Arthur Morris/BIRDS AS ART
January 19th, 2016

birds as art: The Avian Photography of Arthur Morris/The Top 100 on CD or via Download


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birds as art: The Avian Photography of Arthur Morris/The Top 100
The companion e-book to the solo exhibit at TheNat, San Diego, California

The new e-book on CD is available here.

birds as art: The Avian Photography of Arthur Morris/The Top 100

My latest e-book, created on a wing and a prayer in less than two weeks–see Harebrained Scheme here–includes the 67 spectacular images that hung in the Ordover Gallery at the San Diego Natural History Museum in a career-retrospective solo exhibition in 2017. In addition, there are an additional 33 images in the spectacular e-book that barely missed making the show.

This exhibition companion e-book makes it possible for everyone to “visit” TheNAT gallery retrospectively — and, in addition, to enjoy seeing my then-top one hundred bird photographs under one roof. Each image includes a title, the species name, the location, relevant EXIF data, and an anecdotal caption.

birds as art: The Avian Photography of Arthur Morris/The Top 100: $23 for the professionally produced CD (includes shipping to US addresses only)

Please click here to purchase the CD. As above, your purchase price includes shipping to all US addresses. If you would like your CD signed on the inside cover with a black Sharpie, you will need to place your order by phone and request a signed copy: 863-692-0906. For our Canadian friends we are offering the CD for $28 with shipping to Canada via phone orders only: 863-692-0906. Those who purchase the CD are advised to copy the file to their computers and then archive the CD.

To purchase via convenient download for $20, click here.


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The new e-book via is also available via convenient download for $20 by clicking here.

birds as art: The Avian Photography of Arthur Morris/The Top 100: $20 via convenient download.

Overseas folks, and anyone else as well, can purchase the e-book via convenient download for $20 by clicking here.

Notate Bene

Please share this e-book only with your spouse or significant other. If a friend asks you to share a copy with them, please direct them either to this blog post or to the appropriate link in the BAA Online Store as above. All of the images and text are protected by international copyright law and may not be copied or printed without written permission from the photographer/author. Many thanks for honoring these requests.

You will–of course–need Adobe Acrobat Reader or another PDF player to view the PDF.


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Sample page from birds as art: The Avian Photography of Arthur Morris/The Top 100.

Adobe Acrobat Reader Tip

To maximize your viewing pleasure, click Command + L on a Mac, or Control + L on a PC to view the e-book full screen. And then press Esc to exit full screen.

The 800 f/5.6L IS

I was amazed by how many of the exhibit images were created with the 800 f/5.6L IS… If you need maximum reach and would like to add this great lens to your gear bag consider the great buy below. You can see the complete Used Photo Gear listings here.

Canon 800mm f/5.6L IS USM Lens

Andres Leon is offering a used Canon 800mm f/5.6L IS lens in Very Good Plus condition for the very low price of $7899. The lens has clean glass and is in perfect working order but has a few scratches on the finish. Feel free to request photos of the lens. The sale includes the lens trunk and keys, a LensCoat, the front leather cover, the rear cap, a Wimberley P-40 lens plate, and insured ground shipping via FED-EX Ground. Your item will not ship until your check clears unless other arrangements are made. Please contact Andres via e-mail or by phone at 1-954-621-6678 (eastern time).

I used this lens, often with a 1.4X TC, as my main super-telephoto lens for close to five years. It is a superb lens that offers lots of reach for those working with birds that are skittish. It is great from the car. I was astounded that about 15 of the 67 images in the exhibit were created with my 800. I often miss it terribly. As the lens sell new at B&H for $12,999 Andres’s lens is a superb buy; grab it now and save more than $5K! artie

Please Remember to use our Affiliate Links πŸ™‚

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right πŸ™‚

January 18th, 2016

Which Super-telephoto Lens Best Fits With the Canon 100-400mm II?

What’s Up?

I woke very early and well before the alarm to pack for my nonstop flight from San Diego to Orlando. I am at the gate as I begin this blog post. If all goes well, right-hand man Jim Litzenberg should be picking me up at MCO at about 6:30pm Sunday evening.

Thanks for all of the congratulatory comments on the San Diego exhibit both here on the blog and on Facebook; they made my special day even more special. a

The Streak

In spite of having been buried by travel, teaching, the exhibit, and several major writing projects for the last two months, today’s blog post marks 75 days in a row with a new educational blog post. Please remember to use our B&H links for your major gear purchases.


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This image was created at Salisbury Plain on South Georgia on our last day of landings on the memorable 2015 Cheesemans’ South Georgia Expedition with the Induro GIT 304L tripod/Mongoose M3.6-mounted Canon EF 100-400mm f/4.5-5.6L IS II USM lens, the Canon Extender EF 1.4X III (at 560mm), and the rugged Canon EOS-1D X. ISO 400. Evaluative metering +1/3 stop: 1/200 sec. at f/16. AWB.

Center AF point (Manual selection)/AI Servo/Rear Focus AF as framed was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version.

King Penguin neck abstract

Image Design Answer

In the blog post here, I asked if folks liked the photo-bombing penguin in the lower left corner. Most did not. I must admit that I did not like it much at first but over time it grew on me.

The 100-400 II

Most of you know how much I love this great lens. See lots more on that below. Many folks have been asking “Which super-tele best fits with the new 1-4? Read on to learn my thoughts.

Which Super-telephoto Lens Best Fits With the Canon EF 100-400mmL IS II lens?

I have received more than a few e-mails recently from folks who already own the 100-400II and wish to enter the world of super-telephoto photography. One such e-mail from retired Tennessee State Senator Doug along with my reply should help most folks in the same boat make this difficult decision.

AM: Hi Doug, It is good to hear from you. Love your closing, “Reformed Senator and struggling photographer.”

re:

DJ: I recently found your blog and videos. Great resource. I really appreciate your willingness to share knowledge.

AM: Thanks. That has been my specialty for a while. πŸ™‚

DJ: You have motivated me to venture into bird and travel photography in my new retirement. I do have a 600mm non-IS; it is very old and very heavy but sharp.

AM: Been there, done that πŸ™‚


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This image was created at La Jolla, CA on the last morning of the hugely successful 2016 San Diego IPT with the Induro GIT 304L/Mongoose M3.6-mounted Canon EF 500mm f/4L IS II USM lens, the Canon Extender EF 2X III, and the Canon EOS 5DS R. ISO 400: 1/640 sec. at f/11. AWB.

Center AF point (by necessity)/AI Servo Expand/Rear Focus AF as originally framed was active at the moment of exposure. This is a very, very, small crop from the left and the top. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see the incredible fine feather detail in a larger version.

Brown Pelican bill pouch detail

The 500 II

The 500 II gives me 1000mm of full frame reach with the 2X TC and 700 with the 1.4X; a perfect fit for the 100-400 II unless you need the reach of the 600 II plus TCs…

The e-mail conversation continued…

DJ: I have planned to purchase two new lenses and have narrowed the search down to three. The new 100-400II L IS the Canon EF 400mm f/4 DO IS II USM lens, and the Canon EF 500mm f/4L IS II USM lens

AM: Assuming that you have ruled out the 600 II as too bulky and too heavy, your choice is an easy one: go with the 100-400mm II and the 500 II. They were both in my gear bag for San Diego and will be for the Greece trip as well. Note, however, that when I am traveling to places where weight is somewhat of a premium and the birds are tame, I will opt for the 100-400II/400 DO II/combo in part because I am so proficient with the 2X III TC and the Canon EF 400 DO II; folks like me who can consistently make sharp images with an f/4 lens and the 2X III TC will then have a nice 100-400 and 560/800 combo to work with.

DJ: It’s a big decision and I would value your opinion.

AM: Understood and it was wise of you to ask me.

DJ: Which combo would you recommend for wildlife and travel?

AM: See above.

I have always wanted the Canon EF 400mm f/4 DO IS II lens but the new 100-400 a seems to be such a versatile lens.

AM: It is an amazingly versatile lens and I absolutely love the close focus as well as its amazing sharpness and 4-stop Image Stabilization system. Understand that the 400mm DO II somewhat counterfeits the 100-400 unless–as noted above–you are skilled at making sharp images with the 400mm f/4 DO IS II and the 2X III TC. Of note is the fact that the 1-4 II is so versatile that many have gone away from the 200-400 with internal Extender. That one still remains at the top of the list for Africa in part because of its versatility and in part because the built-in TC is a big plus in extremely dusty environments.


white-cheeked-galapagos-pintail-a-displaying-male-_y5o9664-puerto-ayora-galapagos-ecuador

This image was created at the highlands of Puerto Ayora at 8:55am on July 21, Day 8 of the 2015 Galapagos Photo Cruise. I used the tripod-mounted Canon EF 400mm f/4 DO IS II USM lens with the Canon Extender EF 1.4X III and the Canon EOS-1D X. ISO 800: Evaluative metering at zero: 1/500 sec. at f/10 in Av mode.

Center AF point/Spot AF/Shutter Button AI Servo AF was active at the moment of exposure as is pretty much mandatory with moving subjects. The selected bird’s folded wing as originally framed. Click on the image to see a larger version.

Image #1: Galapagos White-cheeked Pintail displaying male

The 400 DO II

When working with tame birds or when I wish to travel light, the 400 DO II serves as my big super-telephoto lens, most often on a tripod with the 2X III TC.

The e-mail conversation continued…

DJ: Would the portability of the 400mm DO II make it a better choice than a 500mm II IS? BTW, I will purchase these through your web site.

AM: As above, only in very certain circumstances; I routinely travel to places like the Southern Ocean and the Galapagos with 400 DO II/100-400II combo. On some of those trips the Canon EF 70-200mm f/2.8L IS lens comes along for the ride. That old favorite was very useful in several low light situations in San Diego.

DJ: I shoot a 7D2 and a 5DSR.

AM: Good luck πŸ™‚ This will probably shock the world but I may be selling all of my camera bodies and going only with 5DS Rs… Thanks to dear friends Patrick Sparkman it will soon–via a coming blog post–be easy to see and absolutely clear how much better the 5DS R is than anything that Canon offers at present.

DJ: I am planning to book a trip with you this year. I am going to Kenya and France this year with a fellow Tennessean, Jim Zuckerman. I too bought a 5DSR. Seeing your images, I feel it was a good decision–Jim is not so sure. Large, super high-res monitors are coming.

AM: Jim is somewhat of a friend and someone who has my great respect. My 5DS R images look mighty fine on my Macbook Pro with Retina Display. I will ask a favor: when the 5DSR Image Quality Superiority blog post is published, please send a link to Jim.

To simplify your shopping, here are my affiliate links for the two lenses discussed above:

Canon EF 500mm f/4L IS II USM Lens

Canon EF 400mm f/4 DO IS II USM Lens

Please let me know if you have any additional questions. If you want to chat further about your gear choices give me a buzz at home at 863-692-2806 next week. I will be home late Sunday.

Please let me know if you need any additional product specific links and please shoot me your B&H receipt when you are done shopping.

later and love and be sure to subscribe to the blog.

artie

The 600 II

I continue to own and use the Canon EF 600mm f/4L IS II USM lens when I need every bit of reach, when I can easily get the lens to a given location, and when I do not have to walk long distances.

The 600 II is numero uno when working from my car off a BLUBB. I ship it to Bosque every year so that I can use it to photograph single cranes and single geese in flight. I managed to get it to Japan on my last trip there and to the UK as well for the puffins in flight. It is, however, a bear to travel with.

The 100-400II

Right now, the Canon EF 100-400mm f/4.5-5.6L IS II USM lens just might be my favorite-ever Canon lens. As regular readers know, and as above, I love it for it amazing close focus (.98 meters!) as well as for its superb sharpness and its 4-stop Image Stabilization system. Not to mention its great versatility and focal length range as well as its light weight and hand holdability. If you photograph birds, wildlife, or nature and do not own this great lens, you should!

Please Remember to use our Affiliate Links πŸ™‚

To show your appreciation for my continuing efforts here, we ask, as always, that you get in the habit of using my B&H affiliate links on the right side of the blog for all of your photo and electronics purchases. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right πŸ™‚

January 17th, 2016

A Wondrous Day...


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B&H

B&H was the primary exhibition sponsor. Thank them (and me, for the work I do on the blog) by clicking on the logo link above to shop.


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artie’s NATtalk. Photo courtesy of and copyright 2016: Bob Allen


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Exhibit Intro Panel: design by Mary Lou Morreal (SDNHM)


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The Ordover Gallery at The NAT. Image copyright 2016: Arthur Morris/BIRDS AS ART

With the EOS-5DS and the Canon EF 11-24mm f/4L USM zoom lens.

What’s Up?

After arriving early to get the projector set up and do a sound check, I went up to the exhibition space with a few friends. As I had not seen the prints I was a tiny bit nervous. Everyone–including and especially me–was blown away by the quality and color fidelity of the images. Mark Lukes and his staff at Fine Print Imaging in Fort Collins, CO simply knocked it out of the park. Many folks asked where the prints were made.

The experience of walking through the images in such a spectacular setting was a surreal one. To see the work of 32 years laid bare on the walls for all to see was a daunting one. I could not have felt more proud.

Locals who missed the opening and those who will be visiting San Diego in the next few months can learn more about the SDNHM gallery exhibition here.


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iPhone pano of artie and framed images. Courtesy and copyright 2016: Cliff Oliver.


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CD Sales at the opening were brisk. Photo courtesy of and copyright 2016: Bob Allen


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SDNHM Exhibit Sponsors


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My Canon Gear Summary Panel