Arthur Morris/BIRDS AS ART

What’s Up?

All of the image captions for the San Diego exhibit have been finished, and the Western Digital 2TB My Passport Ultra Portable Hard Drive (Black) with the properly size TIFFs arrived at Fine Print Imaging in Fort Collins, CO on Friday afternoon; two big projects completed. All that while working hard with the folks who will be joining me on the OCT/NOV 2015 Cheesemans’ South Georgia/Falklands Expedition; click here for the whole story. If you would like to join me on what will be an amazing trip to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line.

I worked as hard every day this week from the early pre-dawn until I hit the sack as I can ever remember. It feels great to have accomplished so much. In the coming days I have to mop up a few things with regards to the exhibit and will continue to work on both the 2015 Bosque Current Conditions Update and the new Southern Ocean Photography Guide. I hope to have the former finished by Monday. I felt pretty good again on Friday. I hope to get back in the pool soon….

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

After somewhat of a summer lull, things have really been heating up on the Used Gear page recently.

• The sale of Melissa Hahn’s Canon 400mm f/2.8L IS II lens is pending….
• Stephen Zarate sold his used Canon 100-400mm L IS zoom lens yesterday for $650 one day after it was listed.
• Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
• Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
• David Bell sold his Canon 400mm f/5.6L lens yesterday for the full asking price, $699, on the day it was listed!
• Alan and Sara Levine sold their old 300 f/2.8L IS lens in early December for $3175.
• Two Canon 500mm f/4L IS lenses (two) were sold by Pat & Stokes Fishburne for $3799 each in late November, 2015.
• A Canon EOS-1D Mark IV Camera Body was sold by Alice Garland for $1350 in mid-November, 2015.
• Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.
• Alan and Sara Levine sold their old five, the Canon 500mm f/4 L IS for $4200 in late August, 2015.

New Listing

Used Canon EF 300mm f/2.8L IS II USM Lens

Good friend and multiple IPT veteran Monte Brown is offering a used Canon EF 300mm f/2.8L IS II USM lens in near-mint condition for the new record low BAA price of $4499. The sale includes the lens trunk, a LensCoat, the tough fabric front cover, the rear lens cap, the original boxes, and insured ground shipping. Your item will not ship until your check clears unless other arrangements are made.

Please contact Monte by e-mail or by phone at 765-744-1421 (Eastern time).

The 300 II is a superbly sharp and versatile lens that kills with both TCs. In addition, it is a great flight lens. Monte’s price is the lowest-ever for this item at BAA. Monte has always taken great care of his gear. artie

This 100% crop of today’s featured image below was then cropped to 1200 pixels wide and is displayed here at 800 pixels wide. The view here is un-sharpened and un-processed in any way (other than the re-sizing). What does that all mean? I have no clue as I am not too good at pixel math.

The 100% Crop

My thoughts are that the tight crop above is pretty darned impressive as far as sharpness and fine feather detail, the latter being far better than with any previous Canon camera body, at least as far as I can tell…. What do you think?

As Warren Hatch mentioned on the Bosque IPT, seeing the images on my Apple 15.4″ MacBook Pro Notebook Computer with Retina Display & Force Touch Trackpad (Mid 2015) was a simply stunning experience….

This image was created at Bosque on the first afternoon of the first 2015 Bosque IPT with the Induro tripod/Mongoose M3.6-mounted Canon EF 600mm f/4L IS II USM lens, the Canon Extender EF 1.4X III,, and the incredible Canon EOS 5DS R. ISO 400: 1/1600 at f/8. AWB. Center AF point/AI Servo Expand/Rear Focus AF as framed was active at the moment of exposure. The chosen AF point was just forward and below the goose’s eye. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Tight head portrait of juvenile blue morph Snow Goose

Creating the Image

The geese were in the best possible afternoon location. We had the whole group on them. I invited all to join me in getting really close but only Dan Turk did so. The rest stayed back and tried for flight images. There were lots of Ross’s Geese close to the shoreline (or on it!) See the vertical head and neck portrait of this uncommon species in the “Canon EOS-5DS R for Birds: An Overview. I’ve never seen image files like these…” blog post here.

Details on this location will be revealed in the 2015 Bosque Current Conditions Update; it will be send free to all who have previously purchased the Bosque Site Guide and will also be available as an inexpensive, separate, stand-alone purchase. It will be available on Monday or Tuesday.

More EOS-5DS R Thoughts

Though I do not search out the internet experts (i.e., internet idiots), I have–in several e-mails–heard some scuttlebutt that indicates that it is difficult to create consistently sharp images with this mega-pixel monster camera body. My impression, going back to the EOS-7D Mark II bodies, is that the more pixels the more care that you have to take as far as keeping the lens still and steady. Pretty much everyone told me that I was wrong and at one point I admitted that I was. But the technically proficient Alan Lillich and several others explained that I was right: on a pixel level, the effects of lens shake or mirror slap are effectively magnified. I never said anything publicly on that. Till now.

I have heard that Canon recommends using the EOS-5DS and the EOS-5DS R only with the latest greatest lenses as only they are able to deal well with the super-high resolution files. I could find no evidence of that either on the internet including the Canon USA site. I will be writing Chuck Westfall, Canon’s top tech rep and share what I learn with you here. If you know of such a list, please do leave a comment with the link.

What I did find on the Canon website was, however, quite interesting:

Advanced Mirror control mechanism and shutter release time lag

The camera shake that occurs from the impact of an SLR’s mirror can leave blurred details in the recorded image. This effect is magnified when working with a super high-resolution sensor like the one found in the EOS 5DS R. To counter the effects of conventional, spring-driven SLR mirrors, the EOS 5DS R features a newly developed Mirror Vibration Control system. The camera’s mirror is not controlled by springs but instead is driven by a small motor and cams. This system suppresses the impact typical of the camera’s mirror, significantly reducing impact and its effects on the image. A new Time Release Lag setting, easily accessed on the EOS 5DS R’s menu system, offers an added protection against camera-shake blur by setting the shutter release time intentionally longer so the camera does not begin the next exposure until after the impact of the camera’s mirror has diffused.

Bold italics mine 🙂

5DS R Help Needed…

#1: I searched the menu carefully six times looking for the Time Release Lag item. Any clues?

#2: I went back to the 5DS R box in search of the camera body instructional booklet so that I could find the Time Release Shutter Lag menu item. All that was in the box was the basic instruction manual. Any clues?

#3: I went online to try and download the full 5DS R Instruction Manual from a Canon website and struck out on that too. Any clues? (I did find alleged 5DS R camera body Manual downloads at sites that I did not trust; all required that you download a “needed program” first and I was reluctant to do that.)

#4: As above, if you have a link to a list of Canon-recommended lenses compatible with the 5DS R please share the link with us by leaving a comment.

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. B&H is recommended for you major photography gear purchases, Amazon for your household, entertainment, and general purpose stuff. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂

What’s Up?

Yesterday was one of those rare days where lots of wonderful things happened and weeks of hard work paid off in spades. The latter several times over.

In the morning I tried to call Shawn Marie Greene, the 1979 sixth grade student of mine at PS 106 in the Bushwick section of Brooklyn who had commented on my Facebook page on Tuesday. She did not pick up so I called her friend Dr. Joylene John and by luck she picked up the phone in her office. She was thrilled to learn that Shawn wanted to touch base with her. Joylene mentioned that she had been telling a friend a few weeks back that in sixth grade her class did a great performance of The Wiz and that she sang “Don’t Nobody Bring Me No Bad News!” Her friend said, “I thought that you went to the worst elementary school in New York City. How is it possible that you did a Broadway show with your class?” She responded, “I did. But I had the best teacher ever.”

Right after I hung up Shawn called me and we had a long, wonderful chat reminiscing on the good old days. “Mr. Morris, I can honestly say that sixth grade was the best year of my life.”

Now on to the hard work. My efforts to gain sponsorship for the San Diego exhibit finally paid off. Yesterday I learned that Wimberley, 4th Generation Design, and Cheeseman’s Ecology Safaris would join Delkin Devices as exhibit sponsors. And B&H generously committed to becoming the exhibit’s major sponsor. Last but not leastly, old friend Mark Lukes of Fine Print Imaging in Fort Collins, CO will be printing the 67 exhibit images on Fuji Crystal Archive Matte finish paper. FPI does all the printing for iLCP, the International League of Conservation Photographers.

Wow and thanks to all who will be involved in the exhibit.

Paraphrasing Frankie Valli, the Four Seasons, and Jersey Boys “Oh What a Day!” (December 1963: Oh What a Night.)

More Bosque IPT Kudos

“It’s not bragging if you can do it”

From good friend, multiple IPT veteran, and Bosque #2 participant Greg Ferguson of Atlanta via e-mail:

Artie, I’m writing to thank you for everything you did to make the recent Bosque IPT a photographic success. As Dizzy Dean said about his pitching performance “It’s not bragging if you can do it.” You can say the same thing about your Bosque IPTs. On your recent IPT you certainly demonstrated you can put your students in the right place at the right time for outstanding shooting opportunities. We were in perfect position to catch a snow geese blast-off silhouetted against the pre-dawn glow in the sky. After only about two minutes of continuous shooting you yelled “We have one minute before we leave for our next location.” Warren Hatch and I started laughing because we thought you were kidding. Why leave when we were getting good shots? Well, much to our surprise, we left and found out why. At the next location we were much closer to the geese and got them blasting off directly toward us and over our heads.

So you aren’t bragging about getting people in the right position at the right time because you can do it. Thanks for the wonderful shooting opportunities and the personal care and attention from both you and from Denise Ippolito. And take some personal time to recover from your health issues! Greg.

From first-timer, Bosque #2 participant Barrett Pierce via e-mail:

Hello Artie, Denise and all the Bosque #2 IPT group, I really enjoyed the Bosque del Apache IPT. The reserve is an enchanting place to be at any hour of the day and it was terrific to be there with the IPT group. Your instruction and comments were very valuable and I appreciate everyone’s help. During the trip I identified 48 different bird species at Bosque del Apache NWR and photographed 18 of them. On this trip I took my first photograph using a tripod and for the first time attempted to create an intentionally blurred image that was pleasing. And I did! I also downloaded my first digital images to my laptop during this IPT. Over 98% of my processing is to hit the delete key and the other 2% is cropping; so I am just getting started in that regard. I selected five handheld images for critique and I would appreciate comments on the photos such as they are, and also on the improvement possibilities from using a good tripod, longer lens, improving my image optimization skills, etc. Best regards and best wishes to all. Barrett Pierce

Selling Your Used Gear Through BIRDS AS ART

Selling your used (or like-new) photo gear through the BAA Blog or via a BAA Online Bulletin is a great idea. We charge only a 5% commission. One of the more popular used gear for sale sites charges a minimum of 20%. Plus assorted fees! Yikes. The minimum item price here is $500 (or less for a $25 fee). If you are interested please e-mail with the words Items for Sale Info Request cut and pasted into the Subject line :). Stuff that is priced fairly–I offer free pricing advice, usually sells in no time flat. In the past few months, we have sold just about everything in sight. Do know that prices on some items like the EOS-1D Mark IV, the old Canon 500mm, the EOS-7D, and the original 400mm IS DO lens have been dropping steadily. You can see all current listings by clicking here or by clicking on the Used Photo Gear tab on the yellow-orange tab on the right side of the menu bar above.

After somewhat of a summer lull, things have really been heating up on the Used Gear page recently.

• Kenton Rowe sold his Canon 200-400mm f/4L IS lens with Internal 1.4X Extender in early December for $9799.
• Brent Bridges sold his Canon 600 II for the full asking price, $9799,in early December 2015.
• David Bell sold his Canon 400mm f/5.6L lens yesterday for the full asking price, $699, on the day it was listed!
• Alan and Sara Levine sold their old 300 f/2.8L IS lens in early December for $3175.
• Two Canon 500mm f/4L IS lenses (two) were sold by Pat & Stokes Fishburne for $3799 each in late November, 2015.
• A Canon EOS-1D Mark IV Camera Body was sold by Alice Garland for $1350 in mid-November, 2015.
• Mike Ederegger sold his AF-S Nikkor 200-400mm F/4 G ED VR II in excellent condition for $ 5199 right after it was listed.
• Alan and Sara Levine sold their old five, the Canon 500mm f/4 L IS for $4200 in late August, 2015.

New Listing

Canon 500mm f/4L IS II Lens

Troy Duong is offering a Canon 500mm f/4L IS II lens in excellent condition for the new BAA record-low price of $7500.00. The sale includes a LensCoat, the lens trunk, the leather front hood, the rear lens cap and strap, all original manuals and straps, and insured shipping via UPS Ground. Your item will not ship until your check clears unless other arrangements are made.

Please contact Troy by e-mail or by phone at 1-714-321-3022 (Pacific time).

I have used various versions of the 500mm f/4 lenses for more than two decades. They are the world’s most popular super-telephoto lenses. I owned the Series II 500 and regret selling it as the 600 II is so much heavier and bulkier…. With good sharpness techniques most folks should be able to learn to make razor sharp images with this lens and the 2X III TC. It is light enough so that many folks can hand hold it easily both for flight and general bird photography. The short story: this lens is sharp, relatively light, and much easier to travel than the 600 II. artie

This image was created at Bosque on November 23, Day 2 of the first Bosque IPT, with the Induro tripod/Mongoose M3.6-mounted Canon EF 200-400mm f/4L IS USM Lens with Internal 1.4x Extender (at 400mm) and the Canon EOS 5DS R. ISO 200. Evaluative metering +2 stops: 1/30 sec. at f/6.3. Color temperature: K7800. Center AF point/AI Servo Expand/Rear Focus AF as originally framed was active at the moment of exposure. Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Small flock of geese/mega-sunrise

The Continuation of Yesterday’s Lesson…

In yesterday’s blog post here we saw two images made at relatively slow shutter speeds, 1/10 and 1/4 sec. Such shutter speeds can be used to create high degrees of blurring. For many, including and especially me, the results–which imply motion–can be quite pleasing. I wrote, Note that when photographing distant flocks images made at 1/60 and even 1/30 sec. will render most of the individual birds relatively sharp. Today’s featured image, created at 1/30 sec., shows that individual birds in a distant flock, will be rendered pretty darned sharp as long as you concentrate on panning at the same speed as the birds are flying.

And again, by working in Tv Mode with the correct exposure compensation (EC) dialed in, you can quickly and easily vary your shutter speeds several times during an individual blast-off.

EC Question

What was the danger of being at +2 exposure compensation? You need to be specific to get it right….

This image was created on the 2015 Cheesemans’ Southern Ocean Expedition with the hand held Canon EF 100-400mm f/4.5-5.6L IS II USM lens and the amazing Canon EOS 7D Mark II. ISO 400. Evaluative metering +3 stops (was really pushing it…): 1/640 sec. at f/6.3. The fourth AF point to the right of the center AF point (Manual selection)/AI Servo/Rear Focus AF as originally framed was active at the moment of exposure (as is always best when hand holding). The selected AF point fell on the breast of the closest penguin (on our right). Click here to see the latest version of the Rear Focus Tutorial. Click on the image to see a larger version. Image #2: only 12 King Penguins walking across a snowfield

My Favorites

In yesterday’s blog post my favorite of the two images was the more extreme blur, “Image #2: Snow Goose clear morning flock blur 1/4 second shutter speed.

In the “Fortunate in the Snow at Fortuna Bay” post here I far, far preferred the super-high key rendition above (Image #2: only 12 King Penguins walking across a snowfield) to the more standard capture (Image #1: 14 King Penguins walking across a snowfield). I did like the elimination of the two merged penguins in #2 but it was the mega-high key look that really captivated me with its creativity. Most folks who commented did not agree with me 🙂

All images on the card were created on the 2015 Cheesemans’ South Georgia Expedition. From top left clockwise to center: King Penguin resting on Snow, Fortuna Bay; Macaroni Penguin in snow, Cooper Island; Grey-headed Albatross, Elsehul; King Penguin neck abstract, Godthul; Northern Giant Petrel, Undine Harbor; adult Wandering Albatross, Prion Island; Elephant Seal, Undine Harbor; South Georgia Pipit fledgling/thanks Joe Kaplan! Fortuna Bay; high key King Penguins in snow, Fortuna Bay. Card design and all images copyright 2015: Arthur Morris/BIRDS AS ART

The Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition

If reading last Saturday’s blog post here put a thought in your mind about joining the BIRDS AS ART group on the Cheesemans’ 2016 OCT/NOV South Georgia/Falklands Expedition, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line with any questions or if you wish to receive additional inspiration. This will surely be my last ship-based trip to the Southern Ocean as well.

All of the images on this card were created in the Falklands on the 2014 Cheesemans’ Southern Oceans Expedition. From top left clockwise to center: Black-browed Albatross tending chick, Steeple Jason Island; Black-browed Albatross courting pair, New Island; the Black-browed Albatross colony at Steeple Jason Island; Black-browed Albatross landing, New Island; King Cormorant head portrait, New Island; hull detail/derelict minesweeper, New Island; Rockhopper Penguin head portrait in bright sun, New Island; Striated Caracara, Steeple Jason Island; Magellanic Snipe chick, Sea Lion Island.

An Expedition Overview

Experience the vibrant spring of South Georgia, a true Antarctic wildlife paradise. Observe and photograph wildlife behaviors seldom seen beneath the towering, snow-blanketed mountains that dominate the island’s landscape. Southern Elephant Seal bulls fight for breeding rights while females nurse young, overlook vast colonies of loafing King Penguins, watch Macaroni Penguins cavort in the snow, photograph handsome Gray-headed Albatrosses in flight or attending to their cliffside nests and awkward Wandering Albatrosses attempting first flight. The itinerary includes six landing days on South Georgia and three landing days in the Falklands to observe too cute Rockhopper Penguins, Magellanic Penguins standing watch at their nesting burrows, and more Black-browed Albatrosses than you could ever imagine. To commemorate Shackleton’s famous self-rescue crossing South Georgia, CES also offers an optional trek retracing his steps. With Cheesemans’ twenty years of experience in the Antarctic region, they commit to an in-depth exploration of one of the densest wildlife spectacles found anywhere in the world, and with only 100 passengers, they routinely give you the opportunity to completely immerse yourself on each landing.

Two of the scheduled Falklands’ landings, New Island and especially Steeple Jason Island, rival the best locations on South Georgia. Those will likely include Salisbury Plain, St. Andrews Bay, Elsehul, Fortuna Bay, and either Cooper Island or Hercules Bay (for Macaroni Penguins).

Why Sign Up Through BIRDS AS ART?

If you have been thinking and dreaming of finally visiting South Georgia, this is the trip for you. There will likely never be another trip like this as the best outfit in the Southern Oceans business will not be returning after 2016…. Quit dreaming and act now. Though I will not be an expedition staff member on this trip, those who have traveled with me know that I cannot help but teach. And I will be doing a introductory photography program for the entire ship on our crossing to South Georgia. All who sign up via BAA will receive a free copy the new Southern Ocean Photography Guide (a $100 value) that I am currently working on. It will include pre-trip gear and clothing recommendations and a ton of info that you will find to be invaluable.

I will hold informal pre-landing briefings aboard ship so that when you land you know exactly what to expect and where to go. I will be available on the ship to review your images, answer your questions, and conduct informal over-the shoulder Photoshop sessions. And best of all, everyone who signs up under the auspices of BAA are invited to tag along with me on the landings where I will be glad to offer invaluable in-the-field advice. And the same goes for the shipboard birds in flight and marine mammal photographic sessions.

Again, if you would like to join me on what will truly be a once in a lifetime opportunity to a wondrous place, please shoot me an e-mail with the words “Cheesemans’ Last South Georgia Expedition” cut and pasted into the Subject Line.

You can learn more about the trip here. If you sign up on your own be sure to mention that you would like to be part of the BAA Group. I’d be glad to answer any and all question via e-mail or by phone at 863-692-0906.

Important Notes

#1: If you fail to e-mail me as noted directly above, and register directly with CES you MUST let them know that you would like to be part of the BIRDS AS ART group.

#2: Joining the BIRDS AS ART group as above will not cost you one penny.

For additional details on the trip and the ship, see Saturday’s blog post here.

Please Remember to use our Affiliate Links 🙂

To show your appreciation for my continuing efforts here, we ask, as always, that you use our the B&H and Amazon affiliate links on the right side of the blog for all of your purchases. B&H is recommended for you major photography gear purchases, Amazon for your household, entertainment, and general purpose stuff. Please check the availability of all photographic accessories in the BIRDS AS ART Online Store, especially the Mongoose M3.6 tripod heads, Gitzo tripods, Wimberley heads and plates, LensCoats and accessories, and the like. We sell only what I have used, have tested, and can depend on. We will not sell you junk. We know what you need to make creating great images easy and fun. And we are always glad to answer your gear questions via e-mail. I just learned that my account was suspended during my absence; it should be up and running by Monday at the latest.

I would of course appreciate your using our B&H affiliate links for all of your major gear, video, and electronic purchases. For the photographic stuff mentioned in the paragraph above we, meaning BAA, would of course greatly appreciate your business. Here is a huge thank you to the many who have been using our links on a regular basis and visiting the BAA Online store as well.

Facebook

Be sure to like and follow BAA on Facebook by clicking on the logo link upper right. Tanks a stack!

Typos

In all blog posts and Bulletins, feel free to e-mail or to leave a comment regarding any typos or errors. Just be right 🙂