why, what you find exciting or dramatic or interesting about the image.

2: A good critique does not necessarily need to include at least one negative. If you think that it’s great and can find nothing wrong with it, just say that while letting folks know exactly why you feel the way you do.

3: It is fine to be frank. There is no need to be rude or nasty.

Your Turn

All are invited to critique todays’ featured image. Don’t be shy. All comments are welcome.

Please Remember to use our Affiliate Links πŸ™‚

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right πŸ™‚

February 2nd, 2016

Canon EOS-1D X Mark II News/Now Available for Pre-order

What’s Up?

Me. Early. With thoughts of the new camera racing through my head, I couldn’t sleep. I started this blog post at 3:02 am and published it at 4:18am.


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Canon EOS 1D X Mark II

The much rumored Canon EOS-1D X Mark II as announced last night at 12:01am Eastern time. So what’s the big deal for bird photographers? The frame rate is 14 frames/second (with the ability to record up to 170 raw files in a single burst if using a CFast 2.0 memory card and up to 73 raw frames in a burst with a fast compact flash card) The High Density Reticular AF II and Dual Pixel CMOS AF systems benefit accurate focusing and fast AF tracking performance. A 61-point High Density Reticular AF II system is employed; this incorporates 41 cross-type points for increased precision as well as a center point that is sensitive to -3 EV. All 61 phase-detection points support metering at effective apertures of f/8 or larger, which benefits the use of teleconverters and telephoto lenses.

It’s the latter that is most impressive for me: my understanding is that we will no longer be restricted to the center AF point plus the four assist points (when Expand is set). We will be able to select any of the 61 AF points on the grid.

Notate Bene

While the above is clearly stated in the description of the new camera, I need to make sure that it is 100% accurate; I will get back to ya’ll either way. In addition, I will research the CFast 2.0 memory cards and let you know what I find out.

That Was Quick

Via e-mail this morning from Chuck Westfall

Good Morning, Artie! We’re glad to see you were right on top of the 1D X Mark II announcement. This camera looks like it’s going to be tailor-made for bird photography at the highest level of performance to date. It will be exciting to see what you come up with once you get a chance to use it!

Available for Pre-order

The new camera is currently available for pre-order here. B&H will receive more units with each shipment than any other dealer in the world so it only makes sense to order the camera now. The sooner you order, the sooner you will have your very own.

Though the 1D X and even the 1D IV batteries are backwards compatible with the new 1D X II, I would advise purchasing a single extra LP-E19 Battery Pack because you lose your 14 fps with the older batteries.

So What Will the Naysayers Be Naysaying?

Artie is just a Canon shill. With him, “Every new Canon camera is automatically the greatest. In January it was the Canon EOS 5DS R, and last year, it was the Canon EOS 7D Mark II.

The facts remain: the 7D II is the greatest-ever value in a dSLR; the files from the 5DS R are the sharpest that I have ever seen and contain more fine detail than any dSLR that I am aware of. And the 1D X II will offer improved AF and 14 fps as well as the ability to select any of the 61 AF points when working at f/8. The latter will include the times when you are using the 2X III with an f/4 super-telephoto lens like the Canon EF 500mm f/4L IS II or, when you are using the 1.4X III TC with the 100-400mm L IS II.

As for my promoting every Canon camera ever released, I have never mentioned the 70D or the 6D, never have used either one.

Once I get my 1D X II from B&H I will travel with two Canon EOS 5DS R bodies and a single Canon EOS-1D X Mark II for flight and action and use with teleconverters. Who knows, that might flip flop in time…

The Full-on Hype

Bringing the shooting speed and video capabilities required by professional multimedia image-makers, the EOS-1D X Mark II is the flagship model within Canon’s DSLR lineup, and is characterized by its robust processing capabilities and ability to enable a high-end multimedia workflow. At the heart of the imaging system is a full-frame 20.2MP CMOS sensor and dual DIGIC 6+ image processors, which contribute to fast continuous shooting rates up to 16 fps in live view, 14 fps with full-time AF and AE, and an expanded sensitivity range from ISO 50-409600. The sensor and processor combination also avails DCI 4K video recording at 60 fps and Full HD 1080p recording at 120 fps, along with the ability to record on-board to a CFast 2.0 memory card or via HDMI to an optional external recorder. Benefitting stills shooting is an apt 61-point High Density Reticular AF II system, which includes 41 cross-type points for a high degree of precision in varying light conditions, and video shooting is enhanced by Dual Pixel CMOS AF, which makes its first appearance in a full-frame sensor for smooth, quick, and controllable AF in live view. With a versatile set of imaging traits, the Canon EOS-1D X Mark II takes its place as a high-performance tool for professional photographers and videographers alike.

Complementing the robust set of imaging specs is an equally robust physical design based on a magnesium alloy body construction that is both dust- and weather-sealed for use in harsh environments. Integrated within the body is a large 3.2″ 1.62m-dot touchscreen LCD for bright, high-resolution live view monitoring and image review, and a large 0.76x Intelligent Viewfinder II is offered for clear eye-level shooting. For versatility in file handling, both CFast and CompactFlash memory card slots are available, and the 1D X Mark II also supports sharing imagery over Wi-Fi, as well as wireless remote camera control, via the optional WFT-E8A Wireless File Transmitter. Additionally, a built-in GPS module permits in-camera geotagging of photos and videos, and also allows for auto time syncing with the Universal Time Code for more efficient file sharing and organization.

20.2MP Full-Frame CMOS Sensor and Dual DIGIC 6+ Image Processors

A redeveloped full-frame 20.2MP CMOS sensor pairs with dual DIGIC 6+ image processors to avail notable image quality and accuracy, as well as fast performance throughout the camera system. The sensor itself integrates a gapless structure with micro lenses to provide enhanced low-light performance and reduced noise levels, and when coupled with the processors an expanded sensitivity range of ISO 50-409600 is available.

The sensor and processors also work together to avail quick shooting performance, with continuous rates up to 16 fps when working in live view. When working with the viewfinder, shooting up to 14 fps is possible along with the ability to record up to 170 raw files in a single burst if using a CFast 2.0 memory card. If shooting JPEG files, an unlimited number of frames can be recorded in a burst, even at full-resolution. If working with a CompactFlash card, the buffer is rated at up to 73 raw frames in a burst, or infinite JPEGs.

In addition to the stills attributes afforded by the sensor, it is also used for recording DCI 4K video at up to 60 fps, and it is the first full-frame sensor to incorporate Dual Pixel CMOS AF technology for precise, controllable, and fast live view focusing performance.

High Density Reticular AF II and Dual Pixel CMOS AF Systems

Benefitting accurate focusing and fast tracking performance, a 61-point High Density Reticular AF II system is employed, which incorporates 41 cross-type points for increased precision as well as a center point that is sensitive to -3 EV. All 61 phase-detection points support metering at effective apertures of f/8 or larger, which benefits the use of teleconverters and telephoto lenses. Additionally, a separate, dedicated DIGIC 6 processor is used for the AF and metering systems in order to maintain quick performance while recording 4K video or shooting at fast continuous speeds. As a whole, the AF system has gained approximately 8.6% in coverage in the center, and 24% in the periphery, for enhanced subject tracking across the image frame, and an AI Servo AF III+ algorithm is used to intelligently and precisely acquire focus in single-point, Large Zone AF, or any other focusing mode.

When working with live view during stills shooting or video recording, a Dual Pixel CMOS AF system is employed that provides incredibly quick and accurate focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system’s ability to recognize subjects and maintain focus when working within changing or cluttered scenery.

DCI 4K Video Recording

Designed for both professional stills shooting and video recording, the 1D X Mark II supports DCI 4K (4096 x 2160) resolution recording at up to 60 fps at 800 Mbps, along with Full HD 1080p shooting at 120 fps at 360 Mbps for slow motion playback. When recording in-camera, or to an optional external recorder via HDMI for saving uncompressed footage, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor, while Full HD recording makes use of the entire full frame, and a top sensitivity of ISO 12800 is available with 4K or ISO 25600 with Full HD.

Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback and save them as single images.

Body Design

A large 3.2″ 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control.
Dual CFast and CompactFlash memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting. The CFast card slot is compatible with CFast 2.0 memory cards.
An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing, along with a 0.76x magnification and 100% frame coverage. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.

A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.An integrated vertical grip allows for comfortable, intuitive, and efficient handling when working in either vertical or horizontal shooting orientations. The included LP-E19 rechargeable lithium-ion battery is rated to provide up to 1210 shots per charge when shooting with the optical viewfinder. The 1D X Mark II is also compatible with LP-E4N and LP-E4 rechargeable lithium-ion batteries, however the top continuous shooting rate will be slightly reduced to 14 fps in live view and 12 fps with AE and AF. A redesigned mirror mechanism helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.

The high-performance shutter utilizes lightweight carbon fiber blades for quick shooting speeds and is tested for up to 400,000 cycles.
Extensive connectivity ports allow for the attachment of various accessories, including the optional WFT-E8A Wireless File Transmitter for remotely controlling the camera from a smartphone or sharing files over Wi-Fi with support for the 5 GHz 802.11ac standard.

EOS Intelligent Tracking and Recognition AF

An advanced 360,000-pixel RGB+IR metering sensor works in tandem with the EOS Intelligent Tracking and Recognition AF system in order to maintain accurate and consistent metering results from subject to subject. High resolution, infrared sensitivity, and a refined detection algorithm all contribute to precise color and shape recognition, using the iSA (Intelligent Scene Analysis) system that quickens both exposure metering and autofocus performance. iTR (Intelligent Tracking and Recognition) AF also uses this exposure and subject recognition technology for improved moving subject tracking.

Other Camera Features

A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use.
In addition to full-resolution recording, files can also be recorded at reduced resolutions, including M-RAW and S-RAW sizes to save file size and memory card capacity.

Picture Style settings: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, and User Defined 1-3.
Language support: English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, and Japanese.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right πŸ™‚

February 2nd, 2016

Artie's Views on Picking Your Keepers 101

This Just In!

Canon announced the release of the new EOS-1D X last night at 12:01 Eastern time today, February 2, 2016. Click here for my thoughts on the new camera and all the gory details.


1dx-markii

Canon EOS 1D X Mark II

The much rumored Canon EOS-1D X Mark II as announced last night at 12:01am Eastern time. So what’s the big deal for bird photographers? The frame rate is 14 frames/second (with the ability to record up to 170 raw files in a single burst if using a CFast 2.0 memory card and up to 73 raw frames in a burst with a fast compact flash card) The High Density Reticular AF II and Dual Pixel CMOS AF systems benefit accurate focusing and fast AF tracking performance. A 61-point High Density Reticular AF II system is employed; this incorporates 41 cross-type points for increased precision as well as a center point that is sensitive to -3 EV. All 61 phase-detection points support metering at effective apertures of f/8 or larger, which benefits the use of teleconverters and telephoto lenses.

It’s the latter that is most impressive for me: my understanding is that we will no longer be restricted to the center AF point plus the four assist points (when Expand is set). We will be able to select any of the 61 AF points on the grid.

Notate Bene

While the above is clearly stated in the description of the new camera, I need to make sure that it is 100% accurate; I will get back to ya’ll either way. In addition, I will research the CFast 2.0 memory cards and let you know what I find out.

That Was Quick

Via e-mail this morning from Chuck Westfall

Good Morning, Artie! We’re glad to see you were right on top of the 1D X Mark II announcement. This camera looks like it’s going to be tailor-made for bird photography at the highest level of performance to date. It will be exciting to see what you come up with once you get a chance to use it!

I don’t see any technical errors in your write-up. Clearly, the ability to use all 61 AF points down to an effective maximum aperture of f/8 with EF Lens/EF Extender combinations will vastly expand the range of shooting opportunities for all sorts of photographic specialties including birds in flight with long lenses. Chuck

Chuck Westfall
Product Planning Advisor
ITCG Image Communication Products
Business Planning Division

Available for Pre-order

The new camera is currently available for pre-order here. B&H will receive more units with each shipment than any other dealer in the world so it only makes sense to order the camera now. The sooner you order, the sooner you will have your very own.

Though the 1D X and even the 1D IV batteries are backwards compatible with the new 1D X II, I would advise purchasing a single extra LP-E19 Battery Pack because you lose your 14 fps with the older batteries.

What’s Up

I am not sure where Monday went. I had planned to start and finish my ad for the next issue of Nature Photographer magazine. I never even started it. I did have a great swim in a warm pool–just a shade below 78 degree with lots of sun, and an ice bath. Had a good discussion with friend Chris Klapheke on the dismal state of the BAA Online store. And spent too much time on the phone.

It was so warm yesterday that I put on the AC when I hit the sack for the first time since I got back from San Diego.

The Used Gear page continues to sizzle as Patrick Sparkman sold his 7D II on the first day it was listed for the full asking price.

Thanks Peter!

Thanks a stack to Peter Kes for separating 2016 from 2015 πŸ™‚

The Streak

Today’s blog post marks 91 days in a row with a new educational blog post. Again, please remember to use our B&H links for your major gear purchases. Your doing so is always greatly appreciated. πŸ™‚


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I hope to see y’all in Melbourne tomorrow night πŸ™‚ David Peake; will you be there?

Melbourne EoL Speaking Event

On Tuesday, February 2, 2016 I will be presenting “A Bird Photographer’s Story” for the Camera Club of Brevard. The meeting begins at 6:30pm and is free and open to the public. This program is sponsored by Canon USA/Explorers of Light. A small selection of books and CDs will be available for sale. You can find complete details including the location here.


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B&H

B&H contributed generously as the primary SDNHM exhibition sponsor. Thank them (and me for the blog) by clicking on the logo link above to shop.


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This image was created on July 15, 2014 at Nickerson Beach, Lido Beach, Long Island, NY with the tripod-mounted Canon EF 600mm f/4L IS II USM lens and the rugged Canon EOS-1D. ISO 250. Evaluative metering +2 stops: 1/1000 sec. at f/5.6. AWB.

A single AF point that was two to the right of the center AF point/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure. In 2014 I was still using Rear Button Focus all the time; today in this situation I would have been using Shutter Button AF. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

Image #4

Artie’s Views on Picking Your Keepers 101

Most of you had it right; Image #2 was the insta-delete. Though the bird had one foot raised it had its head turned well away. I did not mind the o-o-f beach plant in Image #1 but the pose was nothing special. like many of you I liked Images 3 & 4. And I liked the o-o-f vegetation along the top in Image #5 but there was nothing special about the bird in that one. For me, the picks of the litter were 3 and 4. I flipped a coin and went with #3; the optimized image above. You can learn a lot from the animated GIF and the Photoshop screen capture below.

The Good News

There will be lots more “Picking Your Keepers” blog posts.


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My leveling tip.

My Leveling Tip

I create my own keyboard shortcut for the Ruler Tool, a very much makes sense “R.” I drew the line to match the angle of the faint shadow below the bird. Then I use another of my personalized Keyboard Shortcuts, Command + ?. This brings up Rotate Canvas Arbitrary. Hitting OK rotated the image a hefty 4.09 degrees. I filled in the missing triangles of canvas using Content Aware Fill after selecting them with the Magic Wand Tool and then Expanding the selection by 5 pixels. Thank you John Heado.

The Rest of the Image Optimization

Next I removed the Yellow Color cast using the Average Blur Color Balance technique detailed in APTATS II. Then I selected the bird with the Quick Selection Tool, placed it on its own layer, and applied my NIK Color Efex Pro 25/25 recipe. Most of the above as detailed in my Digital Basics File.

Please Remember to use our Affiliate Links πŸ™‚

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right πŸ™‚