Arthur Morris/BIRDS AS ART
May 25th, 2023

Oystercatcher Chick Downs 45,000 Sand Crab Eggs!

What’s Up?

With a tame American Oystercatcher family with two chicks along with several thousand Black Skimmers and Common Terns, Nickerson has been great. In addition to working the oystercatcher chicks, there has been lots of great flight photography with both the terns and skimmers. And at most, there have been only a handful of bird photographers on the beach.

I am having my trigger finger surgery done at Precision Care Surgery Center in East Setauket, Long Island tomorrow at noon. Then I will hanging loose for at least a few days. Today is Thursday 25 May 2023. Wherever you are and whatever you are doing, I hope that you have a great day too.

David Pugsley Knows Me Too Well

Blog Post Comment: May 23, 2023 at 8:56am

1 and 3 for me with an edge to 1. Love the simplicity of the design, the open bill and the patented DeSoto background.

This image was created on 23 May 2023 at Nickerson Beach Park, in Nassau County, Long Island, NY. I used the rear screen while working off my flattened Robus RC-5558-3 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 3200. 1/500 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be dead solid perfect. AWB at 6:55:50am on a blessedly cloudy morning.

Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #1: American Oystercatcher chick eating Sand Crab with eggs

Sand Crabs

If you see a Sand Crab with a spongy orange “cluster” around its belly (as above), it is actually a female crab with a case of eggs ready to be released.

Emerita is a small genus of decapod crustaceans, known as Sand Crabs. These small animals burrow in the sand in the swash zone and use their antennae for filter feeding. They are also called Mole Crabs, Beach Fleas, Sand Bugs, and Sand Fiddlers. The Atlantic Sand crab is a small (1 inch in length or less), gray-tan colored crab with very short legs that they use to dig down backwards into the sand. Check out the fabulously interesting and informative video entitled For Pacific Mole Crabs It’s Dig or Die here.

Unfortunately for the Sand Crabs, they have plenty of predators lurking along beaches on both coasts. Sand Crabs are prime targets for many species of fish as well as shorebirds like Willet, Marbled Godwit, Sanderling, and many more. At Nickerson, and throughout their northeastern breeding range, Common Terns catch them regularly by diving in the wash as a wave recedes. The smaller gull species partake as well. The life of a Sand Crab is a daily exercise in trying to avoid becoming prey to ocean, sky, and land dwelling species, an exercise that can be daunting and, depending on the local Outer Banks wildlife population, seldom fruitful.

The good news for the sand crabs is that reproduction occurs in vast numbers, with a female laying up to 45,000 eggs at a time. The sand crab breeding season occurs from February until October, and once laid, these eggs drift out to the ocean and take about a month to hatch. After hatching, it will take an additional 4 or 5 months to become fully adult sand crabs. Granted, a number of eggs become lost during the incubation period to predators as well as rough ocean surf, but generally enough survive to create what biologists call “recruits” that live along the beaches. These baby Sand Crabs can also be found during the summer, and are distinguished by their almost iridescent bodies, and incredibly small size – most of them are a centmeter long at the most.

This image was created less than three seconds after the first image on 23 May 2023 at Nickerson Beach Park, in Nassau County, Long Island, NY. I used the rear screen while working off my flattened Robus RC-5558-3 Vantage Series 3 Carbon Fiber Tripod/Levered-Clamp FlexShooter Pro-mounted Sony FE 600mm f/4 GM OSS lens, the Sony FE 2.0x Teleconverter, and The One, the Sony Alpha 1 Mirrorless Digital Camera). The exposure was determined via Zebra technology with ISO on the thumb dial. ISO 3200. 1/500 sec. at f/8 (wide open) in Manual mode. When evaluated in RawDigger, the raw file brightness was determined to be der solid perfect. AWB at 6:55:53am on a blessedly cloudy morning.

Tracking: Expand Spot/AF-C with Bird-Eye/Face Detection performed perfectly. Click on the image to enjoy the high-res version.

Image #2: American Oystercatcher chick eating Sand Crab with eggs

Oystercatcher Chick Photo Strategy

The mother oystercatcher would lie down on the beach every few minutes, inviting the chicks to snuggle up under her. She is brooding the young. The trick was to move into position and be patient. When the male would return from a trip to the shore, the chicks would quickly run out to grab the latest morsel from the sea. With clouds to the east, sun angle was not a limiting factor. This pattern was repeated over and over again. On Wednesday morning, the father bird brought in several large Sandworms. I used to pay $4.00/dozen for those to use as bait for Striped Bass.

On Wednesday afternoon, dozens of Common Terns were fishing in the wash for baby Sand Crabs (not to be confused with Sandworms).

Can You Spot the Two Post-processing Differences?

Aside from the different crops, the position of the Sand Crab, and the inclusion of the adult’s bill in Image #2, in what two ways are the images different? Note: the differences I am looking for are the result of the image optimizations.

Do you like the inclusion of the bill in #2?

Which of today’s two featured images do you like best? Why?

I have a favorite that I will share with you here on Saturday.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

May 23rd, 2023

Four More By the Incredible Sony 200-600 G Lens/α1 Rig

My Call

In Sunday’s blog post, my clear favorite was the spoonbill/marsh grasses image; I love the soft light and am a sucker for pink and green. Not to mention the exquisite image design.

What’s Up?

In today’s post, I share with you four additional darned good images from the unexpected mega afternoon at Fort DeSoto on 11 May. As it was indeed a stellar afternoon, I could probably keep going for another two weeks If you missed the video, you can access it here.

After almost missing the Auto Train on Sunday afternoon — all lanes of the Florida Turnpike were closed near Kissimmee, I was saved by Maps as it re-routed me around the delay. I made it with seven minutes to spare! The trip was uneventful. With some “mechanical delays,” we arrived in Lorton, VA a bit more than an hour late. It took me a shade under five hours to get to my Staten Island hotel.

Today is 23 May 2023. I will be up in the dark heading to Nickerson Beach. Wherever you are and whatever you are doing, I hope that you too have a great day.

All are cordially invited to join me next year on a Homer or a San Diego Instructional Photo Tour (IPT). I will likely be offering a late-June Nickerson Beach IPT very soon, and will be announcing fall dates for two or three Fort DeSoto IPTs soon. Not too mention a Galapagos Photo-Cruise of a lifetime in August 2024.

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The Fact$ of Life

Right now, the market for editorial sales of natural history images has virtually disappeared. The incomes of the world’s top stock photographers are down by at least 90%. Like me, most depend on income from photo trips, the sale of educational materials, and income from this or that affiliate program.

In 2001, BAA sold the publication rights to images for nearly one-quarter million US dollars. That amount dropped to about $20,000 by 2011, and in 2017, to slightly more than $2,000.00. We’ve stopped counting. IPTs used to fill within days. Now I am happy to go with one or two folks, but I’d much rather have you along. And so it goes. In 2009, I turned to creating educational blog posts, now to the tune of 4024. Yes, 4024 educational blog posts. So, please remember to use either my B&H or Bedfords affiliate links for your major purposes. It does not cost you one cent to do either.

B&H

Many folks have written recently stating that they purchased a Sony a1 from B&H and would like their free membership in the Sony 1 Info and Updates Group, a $150.00 value. When I check my affiliate account, their orders have not been there. When I let them know that they get credit for B&H purchases only if they use one of the many B&H affiliate links on the blog or begin their searches with this link, they are always disappointed. If in doubt, please contact me via e-mail and request a BH link. I am always glad to help and to guide you to the right gear.

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Iceland

My decades-long dream of spending time on Grimsey Island, Iceland, with the puffins — 13 days in this case!, will be realized this coming July. I am doing back-to-back trips as a participant. If anyone would like information on the world’s greatest Iceland/Atlantic Puffin trip this coming July, please contact me via e-mail.

This image was created on 11 May 2023 on the third Fort DeSoto IPT. Seated on damp sand, I used the heel-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 524mm) with The One, the Sony a1 Mirrorless Camera ISO 1600. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the exposure was perfect: 1/1600 sec. at f/6.3 (wide open) in Manual mode. AWB at 6:31:30pm on a sunny afternoon.

Tracking: Expand Spot/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #1: Breeding plumage Dunlin with bill open

Stunned After the Fact

At times, when you are picking several hundred keepers from several thousand images, it is possible to gloss over a really good one. With the relatively small-in-the frame super-sharp subject and very little beach clean-up, the dreamy, out-of-focus, pastel-colored background of this one blows me away. Though I am not 100% sure of what the bird is doing (probably an odd preening pose), the open bill is a neat touch.

This image was also created on 11 May 2023 on the third Fort DeSoto IPT. Seated on damp sand, I used the heel-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 539mm) with The One, the Sony a1 Mirrorless Camera ISO 2000. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was dead-solid perfect: 1/2500 sec. at f/9 (wide open) in Manual mode. AWB at 7:05:12pm on a sunny afternoon.

Tracking: Expand Spot/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #2: Breeding plumage Lauging Gull flapping after bath

ISO Savings versus Relatively Light Weight, Versatility, and Reach

Since I purchased the Sony 400mm f/2.8, I have rarely used the 200-600. Why? I usually use the 200-600 at the long end, and the faster 400 allows me to save seven clicks of ISO — 2 1/3 stops. When I add the 1..4X TC to the 400, I get to 560mm at f/4 — this still saves me 1 1/3 stop of ISO (four clicks) when compared to the 200-600 at f/6.3.

I grabbed the 200-600 on the afternoon of 11 May because I was being a bit lazy and not expecting anything great. Whenever I opt for the 2-6 on a sunny day, I make sure to have a 1.4X TC in my fanny pack just in case. So that is what I did.

A funny thing happened on the way to the Gulf. The huge high tide led to many great opportunities with shorebirds, bathing gulls and terns, two spoonbills, and a white morph Reddish Egret. When I added the 1.4X, I needed to use relatively high ISOs in the range of from 1600 to 2500. In the shade of Hidden Lagoon near the end of the day, I got up to ISO 4000. None of the images made at these higher ISOs suffered badly (if at all).

I enjoyed the relatively light weight and portability of the 2-6. The reach with the TC gave me up to 840mm when needed, and the versatility is pretty much unmatched by other telephoto zooms. In short, the 200-600 was perfect for what turned out to be a great afternoon.

This image was also created on 11 May 2023 on the third Fort DeSoto IPT. Seated on damp sand, I used the heel-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 766mm) with The One, the Sony a1 Mirrorless Camera ISO 2500. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was dead-solid perfect: 1/2500 sec. at f/ (wide open) in Manual mode. AWB at 7:07:07 PMpm on a sunny afternoon.

Tracking: Expand Spot/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #3: Royal Tern flapping after bath

Zoom Out for the Flapping-After-Bath Images

When you see a bird dipping its breast in the water, it will rise up and flap 99% of the time. For the best water spray images, you want to be close with a long focal length to get as tight as possible. For the flapping-after-bath images, you want to do your best to avoid clipping wings. With a long fixed focal length lens like one of the 600mm f4/s or one of the 400mm f/2.8s, you would have to either remove the teleconverter or move well back for perfect framing. Of course, neither of those options is in any way practical.

With a zoom lens, however, you simply zoom out. I was very greedy with Image #3 having zoomed out from 840mm only to 766mm. Though I clipped the wings in many frames, this one turned out to be very special with the perfect framing, the water droplets, and the sweet background.

This image was also created on 11 May 2023 on the third Fort DeSoto IPT. Standing at full height, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 600mm) with The One, the Sony a1 Mirrorless Camera ISO 4000. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the exposure was perfect: 1/2000 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:35:27pm in the shade of Hidden Lagoon late on what had been a sunny afternoon.

Tracking: Zone/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #4: White morph Reddish Egret

200-600 Close Focus

With a minimum focusing distance (MFD) of less than eight feet at 600mm, 7.87″ to be exact, the Sony 2-6 is deadly for close work. It compares quite favorably with the 14.8′ MFD of the Sony 600mm f/4 GM lens. And it is a lot easier for me to handhold than the 600 f/4.

When this white morph Reddish Egret walked right by me, I was good to go.

Your Call?

Which of today’s four featured images do you like best? Why?

I have two favorites that I will share with you on Thursday.

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.

May 21st, 2023

Four of My Favorites from the DeSoto Mega Afternoon

What’s Up?

Today is Sunday 21 May 2023. I leave for the Auto Train station at Sanford, FL at about noon today. You should be able to find me on Nickerson Beach on Tuesday morning. Wherever you are and whatever you are doing, I hope that you too have a great day.

Below are four of my favorite images from the YouTube video in the previous blog post. If you missed the video, you can see it here. Thanks to the very few (two) folks who shared their favorites with us.

Which one of my favorites do you like best? Why?

Are You Old Enough to Remember This One?

I had been trying to find the song above online for months, but could not remember the words. The other day, when listening to “50’s Oldies” on Sirius radio in the car, I heard, “The Yellow Rose of Texas.” For some reason, that brought to mind “there’s a pawn shop on a corner in Pittsburg, Pennsylvania.” A quick search found the Guy Mitchell YouTube version above. Other from the early 50s include “How Much is that Doggie in the Window?” and “‘Twas on the Isle of Capri that I Found Her.” Oh, and “The Ballad of Davy Crockett.”

If you have a favorite or two from that era, please note them in a comment.

This image was created on 11 May 2023 on the third Fort DeSoto IPT. Seated on damp sand, I used the heel-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (at 539mm) with The One, the Sony a1 Mirrorless Camera ISO 1600. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was dead-solid perfect: 1/800 sec. at f/10 (stopped down 1/3-stop) in Manual mode. AWB at 6:40:58pm on a sunny afternoon.

Tracking: Expand Spot/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #1: Breeding plumage Sanderling ruffling

Ruffling

My fourth pick is one of the ruffling Sanderling images. I am a sucker for ruffling birds, especially shorebirds. Once I acquire focus and the bird leans forward, I hold the shutter button down until the bird quits ruffling. With mid-range shutter speeds, you can get dozens of varied and pleasing poses with the wing feathers blurred. I never realized that when shorebirds stand on one leg (as they do so often, that the leg they are standing on is anything but perpendicular to the ground.

Note that as I had to zoom out from 840 to 539mm, I must have been really close to this bird.

This image was also created on 11 May 2023 on the third Fort DeSoto IPT. Again, seated on damp sand, I used the heel-pod technique with the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens with the Sony FE 1.4x Teleconverter (this time at 840mm) with The One, the Sony a1 Mirrorless Camera ISO 1600. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was more than 2/3-stop short of being perfect: 1/1000 sec. at f/11 (stopped down 2/3-stop) in Manual mode. AWB at 6:47:42pm on a sunny afternoon.

Tracking: Expand Spot/AF-C with Bird Eye/Face Detection enabled performed perfectly.

Image #2: Molting adult Sanderling ruffling with breeding plumage Dunlin in background

Juxtapositions

I love images where the subject is in sharp focus, with a second, somewhat offset, out-ot-focus bird in the background. You had best be on your toes as juxtapositions often last a second or two at most. I quickly butt-wiggled a bit to my left to put the Dunlin right where I wanted it in relation to the Sanderling.

This image was also created on 11 May 2023 on the third Fort DeSoto IPT. Standing at full height, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 411mm) with The One, the Sony a1 Mirrorless Camera ISO 3200. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the raw file brightness was 1/3-stop short of perfect: 1/2000 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:38:31pm in the shade of Hidden Lagoon late on what had been a sunny afternoon.

Tracking: Zone/AF-C with Bird Eye/Face Detection enabled performed adequately.

Image #3: White Morph Reddish Egret dancing

White Morph Reddish Egrets

White morph Reddish Egrets are always very special. Getting to photograph one dancing is always a thrill. In soft light? Better yet. Picking just one of the 49 images of this bird that I kept was not an easy chore. I shared fifteen of those in the video.

This image was also created on 11 May 2023 on the third Fort DeSoto IPT. Standing at full height, I used the handheld Sony FE 200-600mm f/5.6-6.3 G OSS lens (at 565mm) with The One, the Sony a1 Mirrorless Camera ISO 3200. Exposure determined via Zebras with ISO on the Thumb Wheel: RawDigger showed that the exposure was perfect: 1/1600 sec. at f/6.3 (wide open) in Manual mode. AWB at 7:41:39pm in the shade of Hidden Lagoon late on what had been a sunny afternoon.

Tracking: Expand Spot/AF-C with Bird Eye/Face Detection enabled performed adequately.

Image #4: Roseate Spoonbill with marsh grasses

My Clear First Choice

When this spoonbill landed in the perfect spot just behind the stand of marsh grasses, I got really excited. While framing the image, I zoomed out a bit so as to include the entire stand of grasses. Though the bird was looking out of the frame, to my left, my plan was to make a few images anyway. Miraculously, the bird turned its head and looked to my right. Perfection!

I love the soft light and I am a sucker for pink and green. Not to mention that the image design is exquisite (he said, modestly).

Typos

With all blog posts, feel free to e-mail or to leave a comment regarding any typos or errors.